Spolupráce Národního archivu se soukromoprávními původci v oblasti předarchivní péče

Author(s): Zora Machková,Jiří Křesťan / Language(s): Czech Issue: 2/2012

Název tohoto příspěvku je záměrně uvozen slovem spolupráce. Ta je totiž pro přístup Národního archivu k soukromoprávním původcům určující. Plně vystihuje podstatu toho, na čem je naše práce s těmito původci postavena. Nejde a nemůže jít o čistě direktivní přístup státní instituce, ale o součinnost, v níž jsou obě zúčastněné strany rovnoprávnými partnery. V ideálním případě si oba partneři uvědomují společný zájem na uchování té části Národního archivního dědictví, jež vzniká působením původce či jeho předchůdce. To, že vzniká vztah spolupráce, vychází do značné míry z archivní legislativy, ale vyplývá to rovněž ze zkušeností, forem a metod práce, které vůči soukromoprávním původcům Národní archiv uplatňuje.

Něco málo o předarchivním dohledu na 1. oddělení ve Státním oblastním archivu v Zámrsku v letech 1967–1985

Author(s): Vladimír Kaláb / Language(s): Czech Issue: 2/2012

Pamětníci odcházejí a s nimi i duch a zvyklosti z doby více než před 40 lety. A někdy je dobré si připomenout i lidský rozměr, který provázel ryze pracovní povinnost, profesní vystupování při kontrolních návštěvách spisoven, schvalování skartačních návrhů či metodických instruktážích a poradách u původců archivních fondů v rámci dnes běžně užívaného termínu předarchivní péče.

Poštovní muzeum a jeho sbírkotvorná činnost v letech 1939–1970

Author(s): Jan Kramář / Language(s): Czech Issue: 1/2012

The article analyzes history of the Postal Museum in Prague in 1939–1970 and follows previous article from 2008. The author notes above all changes in the concept of museum as an instrument of Nazi propaganda during the occupation, its closing in 1944, its reduced restoration in 1945 focusing exclusively on philately and a new period in 1960s, when the museum was restored as a scientific center for postal history.

Irena Malá-Ludmila Kubátová: Pochody smrti (Die Todesmärsche)

Author(s): Karel Lagus / Language(s): German Issue: 2/1966

Review of: Irena Malá, Ludmila Kubátová: POCHODY SMRTI. (Die Todesmärsche.) Nakladatelství politické literatury, Praha, 1965. 324 S., 28 Abb., 37 Karten.

Les archives du Musée Juif d’Etat ouverts successivement au public

Author(s): Jan Heřman / Language(s): French Issue: 2/1967

Quand a été fonde, au cours de l’occupation nazie de la Tchécoslovaquie, le soi disant „Jüdisches Zentralmuseum“, l’ordre a été donné aux communautés juives du soi-disant Protectorat de concentrer tous les registres de naisances juifs dans un Registre juif central. Ainsi ont été pour toujours diviseés les fonds d’archives des communautés juives, comme cela a été le cas en Allemange nazie. Les registres, en tant qu’on a pu savoir, ont été détruits à la fin de guerre. Mais une partie en avaient été tenus en double, et ces copies ont été retrouvées aux archives du ministère de linteriur, et remises, après 1945, au comité national de Prague 1er, où elles sont déposés jusqu’à nos jours.

Aus der Handschriftensammlung des Staatlichen jüdischen Museums in Prag (Illuminierte Handschriften des 18. Jahrhunderts)

Author(s): Vladimir Sadek / Language(s): German Issue: 2/1969

The author describes ten illuminated and illustrated manuscripts from the collections of the State Jewish Museum. The manuscript dating from the 18th century were made out either by scribes belonging to the Moravian penman school or under its direct influence.

Jewish Community Archives from Bohemia and Moravia

Author(s): Jan Heřman / Language(s): English Issue: 1+2/1971

Analytical registers to the catalogue of archive materials from Jewish Communities with the exception of that of Prague, drawn by K. Dolista and J. Šmolka

Дигитализацијата како помошно средство за научно истражување на фолклорните материјали

Author(s): Suzana V. Spasovska,Suzana V. Spasovska / Language(s): Macedonian Issue: 85/2024

The digitalization – as a product of the information era – is especially useful for archiving and preserving – not only of the older issues like the printed editions dating back to the 19th century and earlier, even of the manual handwritings that date back into the Middle Ages – but as well of the exhausted editions that can’t be found on sale anymore. Digital libraries are necessary within any scientific research and inquiries – not only of the natural and social sciences but also of the ethnic and folklore materials – especially of those dating back to the Romantic era – because of the actual sensitivity of those editions, being very old and in a bad condition for their physical use. Of course, digitalization doesn’t only relate to the diachronic aspects of these editions (accessibility to the older materials), but it also relates to the synchronic aspects of the editions. Namely, those numerous digital networks, databases, web pages, e-magazines, and net portals – bring much broader visibility of and accessibility to materials related and/or considering contemporary scientific researches on those folklore materials. One of the examples of this is the digital editions of the literary mystification Veda Slovena (Веда Словена) and of the contemporary translation of the anonymous medieval English poem Sir Orpheo (Сер Орфео): without these digital (digitalized) editions of those significant poems – we could easily be unable or in any position to literary compare & analyze the specific signifying links and similarities between them.

Managing Karadeniz Music Archive (KARMA): Foundations, Improvements,

Author(s): Abdullah Akat,Özgün Arda Nural / Language(s): English Issue: 33/2022

KARMA, founded in Trabzon (Türkiye) in 2011, brings together audio-visual archival materials from the Black Sea hinterland. The goal of this article is to promote the epistemological and institutional background and actions of KARMA with its short history, objectives, and current applications for digital preservation. In this context, we will present how KARMA adapts Latour’s actor-network theory, Deleuze and Guattari’s rhizome, and Akat's focus strategy model. We will also stress the importance of both micro and macro perspectives in order to understand the music cultures of the region through historical collections and new connections.

Архив Музиколошког института САНУ

Author(s): Aleksandar Vasić / Language(s): English,Serbian Issue: 10/2010

Institute of Musicology of the Serbian Academy of Sciences and Arts in Belgrade possesses a comprehensive collection of manuscripts, copies and rare editions of Serbian music. The collection also contains textual documents, photographs and objects important for the national musical history. This study presents a history, review of the content and structure of the Institute’s Archive. Attention is focused on the most important documents in the Collection, also on the structure of users. Finally, author speaks about the actual problems in the Institute’s Archive.

Oral History. The availability of audiovisual materials online

Author(s): Adriana Kapała,Małgorzata Kudosz / Language(s): English Issue: 13/2023

Over the last several years, we have witnessed an increase in the popularity of oral history among community archives. Accounts are recorded not only by researchers and members of science institutions, as more and more grassroots initiatives (including community archives) start their activity by collecting oral history recordings. Oral history is also present in museums and cultural institutions (libraries, community centres); recordings are made for instance by the Białystok Cultural Centre/Ludwik Zamenhof Centre or Biblioteka Publiczna im. Marii Konopnickiej (the Maria Konopnicka Public Library) in Suwałki. This results from the general availability of recording equipment, but also of grants for documenting the history of a given community, location, profession or group. This trend inevitably invites the question of how these recordings are made, but also what happens to them next with respect to archiving, editing and publication. It should be mentioned here that thus far, in spite of discussions across various institutions (including the Polish Oral History Association), no unified set of rules has been established concerning the publication or editing of oral history recordings.

Documente românești în arhivele maghiare: lucrările de teren ale inginerului Sándor Veress din anii 1860-1884

Author(s): Mădălin-Cristian Focșa / Language(s): Romanian Issue: 1-2/2016

An online sketch-map leads to the “discovery” of a forgotten family fonds at the Hungarian National Archives, with interesting data (in Romanian included) on the local communities and the Romanian society during the 60s, 70s and 80s of the 19th century. The engineer Sándor Veress (1828-1884), great personality of both Hungarian emigration and Romanian elites, has left his cartographic and engineering works related to many places of the Old Romanian Kingdom, including large properties of major noble families. The whole family fonds and Sándor Veress sub-fonds are shortly presented in this paper, with the emphasis on the item containing Romanian documents related to his engineering work

Manuscript It. VII, 519 (= 8438) from Marciana National Library and its Spurious Author, Nicolò Trevisan

Author(s): Şerban Marin / Language(s): English Issue: 1-2/2016

Named as “Nicolò Trevisan. Cronaca di Venezia, continuata da altro Autore sino all’anno 1585, nel mese di Luglio, cioè sino alla morte del Doge Niccolò da Ponte” in the former catalogue of Marciana National Library, this manuscript is dated in the 16th century. It originates in Giacomo Morelli donation (no 55). It is about a codex of 405x275 mm, numbering 352 leaves, written from the beginning to the end by one and the same hand2 or at least one could speak about a tendency towards an orthographic unification . Its numbering is due to both the original version – with Latin figures – and the modern one4 . The text is disposed on two columns, while the main data and facts are emphasized in red ink . F. Thiriet considered that the first 15 leaves include a table of matters that facilitates the lecture and use , but I have personally noted that it covers only pages 1a-13a and is entitled “Tavola delle Rubriche de tutta la presente cronica de Venetia” .

De la Turul României la Balcaniada de ciclism. Documente din arhiva Federației Române de Ciclism

Author(s): Ştefan Petrescu / Language(s): Romanian Issue: 1-2/2016

Vasile Canarache (1896-1969), a complex personality, was interested in journalism, sports and archaeology. The article deals with the activity of Canarache as president of the Romanian Cycling Federation between 1935 and 1945. Using documentary material from the newspapers and the Federation’s archive, preserved in the custody of Viorica Canarache, the daughter-in-law of Vasile Canarache, this article fills a gap in the sport historiography. In 1934 the Tour of Romania was the first cycling race, set up and sponsored by Canarache, editor of the Daily Sport. In 1940 he organized in Bucharest the first Balkan Cycling Championships. The newspaper Tempo!, Canarache's property, and the Romanian Cycling Federation worked together to promote this sport in Romania.

Fonduri arhivistice basarabene la Arhivele Statului (1944-1954)

Author(s): Octavian Dascăl / Language(s): Romanian Issue: 1-2/2017

This article capitalizes the documentation existed at the National Archives with regard to the evacuation of the regional direction at Chișinău of the State Archives in Romania, which took place in February-March and the beginning of May 1944, according to a thorough plan designed by its director, Leon T. Boga, and then the return of the Bessarabian archives to the Soviet Socialist Republic of Moldova, set up in the period between 1945 and 1954. The study emphasizes the fact that in 1944 the whole Bessarabian historical archive and the documents issued by the institutions of the Romanian administration in Bessarabia were moved in Romania and dispersed to various branches of the State Archives or in administrative, economic, cultural-educational institutions and organizations or even to individuals and just a part of them was brough back to Chișinău in 1954-1954. The article deals with this topic by relying on additional information excerpted from DGAS (General Direction of the State Archives) fonds and has in intention to clarify the circumstances of the vents in 1944-1954. In addition, it indends to initiate a honest debate over the opportunity and consequences if the dislocation of the archives, taking into consideration the inalienable feature of the property right, the archival principes and the professional deontology. Around 240 Bessarabian fonds and collections are preserved todat in the administration Ilfov County Office of the National Archives, but their greatest number has no modern inventories rigorously prepared forewords, while the research of them is limited by the stipulations of the Law of National Archives no 16/1996, Appendix no 6. Henceforth, last but not least, the main purpose of the study aims at signaling of the existence in Romania of several main fonds with historical value originated in Bessarabia. The goal is the facilitate the access to them, eventually in the context of common projects initiated between the National Archives of Romania and the National Agency of the Archives of the Republic of Moldova.

The Image Is Not Enough’. Some Considerations on Digitization of Archival Documents

Author(s): Bogdan-Florin Popovici / Language(s): English Issue: 1-2/2017

In the last decade, digitization became one of the most popular activity in the archival world. I do not challenge if this is right or wrong, if all the processing backlogs or issues associated with paper records were solved, so we can move to another level. It is just an observation that almost all discussions about classical archives is departing from appraisal, arrangement, deacidification, etc. towards digitization. In part, this is due to the great advantages implied. Dissemination of archival holdings without reading room timetable or space limitations, the largescale availability of digitizing hardware and software contributed greatly to the popularity of digitization projects. Hence, by using modern technologies, everybody, from individuals and small, but agile archives up to big National Archives institutions could make their holdings more visible to the world. The easiness of access sometimes created also the representation of a simple, straightforward process, and implicitly created the expectation for archives as being “at a click distance” from users. I was involved in the last years in several projects of digitisation; I had the opportunity to see the plans, but also to draw the afterwards conclusions; to read the success receipts and learn from practical failures. And some of my observations I intend to share in this paper.

Some Considerations regarding Manuscripts It. VII, 1274- 1275 at Marciana National Library, ascribed to Gasparo Zancaruolo

Author(s): Şerban Marin / Language(s): English Issue: 1-2/2017

It was in 19671 when an exchange of manuscripts took place between Marciana National Library in Venice and Braidense National Library in Milan. According to it, the manuscript that had previously been inventoried as It. VII, 1274-1275 at Marciana, representing an 18th century copy of the former codices It. VII, 49-50, which in the meantime became Braidense AG X 15-16, was released to the Milanese library; in exchange the 15th century original was returned to Marciana2 . The librarians at Marciana did not operate the changings in the catalogues, so that nowadays what is in the inventories It. VII, 1274-1275 is exactly the original of the chronicle dated in the 16th century. As another result of this exchange, what the scholars have regarded around five decades ago as It. VII, 49-50 or Braidense AG X 15-16 is today in the inventory It. VII, 1274-1275. The using paper notes: “Cronaca Veneta ... Zancaruolo. 2 volume”, while the Marcian catalogue “Ital. VII.”, beside the title of “Cronaca Veneta supposta di Gasparo Zancaruolo, dall’origine della Città fino al 1446”, with reference to It. VII, 49-50, one could find the information that it had been “Ceduta alla Biblioteca Nazionale Braidense di Milano (in 1967)” and its provenience is from Girolamo Contarini.

Varia

Author(s): Şerban Marin,Monica Negru / Language(s): English,Romanian Issue: 1-2/2019

Varia

Author(s): Monica Negru,Şerban Marin,Mirela Tîrnă / Language(s): English,Romanian Issue: 1-2/2016