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Translationes no 1/ 2009. Traduire les culturèmes / La traducción de los culturemas
0.00 €

Translationes no 1/ 2009. Traduire les culturèmes / La traducción de los culturemas

Author(s): / Language(s): French,Spanish

The first issue of the Translationes journal brings together studies that take into account, in addition to attempts to (re-)define the cultureme, translation analyses and critiques that aim to examine both the nature of the cultureme and the nature of interlingual transfers, as well as the purpose of translations, without forgetting that, after all, translation remains a matter of interpretation.

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Saga rodzinna w literaturze polskiej XXI wieku. Konwencja czy kontestacja?
10.00 €

Saga rodzinna w literaturze polskiej XXI wieku. Konwencja czy kontestacja?

Author(s): Anna Zatora / Language(s): Polish

This publication redefines the family saga genre, confronting recent literary representations with the model of the traditional family novel, and explores the relationship between the evolution of the genre and transformations in the family model. Academic definitions of family saga (family novel) to date are inadequate to describe recent literary material, i.e., family-themed novels written in the early twenty-first century. Selected Polish literary works written between 2005 and 2015 were analyzed: Piaskowa Góra (Joanna Bator), Saturn (Jacek Dehnel), Stulecie Winnych (trilogy; Ałbena Grabowska), Dom na rozlewiskiem (trilogy; Małgorzata Kalicińska), Rodzina O. (Ewa Madeyska), Chochoły (Wit Szostak), Włoskie szpilki and Szum (Magdalena Tulli). This research points to two ways in which the genre has evolved: the first is a continuation of the traditional model of the family saga, and the literary representations belonging to it (conventional sagas) remain faithful to the model of the family developed at the time and reproduce most of the poetic elements; the second way in which the saga has evolved includes works (contestation sagas) that draw on the genological tradition but at the same time critically reinterpret it. In conclusion, it is proposed to introduce for such representations of family sagas the term "anti-saga" hitherto unfunctional in scientific discourse. The analysis of the literary material allows us to demonstrate a significant relationship between the development of cultural research and the evolution of the family model and the genre of the family saga.

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Foglar v nás: Záhada hlav a lomu
34.71 €

Foglar v nás: Záhada hlav a lomu

Author(s): Richard Macků,Jiří Němec,Ivo Jirásek / Language(s): Czech

The presentation of the personality, work and influence of Jaroslav Foglar is not limited to a historical biographical sketch, but seeks, among other things, on the basis of an empirical survey (n = 1174), to provide a comprehensive professional treatment of a relatively complex social phenomenon. The evidence of the influence of the reading experience usually acquired in childhood on the whole future life, as well as the interest of several scientific disciplines (comic studies, literary science, religious studies, pedagogy) in the specific methods of the scout educator, writer of boys’ literature and editor of several children’s magazines is thus the first book venture going beyond theoretical considerations and hypotheses towards evidence based on surveys of readers and fans of Foglar’s texts.

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Izanagiovský motiv v románech Haruki Murakamiho
26.45 €

Izanagiovský motiv v románech Haruki Murakamiho

Author(s): Tomáš Jurkovič / Language(s): Czech

Japanese writer Haruki Murakami is sometimes considered to be an entirely Western-literature-inspired author of “non-Japanese” texts. Such an assessment, however, needs to be rejected upon analysing Murakami’s fiction. The present study offers guidance into the colourful world of Murakami’s novels in chronological order. It presents them together in what we could call a meta-story, starting from the very beginning of Murakami’s writing and its sources of inspiration, and ending with Murakami’s first victory in dealing with his most important subject as an author – the dark sides of modern Japanese history.

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SOLOVJOVŮV IDEÁLNÍ DIALOG NAHLÍŽENÝ Z HLEDISKA GENOLOGICKÉHO

SOLOVJOVŮV IDEÁLNÍ DIALOG NAHLÍŽENÝ Z HLEDISKA GENOLOGICKÉHO

Author(s): Markéta Poledníková / Language(s): Czech Publication Year: 0

The paper will briefly introduce the dialogical work Three Conversations by V. S. Solovyov as regards its content, idea and genre. The Three Conversations will be analysed as regards their sources of inspiration (Plato’s dialogues, The Grand Inquisitor by Dostoyevsky) and compared with other selected dialogical works, for example The Conversations with Socrates by Radzinsky

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Dyskurs autopromocyjny i jego współczesne odsłony. T. 1
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Dyskurs autopromocyjny i jego współczesne odsłony. T. 1

Author(s): / Language(s): Polish

Zasadniczym tematem tomu jest wieloaspektowe ujęcie dyskursu autopromocyjnego we współczesnych realiach. Prace znajdujące się w tym tomie starają się wypełnić lukę w studiach nad dynamicznie rozwijającym się w Polsce dyskursem autopromocyjnym. Wśród autorów znaleźli się językoznawcy, logopedzi, trenerzy biznesu, medioznawcy oraz kulturoznawcy, którzy w swoich tekstach przedstawili zjawisko autopromocji w perspektywie zarówno swoich badań naukowych, jak i doświadczeń zawodowych.Tom adresowany jest zarówno do studentów specjalizacji: dziennikarstwo, komunikacja medialna, komunikacja promocyjna oraz dyskurs publiczny w obrębie studiów humanistycznych, jak i do studentów dziennikarstwa oraz różnych specjalizacji medialnych na Wydziałach Nauk Społecznych oraz Pedagogiczno-Psychologicznych jako doskonałe wzbogacenie wiedzy na temat autopromocji.

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Prom
6.00 €

Prom

Author(s): Miroslav Mićanović / Language(s): Polish

Prom to zbiór kikludziesięciu krótkich opowiadań pierwotnie publikowanych na łamach dodatku kulturalnego chorwackiej gazety „Jutarnji list”. Miroslav Mićanović zabiera nas w podróż w czasie i przestrzeni: do okresu dzieciństwa, dorastania, studiów, dorosłego już życia wiedzionego w roli męża i ojca. Czytelnik przenosi się wraz z wyeksponowanym pierwszoosobowym narratorem to na pogranicze bośniacko-chorwackie, do stron rodzinnych pisarza, to do Zagrzebia, to znów na wyspę Vis lub za ocean, do dalekiej Australii. Książka nie ma klasycznego początku ani końca; są fragmenty, epizody, zapis pojedynczych doświadczeń, mozaika chwil, z których tak naprawdę składa się nasze życie. Dlatego „rejs promem” nie odbywa się po z góry wytyczonej trasie, można go zacząć w dowolnym miejscu, przerwać w wybranym momencie, odłożyć na później lub przyłączyć się jako towarzysz podróży w jego trakcie…

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La concettualizzazione del „corpo umano” nel discorso persuasivo rivolto al pubblico femminile. L’approccio cognitivo
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La concettualizzazione del „corpo umano” nel discorso persuasivo rivolto al pubblico femminile. L’approccio cognitivo

Author(s): Agnieszka Pastucha-Blin / Language(s): Italian

The aim of the work is to present the way of conceptualizing the notionof corpo umano (a human body) and cura del corpo (taking care of the body) intexts devoted to women’s health and beauty.The corpus being analysed contains persuasive texts deriving from the ItalianInternet portals such as spaziodonna, donnamoderna, alfemminile, italiadonna,benesseredonna and Internet websites of the following periodicals: “IlCorriere della Sera”, “La Repubblica”, “Cosmopolitan”, “Marie Claire”, “Focus”,and “Panorama”.Chapter one presents the assumptions of cognitive linguistics, discussingthoroughly the issue of conceptualization based on a categorial organization ofexperience.Special attention was paid to metonymy (a mechanism creating semanticextensions within one domain based on adjacence) and metaphor (a processof copying from the input to the target domain based on similarities) that arethe basis of the conceptualization of the notion of corpo umano in the verycorpus.The analysis conducted was based on a cognitive conception of Lakoff andJohnson’s metaphor. The types of metaphors embodying our experience arereflected in a language use distinguished by the researchers were characterized.The process of conceptualization was presented in a wide communicativeand genological context. Chapter two gave definitions and determinants of thetext, as well as selected models of communication, taking into considerationa linguistic communication. In view of the source of the linguistic material, thework included descriptions of the communications models in the Internet.A lot of attention was paid to argumentative texts where the author presentshis/her point of view and makes the receiver accept it. In so doing, he/she usespersuasive strategies such as constructing the source of the expression or axiologization.In this perspective, a discourse is not only a functional product, but isalso treated as a phatic object and carrier of the value system, which proves itsmultidimensional nature.Further on, the work discusses the problem of manipulation, that is, animplicit persuasive communication being psychological in nature, and an axiologicalaspect of persuasive strategies.In subsequent chapters of the book, definitions and classifications mentionedin the analysis of the notion of corpo umano in a persuasive discoursewere characterized. The subject of the studies presented in chapter three weremetaphors used in a description of the body and actions taken when taking careof the body. As a result of the analysis of the linguistic determinants one couldthoroughly analyse the conceptualization of a given notion.The analyses of metaphorical expressions conducted allowed for showinga part of the human body and its functions in the categories of a material, plant,building as well as an object of a religious cult. The measures aiming at obtaininga perfect look are understood as an armed conflict and a journey.Chapter four discussed the linguistic mechanisms used by the authors ofpersuasive texts in order to influence the receiver (through arousing emotions,influencing the receiver’s awareness, his/her imagination and reactions).Also, an attempt was made to characterize the linguistic actions aiming atinfluencing the receiver’s decision by means of imposing a particular vision ofreality on him/her. Such actions include, without a doubt, creating the sourceof the expression.The analysis of linguistic expressions, being the trace of the author’s presencein a given linguistic material allowed for outlining a profile of a text sender.He/she wants to escape from being responsible for the information read, doesnot reveal him/herself at all, sometimes hides in a group or gives the floor toothers, mainly experts.The sender seems to be a person having a rich experience, high competencesand potential (in comparison to the receiver). Even though he/she tries toenter into a contact with the addresser, he/she does it in order to impress him/her much more, and, in consequence, influence more.Sender’s dominance in a discourse also takes on the form of criticism towardsdefects of women’s body. The way the authors of persuasive texts describefemale readers’ bodies creates an image of an imperfect receiver who (perceivedthrough the prism of his/her physicality) is urged for a constant metamorphosis.

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Schémas d’extension métaphorique. À partir de l’analyse des contenus et des organisations conceptuels de certaines unités lexicales se référant à la lumière
9.00 €

Schémas d’extension métaphorique. À partir de l’analyse des contenus et des organisations conceptuels de certaines unités lexicales se référant à la lumière

Author(s): Barbara Taraszka-Drożdż / Language(s): French

The present work is situated within the paradigm of Cognitive Linguistics,whose major claim is that language constitutes an integral part of human cognition.This trend was created at the end of the 1970s and is represented by the work ofRonald Langacker, George Lakoff, Gilles Fauconnier, and Mark Turner. One of theareas of interest within this trend is the phenomenon of metaphor, which is also thesubject of the present thesis.The first, theoretical part, begins with an account of the basic assumptions ofthe Conceptual Metaphor Theory, which played a significant role in the study ofmetaphor. This theory was introduced by Lakoff and Johnson in the book MetaphorsWe Live By. In it, the authors also put forward a claim about the central role of metaphorin language and cognition. This theory has been both further developed bysuch scholars as Zoltan Kövecses, Joseph Grady, Raymond Gibbs, or Mark Turner,and also modified under the influence of the Blending Theory by Fauconnier andTurner. The second chapter of the theoretical part is devoted to the main assumptionsof Cognitive Grammar formulated by Langacker. Within this complex theoryof language, metaphor is primarily viewed as a type of semantic extension entailinga change of domain. The most significant role in such extensions is played by the abstract,schematic structures emerging from them. A juxtaposition of these two theoriesin the third chapter allows the author to observe the superiority of Langacker’stheory. It permits an account of the phenomenon of metaphor in all complexity —from metaphorical extensions of single linguistic units to highly schematic structurescalled patterns of metaphorical extension.The aim of the second part of the book is an application of Cognitive Grammartools to an analysis of metaphorical extensions of selected French lexemes. On thisbasis, the author arrives at the schematic structures emerging from these extensions.Taking into consideration one of the major claims of Cognitive Grammar — that allgeneralizations arise as schematizations of more specific structures — the researchbegins with an analysis of the conceptual content and organization of each of theselected items. The object of the analysis is the item lumière (light) and other selectedlexemes referring to light.At the first stage, the object of the analysis is these lexemes’ conceptual contentand the particular way of construing that content in the domain of visual perception,that is, the domain which constitutes the standard in the categorizing relationshipsdescribed in further parts of the publication. Due to an application of CognitiveGrammar tools, it is possible to point to similarities and differences between theanalyzed items at the level of their profile, base, and the immediate and maximalscope.The consequent analysis of the extensions of the above-mentioned items to otherdomains (auditory, intellectual, social, emotional, and moral) allows the author toarrive at a whole system of structures which are schematic in relation to these extensions.Among these, at the highest level of schematicity, the following patterns ofmetaphorical extension are enumerated: [WHAT CONCERNS LIGHT] ---> [WHATCONCERNS AUDITORY SENSATIONS], [WHAT CONCERNS LIGHT] ---> [WHATCONCERNS EXPERIENCES RELATED TO KNOWLEDGE AND UNDERSTANDING]and [WHAT CONCERNS LIGHT] ---> [WHAT CONCERNS EXPERIENCES INTHE EMOTIONAL AND MORAL SPHERE]. Each of the above patterns is describedalong with the matrix of domains which can be activated by particular extensionsas well as with the bodily and cultural knowledge constituting the background forthese extensions.With the adoption of Langacker’s definition, according to which metaphoricalextensions involve a change of domain, it is possible to call these schemas metaphoricalpatterns. However, the author notes important discrepancies concerning the relationsbetween the standard and target of the above patterns. These discrepancies,which are sometimes classified in the literature as metonymical or metaphorical, areapproached in the book by means of cognitive distance. The analysis also enablesthe author to make some observations concerning the axiological dimension whichcan be evoked by some of the patterns’ instantiations.

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Fearful Symmetries. Representations of Anxiety in Cultural, Literary and Political Discourses
10.00 €

Fearful Symmetries. Representations of Anxiety in Cultural, Literary and Political Discourses

Author(s): / Language(s): English

Tom zbiorowy Fearful Symmetries („Straszliwe symetrie” – w aluzji do zwrotu, jaki pojawia się w jednym z wierszy Williama Blake’a) jest pokłosiem przedsięwzięcia naukowego o nazwie „Civilization and Fear” („Cywilizacja i lęk”), którego zwieńczeniem była międzynarodowa konferencja interdyscyplinarna zorganizowana w roku 2010 przez Instytut Kultur i Literatur Anglojęzycznych. Celem konferencji było prześledzenie przejawów niepokojów i lęków, jakie budzi cywilizacja, a które znajdują swój przejaw w rożnych zjawiskach należących do szeroko pojmowanej kultury. W Fearful Symmetries pole zawężone zostało przede wszystkim do obszaru tekstu. Nie chodzi tu zatem o lęk w sensie abstrakcyjnym – zamieszczone w tomie eseje skupione są na przejawach niepokojów i lęków wyrażonych w formie dyskursywnej, a zatem w określonym historycznie i kulturowo kontekście. Poszczególne artykuły nie przynoszą odpowiedzi na pytanie: „Jaka jest natura lęku?” Dają jednakże wgląd w mechanizmy, dzięki którym obawy i lęki, szczególnie te związane z postępem cywilizacyjnym, znajdują wyraz w słowie i przez to zostają odziane w taką lub inną formę dyskursu. Chociaż bowiem lęk jest przeżyciem z natury osobistym a nawet intymnym, a przez to – zdawać by się mogło – niekomunikowalnym, to jednak funkcjonuje on również w wymiarze dyskursywnym, żywi się językiem i znajduje swoje naturalne środowisko w kulturze. Publikacja nie jest jednolita pod względem metodologicznym, nie narzuca też jednego i wyłącznego punktu widzenia; za wyjątkiem naszkicowanego wyżej pola tematycznego poszczególne artykuły nie pozwalają się sprowadzić do wspólnego mianownika. Jako całość książka unaocznia zatem, jak zróżnicowane są dyskursywne przejawy lęku i jak różnorodne potrafią być konteksty owych przejawów. Taka otwartość metodologiczna i światopoglądowa pozwala zdaniem redaktorów tomu żywić nadzieję na opanowanie wielu niepokojów dręczących współczesną kulturę (np. lęku przed wszelkiego rodzaju totalitaryzmami, także w sferze intelektualnej), a w konsekwencji na „ucywilizowanie” strachu jako nierozerwalnie z nią związanego zjawiska.

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Idylla/testament. Wiersze przebrane. Testament/idylla. Wiersze przybrane
6.00 €

Idylla/testament. Wiersze przebrane. Testament/idylla. Wiersze przybrane

Author(s): Miłosz Piotrowiak / Language(s): Polish

The boundary between an idyllic nature and testament certainly does not divide anachronism from modernity. Both poetic formulas freeze in patterns with similar power, and go beyond their genre constraints with similar enthusiasm. Both idyll and testament are medial in nature – they still fight for something, negotiate conditions, test constraints and scope of actions. The movement derived from a poetic shamelessness, and immodest passion, whether it be concealing (idyll) or revealing the truth (testament)results from opposition to laws and possibilities of improving the world. That is why testament does not have to be considerations of an old man going back to a different epoch in his thoughts while idyll a little goose herd’s chat who is idle to an observer’s delight.Idyllic and testamentary points of view are subject to genological and philosophical tests as characterological states, predilections of imagination and style components in particular parts of the project.The project Idyll/testaments. Selected poems. Testament/idyll. Adopted poems evokes sketches on poetry by Zuzanna Ginczanka, Jan Lechoń, Czesław Miłosz, Piotr Sommer, Jerzy Ficowski, Jarosław Iwaszkiewicz and Zbigniew Herbert.

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Studentská literárněvědná konference 2022
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Studentská literárněvědná konference 2022

Author(s): Radek Cimprich,Zuzana Kubusová,Adam Hošek,Minami Toyoshima,Alena Klementová,Petr Stach,Martin Makara,Daniela Straková,Mariia Kokh,Matylda Strand / Language(s): Czech

The collection of contributions from the twentieth year of the competitive Student Literary Conference (May 4–5, 2022, Faculty of Arts, UP in Olomouc), organized by the Bohemian Studies Department of the Faculty of Arts, UP in Olomouc and the Institute of Czech Literature, v. v. i., contains nine articles that were created on the basis of conference contributions awarded by the jury. As a result, the publication is varied both thematically and methodologically. It is dominated by texts dealing with works and authors from various stages of the development of Czech literature, a significant number of articles were inspired by Slovak literature, and two studies are devoted to world literature. The main goals of the collection are the presentation of the results of talented adepts of literary science, as well as their motivation for further professional growth.

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Republiki literackiej nowoczesności
8.00 €

Republiki literackiej nowoczesności

Author(s): Krzysztof Krasuski / Language(s): Polish

The development of the concept of modern literature in Poland, documentedwith literary criticism and essay writing, constitutes the maintheme of the book. In the presented overview, the selected literary andstrictly intellectual projects, included in the texts of Stanisław Brzozowskiand Czesław Miłosz, were taken into consideration. The examplesillustrate the significant factors which influenced the developmentof modernity in Polish literature of the previous century. It has beenillustrated that different writers of successive generations experiencedand defined the concept of modernity differently and that, in varioushistorical periods, they drew different conclusions in respect of theartistic texts realisations.Each of the book’s chapters is based on the assumption that the categoryof modernity is historically relative. Thus, the subsequent parts of thisstudy present the development of modernity in chronological order. Theinitial stages of the history of modernity in Polish literature of the 20thcentury, which were selected as crucial, include the analysis of the aspectof Stanisław Brzozowski’s (1878—1911) artistic activity that is reflectedin the theory of postcolonial studies, since until now it has not beenthe subject to interpretation with regard to this critic’s writing. Theassumptions of this theoretical approach may also be applied to theresearch into the later literary periods in Poland, the post- 1989 period.Tadeusz Żeleński (Boy) (1874—1941), the propagator of the rapid culturalchanges, has become an advocate of the literary and social modernityin the interwar period.The writers creating in political exile after 1945, also actively participatedin the process of shaping the Polish modern cultural awareness.Like i.a. Czesław Miłosz (1911—2004) and Tymon Terlecki (1905—2000),they represented various ideas about modernity, ranging from the liberalto the conservative ones. In these terms, the intellectual and artisticpropositions which might have seemed classicist or traditional, wereturned against the concept based on a considerable dose of mystification,for instance, the totalitarian social practices. Such a liberal anddemocratic attitude may be observed in the literary criticism of CzesławMiłosz, Paweł Hertz (1918—2001), and Tomasz Burek (born 1938).The book ends with the analyses of statements issued by literary criticsparticipating in the creation of the modern trend in the contemporaryliterature, but not in the least belonging to the avant-garde.With regard to the artistic output of the older and the consecutivegenerations of writers and critics, for instance those belonging to the NewWave generation, the author pays less attention to the extreme avant-gardeprojects than to the projects which remain related to the contemporaryliterary references, reactivating the existential experiences of the earlierand the more recent past, as well as the present. This type of modernitystrives for a broad social reception. Hence, it is not the state of elimination,but the state of homeostasis of tradition and contemporaneity thatis expected to be a remedy for the canons of modernity favoured in thecritical activities presented in the book.

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Reciprocities: Essays in Honour of Professor Tadeusz Rachwał
10.00 €

Reciprocities: Essays in Honour of Professor Tadeusz Rachwał

Author(s): / Language(s): English,Polish

Kompozycja Księgi Pamiątkowej ku czci Profesora Tadeusza Rachwała odzwierciedla zarówno historyczną chronologię tekstów omawianych przez Autorów tekstów wchodzących w jej skład, wielość i różnorodność tematów, metodologii, dziedzin i kierunków badawczych zaprezentowanych w tych esejach, jak i – charakteryzującą prace Profesora – oscylację pomiędzy historycznie osadzoną konkretnością a uniwersalistyczną refleksją; pomiędzy lokalnością a globalnością; immanencją materialności i tym, co ponadzmysłowe w przestrzeni, w której literatura, kultura i polityka przenikają się wzajemnie. Teksty zawarte w Księdze Pamiątkowej zdają sprawę z aktualnego stanu badań prowadzonych w kręgach naukowych, zainspirowanych osiągnięciami Profesora w dziedzinie historii i filozofii literatury brytyjskiej i literatury anglojęzycznej oraz w obszarze, który można określić mianem antropologii literatury i studiów kulturowych. Niniejszy tom demonstruje przekrój problematyki współcześnie rozważanej w tych dziedzinach.

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Kryptohistorie. Ukryte i utajone narracje w historii
8.00 €

Kryptohistorie. Ukryte i utajone narracje w historii

Author(s): / Language(s): Polish

Kryptohistorie. Ukryte i utajone narracje w historii to tom, w którym historycy, filologowie i inni badacze spotykają się na polu badań nad tajemnicą, tajnością i teoriami spiskowymi w historii i w narracjach około- lub pseudohistorycznych. Z jednej strony rozważają oni znaczenie owych tematów w historii oraz ich konsekwencje społeczne i polityczne, a z drugiej strony pytają o kryteria historyczności wydarzeń oraz o wagę mechaniki narracji dla konstruowania opowieści i historii. W rozumieniu „kryptohistorycznym” zatem na szczególną uwagę zasługują – w szerokim rozumieniu tego słowa – teksty historyczne, które skupiają się na tropieniu, odkrywaniu i opisywaniu sekretów, spisków i spekulacji, a także na wyjaśnianiu ich strategii narracyjnych oraz mechanizmów ich powstawania. Autorzy artykułów zamieszczonych w tomie zastanawiają się do jakiego stopnia takie narracje przynależą do dyskursu właściwego historii, w jaki sposób przyczyniają się one do jego aberracji i jego rozwoju oraz zarysowują historiograficzne, metanarracyjne i retoryczne ramy historii i kryptohistorii. Tom zawiera również eseje stanowiące poszczególne studia przypadków i koncentrujące się nad historycznymi przykładami mechanizmów i zjawisk związanych z tajemnicą, tajnością i spiskowością. Obejmują one szerokie spektrum zagadnień – od średniowiecznej mityzacji śmierci władcy, przez historycystyczne rekonstruowanie renesansu, czarną legendę Marii Kazimiery, utajone znaczenia malarstwa Vermeera, osiemnastowieczne rozprawy szyfrologiczne, fenomen popularności dziewiętnastowiecznego seryjnego zabójcy, wiktoriańską parazytologię, filmy traktujące o zbiegłych nazistach, śmierć Olofa Palmego jako kanwę szwedzkich powieści detektywistycznych, konstruowanie narodu w oparciu o przeinaczone pojmowanie roli archeologii, po współczesną kryptografię asymetryczną.Książka adresowana jest do szeroko rozumianej społeczności akademickiej i studentów, a szczególnie do historyków i filologów zajmujących się tematami historiografii, narratologii i ich społecznymi implikacjami.

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Комиссивные речевые җанры. Сопоставительный русско‑польский аспект
7.00 €

Комиссивные речевые җанры. Сопоставительный русско‑польский аспект

Author(s): Oksana Malysa / Language(s): Russian

Here is the corrected text:"This study constitutes a part of genological research into genre descriptions, encompassing pragmatic and semantic categories, as well as the assumptions of stylistics, discourse, and axiology. Consequently, the dynamics of genre development are analyzed in terms of historical processes, technological changes, and sociocultural determinants. The purpose of the study is to compare commissive genres rooted in the communication spaces of Russian and Polish culture.The first chapter of the monograph is dedicated to key notions of linguistic genology. It includes a detailed description of M. Bakhtin’s concept of speech genres, compares speech acts and genres, and discusses the specificity of utterance forms from the perspective of communicative grammar. This part of the monograph also provides genre typologies and explores various aspects, including intentional, rhetorical, and functional ones, among others. The diversification of genre parameters is also interpreted from a cultural perspective.The second chapter presents the etymology of genre names, with particular attention given to performative verbs. These verbs determine the properties of specific commissive speech acts and genres, as opposed to assertives and declarations. Another issue discussed in this chapter is the specificity of periphrastic forms in terms of their connotative potential. The author also analyzes non-verbal communication acts accompanying commissive speech genres.The third chapter focuses on the systemic nature of the discussed genres and the criteria that constitute their framework. A significant role is attributed here to genre primariness and secondariness, oral and written utterances, transmitter-recipient relationships, and dependencies between illocutionary components. An emotional component is also considered.In the following part of the monograph, the author concentrates on the role of values in describing commissive genres. Based on selected types of texts, it becomes possible to distinguish the types of values that operate at the representational and interactive levels. Additionally, the ways of updating commissive intentions in various types of genres are discussed.The perspective on speech genres presented in this book allows for the rejection of traditional research methods employed in their investigation. Consequently, it becomes possible to place the genre in a situational context and treat it as a category that unifies utterance structural elements with its subject and its system of values. Adopting this research direction allows for the definition of a dynamic model of various forms of communication, including commissive ones."

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Dostojevského Deník spisovatele v kontextech a konfrontacích
27.02 €

Dostojevského Deník spisovatele v kontextech a konfrontacích

Author(s): Lenka Odehnalová / Language(s): Czech

The Writer’s Diary is a work that has so far failed to receive as much attention as Dostoevsky’s novels in the Czech and Slovak milieus. The presented monograph consists of seven chapters and comments on the Russian writer's late work from four aspects: the genre, theme, motif and reception. Regarding the theme, the Writer’s Diary belongs in the so-called literary diary. The work is examined with view to the period of its creation, the author’s personality and the poetological features. The Writer’s Diary also defines three principal themes (Russia and the West, the image of St. Petersburg, characters of the children and the form of childhood), specific features of literary genres (tales with fantasy elements, essays, letters, memoirs and critical essays) and specific features of the motifs (the natural elements or the so-called random family and dreams). The last chapter is focused on reception of the work in the Czech and Slovak milieus.

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Poetyka kulturowa a praktyka Joanny Bator
10.00 €

Poetyka kulturowa a praktyka Joanny Bator

Author(s): Angelika Siniarska-Tuszyńska / Language(s): Polish

The book is devoted to the cultural practices of Joanna Bator – a cultural expert and researcher dealing with artistic writing. Her texts, which are part of the trend of engaged literature, have been subjected to analytical procedures in the area of cultural poetics. Cultural poetics, also called new historicism, was initiated by Stephen Greenblatt in the 1980s and is still a leading method of reading cultural works, taking into account the historical background. As a bundle of interdisciplinary discourses, it gives researchers endless interpretative possibilities in the fields of art and science. Artists, in turn, draw on Greenblatt's concept when they creating works. In Joanna Bator's texts, cultural poetics serves as a building block for expression, becoming a consistently repeated practice. The confrontation of theory with the artist's practical ways of approaching problems sheds new light on the coexistence and interpenetration of the terms: poetics and practice. Moreover, it allows you to take a look at contemporary writing trends. Cultural poetics and practice of Joanna Bator supplements the research issues within cultural studies and also expands the issue of creative writing. This is the first monograph devoted entirely to the Joanna Bator’s works, taking up cultural studies tropes such as: feminism, Others and Strangers, micro-narratives, place and non-place, generational and social conflicts, transgenerative traumas, cultural determinism, relationships with parents, psychoanalysis, somatopoetics, language constructing reality, travel as therapy, constructing identity, writing - a way of survival, therapeutic role of sadness, anthropology, autoethnography, postmodernism, wound, scar, lack, loss, consumerism, lifestyle trends (vegetarianism, minimalism, wabi-sabi).

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Encuentros entre lenguas, literaturas y culturas de los territorios luso-hispanos. Perspectivas diferentes
6.00 €

Encuentros entre lenguas, literaturas y culturas de los territorios luso-hispanos. Perspectivas diferentes

Author(s): / Language(s): Spanish

La dimensión creativa siempre incluirá un cambio de perspectiva.Cuando cambiamos de posición, las cosas se ven de manera diferente.Lo que estaba lejos, se acerca, y lo cercano, lo familiar, lo que conocemos,o mejor dicho, lo que creemos conocer, se aleja mostrándonos suotro lado, una faceta desconocida, rara, que nos extraña, al principioasusta, pero al final despierta la curiosidad. Cualquier cambio de posición,aunque sea solo un paso, es una actividad creativa ya que nospermite ver las cosas de modo diferente y plantear preguntas que hastaese momento no tenían razón de ser. El cambio de perspectiva es laesencia del pensamiento humano. /excerpt from the introduction/

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Oblężenie. Strategia pisarska – postrzeganie świata – motyw literacki
6.00 €

Oblężenie. Strategia pisarska – postrzeganie świata – motyw literacki

Author(s): Małgorzata Krakowiak / Language(s): Polish

Książka traktuje tytułową figurę oblężenia jako uniwersalny wzór postrzegania świata i indywidualnych zachowań. Autorzy, zainspirowani pomysłem Jerzego Kwiatkowskiego o polskim archetypie oblężenia, rozpatrują ten problem, analizując twórczość Zygmunta Haupta, Józefa Wittlina, Gustawa Herlinga-Grudzińskiego, Jerzego Stempowskiego, Wiesława Myśliwskiego. Niekiedy poczucie pozostawania w oblężeniu związane bywa z sytuacją zewnętrzną (wojna, zdrada), innym razem – ma wymiar indywidualny i wewnętrzny, czasem wręcz psychotyczny.

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