Рецензия на „Срещу човешкото: антиутопичният жанр в литературата на XX век“

Author(s): Alexander Popov / Language(s): Bulgarian Issue: 11/2022

Chavdar Parushev’s monograph is a study of the literary genre of anti-utopia, situating the latter in a complex web of mutual determination together with the genres of utopia, science fiction and satire. The central analytical instrument developed in this study is the so-called ‘Plato’s lens’ which makes it possible to center thought about these genres around the relation between subject and state. Thus the development in time of new forms and technologies for relating subject and state leads to new developments in the anti-utopian genre, which becomes a way to think about the crises of producing human meaning. The monograph traces many crises of this kind, including examples from history which have overtaken fiction. It thus demonstrates the important uses of anti-utopia, in times of accelerating change in what it means to be human.

Репрезентацията и нейните кризи: поглед към теоретичните дебати

Author(s): Orlin Spassov / Language(s): Bulgarian Issue: 12/2022

This paper offers an overview of some of the main aspects of the theoretical debate on representation. The section presented here is mainly illustrative in terms of some of the theoretical foundations on which later authors engaged specifically in discussing the phenomenon of representation in contemporary media build (a topic addressed in another text). The analysis focuses on the ways in which representation has been discussed in texts by Roland Barthes, Jacques Derrida, Michel Foucault and others. The emphasis is on problematizing the possibilities of representation by means of language.

Човекът - изваден наново

Author(s): Enyo Stoyanov / Language(s): Bulgarian Issue: 12/2022

The text offers a review of Prof. Miglena Nikolchina's monumental study "God with Machine: Subtracting the Human", dedicated to fundamental theoretical conceptualizations around anthropological issues. The review dwells in particular on the central conceptual paradox outlined in Prof. Nikolchina's book, namely the double determination of man as "a being who wants to be human" and “being who does not want to be human”

The 'Doubled-Sided' Chapel at Pyrga (Cyprus, 1421-1424).

Author(s): Vladimir Agrigoroaei / Language(s): English Issue: 6/2022

Après avoir reconfirmé la datation de Camille Enlart (vers 1421 ou 1421-1424) et identifié le comman-ditaire (l’évêque de Limassol Barthélemy Gui) dans une inscription fragmentaire, la présente étude explore: d’une part, les modèles des inscriptions en langue vernaculaire française de Pyrga (Chypre); d’autre part, la lo-gique du programme iconographique et le contexte culturel que sous-tend cette dernière. Dans la première par-tie, l’analyse des inscriptions de la chapelle prouve que le concepteur du décor peint a suivi un modèle manuscrit, sans doute un psautier avec un grand cycle d’enluminures. L’étude évoque trois termes de comparaison célè-bres: le Psautier de la reine Ingeburge (Chantilly, Bibliothèque du Musée Condé, 9 – tournant du xiiie siècle), le psautier de l’évêque Henri de Blois (Londres, British Library, Cotton Nero C iv – vers 1160) et le livre d’images de Marie de Rethel (Paris, Bibliothèque nationale de France, n. acq. fr. 16251 – vers 1285). Dans la source manuscrite reconstituée, les inscriptions en ancien français étaient probablement transcrites en tant que tituli, d’après une typologie tripartite: noms de fêtes religieuses, groupes nominaux ayant une fonction analogue et légendes sous forme d’énoncés introduits par l’adverbe coument. La langue des inscriptions de Pyrga, un français d’Outremer, présente les traits particuliers des scriptae chypriotes de la fin du Moyen Âge. De plus, on constate que la déco-ration de la chapelle inscrit le monument de Pyrga dans la catégorie des chapelles royales de l’Europe occidentale (xive et xve siècles). Le transfert du codex à la paroi concerne non seulement les images, mais également les textes qui accompagnent ces dernières. L’auteur s’intéresse ensuite à la disposition symétrique de la décoration dans les deux travées de la chapelle, ainsi qu’à la manière dont cette disposition accentue l’Uniatisme catholique-orthodoxe. La logique dos-à-dos de la décoration émule celle des icônes à double face – termes de comparaison directs pour la chapelle – notamment leur choix d’apparier deux scènes : la Crucifixion / la Mère de Dieu. Le con-cepteur du décor peint souhaitait évoquer l’osmose de deux églises: une église latine, orientée vers l’Est; la sug-gestion d’une église byzantine, orientée vers l’Ouest. Cela explique le choix particulier de la décoration des voûtes (christologique pour la travée Est et mariale pour la travée Ouest), la double représentation de l’An-nonciation (pour marquer l’orientation des deux églises) et le choix d’une composition de type pala d’altare pour la paroi Est, tandis que la paroi Ouest imite la décoration des templons byzantins. L’osmose des deux églises est indiquée de manière encore plus claire par le choix de représenter les martyriums des saints Étienne (signifiant l’Orient) et Laurent (signifiant l’Occident) au-dessus des entrées latérales. Ce serait une allusion à l’osmose des corps de ces saints dans la Coniunctio corporum sanctorum Stephani et Laurentii (bhl 4784b). Après une réévaluation du texte fragmentaire (aujourd’hui perdu) de l’inscription dédicatoire, il est évident que la dédicace proprement dite concernait l’Assomption de la Vierge. Qui plus est, l’osmose Est-Ouest était de nou-veau indiquée par la représentation dans un même cadre de la Dormition de la Mère de Dieu (sujet à connotation byzantine) et du Couronnement de la Vierge (thème occidental par excellence). Les textes littéraires des xive et xve siècles confirment la fixation chypriote de l’appariement de la Mère de Dieu avec la Passion du Christ, de même que plusieurs autres choix de la décoration de Pyrga. La signification de la décoration devait être multiple, en rapport avec la triple utilité du bâtiment: chapelle funéraire (pour Barthélemy Gui), chapelle royale (pour le couple Janus de Lusignan-Charlotte de Bourbon) et point d’entrée au monastère de Stavrovouni, qui hébergeait des reliques de la Sainte Croix.

Le predicatrici valdesi medievali: mundus reversus et perversus o mundus novus? Sulla testimonianza custodita nel Super Apocalypsim di Goffredo di Auxerre.

Author(s): Francesca Tasca / Language(s): English Issue: 6/2022

‘After preaching, they feasted quite lavishly every day, they chose new lovers almost every night, they spent their time without being subjected to anyone, without worries, without fatigue, without danger’. In his Super Apocalypsim, the Cistercian monk Geoffrey of Auxerre describes in this way two Waldensian lady preachers, delineating an extraordinary condition of female autonomy. The article explores the ‘textual phy-siognomy’ of Super Apocalypsim, a biblical commentary written in the second half of the 1180s, but also high-lights its historical and editorial context. The testimony of Geoffrey of Auxerre, a leading representative of ecclesiastical hierarchies, allows us to analyse lexical choices and conceptual nuclei in order to clarify the speci-fic polemics underlying this description of the subversive life of an order which is represented by the two Waldensian women and the manner in which they experience female freedom. Emphasis is given to the issue of a dangerous ‘upside-down world’ (mundus reversus et perversus); this witnesses the subversive experience of the two Waldensian women. The article also recognises possible surviving traces of a radical evangelism and the attempt to create a new world (mundus novus).

Мемоаристика и „друг фолклор“

Author(s): Nemanja Radulović / Language(s): Bulgarian Issue: 2/2022

Phenomena defined in contemporary folkloristics as postfolklore, small groups folklore, urban folklore have for long been out of the focus of Serbian folkloristics, and papers on this topic have only recently started appearing. Quite understandably, the studies are directed towards contemporary material. However, the diachronic aspect of these phenomena exists too. The testimonies of the existence of such forms of folklore in the past can be found in memoir and diary literature, as well as in the corpus of historical (not folkloristic) archives. All these past phenomena are covered here with the umbrella term “other folklore” whose function is descriptive, not theoretical. Everything that folkloristic paradigms in the past failed to see as a “real” folklore (equated with oral, rural, and traditional) – making that material invisible and hidden in the sources less used by folklorists – is classified here as “other.” “Other folklore” in this case encompasses a few kinds of folklore: folklore of small groups (criminals and prisoners, students, seminarists) and urban folklore (mostly connected to Belgrade). Political folklore could belong here too. It is often close to traditional genres in its forms, but historical and political conditions have made it unsuitable and evicted it to the out-of-sight memory of memoirs and diaries (such are, say, monarchist songs from World War II, or political jokes from the time of Communism). Political folklore sometimes coincides with other “otherness” categories, say, the parodic urban folklore from the time of the Nazi occupation of Belgrade that is an example both of political and urban creativity; humoristic and unheroic, it did not fit the folklore of resistance ideal even upon the end of the war. Such a corpus approach makes it possible to see the diachronic background of many contemporary examples and discover new sources of folklore in the less examined material. More importantly, the definitions of folklore themselves are tested by this approach (surely, along the lines of Popper’s criticism of “facts,” it is definitely not a “discovery,” but a re-evaluation of concepts before approaching the corpus). Finally, such analyses can be useful to historians too, because they reveal the hidden side of certain epochs and their mind-sets, as well as the genre conditionality of historical sources.

Разомагьосване, повторно омагьосване и фолклорни жанрове

Author(s): Ana Vukmanović / Language(s): Bulgarian Issue: 2/2022

Book Review: Disenchantment, Re-enchantment and Folklore Genres. Ed. by Nemanja Radulović, Smiljana Đorđević Belić. Belgrade: Institute for Literature and Arts, 2021. 286 pp. ISBN 978-86-7095-286-7

Цимлянското море в разказите на жителите на потопените (преселени) станици

Author(s): Olga Belova / Language(s): Bulgarian Issue: 4/2022

The article analyses the plot-motive content and genre structure of the oral narratives (memories) about the submerging of the Don stanitsi [stations] in connection with the construction of the Tsimlyansk Dam in the middle of the 20th century. The focal points of the narratives about submerging are: the loss of the ‘small homeland’ as a result of the catastrophe, the eschatological experiences, the miraculous ‘return’ of the submerged territories and objects (in visions and in reality, depending on natural phenomena). The narratives about the submerging from the Don region demonstrate a typological similarity with texts from other regions of the former USSR, which allows us to speak of a separately developed genre of modern verbal folklore.

ИЛЮСТРАЦИИ

Author(s): Rossen Malchev,Konstantin Rangochev / Language(s): Bulgarian Issue: 22/2023

ПРОСТОР И ВРЕМЕ У ДЕМОНОЛОШКО-МИТОЛОШКИМ ПРЕДАЊИМА ‒ САВРЕМЕНА ТЕРЕНСКА ИСТРАЖИВАЊА

Author(s): Ana Savić / Language(s): Serbian Issue: 79/2022

The paper sheds light on the way in which the categories of time and space in demonological-mythological legends constitute a specific chronotope, reflecting the disturbing atmosphere of encounter with the paranormal. The author seeks to expose the poetics of the demonological-mythological legends, with special empha- sis on their temporal and spatial determinants. In the demonological-mythological legends space and time are deeply related. The paper considers the genre determina- tion of the chronotope in demonological-mythological legends and points out that the construction of the narrative world through temporal and spatial categories must proceed in accordance with certain genre laws, so the audience can recognize the story as demonological-mythological legend. This work is based on the folklore material which was gathered from 2018 to 2019 in the Rasina District. Interviews were conducted with two interlocutors from the village of Ribare.

Между два свята: подкастингът като сливане на технологията с човешкото

Author(s): Victor Chulev / Language(s): Bulgarian Issue: 14/2023

The present text, which is an edited excerpt from a master's thesis titled „The Video Archives Podcast as a Communicative Space“, seeks to roughly delineate the boundaries of the podcast space as a place where the technological and the human converge. By analyzing and comparing theories of podcast practices and communication theories before the advent of podcasting, the text attempts to overcome the opposition of novelty and tradition and concludes that the coexistence of man and media resembles not a war but rather a game of worlds.

Международна славистична научна конференция „Интердисциплинарно изследване на изворите за език и духовна култура: словашко-славянски взаимовръзки“

Author(s): Rayna Rozhdestvenska / Language(s): Bulgarian Issue: 1/2023

Events

Научни форуми

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 47/2023

Data about scientific events in the field of the humanities in Bulgaria in the second half of 2023.

The Manufactory of Old French Psalters.

Author(s): Chapel Alessia,Vladimir Agrigoroaei / Language(s): English Issue: 7/2023

Pentru a înțelege mai bine relațiile intertextuale dintre psaltirile franceze medievale, întoarcerea la o sursă fundamentală precum Psaltirea de la Oxford (manuscrisul Oxford, Biblioteca Bodleiană, Douce 320) este esențială. Astfel, unul dintre scopurile acestui articol este cel de a pune bazele unui studiu al modificărilor de natură textuală reprezentate de numeroase ștersături care reflectă procesul de redactare și spun povestea acestui manuscris. Deoarece studiul este de amploare, a fost necesară segmentarea lui în mai multe publicații. În această primă etapă, după o introducere care analizează relațiile manuscrisului Douce 320 cu alte manuscrise din familia sa (de exemplu, Londra, British Library, Arundel MS 230), autorii discută ștersăturile legate de fluctuația vocalelor și diftongilor în ortografia anumitor cuvinte. Analiza tratamentului dentalelor finale ocupă apoi secțiuni referitoare la anumite forme verbale ale modurilor indicativ, conjunctiv și participiu. Acestea sunt completate de studii privind ștergerea unui -e- interconsonantic în formele de viitor și oscilarea între -r- și dublu -rr- în formele de viitor ale verbului estre. În cele ce urmează, ștersăturile și/sau corecturile legate de dentale permit de asemenea să fie abordată problema declinării, nu numai în cazul participiilor, ci și a mai multor substantive și adjective. Cercetarea se concentrează apoi pe studii de caz: ștergerea unui –n final în enfer(n), iur(n) și car(n); ezitările scribului legate de ortografia conjuncției car; înlocuirea frecventă a lui q cu c în cuvântul quer/cuer; ezitarea între folosirea conjuncției mais sau a conjuncției acertes; precum și multiplele opțiuni de a traduce sufixul latin –tio. O paranteză deschisă cu privire la anumite adăugiri și/sau corecturi sugerează posibilitatea ca manuscrisul Douce 320 să nu fie o traducere autografă a Psaltirii St. Albans (păstrată la Hildesheim, Dombibliothek, St. Godehard 1). Scribul ar fi folosit mai degrabă o sursă latină cu o glosă vernaculară interliniară. Această deducție pare să fie confirmată și de utilizarea unei liniuțe de unire, pe care copistul o folosește pentru a compensa erori probabile de transcriere. Ipoteza aceasta este susținută mai ales de cercetarea asupra câtorva „ștersături lungi”. Ele par a privi unități de transcriere a căror modificare este legată de structura și interconectarea textuală cu o sursă care prezintă atât un text latin, cât și o glosă interliniară. În încheierea acestei părți, după ce au prezentat, spre comparație, exemple preluate din Psaltirea Winchester și Psaltirea Arundel, autorii propun reconstituirea unui segment de text care ar putea fi mai aproape de sursa manuscrisului Douce 320. Articolul se încheie cu o comparație cu precedentele în limba engleză veche și cu o transcriere a fragmentelor de la Maidstone, Centrul și Biblioteca de Istorie Kent, Fa/Z1 (fragmentul Faversham i). Continuarea cercetării este prevăzută pentru următorul număr al revistei Museikon.

Echoes

Author(s): / Language(s): English Issue: 7/2023

Словесност – традиции – фолклор. Том 1. Съст. и научен ред. Николай Вуков. София: Издателство на БАН „Проф. Марин Дринов“, 2022

Author(s): Valentina Ganeva-Raycheva / Language(s): Bulgarian Issue: 3/2023

Book review

Шедьовърът на Руставели – ренесансова поема или средновековен роман?

Author(s): Yordan Lyutskanov / Language(s): Bulgarian Issue: 4/2023

The article introduces to the late medieval romance in verse Vepkhistq’aosani by Shota Rustaveli – the central artefact in Georgian cultural self-awareness and the top item of ‘high’ Georgian cultural export. It briefly presents its narrative content, indicating the correlation of two plot-lines (initially through enframing, after some point though horizontal interlacing). It briefly introduces to the main fluctuations and 20th-century tendency in translating the work’s title, interpreting the fluctuations as indicative of aesthetic differences, and the tendency as an indication of the ‘cultural market’ success of the Soviet-Georgian (in its ideological and aesthetical basis –a Stalinist and socialist-realist) image of Rustaveli’s masterpiece. It presents two influential to dominant claims of Georgian Rustvelology – that the work is a poema (and not a novel/romance) and that it displays, at least partially, Renaissance outlook and poetics, – considering these claims as tools (1) of Soviet “Culture Two” to allot a proper place to Georgian nation within the alternative modernity of the USSR and its premodern background-under-construction, and (2) of Soviet-Georgian cultural nationalism to define a usable past in post-Soviet conditions; and (3) as beliefs. It revitalises the option to contextualise the work of Rustaveli (and, indirectly, Georgian cultural identity) in non-Eurocentric terms, providing some factographic and theoretic clues from the field of macrohistory (J. Abu-Lughod et al.) and a methodological one from sociology of arts (P. Bourdieu).

Free to hate. Ключово изследване на Мартин Маринос за отношението между медиите и десния популизъм в България

Author(s): Orlin Spassov / Language(s): Bulgarian Issue: 16/2024

This review presents Martin Marinos's Free to Hate: How Media Liberalization Enabled Right-Wing Populism in Post-1989 Bulgaria (University of Illinois Press, 2023). Marinos's in-depth analysis reveals the close link between the media and the rise of right-wing populism in post-socialist Bulgaria. Marinos focuses on the connections between phenomena such as neoliberalism, racism, populism, and media commercialization.

Международната научна конференция „Поп-култура, поп-политика: дигиталният обрат“, посветена на проф. Ивайло Дичев

Author(s): Niya Neykova / Language(s): Bulgarian Issue: 16/2024

44 scientists participated in the International Scientific Conference dedicated to Prof. Ivaylo Dichev, on the topic: Pop-culture, Pop-politics: The Digital Turn. Interdisciplinary Analyses Of The Intersectionality Between Media, Cultures And Politics. The conference concludes the research project "Pop-culture, pop-politics: The digital turn. Interdisciplinary analyses of the intersection between media, cultures and politics" of the Sofia University. The conference was implemented with the help of the Cultural Studies Network, the journal "Seminar_BG", the Department of "Radio and Television" of the Faculty of Journalism and Mass Communication, and the Department of "History and Theory of Culture" at the Faculty of Philosophy, together with scientists from the Institute of Philosophy and Sociology of the Bulgarian Academy of Sciences.

The Manufactory of Old French Psalters. Part 2. The Genetic Stratigraphy of Douce MS 320 (Continuation) and Its Links with the Maidstone and Orne Fragments.

Author(s): Vladimir Agrigoroaei,Chapel Alessia,Lendinara Patrizia,Delattre Corentin / Language(s): English Issue: 8/2024

Le présent article s’inscrit dans la continuité de celui qui a été publié en 2023 dans la même revue (The Manufactory of Old French Psalters: Part 1…). Ce deuxième volet comprend d’abord une section de addenda qui complètent certaines parties du précèdent article. S’ajoutent ensuite les érasures dans diverses formes verbales, suivies par un recensement des corrections liées aux préfixes ex– et es–. D’autres séries d’érasures concernent différentes parties du discours: articles définis; pronoms personnels; pronoms réflexifs; formes possessives; démonstratifs; avec une étude de cas sur les choix de traduction du génitif eius, dont plusieurs documentent l’existence d’un antigraphe. Il s’agit souvent d’une hésitation entre les formes faibles et fortes. Des sections com-plémentaires sont consacrées aux érasures des pronoms relatifs et de la conjonction que; à l’adjectif pronominal toz / tuit; aux prépositions; à la conjonction é; aux signes de ponctuation; et aux particules négatives. L’ana-lyse des érasures du manuscrit d’Oxford, Bibliothèque bodléienne, Douce 320 se termine par un examen détaillé des corrections liées à différents phénomènes lexicaux. L’article porte ensuite sur les rapports entre le manuscrit Douce et les fragments de Maidstone, dont la transcription a été publiée dans le premier volet. Suivent une transcrip-tion des fragments de l’Orne (Paris, Archives Nationales, dossier AB xix 1734) et une étude sur l’origine de ces derniers et sur leurs liens avec le texte de Douce. Les choix de traduction pour le latin numquid documentent les liens entre Douce, Arundel (Londres, Bibliothèque britannique, Arundel 230) et Orne. Les choix de traduction du latin exaltare permettent en partie de restituer le texte latin de la source de Douce. Les différentes stratégies de traduction d’Orne, de Douce et d’Arundel semblent être des réécritures d’antigraphes similaires. Toutes ces ana-lyses montrent que Douce, Arundel, Orne et Maidstone proviennent de deux ou plusieurs gloses vernaculaires apparentées. L’article propose ensuite une perspective globale sur les approches vernaculaires de la traduction des psaumes en Angleterre jusqu’au xiiie siècle, qui documente l’interaction des langues vernaculaires anglaises et françaises avec les textes (et l’exégèse) latins. Il se termine par une discussion (appuyée sur deux exemples du xiie siècle) concernant le double pliage du Douce, lié sans doute à sa circulation et à son emploi dans la réalisation des psautiers bilingues à deux colonnes. Le troisième volet du présent article est prévu pour 2025. Il comprendra la transcription du texte de Douce (avec l’accentuation originale et l’emplacement des érasures), ainsi que plusieurs études complémentaires.