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TRANSLATION OF PAREMIOLOGICAL UNITS RELATED TO THE CONCEPT “WEALTH”

TRANSLATION OF PAREMIOLOGICAL UNITS RELATED TO THE CONCEPT “WEALTH”

Author(s): Inna Colenciuc / Language(s): English Issue: 40/2025

The wisdom and essence of a nation are often reflected in paremiological units. Exploring them not only enhances language proficiency but also provides deeper insight into the mindset and character of people. Proverbs and sayings capture a nation's historical experiences, way of thinking, daily life, and cultural values, representing its unique national and cultural identity. By analyzing and comparing English and Romanian proverbs and sayings related to “wealth”, we can broaden our linguistic knowledge, gain insights into historical events and traditions of both cultures, appreciate folk wisdom, and embrace common human values.The selected paremiological units (60) are grouped according to the ways of their translation. The received data show that 60 % of the analyzed proverbs are rendered by analogue translation, 25 % - by equivalents, 6, 7 % - by antonymic translation, 5 % - by descriptive translation, 1, 3 % - by loan translation. The paremiological unists related to wealth are classified semantically into 7 groups: “The positive role of wealth”, “Wealth is bestowed by God” “The secondary role of wealth in human life”, “Wealth acquired in a dishonest way”, “The harmful effect of wealth on people”, “Wealth can easily be lost”, “Wealth brings worries”.The evaluative characteristics of wealth in both languages have common characteristics. Among the coinciding characteristics: negative - greed, haste, non-compliance with laws, lack of moral principles; positive - absence of such qualities as greed, motivation to activity, happy family, health, good fame and honor, lacking fear of loss of material possessions.

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MISOGYNY AND HOMOSEXUALITY IN THE DECADENT STRAIN OF HARLEM RENAISSANCE: AN ANALYSIS OF WALLACE THURMAN’S INFANTS OF THE SPRING

MISOGYNY AND HOMOSEXUALITY IN THE DECADENT STRAIN OF HARLEM RENAISSANCE: AN ANALYSIS OF WALLACE THURMAN’S INFANTS OF THE SPRING

Author(s): Mohammad Roomazi / Language(s): English Issue: 40/2025

This paper examines the intersections of misogyny and homosexuality within the Harlem Renaissance, specifically through Wallace Thurman’s novel Infants of the Spring. The analysis illustrates how Thurman, along with contemporaries like Alain Locke and Langston Hughes, engaged with the intricate socio-cultural landscape of Harlem during the 1920s. By critiquing the patriarchal and heteronormative constructs prevalent during this period, the study explores how these figures perpetuated certain misogynistic attitudes despite their progressive stances on racial and sexual identities. Utilizing Marilyn Frye's theories on male supremacy and homosexual identity, alongside Eve Kosofsky Sedgwick’s ideas on the epistemology of the closet which reveals the dualities and contradictions within gender and sexual identities, the paper argues that the Harlem Renaissance, while a site of significant cultural production and resistance, also mirrored broader societal contradictions concerning gender and sexuality. Through a close reading of Thurman’s work and the interactions of historical figures at events like the 1924 Civic Club dinner, this study reveals the disparate and contradictory ways in which African American writers and intellectuals both challenged and conformed to oppressive norms.

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INTELLIGENT SATIRE IN THE WORKS OF WRITERS: FRANÇOIS RABELAIS, JONATHAN SWIFT, ANTON PANN, URMUZ

INTELLIGENT SATIRE IN THE WORKS OF WRITERS: FRANÇOIS RABELAIS, JONATHAN SWIFT, ANTON PANN, URMUZ

Author(s): Rebeca-Daniela Stănescu / Language(s): Romanian Issue: 40/2025

The work highlights the intelligent satire used by the four writers from different literary movements. The emphasis is on defining intelligent satire, which brings as a novelty the fine analysis of elements from folklore: myths, legends, beliefs. The difference between satire, intelligent satire and joke is presented. The paper analyzes the works of the four writers (François Rabelais, Jonathan Swift, Anton Pann, Urmuz) by following the features of intelligent satire. The work highlights the topicality of the writers' works. The work explains the myth of the giants and how they came to be, according to the Bible. The study shows a hypothesis that shows why the earth has 365 days in a year and not 360, appealing to ,,Gulliver's Travels" and the Bible (Book of Joshua). The moralizing teachings in writer Anton Pann's novel are highlighted.The symmetry between Urmuz's Fuchsiade and François Rabelais's novel Gargantua & Pantagruel is highlighted. The paper analyzes Fuchsiada written by Urmuz and emphasizes the causes of dehumanization. Finally, the paper analyzes the works of the four writers, tracing the features of intelligent satire and discovering the truth about the most famous myths, appealing to the Bible.

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TRANSLATING INTIMACY IN THE WORLD LITERATURE

TRANSLATING INTIMACY IN THE WORLD LITERATURE

Author(s): Cristian Dragnea / Language(s): English Issue: 40/2025

This article explores a few strategies of ”translating” (in cultural terms) intimacy and emotions in postcolonial literature, as well as the way that translation shapes perceptions of relationships and identities across cultures. We address the relation between postcolonial and Western writers in the practice of translation, and we proceed to assess its impact on identity reconfiguration. Focusing on local literary and gender studies, we show how intimacy is culturally specific and resists universalization. Case studies, including Mariama Bâ’s So Long a Letter and Chinua Achebe’s Things Fall Apart, illustrate how postcolonial narratives preserve cultural authenticity rather than conforming to Western norms.

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DORIAN GRAY AND THE NARCISSISTIC TRAGEDY: A STUDY OF VANITY AND SELF-DESTRUCTION

DORIAN GRAY AND THE NARCISSISTIC TRAGEDY: A STUDY OF VANITY AND SELF-DESTRUCTION

Author(s): Mihaela C. Sonea / Language(s): English Issue: 40/2025

This current paper is motivated by the attempt to explore the critique of aestheticism in Oscar Wilde’s The Picture of Dorian Gray, focusing on the protagonist’s obsession with beauty and its tragic consequences. Through Dorian's pursuit of external perfection, Wilde critiques the aesthetic movement, which shows beauty as the ultimate ideal while disregarding moral and ethical responsibility. The novel reveals the dangers of this philosophy, highlighting how an obsession with beauty can lead to self-destruction, as exemplified by Dorian’s relationship with his portrait. The portrait serves as a symbol of Dorian's soul, reflecting the degradation of his character while his physical form remains unchanged. Critics, including Josephine M. Guy and Richard Ellmann, emphasize how Wilde uses Dorian's duality to expose the limitations of an ideal that privileges beauty over morality. The essay argues that Wilde’s portrayal of Dorian’s downfall offers a cautionary tale about the dangers of vanity and self-love, echoing the myth of Narcissus. Ultimately, the novel critiques a society that values external appearance over the moral integrity of the self, demonstrating that beauty, divorced from ethical considerations, leads to moral decay and personal ruin. Through this, Wilde presents a modern reinterpretation of the Narcissus myth, warning against the destructive nature of vanity.

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THE HERMETIC MODEL OF RENAISSANCE

THE HERMETIC MODEL OF RENAISSANCE

Author(s): Andra-Elena Ionescu / Language(s): Romanian Issue: 40/2025

In this study the main concern is to establish the most important ideas of the hermetic tradition of the early and late Renaissance that could function subtly in the narrative frame of Vasile Voiculescu’s prose. Some preoccupations of the author such as theosophy, Gnosticism, magic, cabbala, archaic thinking, medicine, arts, science show an interest towards an encyclopedic and spiritual knowledge in which can be identified the echoes of a far age that emerges in new forms in the fantastic imaginary of the 20th century Romanian literature. The storyteller may have a nostalgic perspective in which is expressed the urge of the lost unity between the mundane world and the celestial level. The narrator resembles with the magus figure bringing a spiritual significance in the fantastic structure and in the auctorial discourse. The concept of phantasm is necessary in order to redefine the fantastic and the language of the Vasile Voiculescu’s tales.

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THE ALLEGORICAL CHARACTER AND THE REVEALED LANGUAGE IN THE TALES OF VASILE VOICULESCU AND IOAN PETRU CULIANU

THE ALLEGORICAL CHARACTER AND THE REVEALED LANGUAGE IN THE TALES OF VASILE VOICULESCU AND IOAN PETRU CULIANU

Author(s): Andra-Elena Ionescu / Language(s): Romanian Issue: 40/2025

In this study the tales of Vasile Voiculescu are compared with the ones of Ioan Petru Culianu in order to rediscover an other category of the fantastic frame and new discursive symbolical valencies emphasized through the concept of ,,sujacent speech” stated by Ioan Petru Culianu. The experience of the invisible in the represented story brings in the level of narrative speech a second encoded speech. Thereby, in the dialectical structure of the narration appears an ambiguous character constructed as an allegory who opens up the way to an enigmatic event. The enigma destabilizes not only the clasical interaction between narrator-character-reprezented world – reader, but also forces the ideatical limits of the narrative language itself. Thus, the supernatural occurrence belongs to the invisible counterpart of the language that implies the mystery of creation from an ontological point of view.

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COMPARATIVE READINGS: „LA NUIT DE FEU ET LE DÉFI DE JÉRUSALEM”

COMPARATIVE READINGS: „LA NUIT DE FEU ET LE DÉFI DE JÉRUSALEM”

Author(s): Andreea Alina Bușe (Pîrșu) / Language(s): French Issue: 40/2025

The aim of this article is to follow the lineaments that weave themselves between Éric-Emmanuel Schmitt's two confessions of faith. Certainly, the two autobiographical accounts, one spiritual, the other religious, La Nuit de Feu (2015) and Le Défi de Jérusalem (2023) retrace the journey of the neophyte.

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THE AESTHETICS OF SURPRISE IN THE NOVEL SUITE FRANÇAISE BY IRÈNE NÉMIROVSKY

THE AESTHETICS OF SURPRISE IN THE NOVEL SUITE FRANÇAISE BY IRÈNE NÉMIROVSKY

Author(s): Adela Sava (Codreș) / Language(s): French Issue: 40/2025

Encryption manifests itself in narration through “pitfalls” which slow down or stop the narrative. As the fictional author is the source of the story, the encrypted work gives him the possibility of coexisting with trauma. We are going to mention some historical details which, in our opinion, can explain such a novel, mixture between the autobiographical and the historical. The details of places and events provide identifiable chronological markers in an expressly dated time and draw the time of fiction into the space of the gravitation of historical time.

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THE APPLAUSE DRAWER - A MIRROR OF A WORLD ON THE BACK

THE APPLAUSE DRAWER - A MIRROR OF A WORLD ON THE BACK

Author(s): Maria-Andreea Rașoveanu (Pădurean) / Language(s): Romanian Issue: 40/2025

Written in the last years of communism, without hope of being published, the novel The Applause drawer by Ana Blandiana reveals in a polyphonic writing an existential universe in which control and terror dominate. The aim of the article is to emphasize both the unique epic construction, as in a palimpsest, and the symbolic implications of the text. The epic discourse constructed from different authorial perspectives offers both notes of grotesque reportage that provide the image of real, lived communism, and notes of denunciation specific to that period.

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THE DIARY OF A JOURNALIST WITHOUT A DIARY BETWEEN CONFESSION AND FICTION

THE DIARY OF A JOURNALIST WITHOUT A DIARY BETWEEN CONFESSION AND FICTION

Author(s): Maria-Andreea Rașoveanu (Pădurean) / Language(s): Romanian Issue: 40/2025

This article aims to highlight the issue of placing the text Journal of a Journalist Without a Journal in the category of fictional or nonfictional text. Without giving verdicts, it illustrates features of both species recognizable in Sîrbu's work and reveals the complexity of the documentary material that transgresses the options of classification through its intrinsic value. The writer proved to be a master of presenting the last decade of Romanian communism through highly suggestive episodes that belong to themes that converge towards the idea of individual pain and general suffering.

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THE THREAD OF ‘BEING’: ON MOTION AND WONDER IN “CHILDE HAROLD’S PILGRIMAGE”

THE THREAD OF ‘BEING’: ON MOTION AND WONDER IN “CHILDE HAROLD’S PILGRIMAGE”

Author(s): Andra Irina Porumbeanu / Language(s): English Issue: 40/2025

The present paper is meant to draw the reader’s attention to Childe Harold’s Pilgrimage in order to highlight the mastery demonstrated by Lord Byron in capturing presence, fluidity and the sublime. This is achieved, among other well documented characteristics of the poem, by means of existential (there-BE) and presentative (there-V) sentences, whose structural properties and frequency renders them syntactically central. It is proposed that, precisely due to their centrality, these constructions not only weave an invisible thread linking the four cantos of the poem but also lend balance and beauty which may not have been conveyed had other devices been employed.

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THE ART OF CONSTRUCTING ATYPICAL CHARACTERS

THE ART OF CONSTRUCTING ATYPICAL CHARACTERS

Author(s): Andreea–Maria Țițiu / Language(s): English Issue: 40/2025

Atypical characters challenge conventions, provoke thought and offer fresh perspectives. They portray internal contradictions, doubts or struggles that drive the narrative, and their construction requires careful thought, to ensure they are authentic and integrated within the story. Being exposed to diverse pieces of writing can influence reader’s perceptions of various topics, which can contribute to their personal development and enrich their ability to understand experiences different from their own by allowing them to live vicariously.

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AN INTERWAR DYSTOPIA: ALDOUS HUXLEY’S BRAVE NEW WORLD

AN INTERWAR DYSTOPIA: ALDOUS HUXLEY’S BRAVE NEW WORLD

Author(s): Andrei Dimitrie Borcan / Language(s): English Issue: 40/2025

Back in 1932, Aldous Huxley wrote a foresighting dystopia that he ironically named Brave New World, using a quotation from Shakespeare (among a profusion of other such quotations used in the book). He created a warning, sardonic and worrying text about the future of our civilization led by technology and engineering even in genetics and family matters. He warned about the disappearance of family, culture and art, religion, love and passion of any kind, of the over-prevalence of sex even in very young children, of the infantilization and reduction of humans to inferior creatures, created and educated by neo-Pavlovian conditioned reflexes and by hypnopaedia to indulge in sexual pleasure and to seek refuge from sufferance in antidepressant euphoria-producing drugs, irrespective of overdosage risks. Life in such a society would be organized in castes delineated by their intellectual limitations, meant to cover the whole range of economy tasks and to produce a people of consumerists. The failure of such a system is symbolized by the tragic suicide of the protagonist, closing the book. Huxley’s clear- sighted warning about the future of mankind in a technologied era has echoes in our time..

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OTHER. ON UNDERSTANDING OF THE RECIPROCAL-DIRECTED EXPECTATIONS WITHIN THE NUMINOUS DYNAMICS

OTHER. ON UNDERSTANDING OF THE RECIPROCAL-DIRECTED EXPECTATIONS WITHIN THE NUMINOUS DYNAMICS

Author(s): Alexandru-Ioan Cânda / Language(s): English Issue: 40/2025

Pursuing the numinous through the effort to make it present and manifest, but also to establish a communication, the mystic finds himself in search of some meaning about this numinous-Other that is to be. This search is not only a travail of crossing, but an encounter with the other in the construction of his own enunciation that tends to develop a language of encounter with this Other – yet still through the construction with which he also participates in communication. Sharing a common meaning, both the mystic and the numinous enunciation become openings of addressing and relationship that will thus impose a new common reality of revealing mutual meanings.

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TERMINOLOGICAL RANGE OF FOLK PLANT NAMES FORMED BY FOLK ETYMOLOGY

TERMINOLOGICAL RANGE OF FOLK PLANT NAMES FORMED BY FOLK ETYMOLOGY

Author(s): Andrei-Ionuț Popa / Language(s): Romanian Issue: 40/2025

The purpose of this article is to present in the form of a terminological series the folk etymologies of plants lexicalized in nomenclatural works, a series which proves to be not only rich and varied but also expressive and local.

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THE LANGUAGE OF BOTANY

THE LANGUAGE OF BOTANY

Author(s): Daniela Suciu (Fodor) / Language(s): Romanian Issue: 40/2025

The distinction between general vocabulary and specialized vocabulary is frequently addressed in contemporary terminology. The purpose of this study is to review the main features of the language of botany, which is characterized by a varied lexicon. We have attempted to highlight the interdisciplinary nature of botanical terminology, especially considering that the designation of concepts is achieved not only through hermetic terms, but also by means of words from the general vocabulary. The conclusion drawn is that the language of botany distinguishes itself, compared to other scientific fields, by the phenomenon of duplicating—even triplicating—the scientific term with botanical lexical elements.

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SOME ASPECTS OF MYTHOLOGY IN AN ABYSSAL PSYCHOLOGY ENCODING

SOME ASPECTS OF MYTHOLOGY IN AN ABYSSAL PSYCHOLOGY ENCODING

Author(s): Violeta Bercaru Oneață / Language(s): English Issue: 40/2025

The idea of pre-history, a pre-pattern for the huge spiritual content represented by the mythology realm as integration in cosmic rhythms as well as basically attached to terrestrial energies - uncountable millennia as shelter for a countable time in history is the main thread of this study through the lens of philosophers like F.W.Schelling, L.Klages, L.Blaga with an encompassing of past/present time fusion in C.G.Jung's terms. All of these corner miles are presented in connection with a nowadays documentary about mysterious troves bearing peculiar magnetic fields capable to ground portals towards parallel worlds, in a loop framework that contours what we have named the physics of the unconscious formation.

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Mihail Sadoveanu – corespondența trimisă lui Sextil Pușcariu

Mihail Sadoveanu – corespondența trimisă lui Sextil Pușcariu

Author(s): / Language(s): Romanian Issue: 1/2024

Mihail Sadoveanu (1880–1961) and Sextil Pușcariu (1877–1948) are two major figures in the Romanian culture and society of the 20th century. Not only where they both prolific authors, with fundamental contributions to Romanian culture, but they also held, for decades, multiple key-positions in Romania’s cultural (and sometimes political) institutions. The correspondence published here, 9 documents (letters or postcards, dating from 1904–1933), written by Sadoveanu and addressed to Sextil Pușcariu, provides a valuable perspective on the Romanian society of the early 20th century in terms of editorial practices (for both periodical publications as well as book publishers), education in rural communities, or Romanian culture in general. The documents are part of the Sextil Pușcariu correspondence archive, available at the “Sextil Pușcariu” Institute of Linguistics and Literary History, Romanian Academy, Cluj-Napoca branch. Apart from their philological or literary value, the documents may be of great interest to historians or sociologists interested in early-modern Romania, as Sadoveanu’s comments are often focused on important figures or events from that time – for example, in one of his letters, Sadoveanu extensively discusses about Nicolae Iorga (one of the most important Romanian historians from that time), more specifically about his departure from the famous Sămănătorul magazine and about his editorial practices as director of the magazine.

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Comptes rendus / Book Reviews

Comptes rendus / Book Reviews

Author(s): Alisa TITE,Bogdan Contea,Robert Cincu,Diana DIMIRACHE,Mihai-Cătălin Popa / Language(s): English,French Issue: 1/2024

Review of:Anca Parvulescu, Manuela Boatcă, Creolizing the Modern. Transylvania across Empires, New York, Cornell University Press, 2022; C. Rogozanu, Naratorul cel rău. Un studiu despre realismul românesc: Rebreanu, Preda, Dumitriu [The Ruthless Narrator. A Study on the Romanian Realism: Rebreanu, Preda, Dumitriu], Cluj-Napoca, Tact, 2024; Andrei Doboș, Bacovia: modernismul periferic [Bacovia: The Peripheral Modernism], Cluj-Napoca, OMG/Casa Cărții de Știință, 2024; Claudiu T. Arieșan, Istoria comicului românesc, ediția a 2-a revizuită și adăugită [Histoire du comique roumain, 2e édition révisée et augmentée], Timișoara, Editura DATAGROUP, 2022; Romània Orientale, 2022, 35, Roma, Sapienza Università Editrice.

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