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Жени на фронта през 1944/1945: образи и сюжети
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Жени на фронта през 1944/1945: образи и сюжети

Author(s): Maia Angelova / Language(s): Bulgarian Issue: 3/2023

The article juxtaposes normative sketches written during the time of the People’s Re-public of Bulgaria (NRB), which build a collective image of the volunteers of the Second World War, and authentic life stories, in which literary raw moments captured in archival materials (letters, memories, diaries, tapes) are discovered, or interviews published in the 21st century. The collective essay model, created in the prism of social realism by Dimitrina Shtereva, published in the two representative books popularizing the exploits of military women in the 1960s, has been accepted as the norm. In the second part, the archived essay of the well-realized Zdravka Hristova processed in the prism of social realism is closely examined. Comparatively, to these collective and individual images, the literary silhouette of the military correspondent Frülinka Novachkova, who has no other biography than what was said in the obituaries on the occasion of her supposed death, is close.

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Ботев във филмовите интерпретации на Никола Корабов и Максим Генчев
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Ботев във филмовите интерпретации на Никола Корабов и Максим Генчев

Author(s): Anna Alexieva / Language(s): Bulgarian Issue: 2/2024

The paper is focused on two movies, dedicated to the life and deeds of the Bulgarian poet and revolutionary Hristo Botev. Chronologically, the first one – “Freedom or Death” (1968), was directed by Nikola Korabov – a film director, considered as a part of so-called classical era of the Bulgarian cinematography. The second one, entitled simply “Botev” (2022), was directed by Maxim Guenchev – a contemporary movie director, known with his history-based works. In different time contexts, both movies were met with considerable criticism by the audience and cinema professionals. The paper pays particular attention to the reasons why these films provoked so many pronounced negative reactions. The first movie was not accepted positively because of the political circumstances took place in 1968. Prague Spring affected the whole socialist block. Thus, the movie by Nikola Korabov was seen as deviating from the politically correct line of the Bulgarian socialism, so its screening was stopped by the ideological censorship. The interpretation of the main character and the way the history events were shown was regarded as diverting from the socialist canon. Consequently, the movie was prohibited for public display. “Botev” movie’s reception was not particularly warm as well. The audience was influenced by the director’s pro-Russian point towards the Russian aggression in Ukraine. The same attitude was shared by the main movie character from the screen. It should be taken into account that nowadays the national-populism is in constant raise, and the dictionary of the social dialogue, dedicated to the problems of the national identity, is radicalized respectively. Concerning the artistic language of the first movie, it is defined as a style mixture with no coherent intention, as involving unnecessary Biblical reminiscences, overexaggerated aestheticization with no plot motivation. Summarizingly, the movie was seen as a display of mannerism, unfitting the idea of the national hero’s concept in its socialist version. The movie “Botev” by Maxim Guenchev leaves an impression for amateur, informal event, targeted for close friends and the families of the cast. In conclusion, the image of Hristo Botev was not properly screened either in the socialist period or in the 21 century and more than 30 years after its collapse.

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THE EVENTS OF JUNE 1924 IN THE PUBLICISTICS OF FRIAR GJERGJ FISHTA

THE EVENTS OF JUNE 1924 IN THE PUBLICISTICS OF FRIAR GJERGJ FISHTA

Author(s): Rovena Mikeli (Vata) / Language(s): English Issue: 5/2023

Gjergj Fishta, a prominent figure in Albanian literature, wrote epic, satirical, dramatic, lyrical, and publicistic works during the course of his career. He covered the journalistic side, which assessed aspects of Albania and its environment, in great detail. The majority of Fishta's prose works were released in periodicals and newspapers of the era, including “Hylli i Dritës” (1913) and “Posta e Shqypnis” (1916). The considerable work of Gjergj Fishta is a significant addition to Albanianology, theology, and cultural studies. Our inquiry will center on the newspaper article “The Riots of June 1924.” This writing in the Fishtian pen takes the form of a historical testimony, bringing historical events, facts, and real individuals in addition to its vast lexicon. As he noted, Gjergj Fishta, the demagogues of political and social life were the target of this article. In particular, the authorities, particularly those in Albania, the Assembly, the Parliament, specifically the high officials, starting with the prime minister, witnessed an undress spiritual and national, ignorance to the point of regret, extreme impudence, and nonsense motivated by greed, with serious repercussions for the Albanian world and its people. With this study, Gjergj Fishta aimed to uphold Albanian identity, the call to serve the country, and the need to modify the law to better suit Albanian society. At the end of the day, Gjergj Fishta wanted the best for his people and the preservation of the Albanian identity based on the code of tradition, just like many other patriots, intellectuals, and albanologists.

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BULGARIAN CRITICAL AND TRANSLATION RECEPTION OF VESNA PARUN’S POETRY
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BULGARIAN CRITICAL AND TRANSLATION RECEPTION OF VESNA PARUN’S POETRY

Author(s): Elena Daradanova / Language(s): English Issue: 3/2024

The article aims to analyze and summarize the translation, critical and scholarly reception of Vesna Parun’s lyrical work in Bulgaria with the intention to complement or detail the existing reception studies in the Bulgarian scholarly field. The focus placed on the forms of presence in the Bulgarian literary space outlines as a field of research the translation and critical activity until and after 1989). Both the earlier translations and the new ones, which are essential in constructing or expanding the idea of her poetry, are object of commentary. Modern approaches to the presentation of Parun’s poetry – publications in specialized periodicals, in anthologies, etc., are examined in terms of publication strategies which lead to different contexts of perception. The existing scholarly studies, presenting the varied scholarly perspectives (literary-historical, interdisciplinary, reception studies) to the work of Vesna Parun have been analyzed as an important factor for the formation of the reception image.

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WHEN POETS TRANSLATE POETRY (VESNA PARUN’S TRANSLATION OF PENJO PENEV’S POETRY)
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WHEN POETS TRANSLATE POETRY (VESNA PARUN’S TRANSLATION OF PENJO PENEV’S POETRY)

Author(s): Ana Vasung / Language(s): English Issue: 3/2024

The paper examines Vesna Parun’s translation work from an intercultural perspective, highlighting her role as a true intercultural translator who belonged to and connected Bulgarian and Croatian cultural spaces and literatures. Parun’s success in translating Penjo Penev’s works is attributed to her deep immersion in Bulgarian language and culture, as well as her poetic aptitude and mastery of poetic traditions. Parun’s translation skills were bolstered by her interpretative abilities, enabling her to understand both the original text’s context and its new reception context. Her familiarity with the socio-political and cultural milieu of the time, as an active participant, further enhanced her translations. The paper asserts that Parun adeptly navigated the various intra- and extra-linguistic elements influencing literature and its translation, solidifying her legacy as a masterful translator of poetry.

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THE POETRY OF VESNA PARUN AND BLAGA DIMITROVA BETWEEN IDEALISM AND DOUBT
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THE POETRY OF VESNA PARUN AND BLAGA DIMITROVA BETWEEN IDEALISM AND DOUBT

Author(s): Marijana Bijelić / Language(s): English Issue: 3/2024

Since there are some important similarities as well as meaningful differences between the poetic oeuvres of the selected authors, the paper provides a comparative and a contrastive analysis of selected poems by Vesna Parun and Blaga Dimitrova. It focuses on a relationship between idealism with “absolutist” tendencies, insistence on perfection and on the ideal as a way of coping with negativity. Lyrical subjects in the poems are conceived as completely open to the unending work of desire. The lyrical subject in the poems by Parun is much more sensual, while Dimitrova’s one shows a strong tendency toward reflectiveness and abstraction. Their idealism is usually articulated through traditional symbols, such as birds, stars and the idealised topoi of childhood and nature, with love being their obsessive theme. Such a constellation is a basis for duality of the lyrical subject placed between the ecstatic projections and a tragic decomposition. Self-transcendence through love is the main ideal (that) the lyrical subject hopes to achieve, whereas its other side is the uncompromising tragic self-destruction the subject chooses so as to preserve the ideal from its loss and from the threatening meaninglessness.

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THE SCRIPT OF LIFE: VESNA PARUN IN THE PEOPLE’S REPUBLIC OF BULGARIA (1962 – 1967)
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THE SCRIPT OF LIFE: VESNA PARUN IN THE PEOPLE’S REPUBLIC OF BULGARIA (1962 – 1967)

Author(s): Ksenija Banović / Language(s): English Issue: 3/2024

The article features the Bulgarian period in the works of the great Croatian poet Vesna Parun, during which she befriended some of the most prominent artists and intellectuals in Bulgaria of that time. Bulgaria proved to be a major inspiration for the poet, but also a source of pain because of the harsh life trials she ended up facing. The period was very prolific for her. In Bulgaria she wrote not only her poetry collection The Wind of Thrace, but also magnificent essay and travelogue texts, while at the same time actively contributing to the translation of her poetry into Bulgarian. Her essays on Bulgarian poetry are particularly valuable insights of a talented and erudite artist, who sheds light not only on the poetic but also on the political processes in those years of ideological bans and creative freedom that was so hard to uphold.

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The Many Worlds of Trauma: An Interdisciplinary Perspective

The Many Worlds of Trauma: An Interdisciplinary Perspective

Author(s): Amalia Călinescu / Language(s): English Issue: 2/2023

The article presents a multidimensional analysis of trauma. The socio-physiological approach in the first part sets the stage for underlining the role of integrative psychotherapy in addressing traumatic wounds. Drawing from different fields, the study then provides Kazuo Ishiguro’s psychoanalytic approach to understanding the relationship between trauma and human existence, with a particular focus on the interplay between memory, identity and chronic emotional disturbances. The study thus explores how fiction can serve as a therapeutic tool, giving voice to characters who either embark on healing journeys or try to conceal their unhealed wounds within self-contained worlds. Through existential parables, therapeutic fiction can delve into the psychological implications of traumas, offering the possibility of acceptance, or even healing, despite the immutable nature of the past. Ultimately, this interdisciplinary analysis aims to deepen one’s understanding of trauma’s impact on individuals and society while it highlights the potential for healing and growth in real life through the worlds of fiction

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From Anthroparasitism to Posthuman Symbiosis: Peggy Karpouzou and Nikoleta Zampaki: Symbiotic Posthumanist Ecologies in Western Literature, Philosophy and Art. Towards Theory and Practice

From Anthroparasitism to Posthuman Symbiosis: Peggy Karpouzou and Nikoleta Zampaki: Symbiotic Posthumanist Ecologies in Western Literature, Philosophy and Art. Towards Theory and Practice

Author(s): Ádám Lovász,Mark Horvath / Language(s): English Issue: 1/2024

Review of: Peggy Karpouzou, Nikoleta Zampaki, “Symbiotic Posthumanist Ecologies in Western Literature, Philosophy and Art. Towards Theory and Practice”.

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Zhuangzi: Oblivion and Happiness

Zhuangzi: Oblivion and Happiness

Author(s): Radosav Pušić / Language(s): English Issue: 1/2024

From the perspective of our time, it is difficult to guess what Zhuangzi wanted to tell us with the expression “zuo wang 坐忘”. Different angles of looking at the world give us pictures of different worlds. In the text “Zhuangzi: Oblivion and Happiness”, I will try to shed light on the various possibilities that the term “zuo wang 坐忘” offers us. In this light, the possibility opens up to understand to what extent it is the path to our happiness. At the same time, numerous philosophical questions arise: the relationship towards the body, self, dao, de, towards dream, reality, the cultivation of one’s being, wisdom, etc.

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Между Омир и ChatGPT
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Между Омир и ChatGPT

Author(s): Nikolay Tsenkov / Language(s): Bulgarian Issue: 2/2024

The article aims to trace the impact that artificial intelligence has on the contemporary communication paradigm. The relationship between the “large language models” (LLM) and the speech, its sense and the current speech situation is investigated. Elucidation of this relation is revealed by suggesting answers related to the questions of whether artificial intelligence is an unprecedented phenomenon to speech; how artificial intelligence is integrated into a new speech situation; does artificial intelligence disrupt the unity between “word” and “sense”?

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Palinodia de la Nephanda y fiera nación de los turcos y de su engañoso arte y cruel modo de guerrear y su traducción veneciana: del enemigo endemoniado al vecino respetado

Palinodia de la Nephanda y fiera nación de los turcos y de su engañoso arte y cruel modo de guerrear y su traducción veneciana: del enemigo endemoniado al vecino respetado

Author(s): Françoise RICHER-ROSSI / Language(s): Spanish Issue: 3/2021

This paper analyses the different ways the Turk was represented depending on whether one reads the original version written by Spanish author Vasco Diaz Tanco and published in Orense in 1547 or its translation into Italian carried out by Alfonso de Ulloa ⸺a native Spaniard who adopted the Venetian citizenship⸺ and soberly entitled: Libro dell’origini e successione dell’Imperio de’Turchi (1558). It underlines how Alfonso de Ulloa, as a good cultural mediator between Spain and the Republic of Venice, adapted himself to the Venetian context. He fully realized the interest of his fellow countryman’s work, but he also knew that the relationships between Spain and Turkey were very different from those maintained by Venice with her Ottoman neighbours. He had to meet the demands of other readers. Consequently, while the duty of serving the fatherland was never lost sight of, he took pains not to displease the Venetian authorities which would compromise with the Turks for free trade in the Mediterranean. One should remember that ten years later and after negotiating for ten months, in the wake of the attack on Cyprus by the Turks (July 1570) with her governor Marc Antonio Bragadín being tortured in Famagusta, Venice was to form a league with the Spaniards and Pope Pius V. This article, while it considers the political history of the context in which both texts were produced, analyses Alfonso de Ulloa’s deletions from and additions to the original text. As he translated from a book that forcefully stood up for the Christians and attacked the Turks virulently, Alfonso de Ulloa softened the style, used censorship and compensated by praising the Republic of Venice and insisted on her remarkable role on the international scene.

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THE NARRATIVE CONCEPT IN MEDICAL EDUCATION. THE WRITER DOCTOR, TRANSCULTURAL EXPERIENCES

THE NARRATIVE CONCEPT IN MEDICAL EDUCATION. THE WRITER DOCTOR, TRANSCULTURAL EXPERIENCES

Author(s): Gabriela-Mariana Luca,Göksel Altınışık / Language(s): Romanian Issue: 38/2024

In their 1999 study, Greenhalgh and Hurwitz emphasize the importance of story in the success of the medical procedure and recommend turning the therapist's gaze to tradition. Mythology and how we treat personal histories should be included in medical practice because history is part of our lives. Our life itself is a story in itself ("a novel - if I tell you, “We hear almost constantly from all interviewees). Although people's stories are subjective, they contain a "narrative truth" that is somewhat related to "historical truth" and can provide researchers with keys to (re)discovering identity (McAdams et al., 2006: 19).Everything that happens to us is recorded in the memory of the body with which we show ourselves to the world: hope, joy, sorrow, despair. As a doctor, knowing how to listen to your patient means knowing how to use your life experience for both curative and educational purposes.The study we propose is based on the use in medical communication of a volume of short stories, signed by Göksel Altınışık, doctor, sociologist with master’s degree and writer. The volume, "As Our Hearts Keep Beating”, appeared at the Victor Babeș Publishing House in 2023, and brings attention to how a doctor can actively listen to his patient, then using his literary ability to immortalize the treated cases, turning them into working models for younger colleagues.The subjectivity of the medical author is in permanent dialogue with the anthropologist collaborator who can define the framework of the study area in a common narrative space.

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САБЛАСТИ БУМЕРА: ГЕНЕРАЦИЈСКИ ИЛИ КЛАСНИ СУКОБ?

САБЛАСТИ БУМЕРА: ГЕНЕРАЦИЈСКИ ИЛИ КЛАСНИ СУКОБ?

Author(s): Jelena Lalatović / Language(s): Serbian Issue: 546/2024

Категорија идентитета већ деценијама функционише као један од основних аналитичких алата за истраживаче и критичаре. Њена употреба, уз самодопадну саморазумљивост која је најчешће прати, распрострањена је у тој мери да је свест о њеној историјској условљености, као и о теоријским и интерпретативним ограничењима, готово ишчилела. „Право на идентитет”, к томе и на његову одбрану и адекватну репрезентацију у култури и уметности, третира се као неприкосновено. Поред пословично угроженог, трауматског идентитета националних књижевности, нарочито у југословенским оквирима, моралистичка аргументација, која свој критички апарат заснива на реконструкцији одређене трансценденталне вредности, присутна је и у приступима које бисмо колоквијално означили као „прогресивне”, „ангажоване” и томе слично.

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„Значиии… Не такова продължение очаквах“. Читатели, коментатори, мрежови интерпретации
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„Значиии… Не такова продължение очаквах“. Читатели, коментатори, мрежови интерпретации

Author(s): Albena Vacheva / Language(s): Bulgarian Issue: 3/2024

The main topic in the article is a question about the place and role of literature and different technics of interpretation, practiced by the readers. In the focus of the study are 4 novels very popular and representative about Bulgarian mass literature – and especially – about chick lit. The Za edna nosht, Yoga, lyubov i drugi mitove, Triumfat na kuchkite, Triumfat na kuchkite (Prodalzhenieto) provoke wide discussions in social networks. A new term – the social resemblance principle – is forged and used to explain the communicative position of big fan groups of readers, which in the process of literary texts explanation recognize chick lit novels as a description of reality. From that position they argue with the critically oriented readers, raising up fictional models to socially and moral valid norms in the battles for cultural categories interpretation.

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Интелектуалисти и импресионисти: Минко Николов, Тончо Жечев и Искра Панова
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Интелектуалисти и импресионисти: Минко Николов, Тончо Жечев и Искра Панова

Author(s): Kamelia Spassova / Language(s): Bulgarian Issue: 3/2024

In the chapter “Contemporary Myth-Making and Myth-Unmaking” from the book “Between Deadlock and Humanism. On Some Phenomena of Modern Western Literature”, published postmortem in 1967, Minko Nikolov delineates two divergent trends in Bulgarian critical thought during the 1960s in the Eastern Bloc. These tendencies constitute a good prism through which to interpret the critical debate on Zhechev’s “The Myth of Odysseus”. The trend of myth-making relates completely to Toncho Zhechev who constructs a modern myth of “return to homeland”, encompassing ancestors, family, village, tradition, or more broadly, a mythological, cyclical conception of time. The reverse trend of myth-unmaking in this context is attributed to Iskra Panova, Minko Nikolov, and the intellectualist vein in general. This article focuses on the debate between “intellectualism” (modern critical thinking) and “impressionism” (essayistic creative thinking) as preceding the structuralists/impressionists polemic in the 1970s. The basis of the intellectualists-impressionists conflict is an authentically Bulgarian-European axis that continues haunting our public discourse.

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Книгата „Чудотворни богородични икони на Света гора“ – опит за иконология на чудото
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Книгата „Чудотворни богородични икони на Света гора“ – опит за иконология на чудото

Author(s): Svetlana Stoycheva / Language(s): Bulgarian Issue: 3/2024

The review of Miroslav Dachev's book “Miraculous Icons of the Theotokos on Mount Athos” (Athoniada Library Series, Volume 9, 2023) is focused on the semiotic analysis of the miraculous images of the Mother of God in the Theotokos on Mount Athos. To explain the essence of the miracle, the place, time, name, and voice of the miraculous icons of the Holy Mother are examined individually. Additionally, their photographic images are included in the dialogue among all of them – one of the greatest achievements of Dachev's analysis.

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ŽENSKO ISKUSTVO U SPREZI TRAUME I ISTORIJE U ROMANU MILOSRĐE

ŽENSKO ISKUSTVO U SPREZI TRAUME I ISTORIJE U ROMANU MILOSRĐE

Author(s): Aida Džiho-Šator / Language(s): Serbian Issue: 548/2024

U romanu Milosrđe Toni Morison ispisuje traumatsko iskustvo, kao i stvaranje i rastvaranje veza pet žena u nemilosti američkog kontinenta u sedamnaestom vijeku. Putem bliskog i intimnog iskaza toka svijesti, ona vodi čitaoce u svijet prednacionalne i predrasne Amerike, u svijet beskrajne divljine Novog kontinenta, kada su nacionalni i rasni identiteti kao osjećaji i pojmovi tek nastajali, a žene, bez obzira na boju kože i status u društvu, uvijek bile u nekoj vrsti nepovoljnog i po život opasnog položaja. U često citiranom intervjuu za National Public Radio, gdje je razgovarala sa Lin Nir, Morison ističe da je „željela odvojiti rasu od ropstva, da vidi kako je to moglo izgledati, kako je moglo biti, biti rob, ali van konteksta rasizma, odnosno rasne inferiornosti” (Morrison, 2013). Radnja romana ukazuje na činjenicu da ropstvo i rasizam u Americi nisu postojali od samog nastanka, od njezinih kolonijalnih početaka, već da su, zapravo, nastali tako što su bili konstruisani, podmetnuti, institucionalizovani i na kraju ozakonjeni, a autorka kroz male, lične priče marginaliziranih osoba iscrtava taj put i to s naglaskom na ženskom iskustvu.

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ISSUES RELATED TO ADAPTATION OF NORMS ON PROPER SPEECH STYLES: THE CASE OF CHURCH DISCOURSES
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ISSUES RELATED TO ADAPTATION OF NORMS ON PROPER SPEECH STYLES: THE CASE OF CHURCH DISCOURSES

Author(s): Evalda Paci / Language(s): English Issue: 02/2023

There is a substantially increased attention in recent decades to the most specific speech forms, which does directly include language and usages in texts and collections from close fields of culture and book writing; moreover, certain changes do simultaneously affect the restoration of relevant practices that many years ago were more common in our country. A rich tradition has appeared in early periods by authors who collected models related to contemporary developments, reforms in the field of reading, ecclesial and lithurgical culture followed centuries later by other developments, which were and remain utterly positive, both in their momentum and orientation.

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ЕЗИКЪТ НА СБОРНИКА „ЦЪРКОВЕН ЦВЕТНИК“ НА ИВАН Н. МОМЧИЛОВ (Фонетични особености)
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ЕЗИКЪТ НА СБОРНИКА „ЦЪРКОВЕН ЦВЕТНИК“ НА ИВАН Н. МОМЧИЛОВ (Фонетични особености)

Author(s): Ivo Bratanov / Language(s): Bulgarian Issue: 23/2024

The report highlights the most significant phonetic features of the language used by the renowned leader of the Bulgarian National Revival Ivan N. Momchilov in his collection “Tsarkoven tsvetnik” (“Liturgical Anthology”), published by “Knigoprodavnitsa Momchilov & Co.” in 1869. The report features the most distinctive language structures, which offer the Renaissance writer a wide range of options.

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