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ЖЕНСКО ПИСМО (ОД ВИРЏИНИЈЕ ВУЛФ ДО ЏУДИТ БАТЛЕР)

Author(s): Snežana J. Milojević / Language(s): Serbian Issue: 5/2015

The introductory section of this paper points to some of the divisions which appear in the feminist thought, with a particular attention to the elements that mark the beginning and the further course of attempted theoretical generalizations of the uniqueness of women writers and the so-called women’s emotionality expressed in their writings. Faced with the impossibility of finding a generally accepted definition of feminist poetics, which in the spirit of post-structuralism becomes fluid, inconsistent and conformed to a variety of ideas, the paper tries to follow the evolution of the term ‘women’s writing’ through the writings of the most important authors belonging to this kind of activism who think and create in the context of certain philosophical, psychoanalytical and ideological correlatives.

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Nieme obłoki, sny (o poezji Ryszarda Krynickiego)

Author(s): Paweł Próchniak / Language(s): Polish Issue: 1-2/2023

The essay concerns the poetry of Ryszard Krynicki, discusses its main features and threads, and at the same time is an act of gratitude written down into interpretive passages – gratitude to the poems, but also to their author, Ryszard Krynicki.

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Dobroć, miłosierdzie? Miejsce „starej wrażliwości” w poezji najnowszej

Author(s): Piotr Śliwiński / Language(s): Polish Issue: 1-2/2023

The article deals with goodness (and mercy motivated by it) as a quality present in a modern poem and manifesting itself in the world through the poem. The author discusses overt and hidden filiations between poetry and kindness (and mercy as the practice of kindness), situating his considerations against the background of key contemporary strategies of thinking about, and practicing poetry.

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„Wszystko to pięknie, drogi przyjacielu, ale wróćmy do rzeczywistości”. Mówmy o księgowości

Author(s): Agnieszka Giszterowicz / Language(s): Polish Issue: 1-2/2023

The article deals with accounting revealed in the B. Schulz dilogy. The author – a theoretician of accounting – applies a method of the direct interview and talks with a practician-expert so as to answer questions about accountancy and theses formulated while reading Sklepy cynamonowe and Sanatorium pod Klepsydrą.

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Raport z przeciwdziałania entropii. (Wn/Ma – notatki z SchulzFestu w Lublinie)

Author(s): Agnieszka Giszterowicz / Language(s): Polish Issue: 1-2/2023

The purpose of the article is to present an auteur report concerning the process of counteracting entropy (ECR), comprised of notes made in accordance with the rule of balance equilibrium (in the Wn/Ma system) while using 3-column account cards, its scientific justification, and application potential.

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Od pieśni Anitry do taranteli. Rekontekstualizacja jako metoda twórcza

Author(s): Ewa Partyga / Language(s): Polish Issue: 1-2/2023

The topic of the research reflections broached in this article involves two versions of the closing scene from the second act of A Doll’s House by Henrik Ibsen. A comparative analysis originating from a sketch from 1879, in which Nora Helmer sang and danced Anitra’s song from Peer Gynt, and a published variant in which she dances the tarantella, intends to demonstrate the character of changes introduced by the author. A synthetic work by Vilhelm Bergsøe about tarantism (1865), with which Ibsen was most probably familiar, is also presented as one of the contexts of such changes. An analysis of the tarantella motif is based on contemporary studies on the tarantella and tarantism. The article proposes the thesis that Ibsen preserved all meanings contained in the rough version but redistributed them in a different manner in the text of the drama; at the same time, by changing the music-dance motif he increased the number of mutually interfering contexts. Significant changes also affected relations between the dramatis personae. Resignation from exoticization and the introduction of the tarantella as a motif more open to performative clarification and semantically less stabilised than Anitra’s song contributed to a considerable expansion of interpretation possibilities.

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Florencja Manganellego. Geometria i sen

Author(s): Małgorzata Ślarzyńska / Language(s): Polish Issue: 3/2023

The topic of this article is Florence as seen by Giorgio Manganelli, one of the most interesting 20th century Italian men of letters, who devoted a large part of his works to subjective accounts of numerous journeys. Florence viewed by Manganelli – particularly described in sketches from the collection: La favola pitagorica. Luoghi italiani (2005; texts about Florence come from 1982–1988), but also in other works, i.a. those in Emigrazioni oniriche (2023), the most recent collection of Manganelli’s writings dedicated to art – appears to be subjected to the precise and flexible rules of fairy-tale geometry dictated by the evil ruler of the Baptistery. Fairy-tale quality and oneiric geometrical disputes seem to organise the space of a spectral and unobvious Florence as seen by Manganelli. The author explores the most prominent Florentine churches: Santa Maria Novella, Santa Maria del Fiore, San Lorenzo, Santa Croce, and Santo Spirito in Oltrarno, but also tours galleries and exhibitions, being particularly interested in Galleria degli Uffizi. Owing to the disclosure of a network of conflicts within its architectural-fairy tale layout Florence manages to get rid of the false labels of a “beautiful city”, a “masterpiece”, which the author found so discouraging. The text also takes into consideration the recently published collection of reminiscences by Manganiello’s daughter, Lietta (Giorgio Manganelli. Aspettando che l’Inferno cominci a funzionare, 2022).

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Jeśli italską nocą podróżny

Author(s): Paweł Drabarczyk vel Grabarczyk / Language(s): Polish Issue: 3/2023

The small-scale Qfwfq. Opowieści artystów w ruchu (Qfwfq. Storie di artisti in movimento / Stories of Artists in Motion) exhibition held at the Italian Culture Institute, organised to mark the hundredth anniversary of the birth of Italo Calvino, reminds that old images of Italy assume new meanings and certain figures of thinking about Italy succumb to erosion and crumble while others have to be deciphered anew. The author examines several select motifs cocreating the substance of the exhibition, which redefine the Italian landscape in its “exuberant”, “cosmicomics” editions inscribed into the imaginarium of loftiness: images of mountains, volcanoes, and seas. The latter disclose the contemporary experience of travelling, and we encounter in them a particular motion – a journey of the senses, examined by the author while delving into reflections borrowed from books by Italo Calvino

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Niewłoskie pejzaże Włoch. O spojrzeniu Luigiego Ghirriego

Author(s): Aleksandra Sołtysik / Language(s): Polish Issue: 3/2023

Italian photographer Luigi Ghirri (1949–1992), had a unique approach to space and landscape, which was reflected in his works. In this article, the author tries to trace the implementation of this idea on the example of several photographs of the Italian province. The interpretative key to reading Ghirri’s photographs, as well as the image of provincial areas in northern Italy emerging from them, is the juxtaposition of the popular postcard image of Italy with the emptiness of the non-places discovered by the photographer.

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“Uninvited, History Entered Our Lives”: The Post-World War I Transitions in Autobiographical Perspective

Author(s): Manca G. Renko / Language(s): English Issue: 1/2023

The article deals with the role of autobiographical writings of women intellectuals and their depiction of the post-war transitions. In foreground are the autobiographical texts of ten women (Rosa Mayreder, Zofka Kveder, Marija Jurić Zagorka, Marija Vinski, Anica Lokar, Hilde Spiel, Alma Mahler Werfel, Angela Vode, Salka Viertel, Gusti Jirku Stridsberg) of different nationalities, social groups, generations, professions and classes who through their writing, created a legacy that thematizes the topics of nostalgia, politics, family, war and gender. The article focuses on transnational and gender perspectives of autobiographical writings as a historical source for the early post-Habsburg era.

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Lietuvių literatūros kanono horizontai ir peripetijos

Author(s): Regimantas Tamošaitis / Language(s): Lithuanian Issue: 1/2023

Review of: Lietuvių literatūros kanono dirbtuvės (XIX a. pabaiga–XX a. pirma pusė): kolektyvinė monografija. Sud. Viktorija Šeina. Vilnius: Lietuvių literatūros ir tautosakos institutas, 2022, 635 p.

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Diskusija „Humanitarinės literatūros vertimai Lietuvoje: ką verčiame, ko stokojame?“

Author(s): Modestas Bakas,Radvilė Bartkutė,Agnietė Čepėnaitė,Eimantas Garšauskas,Iveta Ivanauskaitė,Justina Katauskaitė,Martynas Pumputis / Language(s): Lithuanian Issue: 1/2023

Humanitarinės literatūros vertimai – svarbi akademinės ir intelektualinės veiklos vystymo dalis. Nors per pastaruosius du dešimtmečius humanitarinių veikalų vertimų pastebimai sumažėjo, šis klausimas nesukėlė platesnių akademinės ir kultūrinės bendruomenės diskusijų. Atviros Lietuvos fondo (ALF) iniciatyva buvo publikuota šimtai humanitarikai skirtų veikalų, tačiau nutrūkus ALF veiklai per pastaruosius septyniolika metų panašaus pobūdžio iniciatyvų taip ir neatsirado. Dažnu atveju humanitarinių veikalų vertimo trūkumo problemą bandoma paaiškinti „neužaugintu skaitytoju“, finansiniais bei biurokratiniais sunkumais, tačiau klausimas „Ką galime pakeisti?“ – lieka neiškeltas. Į diskusiją apie humanitarinės literatūros veikalų vertimų situaciją Lietuvoje VU Studentų Santara pakvietė doc. dr. Nijolę Keršytę, prof. dr. Mindaugą Kvietkauską, prof. dr. (HP) Arūną Sverdiolą, doc. dr. Dainių Vaitiekūną. Diskusiją moderavo Modestas Bakas. Renginys vyko 2023 m. balandžio 27 d. K. Donelaičio auditorijoje, VU Filologijos fakultete.

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Соловьиный сад у самого моря: к вопросу об ахматовском интертексте в поэме А. Блока «Соловьиный сад»

Author(s): Tatyana Pakhareva / Language(s): Russian Issue: 2/2023

The article aims to clarify and supplement the picture of the poetic dialogue between Anna Akhmatova and A. Blok in winter 1913–1914. The period of intense communication between the poets and their mutual dedications exchange (“Beauty is terrible” – you will be told ... by Blok and I came to the poet visit ... by Akhmatova) is also the time when Blok began work on Nightingale Garden. The article reveals numerous overlaps with the lyrics of Evening and Rosary mainly in draft versions of Blok’s poem, as well as some parallels with Akhmatova’s poem Near the Sea, created simultaneously with Nightingale Garden and published six months before the end of Blok’s work on his poem. The sources of the identified overlaps are mainly those poems of Akhmatova that are marked by Blok’s marginalities on a copy of the Rosary, which he received from Akhmatova in spring 1914. Everything above mentioned suggests that the whole Akhmatova’s intertextual field that appeared in the early versions of the Nightingale Garden is nonrandom. However, the majority of the figurative and intonational-syntactic coincidences with the Akhmatova’s poems were not included in the final text of the Nightingale Garden, so as a result, the process of Blok’s work on the poem clearly captures both the dynamics and internal logic of his exit from a fledgling, but active poetic dialogue with Akhmatova, and a significantly greater degree of the Blok’s initial involvement in this dialogue than has been assumed until now.

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Поэзия русской релокации-22: основные мотивы

Author(s): Andrei Desnitsky / Language(s): Russian Issue: 2/2023

The article for the first time, as far as we know, introduces to the scholars’ community the poetry of “relocated” Russians (those in the process of unvoluntary change of address after the 24th of February 2022) and describes it from the motive analysis point of view. This is a new and a rather special phenomenon between literature and blogosphere which partly repeats the experience of the so called “bards’ songs” of the late Soviet period but under different circumstances and in different ways. Under total censorship and selective repressions in the Russian Federation the poetry published in social media that became one of the main means to communicate and to come through a personal crisis. One may expect that in future it may play an important role compared to that of the bard’s songs.

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«Мальчик плохо различал лица»: мир глазами ребенка в рассказе Ф. Горенштейна «Дом с башенкой»

Author(s): Olga Lekmanov / Language(s): Russian Issue: 2/2023

The article about Friedrich Gorenstein’s story The House with a Turret deals with the difference between the points of view of the protagonist of the story and the author’s point of view on the world surrounding the protagonist. From the beginning to the end of the story, the boy, the main character of the story, learns to distinguish good from evil and good people from bad.

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Неопубликованное письмо профессора Ф. П. Федорова об исторической прозе Русского зарубежья

Author(s): Pavel S. Glushakov / Language(s): Russian Issue: 2/2023

A letter by Professor F. Fedorov is published, in which he speaks in detail about a dissertation nresearch devoted to historical prose in the literature of emigration. The letter is of interest not only as a sign of the scientist’s attention to the work of a young colleague, but also for those reflections that are a deep analytical analysis of the topic of historical prose in the literature of the Russian Diaspora. In fact, this text is a completely independent statement of a scientist on a topic that has not yet been fully clarified in literary science. Broad generalizations and valuable conclusions make this letter an important fact not only in maintaining the memory of the deceased researcher, but also outline promising ways for studying the literature of emigration in Latvia.

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Po Olimpo padange: trys dieviškų kraštovaizdžių tipai Homeriniuose himnuose

Author(s): Vaiva Vasiliauskaitė / Language(s): Lithuanian Issue: 3/2023

The paper discusses the landscapes of Apollo, Hermes, Pan, and Demeter in the Homeric hymns, analysing how particular landscape representations articulate the gods’ functions and identities, their relationship to humanity and the structure of the Olympic cosmos. It is argued that an in-depth examination of the representation of landscape in Ancient literature reveals patterns of representation that contribute to a deeper understanding of the religious worldview of the ancient Greeks.

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Reception of Penelope’s Character in 20th Century Poetry: Female Modernism and Latvian Writer Aspazija

Author(s): Dina Eiduka / Language(s): English Issue: 3/2023

Penelope, the wife of Odysseus, has held a prominent position in literature since the time of Homer. Throughout the ages, numerous authors have engaged with Penelope and incorporated her into various contexts, contributing to her enduring recognition in the modern world. She serves as a muse for authors who delve into contemporary issues and address the pertinent challenges of their time. This article explores the development of the reception of Penelope’s character in the beginning of 20th century, tracing its origins from the texts of Homer and Ovid. It specifically examines the utilisation of Penelope in the poetry of modernist poets, particularly those associated with the category of Female Modernism (as proposed by Jane Dowson in her work “Women, Modernism and British Poetry, 1910–1939: Resisting Femininity” (2002)), with a particular focus on the works of the Latvian author Aspazija.

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Retorika Aleksandrui: tekstas ir intertekstai

Author(s): Alius Jaskelevičius / Language(s): Lithuanian Issue: 3/2023

For a long time, Aristotle was considered the author of the “Rhetoric to Alexander”. However, in the 16th century, Anaximenes of Lampsacus came to be considered its author. Despite some links between the teachings of the “Rhetoric to Alexander” and those of Anaximenes, the question of authorship remains unresolved. Based on the text of the “Rhetoric to Alexander” that has come down to us, and in conjunction with other intertexts, attempts have been made to determine the extent to which the “Rhetoric to Alexander” may have been influenced by different authors and texts. This paper raises doubts about whether attributing the “Rhetoric to Alexander” to Anaximenes closes the debate on the authorship of this work.

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Новые материалы к биографии и библиографии Ивана Антоновича Ефремова

Author(s): D. E. Martynov,Yuliya Aleksandrovna Martynova / Language(s): Russian Issue: 1/2024

This article reviews the first-ever published materials from the archive of Taisia Iosifovna Yukhnevskaya, the late wife of Ivan Antonovich Efremov (1908–1972). The focus is on I.A. Efremov’s collection of autobiographical and erotic short novels titled “Women in My Life”. These fourteen stories (one of which is incomplete) are believed to have been written between the 1950s and 1960s. They fit perfectly with the style of the writer, for whom there was no division between the physical aspects of love and the spiritual development of a normal person. The short novels contain a wealth of personal details, thus offering a new and deeper perspective on the early years of the rising geologist and social thinker. In terms of fiction, they continue the 1940s series “Tales of the Extraordinary” and conform to the genre characteristics of romantic storytelling, as well as colonial and Western novels. There are clear similarities and plot parallels with I.A. Efremov’s other novels such as “Andromeda: A Space-Age Tale”, “The Bull’s Hour”, “Razor’s Edge”, and “Thais of Athens”. An interesting finding is that the letters between I.A. Efremov and his wife bring out an unforeseen side of the writer’s character, especially his ability to inject humor, which is a departure from his usual literary approach.

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