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„EKSTAZA” CZY „ADMIRACJA”? IKONOGRAFIA OBRAZU ŚW. FRANCISZKA Z MUZEUM DIECEZJALNEGO W SIEDLCACH W KONTEKŚCIE WYMOWY WYBRANYCH PŁÓCIEN Z SERII FRANCISZKAŃSKIEJ EL GRECA

Author(s): Maciej Dariusz Kossowski / Language(s): Polish Issue: 23/2021

The widely adopted title of “Ecstasy of St Francis”, a painting at the Diocesan Museum in Siedlce, was introduced in literature in 1966 based on the typology developed by José Gudiol. The designation continues to be used until today. However, the significance and the purport of the title has not been confronted with the representation, especially given the current knowledge about its details. No attention has been paid so far to the nature of the stigmata, nor have any conclusions been drawn from the arrangement of the fingers or the depiction of bone remains, their pattern and placement. An analysis of those motifs changes the previous interpretation of what the work seeks to convey. The paper also cites arguments in favour of amending the current dating, from 1578-80 to the early seventeenth century.

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ION D. BERINDEI, 150 DE ANI DE LA NAŞTERE

Author(s): Radu Moţoc / Language(s): Romanian Issue: 1-2/2022

the article presents the work of the Romanian architect Ion D. Berindei (1871-1928), describes the postage stamps put into circulation by ROMFILATELIE in honor of the commemoration of 150 years since the birth of this famous personality.

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Zbylut Grzywacz. Sceny z KORridy

Author(s): Patrycja Cembrzyńska / Language(s): Polish Issue: 20/2022

The article discusses the iconographic and ideological message of Zbylut Grzywacz’s paintings from the Beef Cycle, painted in the second half of the 1970s. The series is shown in the context of the supply problems in the Polish People’s Republic, the events of June ‘76 and the post-Yalta order of Europe. The question of the rudiments of actual historical events presented in Grzywacz’s work is combined with inquiries into the role of the painter’s dialogue with the traditions of art and tauromachy

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AN OVERVIEW OF THE ANTIQUE STORES IN ROMANIA (1990 – 2019)

Author(s): Marius-George Coșarcă / Language(s): Romanian Issue: 19/2019

The foundation of this complete and extensive research of antiquarian books trading does not address any aspect related to the economic branch, but the precious historical richness of an activity destined to survive throughout time. The objective of this article is to present the real situation of antique stores in Romania, especially the ones in Bucharest. I have categorised the research into two periods, 1990-2010 and 2011-2019, in order to pursue a closer examination of the market situation, and to understand the oscillating dynamism reflected by the transition from one era to another. The results show that the number of antique stores in Bucharest have surpassed the number from rural areas. At University Sqare, located in Bucharest, books swapping takes place, a practice that has recorded diversification over time. The current research has used online sources, other physical ones from personal library and various antique shops in Bucharest.

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ოჯახი, როგორც შთაგონება

Author(s): Aleksandre Mgebrishvili,Murad Mtvarelidze / Language(s): Georgian Issue: 4/2022

Aleksandre Bagration-Davitashvili’s family held a high position in the 19th century, among the noble families of Shida Kartli, whose children were the renowned statesmen in the end of the 19th century and the beginning of the 20th century and had significant input in the societal development. This family had become a friend of the famous Georgian poet and statesman, Akaki Tsereteli, and the members of this family his close people; furthermore, we can find many creations in the poets lyrics, dedicated to the members and the descendants of the mentioned family. Taking these relations into account, in the given work, we bring into rigour or doubt some literary facts. Furthermore, we try to illusrate the spiritual closeness and plain human relations, which was such a needed condition for a poet, whose life was not easy, for his creative activities, so as for overcoming the barriers caused by the difficulties of life itself.

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MESLEKİ MÜZİK EĞİTİMİ ALAN ÖĞRENCİLERİN BAĞLAMA DERSİNE YÖNELİK MOTİVASYON DÜZEYLERİNİN İNCELENMESİ

Author(s): Umut ŞENER,Ferit Bulut,Damla Bulut / Language(s): Turkish Issue: 58/2023

The research aimed to review the motivation levels of the students receiving vocational music education toward the baglama lesson. The research is a field study in the descriptive survey model. The study group of the research consists of 137 students who received vocational music education at the undergraduate level by studying in the universities of the Faculty of Education, Fine Arts/Music and Performing Arts Faculty, and Music Departments of the State Conservatories in the 2022-2023 academic year. The students’ motivation levels toward the baglama lesson were collected using the "Individual Instrument Lesson Motivation Scale" developed by Girgin (2015). In line with the research findings, it was concluded that the motivation levels of the students who received vocational music education toward the baglama lesson were moderate.

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Пътят на модернизма в живописта на Кандински: от религиозна образност до абстракция. Анализът на Композиция 4 (1911) на кръстопътя между визуалната семиотика и историята на изкуството

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Пътят на модернизма в живописта на Кандински: от религиозна образност до абстракция. Анализът на Композиция 4 (1911) на кръстопътя между визуалната семиотика и историята на изкуството

Author(s): Jana Damianova / Language(s): Bulgarian Issue: 2/2023

The article reconstructs a virtual debate between the visual semiotics and the art history to trace the path of a possible collaboration between the two research fields. Initially, dialogue seems impossible since visual semiotics ranks among the nomothetic sciences and art history occupies a place among the ideographic sciences. The epistemological features of the two sciences in development prove that Windelband’s distinction ceases to be pertinent. Hubert Damisch detaches the semiotic study of painting from the nomothetic linguistic model, and Mieke Bal and Norman Bryson outline a collaborative strategy around an insightful definition of the sign as event. Some features of modernism are traced, demonstrating a connection between the semio-linguistic paradigm in semiotics and avant-garde art: cubism and abstractionism. The study of Jean-Marie Floch on the abstract painting Composition 4 as Kandinsky’s transition from figurative to non-figurative to abstract discourse is critically analysed.

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NURENGİZ GÜN’ÜN UZUN ŞİİRLERİNİDE SAVAŞ KONUSU

Author(s): Bahar MEMMEDOVA BERDELİ / Language(s): Turkish Issue: 58/2023

The article deals with seven poems of the poetess. Here is more explained the main aim of the author who wrote in war theme. In the poems, such as “Be safe, the white wad”, “Last dream of the Age”, “The novel of Snow”, “The symphony of Khojali” Nurangiz Gun shows the sense of hatred of the people to wars and the spirit of sense of humanness. Here shown that the majority of the poetess seven poems deal this theme. In the center of these poems stand the human being and human factor.The image of Mother in the poem “Be safe, the white wad” is the common image of mothers which are in the rear front. This image is a human being. Is the life itself, is light, is sun. This image is in front of all wars, and is the main line in the gallery of human images. In this investigation the author namely notes and investigates the poetess high appreciation to human, life, Motherland, and Mother factor. Traveling to the historical past of the Turks in his poem “Northern Cyprus winds”, the poet talks about the nature of these lands, their ancient people, and later today. But his real word is war, the conflict of states, the oppressed and broken people, and the author's base for war. The “Khojaly Symphony” talks about the most tragic moment of the Karabakh war, the Khojaly genocide. In the work, the poet, who sadly tells that the city of Khojaly was turned into ruins and that the human corpses were mixed with the ground, expresses his hatred for the war, those who fought this war and those who supported it.

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Heraldyczny program na relikwiarzowym gotyckim krzyżu sandomierskim. Studium źródłoznawcze

Author(s): Paweł Stróżyk / Language(s): Polish Issue: 88/2022

The paper describes and analyses a group of six coats-of-arms engraved on the foot of a Gothic reliquary cross from the 14th-15th centuries (the object is not uniform) in the collection of the Museum in Sandomierz. The cross proper with enamelled plates was made in the 14th century, while in the 15th a reliquary box was added with a foot, on which the coats-of-arms were placed. The analysis of the heraldic programme indicates that the armorial group should be dated to 1440 and linked to the person of King Władysław III (of Varna). Therefore, the dating of the reliquary box and the foot of the cross, accepted so far by the literature as the second half of the 15th century, should be corrected to the years 1439-1440, while the added elements should be recognised – contrary to earlier opinions – as a foundation of King Władysław III.

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Antonín Goller, Stephan Tragl, Johann Koch: Méně známí architekti ve službách severočeské a východočeské šlechty ve druhé polovině 19. století

Author(s): Lucie Neméthová / Language(s): Czech Issue: 1/2021

In the second half of the 19th century, many architects worked for noble members of the house of Morzin and subsequently the house of Czernin-Morzin in Vrchlabí and other mansions in North Bohemia. Among these architects, famous names such as Achille Wolf or Josef Schulz can be found; this text, however, concerns itself with these lesserknown, namely Antonín Goller (1833–1880), Stephan Tragl (1845–1891), and Johann Koch (1850–1915). The main objective of this text is to give the most comprehensive view possible of the work and personalities of these three very diverse architects. The oldest of the three, Antonín Goller, was an active member of the Association of Architects and Engineers in the Kingdom of Bohemia and author of numerous conversions of aristocratic residences. Second architect, Stephan Tragl, established a successful architectural studio in Prague-Smíchov in the 1880s and was the author of many impressive buildings, among which excels a group of sacral buildings in neo-Gothic and neo-Romanesque style. Unlike the previous two, the work of Johann Koch is, for the most part, concentrated abroad in Latvian Riga. Here he was an architect of many highly representative public buildings in Italian neo-Renaissance style and even today is highly appreciated.

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Krutost jako umělecký princip

Author(s): Tereza Havelková / Language(s): Czech Issue: 1/2021

The concept of cruelty as an artistic principle touches on the problem of violence, bodily presence and physical expression in art. By examining this aspect in the art and texts of four important figures of Western modern culture I attempt to cover a small part of this topic, which points to the existential crisis experienced around the World War II. I would like to suggest that the cruelty reflected in their texts and paintings, which is often associated with the symbol of sacrifice, exposes something fundamental about the modern man. On these four examples I will show how the way of thinking about the violence and cruelty in art shifted after the experience of war

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İHAP HULUSİ GÖREY’İN AFİŞLERİNDE SANATSAL DİL ve ANLATIM

Author(s): Serpil KAZANCI YILMAZ / Language(s): Turkish Issue: 58/2023

The development of poster art in our country has been in parallel with the development of graphic arts. It started with the establishment of the printing house by Sait Çelebi and İbrahim Müteferrika in the last periods of the Ottoman Empire. The most important factor that distinguishes İhap Hulusi Görey, an important contemporary of Turkish poster art, from his contemporaries is the artistic language and expression style he used in his posters. In his art, there are effects of staining, illustration and linear language. In his posters, he used a special watercolor technique consisting mainly of blotchy forms and harsh shadows. In Görey's art, figures and forms are illustrated in a minimal tone and color scale, and the message to be conveyed with a blotchy effect turns into a powerful communication tool. In this respect, it transforms watercolor, which is a traditional painting technique, into a graphic material that conveys direct messages. A literature review was made in the research, and printed publications related to the subject were used. In terms of adding depth to the research and illuminating our subject, the qualitative research method, which has come from the past to the present is included. In addition, a case study was conducted to determine the relationship between the subject and the related events.

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GÖSTERİ SANATLARININ OLUŞUMUNDA VİYANA PİYANO OKULUNUN ROLÜ

Author(s): Rəna CƏFƏROVA / Language(s): Azerbaijani Issue: 58/2023

The article deals with the close connection of piano playing culture with the development in the history of musical culture in Western Europe. During this period, the formation of trends in mass performance, the development of musical forms and genres, achievements in musical notation also led to a considerable stage in the field of piano performance. In subsequent periods, a new attitude to art brought a new breath to the performing arts. As a result of the formation of the urban bourgeoisie, the widespread dissemination of Renaissance ideas, the attitude to academic music has radically changed, and new genres and new means of expression appeared in music, which paved the way for the complete liberation of musical culture from church control in the subsequent period. National piano culture is a multifaceted concept. This concept includes the concert activity of performers, the level of musical and pedagogical activity of different countries, the development of methodological ideas, the state of piano classes in the music educational system, the volume of piano literature, the number of piano instruments etc. Thus, the art of piano performing, one of the main components of the piano school, contains several factors. Mastering the piano performing comprehensively trains a person, expands his creative possibilities, develops his imagination and thinking, artistic abilities, intellectual level and forms new universal abilities.

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SOME ARCHAEOLOGICAL AND LITERARY EVIDENCE CONCERNING THE LENGTH OF THE CHURCH MUSIC IN ROMANIA

Author(s): Marius Constantin Murariu / Language(s): Romanian Issue: 20/2020

Through the conquest of the North-Danube Kingdom of Dacia by the Romans, at the beginning of the second century, the spread of the Gospel became stronger, an important factor being the roman colonization of the Dacian territories. Although we do not have much written evidence regarding the church music practiced by our ancestors, however, its existence cannot be disputed.

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THE ICONOCLASTIC THESES AND THEIR REJECTION BY THE ORTHODOX POPES

Author(s): Mircea Cristian Pricop / Language(s): Romanian Issue: 20/2020

In the eighth century the very foundation of the Church was shaken by the struggle against the holy images. The destruction caused in the area of Byzantine Empire by the brutal policy of the emperors from the Isaurian dinasty was so violent that many of the oldest objects of Christian worship were lost forever. The condemnation of the iconoclasm by the orthodox popes, alongside the patriarchs of Jerusalem, Alexandria and Antiochia and the confessors from the East, was the first step towards the full restoration of the cult of icons, Saints and relics, which will occur during the reign of the holy empresses Irene and Theodora.

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THE DEVELOPMENT OF FOLKLORE IN THE EVOLUTION OF CONTEMPORARY CHORAL MUSIC

Author(s): Ancuța Simona Sandu / Language(s): Romanian Issue: 20/2020

The contemporary Romanian music, through the work of younger composers, presents itself, with a great diversity, trying to adapt itself to the terms imposed by the present time. The creation efforts, having a large or a small amplitude, aim at opening of a culture that has got its own interesting data and connecting it with the doubtless values required by the universal culture. Following the creation of acknowledged composers, young composers face a new competitiveness which offers the possibilities of active assertion. Through the present study we wish to show in the limelight examples of integration in what concerns the national elements of contemporary music, the assimilations of aspects concerning language noticeable in many of the parts which eclipse the musicological and compositional speech, principles of song construction that rebuilt traditional Romanian stylemes in a personal configuration, individual, of a modern type which finds itself in a number of frameworks during the last decades of Romanian music.

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РУСКИТЕ АРХИТЕКТИ И ИНЖЕНЕРИ ОД ПОЧЕТОКОТ НА 20 ВЕК ВО СКОПЈЕ И НИВНОТО ВЛИЈАНИЕ ВРЗ УРБАНИОТ РАЗВОЈ

Author(s): Ekaterina Namicheva Todorovska,Petar Namichev / Language(s): Macedonian Issue: 15/2023

In the years after the First World War, in the newly established Kingdom of Serbs, Croats and Slovenes, the need to rebuild the destroyed architectural fund in the cities was necessary. The intensification of construction activities to restore the city from the consequences of the war, as well as the initiation of the social colonization policy of the state, which led to a rapid growth of the population in Skopje, led to bold investments and construction ventures. This increased the rise of the economic power of a certain part of the population, as one of the most social elements that provoked the need for the engagement of a large number of educated professionals, architects and engineers, who were generally lacking in the Kingdom, and especially in Skopje. Builders with academic qualifications were necessary for the creation of the new visual and functional aesthetics, expressed through academicism, immediately after 1918, because educated designers and authorized engineers were lacking in Skopje at that time. In the production of residential architecture in Skopje in the period from 1922-1941, the architects and engineers, emigrants from Russia, who settled in Skopje during 1919-1921, left a special mark on the city.

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Specyfika i miejsce eksponatów „prywatnych” w procesie narracyjnym — na przykładzie doświadczeń Domu Kuncewiczów w Kazimierzu Dolnym

Author(s): Monika Januszek-Surdacka / Language(s): Polish Issue: 1/2022

The Kuncewicz House — a part of the Vistula Museum in Kazimierz Dolny is a literary museum established in the former villa of Maria and Jerzy Kuncewicz. It is a very special place with unusual exhibits. The collection consists of objects collected by the Kuncewicz family. These are souvenirs, gifts, personal belongings, even Maria Kuncewiczowa’s wardrobe. Each exhibit is a unique, separate narrative trail for the museum staff. These exhibits are related to the Kuncewicz’s history, but also to the creators or donors of these objects (e.g. paintings furniture etc). However, the stories of some objects are often unknown. The museum staff reconstructs the narrative of the exhibits, and uses them not only to prepare popular science and educational texts enriching the knowledge of the Kuncewicz family and their friends, but also to discover facts about Kazimierz Dolny and the art colony existing in this town in the 20s. and 30s.

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Konserwacja XIX-wiecznych muzealiów pochodzących z Syberii ze zbiorów Muzeum Etnograficznego im. Seweryna Udzieli w Krakowie

Author(s): Agata Barczyńska / Language(s): Polish Issue: 1/2022

This article describes the conservation of seventy-nine unique, 19th century objects from Siberia in the Cracow Ethnographic Museum’s non-European Cultures’ Collection. These objects were selected for the temporary exhibition called Siberia: Voices from the North, which was displayed at the museum between 2020 and 2021. The article describes the actions taken in preparation for the exhibition, including collaboration with the exhibition curators, and the various stages of the conservation work carried out by the Museum’s team of conservation and restoration workers. The article’s form is similar to the conservation’s documentary, and, among other details, includes information concerning the object`s characteristics, their state of preservation, and the course of the conservation work. The text includes photos of the objects before, during, and after the conservation process.

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Mamo, ja zostaję wśród tych lalek… O wystawie czasowej w Muzeum Zabawek i Zabawy w Kielcach

Author(s): Ilona Daria Dyktyńska / Language(s): Polish Issue: 1/2022

Ciesząca się dużym zainteresowaniem gości Muzeum Zabawek i Zabawy w Kielcach (dalej MZiZ) wystawa nosząca tytuł Od szmacianki do lalki Barbie. Rola kobiety i kanony kobiecego piękna na przestrzeni wieków była pierwszą wystawą czasową, która została przygotowana przez zespół Muzeum, po rozpoczęciu mojej pracy w tej instytucji. Można pokusić się o stwierdzenie, że była ona pewnego rodzaju „nowym otwarciem” w wystawienniczej historii placówki, głównie ze względu na swój przekrojowy charakter oraz sposób prezentacji.

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