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Field work is one of the indispensable parts of folklore. When the history of Turkish field work considered, the motivation towards conducting field works and interpretation of traditional knowledge obtained has undergone changes. One of the prominent names who have undertaken significant roles in this progress of change is Sedat Veyis Örnek. He is the scientist who has made unique contributions to Turkish folklore and field works. According to Sedat Veyis Örnek dictionary preparation and field works involve deficiencies. Therefore, he aimed at bringing in scientific and systematic approach to field works. He made considerable efforts to compile data in his field works based on scientific criteria. In this article, Sedat Veyis Örnek’s opinions on field work will be evaluated with citing his books titled as Sivas ve Çevresinde Hayatın Çeşitli Safhalarıyla İlgili Bâtıl İnançların ve Büyüsel İşlemlerin Etnolojik Tetkiki (1966), Anadolu Folklorunda Ölüm (1971), Geleneksel Kültürümüzde Çocuk (1979) and Türk Halkbilimi (1977) that includes his theoretical and practical thoughts related to the field work. His remarks on and methods applied in his field works have utmost importance to understand the progress of folkloric research techniques in Turkey. Resulting from his thematic and in depth approach it has been observed that he has brought scientific dimension in his field works. However, he has revealed inadequacy in interpretation of field work data like his predecessors. Even so, he is an innovative theorist and a competent practitioner in field work studies.
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Amsterdamska deklaracija usvojena je na skupu misijskih stratega, crkvenih vođa i teologa okupljenih u Amsterdamu 2000. godine. Skup pod nazivom Amsterdam 2000. sazvao je Billy Graham, jedan od najpoznatijih navjestitelja evanđelja dvadesetoga stoljeća. Na skupu je sudjelovalo 10.287 duhovnih vođa iz 209 zemalja i područja. Prema izvještaju Teda Olsena u časopisu Christianity Today (August 2nd, 2000), bilo je to najveće okupljanje međunarodnih evangelizatora svih vremena. Oko tri četvrtine prisutnih na devetodnevnom skupu bilo je iz zemalja u razvoju. Amsterdam 2000. ujedinio je kršćane iz različitih kultura s jednostavnom svrhom – pripremiti sebe i druge za učinkovito naviještanje evanđelja u dvadeset prvom stoljeću. Na kraju konferencije je skupina misijskih stratega, crkvenih vođa i teologa predložila na usvajanje dokument nazvan Amsterdamska deklaracija koji sažeto i jasno naznačuje smjernice i budućnost evangelizacije u dvadeset prvom stoljeću...
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Much like in the rest of the world, higher education institutions in the Republic of Croatia are working in a turbulent environment. Croatian polytechnics must recognize and understand the changes in their environment in order to be able to properly respond to them. The Polytechnic “Nikola Tesla” in Gospić is one of the polytechnics facing a growing competition, but also the problem of decreasing enrolment. To solve these problems, it is necessary to apply marketing methods and techniques for understanding the process of deciding on applying for admission to the Polytechnic. In order to better understand this process and how it can be influenced, the authors examined the criteria that students use when making this decision. It was established during the research that some of the criteria had a greater impact on the decision to apply for admission (the location of the Polytechnic, professional orientation, reasonable admission requirements and applicability of professional knowledge in practice and employment prospects as the key decision factor), while others had a much smaller impact. In addition, the research has shown that there is no significant difference between male and female respondents with regard to the importance they attach to different criteria. Using factor analysis, the criteria for admission to the Polytechnic were grouped as follows: the quality of education, studying conditions, image of the institution, the cost of education, and the influence of friends and family.
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For the last several decades Schulz’s oeuvre has been a kind of “work in progress.” Although he has been long dead, more and more of his texts, drawings, and paintings seem to come down to us from the hereafter – both known from more or less credible testimonies, andquite unexpected and never before acknowledged. Certainly the most impressive findingsof the recent years are Schulz’s frescoes from Landau’s villa in Drogobych, discovered bythe German filmmaker, Benjamin Geissler, in 2001 and then partly removed to Israel to cause an international scandal. As it turns out, however, to find new traces of Schulz’s lifea nd work one does not have to penetrate into inaccessible archives or count on a miracle. In the Poznań newspaper "Nowy Kurier", an interview with Schulz and a review of his "Sanatorium under the Sign of the Hourglass" have been just found, both never reprinted or commented upon. The present paper changes this state of affairs.
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Revealing the Secret of How They Are Made
Sections in the book: A descriptive text section (pp. 7 – 28) about history of coin forgery as well as technical observations and conclusions; Catalogue (pp. 29-77) with 121 high resolution photos of coins and coin dies including magnified imagery; Lab analysis (pp. 78-79) of the metal dies are made of.
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The paper analyzes the results of a research on the popularity of Schulz in today’s Drogobych, conducted there in 2014 as a basis of the M.A. thesis titled "The (Un)knownSchulz. Reconstructing the Memory of Bruno Schulz in Drogobych" [(Nie)znany Schulz.Proces odtwarzania pamięci o Brunonie Schulzu w Drohobyczu]. It shows the knowledge of the town’s present population about Schulz. The respondents answered a number of questions concerning his life and work, as well as their personal attitude toward thewriter. The information obtained provides an answer to the title question: “Is Bruno Schulz well-known in Drogobych?”
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This theses was foccused to the basic research in the topic. It offers collection of facts and informations from primary sources for next explorers. There is a students collection, it will be a part of wider databasis placed at web space of centre SOHI and Departement of History FPE ZCU in Pilsen. Readers can expect methodical manual for interested persons in this research with some tip how to continue.
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Formalization of ethnology in Turkey has been historically as an investigation of “stable” groups in its own society. The reason of this formalization can be summarized as contribution to modernization process via investigating roots of conflicts which occurred in country brought by modernization process itself. Sedat Veyis Örnek was an ethnologist and in this process played an active role in his entire academic life. Moving from ethnology to folklore beginning from 1970s, his masterpiece in folklore discipline entitled as Türk Halkbilimi was published in 1977. He, who also established “Chair of Folklore” within the Faculty of Humanities in Ankara University, gave us keystones of his folklore understanding in aforementioned work. When the work analyzed, it is seen that Örnek approached folklore in a very “ethnological” way. This point of view is closely related with his background. It is possible to say that this viewpoint in a certain extent has contributed to the illusion of a dichotomy supposed between “folklore” and “folk literature” in Turkish folklore studies. On the other hand, putting forward objectivity in science influenced his understanding of examined people as an “object” and at this point caused to some suggestions which tended not only some conceptual but also ethical issues.
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This paper presents preliminary findings on memories from the period of post-socialist transformation and on related narrative constructs of agency in autobiographical interviews with practicing lawyers from Poland and Russia. The study is based on 25 interviews with individuals born in the late-1930-s, 1940-s and 1950-s. Six different types of narrative accounts about the period of post-socialist transformations are identified and described: (i) trailblazer narratives; (ii) follower narratives; (iii) narratives of volatility; (iv) narratives of continuity; (v) latecomer narratives and (vi) narratives of social decay.
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On 16 February 1943 Heinrich Himmler gave the order to demolish the Warsaw ghetto and deport its remaining Jewish population, all this in an attempt to complete the process of the destruction of Jews. The liquidated ghetto territory was to be turned into a park, half the size of New York’s Central Park. The invoice for the demolition and cultivation of rubber root (one of Himmler’s ‘exotic projects’) was made out to the Ministry of Finance by the SS Main Economic and Administrative Office despite the failure of those two enterprises. It remains unknown whether the enormous amount due (150 million RM, that is, the equivalent of a minimum 500–600 million in today’s dollars) was paid in full out or what happened with the valuables and other material salvaged during the demolition. The text discusses the course of the demolition and deportation ordered by Himmler and the history of the invoice.
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Bruno Schulz’s essay on Ephraim Moses Lilien, a Jewish artist born in Drogobych, was published serially in 1937-1938 in "Przegląd Podkarpacia". Not only is it the only Schulz’stext on plastic arts, but also his only explicit statement on Jewish matters. In Schulz’sopinion, Lilien stimulated his interest in plastic arts and played an important role as a mythmaker of contemporary Zionism.
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Tercümesini sunduğum risale ebadındaki elli sayfalık eser, Edirne’de Resürreksiyonistler Matbaası’nın 42. kitabı olarak 1910 yılında Bulgarca basılmıştır. Eserin yazarı, Leh asıllı Peder Pawel Smolikowski, Edirne Resürreksiyonistler Cemiyeti’nin faal bir azası, ayrıca şehirdeki Bulgar Katolik Mektebi’nde (Türkçe kaynaklarda Polak Mektebi diye de geçer) muallim ve idareci olarak da görev almıştır.
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Evanđelje Isusa Krista je vijest, i to radosna vijest: najbolja i najvažnija vijest koju ljudsko biće može čuti. Ovo evanđelje navješćuje da je jedini način kako možemo poznavati Boga u miru, ljubavi i radosti u pomirbenoj smrti Isusa Krista, uskrslog Gospodina. Ovo evanđelje je središnja poruka Svetog pisma i predstavlja istinski ključ za njihovo razumijevanje...
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This section presents facsimiles of the original illustrations by Carlo Galleni and by David Baffetti made for the 1957 Italian edition of Croatian Tales of Long Ago (Leggende croate) by Ivana Brlić-Mažuranić.
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The following pages display original illustrations by Irena Tarasová made for Rozprávky z pradávna, the 1976 Slovak edition of Croatian Tales of Long Ago by Ivana Brlić-Mažuranić (1874–1938), published in Bratislava by Mladé letá.
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