"C’est la faute à Voltaire". Encyclopédie et interprétation de conférence

Author(s): Laura Rasanu Maxim / Language(s): French / Issue: 5/2016

This paper is about learning to interpret, more precisely about cultural references, from the perspective of trainee or beginners interpreters. We pointed out that an interpreter never translates using only language knowledge (he must be able to understand the implicit). The main section of this study provides examples of interpretation errors pertaining to the extra-linguistic, encyclopedic knowledge, by reference field (medicine, geography, history, literature, film, politics, current events, society, food, chemistry). We have shown that the interpreter has to enrich the extra-linguistic background, in order to understand the source text more easily and accurately.

"FIRE" AS THE "LOGO" OF THE ARTISTIC WORLDS

Author(s): Natalja Dyorina,Yuliya Yuzhakova,Liliya Polyakova,Tatyana Zalavina / Language(s): English / Issue: 3/2019

Fire as the ‘Logo’ of Artistic Worlds. The aim of the present paper is to analyse the image of fire created by two representatives, one of the Acmeist and the other of the Romantic school of poetry, N. Gumilev and S.T. Coleridge, revealing similarities and differences between their approaches. The obvious parallelism of the poets’ works is demonstrated, with particular attention paid to the fact that specific fire-related images were emphasised by Gumilev in his translation of Coleridge’s works. The attributes of the artistic universes of the Russian and of the English poet are shown: the continuity and constant interaction of their elements, the identity of the properties of the whole and of its various parts in each case.

"Hammer Tarihi"nin Türkçeye Çeviri Teşebbüsleri ve Çevirisi Üzerine

Author(s): Tugba Ismailoglu Kacir / Language(s): Turkish / Issue: 1/2016

This article reviews the writing and translating processes of famous book "History of the Ottoman Empire" of Austrian Baron Joseph Hammer-Purgstall, who is one of the most important orientalists in the German speaking area. Although this work had been translated immediately after the publication into several European languages, since the 1830s, could only be translated into Turkish just in part in the early 20th century. Even though the process of the translation of "Hammer History" into Turkish language targeted at the period of Sultan Mahmud II., the first serious translation was published between the years of 1911-18 by Mehmed Ata. Ata’s translation serve as a basis for all following translations. However, while Ata had translated the book instead of German language, through its French translation and all subsequent translations followed the same path, the turkish "Hammer History" has significant differences according to the original work. Whereas through translation to translate is already problematic, huge destructions and falsifications due to French translator Hellert’s disloyalty to Hammer’s book has been transferred to Turkish. In Turkey this unfortunate misguidance is caused to misidentification of "Hammer History" and attribution of Hellert’s personal additions and interventions to Hammer. In this article has been stated the writing and translating processes of Hammer-Purgstall’s "History of the Ottoman Empire" and the problems of translations with the help of Hammers personal memory, which is in the Archive of Austrian Academy of Sciences, the documents of Prime Ministry Ottoman Archives, Hammer’s works and different translations of "History of the Ottoman Empire" and also secondary literature.

"Kompetencje tłumacza. Tom dedykowany Profesor dr hab. Elżbiecie Tabakowskiej" pod red. M. Piotrowskiej, A. Czesaka, A. Gomoli i S. Tyupy Kraków 2012, ss. 420

Author(s): Beata Piecychna / Language(s): Polish / Issue: 14/2014

"Snow White" Gets Black Hair and Brown Eyes – on Censorship in the Translation of English Children’s Literature into Arabic

Author(s): Paulina Bialy / Language(s): English / Issue: 10/2014

Children’s literature is subject to different kinds of censorship which aims at adapting foreign texts in some way to fit certain ideology. Censorship in the Arab world involves the process of domestication of culturally-marked expressions, as, in the opinion of Arab scholars, young readers are threatened by a cultural invasion from the West that prevents the spread of local children’s literature. In this case, censorship is a means to preserve Arab cultural identity and moralizing role assigned to children’s literature. This article is aimed at presenting the major features of Arabic children’s literature as well as constraints which the censorship imposes on translators and the consequences of such restrictions. Moreover, some examples of censorship in the translation of English children’s literature into Arabic are provided on the basis of the research conducted by Arab scholars. They compared original English versions with their Arabic adaptations. The results show that the censorship is still a powerful means of influencing children’s books.

"TRANSLATIO STUDII" U POETICI SREDNJOVJEKOVNOG ANTIČKOG ROMANA

Author(s): Dijana Kapetanovic-Ljubas / Language(s): Croatian / Issue: 1/2017

This paper examines the literary motif of the political power transfer (translatio imperii), with a particular emphasis on the East-to-West transfer of civilizational achievements and culture (translatio studii) of the antique period within the context of the medieval French monarchy. Namely, the transfer of the entire sum of knowledge and cultural progress of the classical antiquities is present as a dynamic motif in theϐirst Old French romances. Formally more diverse and thematically richer than their predecessor, the epic poem The Romance of Troy, the Romance of Eneas and the Romance of Thebes, alongside the Romance of Alexander,are a triad of romances of antiquity composed on the threshold of the12th century in the territory of medieval France. As translations/adaptations of ancient masterpieces, these romances are analysed as upholding the tradition and classical authorities .Additionally, the paper discusses how the authors, by making references to antique authorities, confirm the new aesthetic value and truthfulness of their own (fictional) work. Furthermore, particular attention is paid to the motifs of topos and transfer present in the romances’ prologues which are the places of metaliterary and rudimentary theoretic contemplations about the author/translator and writing itself.

"Немско-българския речник" на Гео Милев

Author(s): Diana Stancheva / Language(s): Bulgarian / Issue: 2/2015

This article is a first attempt at a more detailed presentation of Geo Milev’s German-Bulgarian Dictionary manuscript completed in 1916, as well as of its printed edition from 1940, revised by Dimitar Stoevski and published by Ivan Koyumdzhiev. A comparison between the manuscript and the print edition shows significant differences in the way in which the lexicographical informationis organized, in the macro- and microstructure of the dictionary, in the translation of German words as well as in the listed collocations and phraseological units. This paper is a modest contribution to the historical study of German –Bulgarian bilingual lexicography.

(Ideal) Translation in Context

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Author(s): Aba-Carina Pârlog / Language(s): English / Issue: 03/2010

Prennant en considération la perspective d’Eugen Coseriusur la traduction idéale, la communication envisage une analyse du lien traduction idéale - contexte. La traduction (idéale) en contexte suppose l'absence des erreurs, la possibilité d’améliorer la traduction, l’existence d’une équivalence parfaite, le maintien des fonctions du langage, l’applicabilité générale, l'absence des différences linguistiques et culturelles, etc. La traduction, de même que le langage parlé, dépend du contexte. Parmi les éléments qui définissent celui-ci, on peut analyser : le domaine auquel le texte appartient, la situation historique et politique, les systèmes linguistiques de la langue source et de la langue cible, le spécifique culturel, etc. Outre le contexte, le processus de la traduction est aussi défini par d’autres aspects essentiels, tels : la grammaire, les implications lexicales et sémantiques, le registre de langue, le style de l’auteur, etc.

(Mis)Matches in Translation – A Case Study of “The Big Fat Giant” and its Albanian Version

Author(s): Eriola Qafzezi / Language(s): English / Issue: 11/2018

The aim of this article is to observe how semantic peculiarities travel across languages and cultures. The original book, The Big Fat Giant, by Roald Dahl lends itself perfectly to such a comparative study due to its linguistic and semantic features that need to be explored in order to understand how they were brought to the Albanian language and culture. Classifications of several levels at which mismatches occur are mentioned, such as mismatches at the level of syntax, semantics and phonetics. Examples are given to illustrate each level. The discussion is enriched with observations and examples from the intertextual level. The paper concludes with findings which refer to this tale in particular and recommendations for further research.

(Ne)episteminis modalumas: anglų kalbos must, have to ir have got to bei jų vertimo atitikmenys lietuvių kalboje

Author(s): Audrone Šoliene / Language(s): Lithuanian / Issue: 69/2016

This paper deals with the three types of modality – epistemic, deontic and dynamic. It examines the relation between the synchronic uses of the modal auxiliary must and the semi-modals have to and have got to as well as their Lithuanian translation correspondences (TCs) found in a bidirectional translation corpus. The study exploits quantitative and qualitative methods of research. The purpose is to find out which type of modality is most common in the use of must, have to and have got to; to establish their equivalents in Lithuanian in terms of congruent or non-congruent correspondence (Johansson 2007); and to determine how Lithuanian TCs (verbs or adverbials) correlate with different types of modality expressed. The analysis has shown that must is mostly used to convey epistemic nuances, while have to and have got to feature in non-epistemic environments. The findings show that must can boast of a great diversity of TCs. Some of them may serve as epistemic markers; others appear in deontic domains only. Have (got) to, on the other hand, is usually rendered by the modal verbs reikėti ‘need’ and turėti ‘must/have to’, which usually encode deontic modality.

(Nie)poprawność polityczna w nauczaniu tłumaczenia (konfrontacja angielsko‑polska)

Author(s): Ilona Delekta / Language(s): Polish / Publication Year: 0

The article is devoted to the issue of political correctness in English and Polish as well as in language teaching, particularly in teaching translation. The considerations presented here are based on Polish and English literature (the term English literature refers to publications by English native speakers), as well as on the author’s experience as a teacher and translator. Certain sociocultural differences affecting the approach to this issue in both languages have been indicated. Due to complex and dynamic nature of the discussed issue, the article focuses only on selected language aspects which might cause problems with correct interpretation of the source text or its appropriate translation into Polish. Numerous examples, mainly from English, illustrate problems encountered by the translator and show how certain some assumptions of the political correctness in certain contexts can lead to absurd situations, misunderstandings or even identity loss.

(Nie)typowa rola tłumacza starożytnych tekstów dramatycznych

Author(s): Barbara Bibik / Language(s): Polish / Issue: 39/2018

Ancient Greek tragedies were written by their authors to be performed on the Athenian stage and the shape of this stage with its technical devices was included in characters’ lines. However, there is a fundamental difference between the stage those plays were written for and the modern stage on which any drama translation may potentially be realized. The time span too poses a great difficulty for a translator as those plays belong to a culture we probably cannot truly access any more. According to Jerzy Ziomek, every text from the past needs to be adapted nowadays. But does it mean that a translator of any ancient drama aware that those plays were written to be performed on stage, can for various reasons, whether literary or theatrical, take on the role not only of the first reader, but also of the first producer of a given play, thus adapting it to the modern theatre stage?

(Nie)znaczące przesunięcia gramatyczno-stylistyczne w tłumaczeniu sądowym

Author(s): Agnieszka Biernacka / Language(s): Polish / Issue: 44/2019

Court interpreters in Poland are obliged to satisfy legal provisions and principles of professional ethics, which govern the way the utterances produced by main participants in the trial should be rendered. Empirical research into interpreting in court setting proves that interpreters intervene in the original utterances e.g. through applying grammatical and stylistic shifts. In this article an empirical qualitative analysis of the activities of court interpreters of English consisting in introducing modifications in style and grammatical person as regards original utterances is presented. The aim of the analysis is to discuss the changes proposed by interpreters, indicate the underlying mechanisms, as well as evaluate them from the perspective of complying with ethical principles of accuracy and impartiality.

1er Congrès mondial de traductologie. Paris, l’Université Paris-Ouest Nanterre, 10-14 avril 2017

Author(s): Christine Durieux / Language(s): French / Issue: 8/2017

2006-2015 Yılları Arasında Bulgaristan’da Çevrilen Romanlara Kısa Bir Bakış

Author(s): Ayra Sen Tilki / Language(s): Turkish / Issue: 1/2019

Turkey and Bulgaria became neighbors with each other for many years and they are two countries with common history. There is a need for a thorough investigation of the literary world of these two countries which have cultural, political and literary characteristics. Undoubtedly, it will be more accurate to do research on the novel which is the most translated genre during this period. In the years mentioned, selected and translated novels were evaluated. Between these years, the number of translated novels has been determined, and the subject and genre has been examined. In this research, the traces of Turkish literature in Bulgaria have been extensively researched and revealed with chronological data.

21ST CENTURY GEORGIAN-RUSSIAN TRANSLATION: PRIORITIES AND INNOVATIONS IN INTERCULTURAL DIALOGUE

Author(s): Irine Modebadze / Language(s): English / Issue: 2/2016

Translation is an integral part of intercultural communication and one of the most actual forms of exchange of spiritual values. The evolution of literary traditions and associated changes in translation norms have a substantial impact on perceptions about the adequacy of translation. Serious fluctuations in translation priorities are fixed in post-soviet space.This article will provide the results of research carried out for the first time that deals with the specificity of modern translation strategies through the analysis of five new translations of Shota Rustaveli’s poem. Analysis has proved that the postmodern mentality of translators at the end of the 20th century seeks to give the reader comprehension of the original – here the priority is attributed not to domestication but to hermeneutical interpretation of the text. A tendency of synthesis is outlined towards translation and publishing innovations, the main goal of which is translation of an original with preservation of the specificity of its cultural alter and decoding of a text from the position “other” is not “stranger”.

95 години от рождението на Микола Демянович Малярчук

Author(s): Olha Soroka / Language(s): Bulgarian / Issue: 27/2013

A bíborvörös tanulmány esete

Author(s): Ágnes Kata Miklós / Language(s): Hungarian / Issue: 03/2017

A brief introduction to two manuscripts of Bodhisattvāvadānakalpalatā found in Tibet

Author(s): Zhen Liu / Language(s): English / Issue: 1/2019

There are two Sanskrit manuscripts of Kṣemendra’s Bodhisattvāvadānakalpalatā preserved at Drepung Monastery in Tibet. The earlier one (according to the colophon) contains all the 108 avadānas comprising the whole text, while the later one only includes the last 61 avadānas. In this paper, we compare and analyse two paratextual elements of the extant versions, namely, pallava-endings and prologue, in order to know how frequently the translator Shong ton Rdo rje rgyal mtshan and the redactor Zha lu lotsāva Chos skyong bzang po used these two manuscripts