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CITES CRIMES IN POLAND – CAUSES, MANIFESTATIONS, PREVENTION

CITES CRIMES IN POLAND – CAUSES, MANIFESTATIONS, PREVENTION

Author(s): Maciej Duda / Language(s): English Issue: 5-6/2018

This study analyses the illegal trade in protected fauna and flora species from the perspective of green criminology. In the criminological part, the author diagnoses the causes of these phenomena (etiology), characterizes symptomatic forms of pathologies occurring in this area (phenomenology) and suggests methods for counteracting and combating undesirable phenomena (prevention). Additionally, statistical data concerning the examined phenomenon in Poland are presented. The relations between CITES crimes and other criminological categories are examined. In the legal part, the author refers to regulations of international law, the European Union law and Polish criminal law. The paper also presents principles concerning liability for CITES crimes in Polish criminal law.

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CIOACĂ, VLAD OVIDIU. 2019. VIAȚA COTIDIANĂ ÎN ROMÂNIA COMUNISTĂ

CIOACĂ, VLAD OVIDIU. 2019. VIAȚA COTIDIANĂ ÎN ROMÂNIA COMUNISTĂ

Author(s): Ştefan Buzărnescu,Liliana Ilie / Language(s): English Issue: 2/2020

Book-Review: Cioacă, Vlad Ovidiu. 2019. Viața cotidiană în România comunistă. Craiova: Beladi&Sitech (Ștefan BUZĂRNESCU, Liliana ILIE)

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Феноменология русского самодержавия на рубеже XIX–XX веков в оптике «политической повседневности»

Феноменология русского самодержавия на рубеже XIX–XX веков в оптике «политической повседневности»

Author(s): Dmitry Aleksandrovich Andreev / Language(s): Russian Issue: 31/2020

This article discusses one of the main issues in K. A. Solovyov’s 2018 monograph on the political system of the Russian Empire from Emperor Alexander III until the reforms of 1905–1906. Solovyov, a chief research fellow of the Institute of Russian History of the Russian Academy of Sciences, states that the regime in this period should be studied from the point of view of “the political everyday life”. This would help scholars develop a “new political history” and reconstruct the past in a way closer to historical reality than is done at present. This approach has met criticism. Despite a number of successful examples of the use of Solovyov’s optics of “political everyday life,” it is not sufficiently comprehensive or robust for understanding the phenomenology of the late autocracy, because it does not take into account the most important features of this regime: the status of the monarch and the nature of his power. Those phenomena cannot be understood in the context of exclusively administrative practices. To support this claim, the author analyzes both the concepts of political thinkers Solovyov studied and did not mention. The author suggests that the prism of “everyday life” cannot provide a correct interpretation of events.

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Aktuelnost Fihteovog poimanja transcendentalnog Ja i psihološkog Ja za savremenu filozofiju duha (II deo)

Aktuelnost Fihteovog poimanja transcendentalnog Ja i psihološkog Ja za savremenu filozofiju duha (II deo)

Author(s): Andrija Jurić / Language(s): Serbian Issue: 1/2021

The author emphasises the importance of Fichte’s ideas from the Wissenschaftslehre for the contemporary philosophy of mind and the problem of consciousness and self-consciousness. Inspired by Henrich’s work on Fichte’s original insight and by subsequent Frank’s widening of the problem in connection with contemporary analytic theories, I point out some rudimentary intersection of ideas and problems. These problems include, but are not limited to: (1) the difference between I-subject (conceptualised as the always-subject of consciousness) and I-object (that same I-subject taken as an object for itself); (2) the problem of the relation of the I (self-consciousness) and consciousness – how exactly is the I ‘in’ consciousness? This issue is best expressed in the egological and nonegological theories of consciousness. This point will be expanded into (3) differentiation of self-consciousness as sui generis mode of consciousness and consciousness proper, or intentional consciousness that has a (proper) object. The former cannot be explained by the latter on the basis of its immediacy, directedness, and pre-reflectivity – consciousness can’t “have” itself as an object for itself and yet, always be able to recognize itself in its object. The egology of Wissenschaftslehre sees the I as, at the same time, pure, transcendental, and logical, and yet as concrete and individual. This enables self-consciousness to no longer be explained by reflection and object consciousness, but at the same time opens the problem of the nature of that self-relation of consciousness and the original duplicity contained in it. It shall be demonstrated that (self-)consciousness is the condition of possibility of (self-)reflection and not the other way around. I will also argue for the role of immediate and pre-reflective self-awareness in the agency of the subject and as his basis of action in the world – an activity which doesn’t have an immediate relation to the I, or the self (in such a way that the I is aware that ‘it’ did that), should be regarded as a nonconscious activity, not different from sleepwalking. Yet, the Kantian problem of the relation between the pure I and the psychological I (or self) will be left unanswered. The proposed solution will be that the I in itself is self-conscious, but is not conscious – meaning that it ‘is’, yet any explicit consciousness of it renders it as an object. In other words: we can be conscious of an object and at the same time self-conscious (not as a consciousness of self, but as ‘auto-consciousness’). The benefit of this solution is that it still leaves open the possibility to be conscious of oneself as an object and remain self-conscious at the same time. But, the proposed solution is faulty in its own way, because it doesn’t account for the original “duplicity” in self-consciousness, i.e. that the I is and at the same time is for itself. Nevertheless, insights Fichte has made are invaluable for the conceptualization of consciousness and self-consciousness in contemporary theories and should be analyzed, if for nothing else, then to better formulate and explicate those notions.

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On the impossibility of phenomenological langugage in the context of Wittgensteins manuscripts from 1929-1933
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On the impossibility of phenomenological langugage in the context of Wittgensteins manuscripts from 1929-1933

Author(s): Georgy Chernavin / Language(s): English Issue: 1/2021

The article treats Ludwig Wittgenstein’s manuscripts and typescripts where he formulates the problemof impossibility of “phenomenological language” defined by him as the “description of immediate sensual perception without any hypothetical supplementation.” One may find this phase of his philosophy(1929–1933) a bit paradoxical because the philosopher claims this phase, from the very beginning,to have been overcome; we deal here with philosophical self-criticism. The Lewis Carroll’s paradox isconsidered in terms of analogy to this criticized project of “phenomenological language”—the paradoxof a ridiculously exact map which coincides with the mapped area. We open up new possibilities forcomparison between the Wittgensteinian project of the “primal language” and Husserlian, Heideggerian and Finkian projects of “phenomenological language.”

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Phenomenology and Ecology: Art, Cities, and Cinema in the Pandemic

Phenomenology and Ecology: Art, Cities, and Cinema in the Pandemic

Author(s): Alice Cortés,Matthew Crippen / Language(s): English Issue: 2/2021

COVID-19 infects cities, here grasped as quasi-living functioning systems, and the changes inflicted can poetically open us to certain things. Drawing on ecological psychology, we maintain that this brings people into contact with different realities depending on their overall wellbeing, arguing that the aesthetic experience of cities accordingly varies. We then consider iterations of these ideas in dystopian cinema, which portrays global threats altering human relations with technology, art, and the world.

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Интеркультуральные коды Пространства и Времени в рассказе «Шамбала сияющая» Николая Рериха

Интеркультуральные коды Пространства и Времени в рассказе «Шамбала сияющая» Николая Рериха

Author(s): Saule Altıbaeva,Tatyana Şevyakova / Language(s): Russian Issue: 4/2020

The article presents the results of the research into the universal intercultural codes Space and Time (topical in semantics and functional approaches) in the story Shambhala shining by N. K. Roerich. We attribute the universal intercultural codes to intercultural phenomena, since they are considered with reference to their inclusion in a cultural system (or various cultural systems). With regard to referentiality, the cultural code is understood as a specific mechanism (tool) for storing and transmitting through generations important information about the history, philosophy, spiritual and material culture of a person (an individual), of an ethnic group or a collection of ethnic groups, of a particular area, of a civilisation, of all of humanity, of the Universe (the Universum). In our opinion, Roerich devoted his lifetime effort to developing this global intercultural code - the Universum. The article presents cyclic and vertical models of the deepened interconnection of the informants of the cultural code Space in this metaprosaic work. Apart from the results of the research into the stylistic and narrative features of the work, the article presents also the specificity of the person sphere. The term cultural code is delimited, characterised and given its scientific substantiation in the context of literary studies. It is emphasised that the cultural code in the text is a complicated artefact, which is instrumental in disclosing the idea and conception of the work under discussion. The cultural code in an artistic work is ambivalent in nature: it has semantic and functional content.

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Aposiopesis albo figury myśli w dobie ucieleśnionego umysłu

Aposiopesis albo figury myśli w dobie ucieleśnionego umysłu

Author(s): Aneta Grodecka / Language(s): Polish Issue: 34/2018

The Author is interested in the states of becoming silent, discontinuing one’s utterance, which are associated with certain mechanisms of the functioning of the brain, as well as in the observation of such states in different artistic disciplines. Looking for an answer to the question how aposiopesis operates in words, sounds, and images, she analyzes pieces of music, poems (Zbigniew Herbert’s Pora), and examples of visual arts (Wojciech Pakmur’s paintings of the tango). In her reconstruction of the research field, the Author refers to rhetoric ( Jerzy Ziomek, Seweryna Wysłouch), the philosophy of language (Michel Foucault, Jean-François Lyotard), and neurophenomenology. The aim of the article is to suggest a new mode of reading that seeks inspiration and language in works from the field of neuropsychology (Maria Pąchalska), hermeneutic phenomenology (Mark Johnson), or neurology (António Damásio, Oliver Sacks). The Author’s analyses refer to Raoul Schrott and Arthur Jacobs’s concept (Gehirn und Gedicht, 2011), and the conclusions confirm that one should not look for a model (pattern) in the reception of art, but describe mental processes.

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Imunizacijska paradigma kulture. Pitanje porijekla, prirode i suštine kulture

Imunizacijska paradigma kulture. Pitanje porijekla, prirode i suštine kulture

Author(s): Nemanja Đukić / Language(s): Bosnian Issue: 19/2020

In the article that follows, we phenomenologically analyze the immunization nature, origin, and essence of the culture. In the introductory part of the article, we analyze the trauma of birth and the psychological mechanism of consciousness, showing that the immunization character of culture is a function of the immunization character of consciousness. In the first part of the article, we analyze the intentional character of consciousness to explain the intentional character of culture. In the second part of the article, we give a brief overview of the Sloterdijk immunization paradigm. In the third part of the article, we analyze the immunization function of the culture. Finally, the concluding part of the article points out the theoretical significance of the immunization paradigm of culture.

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PHILOSOPHICAL PERSPECTIVES ON EMBODIED COGNITION AND INTERACTION. SOME INTRODUCTORY REMARKS

PHILOSOPHICAL PERSPECTIVES ON EMBODIED COGNITION AND INTERACTION. SOME INTRODUCTORY REMARKS

Author(s): Ion Copoeru / Language(s): English Issue: 2 Suppl./2021

The paper outlines a series of introductory remarks on the dossier “Philosophical perspectives on embodied cognition and interaction.” The first section identifies two major philosophical issues emerged as crucial in the investigations related to embodied cognition and challenged their conceptual limits: (1) situated action and interactions, and (2) the interface problem. A discussion of the way in which the embodied-enactivist accounts might improve our understanding of diverse forms of embodied cognitive practices can be found in the following section. It ends with a short overview of the key topics and arguments of the papers selected in the dossier.

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Što još može fenomenologija?

Što još može fenomenologija?

Author(s): Predrag Finci / Language(s): Croatian Issue: 03/163/2021

Our time has seen the end of the “big narrative”, the era in which there are no reliable criteria, making it difficult to establish what can and cannot be considered art. Phenomenology has conveyed very clear views on this matter. Its most prominent representatives draw attention even nowadays. Can philosophies that use the phenomenological method offer answers on the nature of the arts, what art is, and its essence? The author claims that this is still possible, but with the realisation regarding different aesthetic experiences and the new historical and social situation.

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Objektno orijentirana ontologija igre

Objektno orijentirana ontologija igre

Author(s): Matija Vigato / Language(s): Croatian Issue: 02/162/2021

In this paper, object-oriented ontology (OOO) is attempted to be applied to play. First, from the anti-reductionist approach of OOO, some former interpretations of play in science and philosophy are reviewed. Then, because of the conceptual similarities of art and play, the already existing OOO of art is consulted. Based on the works from the field of Human-computer interaction, Graham Harman’s theatrical interpretation of a metaphor, and Eugen Fink’s interpretation of the play, who sees it as a mixture of Being and illusion, play is analysed in the end as (1) a speculative “I”, (2) tension between a real object and sensual qualities, and (3) an interrelationship of elements of the quadruple object. In the pursuit of the link between play, art, philosophy, metaphor, and theatricality, a search as an answer to the encounter with the mixture of Being and illusion is recognised.

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O nekim modalitetima apstraktnog vizualnog jezika u hrvatskom slikarstvu
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O nekim modalitetima apstraktnog vizualnog jezika u hrvatskom slikarstvu

Author(s): Igor Loinjak / Language(s): Croatian Issue: 3/2021

Pojavljivanje apstraktnog jezika u vizualnoj umjetnosti uglavnom se povezuje s turbulencijama koje su se javile unutar svijeta umjetnosti u drugoj polovici 19. i na početku 20. stoljeća. Kada se govori o odnosu između figurativne i apstraktne umjetnosti nužno je ukazati na njihova bitna svojstva, kao i na specifičnu logiku likovnoga jezika kojemu pripadaju. Regina — Nino Mion u pokušaju razumijevanja tematike apstraktnog slikarstva navodi tri moguća puta. Prvi predstavlja analizu sadržaja apstrahiranog iz figurativnog obrasca, drugi se odnosi na vizualizaciju duhovne tematike, dok u trećem navodi proizvoljni sadržaj djela. Brojni su teoretičari pokazali kako između figurativnoga i apstraktnog pristupa postoji faktor uzajamnosti budući da se apstrakcija ne može gledati kao zaseban i disparatan vizualni jezik izoliran od tradicije figuracije. Teoretičar Stefan Majetschak u analizi fenomena vidljivosti zapaža da slika nikada nije imitacija objektivnog predmeta, nego da ona kao fenomen likovnosti definira vidljivost.

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Conrad-Martius: Sein, Wesen Existenz. In Auseinandersetzung mit der Ontologie und Metaphysik Aristoteles', Thomas von Aquins und Husserls

Conrad-Martius: Sein, Wesen Existenz. In Auseinandersetzung mit der Ontologie und Metaphysik Aristoteles', Thomas von Aquins und Husserls

Author(s): Irene Breuer / Language(s): German Issue: 2/2021

The article deals with Conrad-Martius’ conception of being and existence and explores it by contrasting it with the conceptions of Aristotle, Aquinas and Husserl within the framework of their respective ontologies and metaphysics. The article delves into the problems of both the hypostatization and the origin of being in particular. I claim that the hypostatization of being does not concern the Sachverhalt,as Jean Wahl claims, but the noema itself insofar as intentionality transcends what is constituted by consciousness and grasps the essence of the substance itself, whose existence is not absolutely but hypothetically posited. I will further show that even though Conrad-Martius rejects the transcendental reduction, she accepts the eidetic reduction and the positing of a sphere of original and given facts, which are not only absolutely given to consciousness, but also self-grounded and self-sustained.Conrad-Martius’ research traces the origin of these back to a transphysical realm, thus revealing the grounds for the Husserlian sphere of primal facts, which itself remains beyond the reach of phenomenologicalreflection. Hence Conrad-Martius’ and Husserl’s investigations encounter and complementeach other at the point where the real bursts into reality and becomes available to consciousness. Thesereflections are organized as follows: The first part presents Conrad-Martius’ conception of a real-ontologicalphenomenology in order to examine her criticism of Husserl’s transcendental reduction. The second part deals with her real-ontological conception of the essence of reality or the “real-reality”and its hypothetically posed existence. The third part concerns the conceptions of being, analogia essendi and categorial being with recourse to Aristotle, Aquinas and Husserl and sets these in relation to Conrad-Martius’ own conception. The fourth part deals with her own understanding of the analogia essendi and of real being in order to shed light on the claim concerning the hypostatization of being.The fifth part explores Husserl’s positing of a sphere of primal facticity, Conrad-Martius’ conception of a real entity and its origin in a transphysical realm. The article finally summarizes the main results of these reflections.

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IN-BETWEEN MIND, SPIRIT, AND BEING: A CRITICAL APPRECIATION OF GERDA WALTHER’S PHENOMENOLOGY OF MYSTICISM WITH PARTICULAR REFERENCE TO CORRESPONDENCES TO POST‑MATERIALIST NOTIONS OF REALITY
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IN-BETWEEN MIND, SPIRIT, AND BEING: A CRITICAL APPRECIATION OF GERDA WALTHER’S PHENOMENOLOGY OF MYSTICISM WITH PARTICULAR REFERENCE TO CORRESPONDENCES TO POST‑MATERIALIST NOTIONS OF REALITY

Author(s): PATRICIA FEISE-MAHNKOPP / Language(s): English Issue: 2/2021

In her main work, Walther exposes the unio mystica as meta-transcendental constitution of (fundamental)spiritual being (the bracketing indicates that this demonstration can be read in a metaphysical,i.e., strong, as well as in a secular, i.e., weak, version). While reflecting her approach theoretically and methodologically by drawing on Husserl, Landmann, Stein, just as on Pfander and Conrad-Martius,Walther proposes a genuine approach that pushes the transcendental idealistic paradigm further. Its crucial claim is (imperfect) perceptibility and experientiality of (fundamental) spiritual being (labeled“God” by Walther). It is based on a substantially and ontologically differentiating—though integrative—notion of the conditio humana: entanglement of ego-center (both belonging to the transcendental realm and transgressing it meta-transcendentally), self (belonging to psychophysical being), and soul spiritual implications of personal basic essence (belonging to spiritual being) with its “metaphysical-realcore” (belonging to fundamental spiritual being). By the help of mystical vision, (fundamental) spiritual being is not only (though imperfectly) perceived and experienced; rather, according to Walther, humanego-consciousness also communicates with God as a spiritual person. However, the latter cannot be supported by Walther’s analysis. In other words, a critical distinction must be made between the—phenomenologically demonstrable—philosophical content of Walther’s investigation and its theologically motivated readings. Accordingly, the present article can appreciate the philosophical significance of her Phenomenology of Mysticism without thereby being committed to its theological interpretations. Walther’s main work, in summary, is a substantial—if not consistently concise—contribution to the philosophy of mind/spirit and being, which, moreover, is able to act as a bridge between philosophical phenomenology and theology. Additionally, in the weak reading, Walther’s integrative concept of mind/spirit and being is connectable to postmaterialist notions of reality.

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ПОСЛЕДНИЙ ДАР ЮЛИИ ОРЛОВОЙ

ПОСЛЕДНИЙ ДАР ЮЛИИ ОРЛОВОЙ

Author(s): Natalia Artemenko,Andrei Patkul,Mikhail Belousov,Georgy Chernavin,OLEG MUKHUTDINOV,Svetlana Nikonova,Andrey Lavrukhin,FEDOR STANZHEVSKIY / Language(s): Russian Issue: 2/2021

In Memoriam : Julia Orlova

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Podstawy fenomenologii poznania a problem języka. Uwagi do książki Witolda Płotki Studia z fenomenologii poznania

Podstawy fenomenologii poznania a problem języka. Uwagi do książki Witolda Płotki Studia z fenomenologii poznania

Author(s): Michał Piekarski / Language(s): Polish Issue: 4/2019

The aim of this article is to discuss certain ideas from Witold Płotka‘s book Studia z fenomenologii poznania. Transcendentalna filozofia Edmunda Husserla a problem wiedzy (Studies in the Phenomenology of Cognition. The transcendental Philosophy of Edmund Husserl and the Problem of Knowledge). In particular, the article examines the issue of the place and significance of language considerations in the context of Husserl‘s phenomenology. The author considers whether language is a transparent medium, and whether it is a constitutive element of the content and character of the experience.

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Mosty nad przepaścią? W odpowiedzi Michałowi Piekarskiemu

Mosty nad przepaścią? W odpowiedzi Michałowi Piekarskiemu

Author(s): Witold Płotka / Language(s): Polish Issue: 4/2019

This article discusses certain aspects of Michał Piekarski’s analysis of Witold Płotka’s book Studies in the Phenomenology of Cognition. The transcendental Philosophy of Edmund Husserl and the Problem of Knowledge. It considers the relationship between the phenomenological method and the analytical approach broadly understood. It also examines the similarities and differences between the two approaches. Lastly, the author reconstructs Husserl’s view of language, especially in the context of the analysis of the noema.

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Prawda, Jej aspekty ontologiczne i idea intelektu nieskończonego w Badaniach logicznych Edmunda Husserla

Prawda, Jej aspekty ontologiczne i idea intelektu nieskończonego w Badaniach logicznych Edmunda Husserla

Author(s): Rafał Lewandowski / Language(s): Polish Issue: 4/2021

This article aims to analyze the theory of truth contained in Edmund Husserl’s Logical Investigations. In my analysis, I start from a detailed description of conditions of the possibility of truth based on Husserl’s alethiology. I show that his theory assumes correlation, the parallelism between subjective and objective conditions of the possibility of cognition as a condition of truth. Based on this, I explain Husserl’s interpretation of the correspondence definition of truth found in Logical Investigations. I also provide arguments that this interpretation presupposes the ontological definition of truth and the idea of the infinite intellect as the ideal of a direct and exhaustive presentation of the object of cognition. Nonetheless, my conclusions don’t provide a complete interpretation of Husserl’s alethiology because I refrain from drawing metaphysical consequences from it. That is to say, I neither answer the question about realism/idealism in Logical Investigations nor the question of whether the idea of the infinite intellect should be understood in some metaphysical way (e.g. theistic one) or only as a regulative idea in the Kantian sense.

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Православний анекдот як явище сучасної Православної культури

Православний анекдот як явище сучасної Православної культури

Author(s): Olha Olehivna Smolina / Language(s): Ukrainian Issue: 3/2021

The purpose of the article is to reveal the specifics of the Orthodox joke as a phenomenon of modern Orthodox culture. Methodology. In the context of the culturological approach, the method of comparative analysis, induction, deduction, typology, and classification was used. Scientific Novelty. For the first time the phenomenon of the Orthodox joke was investigated in the context of cultural studies; assumptions were made regarding the time and reasons for its appearance; its sources are highlighted, the typology of the Orthodox joke is proposed; supplemented with data on the cultural specificity of this phenomenon. Conclusions. In secular and folk culture, a joke is a form of uncensored folk art, a sphere of dissent. The Orthodox joke, by contrast, is one of the ways of preachingand does not oppose the official church line. A parable in the form of a joke is more understandable and acceptable to the cultural consciousness of a modern person. The following types of Orthodox jokes are distinguished: curious cases from the history of the church, the life of individual parishes, or pastoral practice; «Children's perception of religion»; «In front of Paradise doors»; «Dialogue between a believer and an unbeliever»; self-irony of Orthodox monks and laity. The development of the genre of the Orthodox joke testifies to the processes of adaptation of the Orthodox culture, which exists under the prevailing secular culture.

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