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The presence of autothematic narratives in the three basic models of culture – literary, audiovisual and digital – is a crucial factor influencing the diversity and dynamic evolution of the story on creating. The notion of autopoiesis introduced by the neurobiologists and sociologists widens the spectrum of research on creative process in literary texts, and more broadly in texts of culture. In the connection with these two functional aspects of autopoiesis: in the traditions of different medias and multiple research directions analysing the creative process, the author presents three models of modernist novel on creating. The interpretation of Testament by Witold Gombrowicz allows us to indicate, firstly, the process of narrative identity of writer constituting itself; secondly, the metaphor of theatre’s backstage providing autopoiesis with a performative dimension; and thirdly, the poetic rules of storytelling about creation, which build up its epiphanic aura.
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W przypadku Władysława Sebyły wypowiedzi o pisaniu dotyczą nie tylko samego procesu twórczego, ale również wszystkiego, co ów proces otacza: czasu (jego życia i jego epoki), przestrzeni (warszawskiej, cyganeryjnej, rodzinnej, a wreszcie – militarnej i obozowej), finansów (zaległości redaktora naczelnego „Kwadrygi” w spłacaniu ministerialnych subsydiów oraz pierwszych pieniędzy zarabionych na literaturze w radiowym Kwadransie Poetyckim). Poznając warunki twórczej pracy Sebyły, otrzymujemy zatem mało romantyczny obraz tego, jak to wygląda od kuchni – więcej tu walki i mozołu niż szału i natchnienia. A jednak – w tym wszystkim – jest również „chłopiec zgubiony w czasie”, jest Dialog w ciemności. Moj artykuł skupia się na poszukiwaniu granic pomiędzy kreacją, manifestem i wyznaniem w dialogach chłopca z Obrazów myśli z żywiołem własnej twórczości.
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The article is concerned with one of the most important aspects of Olga Tokarczuk’s oeuvre, which is the topic of writing practice. The Noble Prize winner addresses it not only in her essays, but also in her opinion pieces, showcasing through it the constant and cautious observation of her own creative process. The reflexion on the relation between literature and reality is also presented in the literary texts, to which amongst others belongs the short story Scottish Month from the volume Playing on a Multitude of Drums. The text interpretation presented in the article addresses the question of situating the creative act at the crossroads of what is real and what is imagined, being connected – as a consequence – with perceiving the writer as a person who simultaneously writes and is written. The epitome of this meta-literary multiplication is the main protagonist – the character, narrator and alter ego of the author at the same time, who becomes aware of her involvement with the multilayered structure of truth and fiction.
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Book Review: Дамянов, Марин. Двойници и раздвоено съзнание в кинодраматургията. Психоаналитична интерпретация. София: Аction, 2020. 199 с. ISBN 978-954-92929-5-4.
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Review of: Valentina Simidžija-Hoc, Tereza Stamenković: Česky jazyk s prvky národní kultury na druhem ročniku zakladni školy - Češki jezik sa elementima nacionalne kulture (za drugi razred osnovne škole), Beograd, Zavod za udžbenike, 2017
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Apart from the common legal tradition, the countries of the former SFRY also share the challenges they face when studying certain forms of criminality. The criminality of women is rarely analyzed in the criminological and criminal law literature. One of the possible reasons is that, in criminological studies, women are most often analyzed as victims of crime, and very rarely as perpetrators of criminal acts. The editors of the Handbook on Female Criminality in the Former Yugoslav Countries, Angelina Stanojoska, Darko Dimovski and Elena Maksimova, tried to eliminate this shortcoming. An important qualitative property of this book is the comparative approach to the study of female criminality in the countries of the former SFRY. Consistently applied in the presented articles, this approach is highly relevant for observing female criminality in specific contexts, taking into account all the historical, legal and social specificities of each individual state created after the disintegration of the former SFRY. In ten unique criminological studies, the authors analyze the criminality of women in Serbia, Montenegro, North Macedonia, Croatia, Bosnia and Herzegovina, and Slovenia, but the comparative approach ensures that the Handbook represents a unique whole rather than a collection of individual studies. The authors of research studies presented in this monograph are university professors with many years of scientific experience in the study of crime in general, and women's crime in particular.
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Knjiga Jelene Lončar, vanredne profesorke Fakulteta političkih nauka Univerziteta u Beogradu, predstavlja pravo osveženje kad je reč o nacionalnom i regionalnom akademskom kontekstu, kao i značajan teorijski i empirijski doprinos izučavanju političkog predstavljanja. Knjigu čine četiri poglavlja koja pokrivaju važne aspekte performansa političkog predstavljanja uopšte, a zatim i konkretne izazove i pitanja u predstavljanju žena i manjina, kao i pitanja autorizacije i odgovornosti. Svako poglavlje ima jasnu strukturu sa aktuelnim teorijskim promišljanjima, pregledom relevantne literature, zanimljivim empirijskim uvidima i kratkim zaključkom, što zaokružuje svaki deo kao logičku celinu, a čitaocima pomaže da se lakše orijentišu u obilju podataka i informacija koje knjiga pruža.
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