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This book made for the seventieth birthday of Gábor Székely, Professor at the Eötvös Loránd University of Budapest, contains 51 studies. His colleagues wish him Happy Birthday.
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This publication is the translation of the original Memories of Ráv Élijáhu Domán (Domán Ernő), written in Hebrew. The original document is saved and stored in Yad Vashem, The Holocaust Martyrs' and Heroes' Remembrance Authority . The translation and has been made by István Domán, the son of Ráv Élijáhu Domán, in September-October 2004.
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The book approaches the history of Latvia from the earlist traces of human habitat to the present. It is a rather detailed analysis blending methods of political history, social history, economic history, international relations, nationalities studies, etc. and tackling the main lines of history of all communities living or which have lived in Latvia.
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Upravo doneti Zakon kojim se rehabilituju svi “ideološki” protivnici komunizma, počinje sa datumom od 6. aprila 1941. što je istovremeno i njegov najzanimljiviji deo. Imali smo priliku da slušamo predlagače i zagovornike zakona1 koji su svojom srčanom odbranom ratnih “ideoloških” protivnika komunizma, nedvosmisleno potvrdili da je čitava stvar i smišljena isključivo zbog njih, a da ih oni posle 1945. ustvari i ne zanimaju, odnosno, da su samo “kolateralna šteta” pokušaja rehabilitacije kvislinga iz vremena Drugog svetskog rata. Saopštili su nam i da bi čitav komunistički period trebalo jednostavno proglasiti zločinačkim čime bi, misle oni, po automatizmu bili rehabilitovani svi njegovi “ideološki” protivnici, a oni ratni proglašeni borcima za pravednu stvar. Zato možemo očekivati da će (kao što se već desilo sa četnicima) ovog puta “demokratama” biti proglašeni nedićevci i ljotićevci, pa će po automatizmu “demokrate” postati i balisti, hortijevci, ustaše, i na kraju, sam nemački Rajh. Svi oni zaista jesu bili “ideološki” protivnici komunizma, ali je, sasvim sigurno, Hitler bio najveći. Zato nije slučajno danas, njihov “ideološki” antikomunizam i početak i kraj svake argumentacije, uz prećutkivanje da su kao protivnici komunizma bili i aktivni protivnici celokupne antihitlerovske koalicije čiji je komunizam bio sastavni deo. Prećutkuje se i da je njihov “ideološki” antikomunizam u tadašnjem shvatanju pojma podrazumevao veličanje nacizma, antidemokratiju, i na prvom mestu, antisemitizam, “slučajno”, baš u vreme kada su milioni Jevreja ubijani u “Velikom Nemačkom Rajhu”.
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Creating performances for the celebration of important events is not a modern invention, but it is an extremely interesting phenomenon due to the ability to respond to the needs of given times, the range of impact (territorial and reception), and usually a short operating time. The fiftieth anniversary of March 1968 was full of performances dealing with the emigration of Polish citizens of Jewish origin who were forced to leave by launching an anti-Semitic campaign. In my paper, I will analyze the dramaturgy of three performances: “A Few Foreign Words in Polish” directed by Anna Smolar with a text by Michał Buszewicz created for a specific production, Michał Zadara's “Justice” as a theatrical investigation into a crime involving “King Oedipus” by Sophocles and “Notes from exile” directed by Magda Umer and adapted from a book by Sabina Baral. Despite the common starting point, which is the theme of the events of March 1968, the aforementioned performances are characterized by a different approach to both the undertaken problem and dramatic solutions. The main concept of the paper is "postmemory", that is the structure of the transfer of trauma between generations, and its subsequent redefinitions. An important issue will also be examining the relationship between memory and history, the function of photography and the principles of building a postmemory archive.
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