![[rec.] Nicholas P. Roberts, Political Islam and the Invention of Tradition, New Academia Publishing, Washington, DC 2015, ss. 245](/api/image/getissuecoverimage?id=picture_2017_43064.jpeg)
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42 color illustrations, 132 pages, 1 postcard + 1 memory stamp Matrakçı Nasuh
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One of the foundational laws of the Republic of Turkey on the exclusion of the Ottoman heritage and Islam is the Law 677 which was enacted in 1925. The Law outlawed the mystic orders and closed their lodges as well as hundreds of shrines in the country and prohibited visiting them. Shrine keepers were dismissed and replaced by shrine officers in some shrines. Relying substantially on Republican archives, Parliamentary Proceedings and the previously untapped archival evidence from the Istanbul Museum Directorate of Shrines (İstanbul Türbeler Müze Müdürlüğü), this article examines the transformation of this occupation and “nationalization” of shrines from 1925 to the 1970s by situating the analysis within its legal context. It will elaborate who was a shrine keeper in the late Ottoman Empire, what happened to the shrines and shrine keepers after the shrines were closed down, the theft incidents the new shrine officers were involved with, policies regarding the “nationalization” of shrines and the tensions as well as negotiations between different actors regarding the shrines. Aiming to shed light on a previously untackled aspect of republican history, the article demonstrates how the abandonment of shrines and the policy of nationalizing and turning them into museums brought along a rupture in the cultural history of the country and contributed to the destruction of historical heritage.
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The architecture issue is one of the important factors in Islamic civilization that Muslims have considered a lot in religious leaders' teachings. The applied purposes of this article are based on the religious Imams' statements including scientific and practical approaches to the Islamic architectural harmonization, urban structures and elimination factors that destroy urban civilizations. Religious leaders have commented on Islamic architecture leading to civilized societies. These comments include urbanization, making green spaces, building structures facing Qibla, building horizontal-oriented houses and avoiding some special manifestations in architecture such as statues. As one of the dimensions of art is architecture, Muslims have paid attention to the constuction of mosques and monasteries, which are quite present in Islamic architecture. It is a descriptive and analytical article; and it refers to architectural modeling features that religious leaders have introduced in their speeches.
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19th-century was not only a period in which Ottoman Empire lived political, economical and military problems but also in this century, new ideas began to find place in the life of the state. Constitutionalism, the rule of law, provincial and municipal councils, equal citizenship, minority rights is among the ideas that find a place in this period in empire’s administration. Additionally Ottomanism, Islamism and Turkism ideas in society and public life have been discussed so much; each of these ideas has gathered its own supporters. In fact, collapse of Ottoman Empire which approaches very openly, brought together the sensitive intellectuals to mobilize their intellectual capacities. Historically, from those ideas which have been became fundemental references in the public administration, ottomanism was the first political choice, Islamism was second and Turkism eventually followed them. These ideologies cannot be distinguishable with exact lines, in some time both of them may be applied as political choice or as in the case of Turkism and Pan-Islamism they might be intertwined.
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This research deals with the place of well-known companion Alâ b. Hadramî in political, administrative and military activities during the caliphs of Rashid and the Prophet (pbuh). Alâ, a member of a family from Hadramevt and born in Mecca, became a Muslim before the treaty of Hudaybiyyah, and migrated to Medina. He was a messenger of the letter of invitation to Islam sent to the Emirate of Bahrain, Münzir b. Sâvâ. After the conquest of Mecca, Alâ, who was sent to Bahrain with his special authority to collect zakat and jizya as well as the invitation to the religion, was dismissed from his post shortly before the death of the Messenger of Allah. Alâ was reappointed to the Emirate of Bahrain by the first Caliph, Abu Bakr. He died on his way to assume the governorship of Basra. (d. 14/636)
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The article comprises a Polish translation of the Arabic treatise Kitnan as-sirr wa-hafz al-lisan [Keeping Secrets and Holding the Tongue] by Abu Usman al-Jāhiz, an Arabic intellectual of the turn of the 9th century. The treatise is an interesting example of medieval Arabic-Muslim paraenetic literature, and the reflection it offers addresses ethics, philosophy and theology, as seen from the Eastern perspective. The translation of the treatise is preceded by an introduction providing the basic information on al-Jāhiz and the circumstances in which the text in question was written. Its historical and cultural context is also discussed.
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The Polish–Egyptian mission at Kom el-Dikka, ran by the Polish Centre of Mediterranean Archaeology, University of Warsaw, stepped up the already advanced preservation processes aimed at establishing an Archaeological Park at the site. Conservation work was carried out in the theater portico, the bath complex and the residential quarter of late Roman date in the eastern part of the excavation area. In turn, the western part was the focus of archaeological research centered on the exploration of some late Roman structures located underneath. The early medieval/Islamic cemetery overlying these remains was explored first. A detailed report from this work is appended to this article. The human skeletal remains from the cemetery were examined by anthropologists. The western gate to the bath complex, leading from the theater portico, was fully exposed. Finds from present and earlier work at the site continued to be studied: glass vessels, pottery, lamps, bone objects, painted wall plaster, and a vast collection of coins.
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This article deals with the benefit and influences of remembering ALLAH(GOD) in the light of ayets and religious stories (hadis). Remembering ALLAH(GOD) endows (presents) spiritual life to human. But the abandonment of remembering removes the human from ALLAH (GOD) and makes a friend with Satan.
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ABSTRACT: The Hittites who were origin of Indo-European and came to Anatolia occupied the region of Halys in central Anatolian around 1650 BC building Hattusa as a capital city. Expanding their territories into an empire they founded one of the most powerful states in their times and world. Including different ethnic groups Hittites called themselves by the expression of “1000 Gods of Hatti”. Incorporating several local gods existed in the lands they conquered they have had a lot of gods or divines. Among these gods are gods of Hatti, Luwi, Pala, Sumer, Hurri, Assyro- Babilonian and ancient Indian. Many temples discovered in the Hattusa excavations are an important clue for their paying great respect to the gods. In this article benefiting from the evidences of archaeological and philological sources Hittite beliefs as a state religion and general aspects of this religion, gods in the pantheon, temples built for these gods, festivals devoted to these gods, the place of gods and humans, magic rituals, oracles, omens, prayers and mythological stories will be evaluated. SUMMARY: Hittites, who are from origin of Indo-European, came to Anatolia around 2000 BC and established a powerful state choosing Hattusa as their capital city in central Anatolia. It lasted until approximately 1200 BC. Several reasons such as destructions of the sea peoples, famines and some revolts struck the Hittite Empire. After the fall of the empire some small city states called Neo-Hittite occurred in Southern Anatolia. They were powerful states extending from Northern Syria to Mesopotamia. They were comprised of different ethnic identities. This aspect of it can be seen in every field of the Hittite culture. Specifically the religion of the Hittites bears a lot of marks of it. They called themselves “people with 1000 gods of Hatti”. They added the gods they met into their pantheon. Pantheon of Hittites composed of gods of Hatti, Hurri, Luwi, Pala, Sumer, Babilonia, Assyria, Ancient Indian. Religious attitudes of Hittites affected by different cultures show a polytheistic structure. Sources of Hittite religion include many evidences of archaeology and philology such as temples, descriptions on palaces and cultic buildings, rock monuments, steles, sculptures, rythons and seals. There are festival texts, mythological texts, oracles and omens in the group of philological source. Our main informations about religion of Hittites come from these sources. We see representations of gods of Hittites on descriptions in archaeological evidences. Our knowledge about some other cultic activities also comes from same source. Festival texts in the group of philological sources give us information especially about cultic activities. Another main source about gods of Hittites is the mythological texts. We are able to learn their views of the universe and the celestial realm by these mythological sources. It appears that the texts had been used in religious rituals too. As understood from these sources, at the top of polytheistic religion of Hittites stand Sun Goddess of Arinna and Thunder God. Their pantheon also include a lot of gods from Hatti, Hurri, Luwi, Pala, Sumer, Babilonia, Assyria, Ancient Indian. Temples which are believed to be homes of gods were very important in daily life of Hittites. The excavations carried out in Hattusa testify to existence of many temples. Among these, Yazılıkaya Temple is of primary importance. The temple located two kilometers northeast of Hattusa includes descriptions of gods in Hittite pantheon. Besides Hattusa, archaeologists discovered many temples in Hittite sites such as Alacahöyük, İnandıktepe, Kuşaklı. Including a social structure as well as religious one, temples contained a lot of staff. A lot of documents were discovered which mention the businesses and responsibilities of these persons. Relation between humans and gods necessitates some burdens on human side. If man couldn’t do their duties for gods perfectly, they punish the human beings. One of the most important of these duties is festival rituals. Hittites have many rituals dealing with festivals. They were celebrating these festivals in temples or sacred spaces in appointed times. Besides regular rituals, people were doing other activities such as dance, music, playing etc. The magic concept in Hittite society can be divided into two types, white and black. Black magic was forbidden. Magical rituals had been done by persons who have mastered it. The rituals carried on generally outside settlements, far away from cities. Besides magical activities, oracles and omens were also spread. Fortune telling was also one of the important divine methods to solve problems in the Hittite society. Prayer texts which include a binding language between human and gods were also a prominent part of cultic life of the Hittites. There is no detailed information about afterlife in this religion. After death ordinary people were belived to go under earth and royal personalities to be god to sky, divine realm. Evidence from burial sites has suggested that both interment and cremation were practiced. After burying, remaining relatives should pray for the departed lest they return into this world , otherwise they would harm to the living. Another source that sheds light on the Hittite religion is mythological texts. From these kind of texts can be learnt about relations between gods and humans, etiological explanations dealing with nature and cosmogony. Myths had been used in the cultic rituals. Mythological texts belonging to Hittite religion come generally from Hatti, Hurri and Mesopotamia. One of the most important of those samples is the myth, called “The Missing God Telipinu”. Telipinu got angry to something and disappeared suddenly. With his departure some troubles occur in the world. A lot of rituals had been practised in order to turn the god back from the place where he went and to revive the nature. These texts were also containing the names of gods. It seems that the Hittites, coming from outside of Anatolia, included a lot of gods into their pantheon and composed them in their understanding of religion. So they built a syncretic system of beliefs. Most important part of cuneiform texts discovered in excavations shows the importance of religion in the Hittite society. Regular and appointed times for rituals were also important for Hittites. Otherwise gods would punish the people and send calamity upon them.
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Anatolian Alevism’s beliefs, its philosophy, its life style and its worldview is hidden in “cem”s. Cem is a rite which is effected by all aspirants without sexism before a “dede” or a “pir” which means spiritual guides. This kind rite and rituals which is made in the religious ceremony is a main way of the cult of Alevis. And Alevism’s rules are emphasized at the “Buyruk” which is their holy book. “Dede”s pass on doctrines which is at holy book to the aspirants as an amenability. They are religion leader which has an active part to pass on Alevism’s own beliefs and doctrines to the aspirants as orally in cem. Manifold views have been broached who they are in studies which made about Alevism heretofore. According to this, some researchers call Alevism as a culture, someones call it as a way of the life and its philosophy and the other ones call it as a belief. In this context, it will be helpful to make known what Anatolian Alevism is and its doctrines are. Also it will be helpful to approach to detect its structure of belief. In this article, firstly, it has been accentuated what meaning of “cem” and then it has been mentioned that the meaning attributed to the cem in Anatolian Alevis. In another step, it has been introduced cem’s which is collected below ten titles as content and it has been mentioned that role of cems in socio-cultural life. As a final, it has been ascertained that cems are so effective to pass on their own beliefs to the people and to practice their own beliefs in the community life. Also, it has been noted that cems are so very functional to strengthen to sense of unity as harmony between individual with society.
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Mutual relations between communities of the West and the East have always been accompanied by the evolving mutual influences. The development of science in Europe has for a long time been encouraged by the influence of Arab culture on the same type of events in other communities. While Arabism in Europe spread selectively, Arabization occured uncontrollably with upredictable causes and consequences, due to the unwillingness of Arabs to constitute Western studies as a scientific field, which would have the same role as Oriental Studies have had in the West for centuries. Linguists are, above all others, bound to find appropriate names for new achievements, names that will be clear enough to be widely accepted. In completing the Arabic vocabulary with new terms, a prominent place belongs to adjustment which largely coincides with what is implied by the meaning of the word Arabization, and which is intended for a process through which we receive Arabized words. It is desirable that research on the West is conducted by academic educational institutions through programs that would enable objective acquintance with the West and its basic cultural and civilizational characteristics of past and present. This science should be named Occidentology. Selectively adopting external values, the Muslim community should, in developing Occidentology, remain faithful to its own values accepting, with certain criteria, the true values of the others.
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Textile artist Jūlijs Straume (1874–1970) is one of the leading masters of Latvian applied art. He is widely known for his richly ornamented textiles and attempts to introduce in Latvia the technique and traditions of Persian carpet weaving current in the Near and Middle East. Up to now, researchers have usually focused on the ornaments resembling Latvian textiles as well as patterns and stylised natural motifs composed by the artist himself. Straume has been praised for his ability to use vernacular ornaments in the carpet weaving technique not typical for Latvians. Oriental motifs in the artist’s output received less attention while carpet making traditions and historical legacy unavoidably influence their design and the use of ornament. Straume undoubtedly drew inspiration while collecting, collating and restoring sketches of traditional carpet designs of the Caucasian peoples. This Oriental influence was noticed but often depreciated.In 1925, two Oriental-style carpets made after Straume’s designs received the gold medal at the International Exhibition of Modern Decorative and Industrial Arts in Paris. One of them complies with the traditions of Georgian vernacular art but the other, made in collaboration with the Georgian artist David Tsitsishvili (1901–1986), was made in the style of the Safavid dynasty (1501–1736). One of the works awarded in Paris is the carpet “Miri” (1925) that, according to some researchers of Straume’s work, was titled with the Georgian term for the totality of technical and stylistic means of pattern making in the Persian technique. The carpet is filled with stylised floral ornaments in a grid-based composition known in the Caucasus as shabaka. This kind of filling is widespread in both Caucasian and Persian carpets. The “Miri” carpet stands out with its artistic and technical execution even among traditional Caucasian and Iranian carpets. It demonstrates that a complete composition of motifs can be assembled from simple elements. The other Straume carpet awarded at the 1925 exhibition is known by two titles: “Jungle” and “Hunt” (1924). This item fully complies with the canon of the Safavid dynasty’s court carpets and is especially lavish and artistically valuable. It belongs to the group of animal carpets that emerged in Anatolia in the 14th century. While working on the design of this canonical example, Straume studied animal carpets in depth, mastering the style, composition, colour range and symmetry of court carpets as well as traditional animal and floral motifs. There is documentary evidence that particular attention was paid to the “Emperor’s Carpet” held by the Museum of Applied Arts in Vienna. In line with the accepted canon, the main field is fiery red. The life of wild animals is depicted on a background of floral motifs. Stylised floral motifs – arabesques – are placed all over the field and used as a basis for various flower motifs. Dividing the field in four, it is evident that the animals in each part are symmetrical mirror images of the creatures in the adjacent quarters. The carpet’s composition is based on detailed mirror symmetry along both the vertical and horizontal axes. Each quarter is quadrupled, creating a double mirror image. The making of such a carpet demanded perfect skills from the artist as well as the weaver. Unlike with other symmetrical carpets, in this case whoever created the design had to make the technical drawing for the entire carpet. In the field of the carpet “Hunt”, the artists have included several lions stalking antelopes. Near the central medallion, there is a dynamic battle between a leopard and a fallow-deer. Another leopard observes the struggle from a distance. Several lynxes and pheasants are also seen in the main field. Ornamental motifs and blocks in the carpet “Hunt” are rather similar to another of Straume’s works – an Oriental-style stationery box. The surface of its cover resembles a traditional medallion-based carpet. The background of the cover field is wine-red and contains the compositional block of a kitabe medallion whose central part is filled with symmetrical double islimi patterns and arabesques. This ornamental block is completely identical to the one seen on the main border of the carpet “Hunt”. The box cover features two closed compositional blocks and kitabe along the longitudinal axis in both directions from the medallion and perpendicular to it. The artist has depicted mirror images of paired birds in the centre of both blocks on a background of arabesques and flowers. Two bashlyg (gubpa) blocks conclude the medallion’s composition along the longitudinal axis. Yet another two stylised pairs of birds are placed in the cover corners. A drawing on the inner cover helps to recognise the birds painted on the outer part. The pair of birds here represents the unmistakably most beautiful motif in Oriental art – the mythical bird called Simurg. The image of this bird has been widely used already in the art of the Sasanian dynasty (224–651). Detailed analysis of the prize-winning carpets and the stationery box confirms the artist’s wide-ranging knowledge of Oriental ornaments, their traditional motifs and blocks, their origins and symbolic meaning. The article has only just begun to explore Straume’s original works of his Caucasian period, and it is already clear that the output of that time, so significant in his life, is artistically no less valid than the works created in Latvia. The study of this subject deserves to be continued as researchers have so far not turned to ethnographic drawings as well as a large part of Straume’s legacy created under the influence of traditional Oriental art.
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Mirrors for princes, in general, give advices to the rulers about the subtleties of political art. Another aim of these books is to define and explain the administration of the state and the duties of rulers based on experience. In consequence of this they reflect the practical ethics of the period in which they were written. As such, they resemble practical handbooks written for rulers. Another point regarding the mirrors for princes works in which the political understanding of the era can be observed is that they generally use sacred texts in order to prove the political legitimacy or invalidity of the power, as well as the rightfulness or the unlawfulness of the claims to the throne. Evidences from the Qurʾān and the ḥadīth literature was almost always used to support such advocated opinions. In fact, during the Middle Ages when religion and politics were considered coupled, it was unthinkable that religious elements should not be included in the works of state administration. The important point here is that the verses and ḥadīths were sometimes removed from their contexts and interpreted and explained in a way to support the ideology of the author or the ruler whom the author presented his work. In this study, we will try to reveal the subjects in which the verses and ḥadīths used in the mirrors for princes, which is a genre that has emerged within the Islamic culture and civilization. Thus, we aim to prepare a background for the future studies, which will focus on a specific verse or ḥadīth.
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The paper reviews the history of Islam in Central Asia and its form of Islamic practices, both “mystical Islam” and so-called “folk-Islam”. The text examines the importance of oral narratives and their sociocultural constructions within its particular context. While the presence of Islam in certain parts of Central Asia dates back to the 17th century, the spread of the faith in regions that are now the modern states of Uzbekistan, Turkmenistan, Tajikistan, Kazakhstan and Kyrgyzstan, was, in actuality, a gradual process. We can talk about the case of Islamisation in multiple waves. The first section of the paper aims to present the main historical events, including Bukhara, “the Mecca of the East”, and the importance of the “Central Asian Golden Age”. It reviews the Soviet era (together with the birth of the modern nations within the Soviet nationalities policy), the shaping of Islamic practices during this time and the effect of both the “underground Islam” of the Soviet times and the foreign impact in the Islamic discourse of these independent states beginning from the Nineties. It assesses the rebirth of Sufism in a national context and the possible influence of foreign jihadi movements. The second part of the research seeks to demonstrate the religiously diverse nature of the region and its encounter with Islam. It notes the effect of certain Shamanistic rituals and beliefs that shaped the religious practices, such as the Osh Bibiyo (and, through this, women’s possible empowerment by their leading role in healing and religious rituals), that is now an organic part of Islam in the region. By exploring the spiritual past of Central Asia, the paper aims to prove the deep implantation of Islam into the life of the people, though with peculiar local characteristics.
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The text is aimed at exploring, with a limited amount of details, the way in which various open sources,both from the Middle East and the Western World (U.S. and Europe) had described and analyzed the battle for Mosul, fought between October 2016 and July 2017 by Iraqi, Kurdish and international forces against the so called Islamic State (or SI). Main stages of the battle are taken into account, together with some problems and sensitive topics open sources have properly identified: that of large numbers of civilian casualties; the fact that the final results of the battle for Mosul are strongly enhancing Iranian influence in the Greater Middle East;possible and probable changes of the political and military behavior of the Islamic State; and some policy recommendations aimed at soundly stabilizing the Mosul region and denying SI any serious chance of revival.
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There are numerous studies on the esoteric sects in Islam. Though in these studies they have been discussed from different respects, none of them draws attention to the place and importance of the theory of shadows (aẓilla) in the esoteric sects. In this article, after the identification of the meaning of the theory of shadows, it has been argued that the concept of shadows has a central role in understanding the esoteric system of thought. In this context, it has been tried to reveal the central effect of the theory of shadows on the basic ideas of esoteric sects.
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In the Republic of Macedonia. Bektashi dervish order has its roots in the 13th century, before the arrival of the Ottomans, through the activity of the dervishes who traveled and settled in this territory. One of the most important and influential tekkes is Harabati Baba in Tetovo, built during the 16th century, which in the course of history has passed through turbulent social ordeals, but still remains a synonym of Bektashism in the Republic of Macedonia. This Tekkein its existence so far has under gone major social challenges and difficulties, but it still remains a symbol of Bektashism not only in Macedonia but also in a wider region. Therefore, the goal of this paper isto present social transformations that followed as a results of socio-political situation after the independence of the Republic of Macedonia. This situation will be presented through a musical tradition as one of the main components of this mystical and theosophical current in the Islamic culture. Music as asublimation of folk tradition and spiritual expressionis modified according to the circumstances through which this tekke has passed. Today these transformations are notice able regarding the ethnic structure and the number of followers which causes changes in the sound picture of musical tradition itself.
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In this article, I examine the position and role of the Islamic Religious Community (IRC) in the period after the formation of the Kingdom of Serbs, Croats, and Slovenes (later the Kingdom of Yugoslavia) until the outbreak of World War II. During this period, the Muslims in the Kingdom found themselves divided between two centers – Belgrade and Sarajevo. The central part of this article examines the polical relations between the Kingdom and the IRC, which deeply affected the status and the autonomy of IRC. In the analytical part, I apply Bourdieu’s theory of social fields, using historical sources, archival material, and demographic data. The paper attempted to contribute to a better understanding of the (dis)unity of the Islamic Religious Community in the territory of the Republic of Serbia after the collapse of the socialist Yugoslavia.
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The teaching of a Perfect man represents one of the most universal archetypes of human belief. We can find this teaching in different religions and even in some atheist teaching. This doctrine in a certain manner summarizes all religious, philosophical and scientific issues. By relying on the classical literature and occasionally applying the comparative method, this paper attempts to show the basic principles and specific features of the Islamic teaching about the Perfect man. Even though it shares similarities with the doctrinal teachings of other religions and ideologies, the Islamic teaching has developed a very characteristic and comprehensive concept of teaching about the Perfect man, without questioning at all the essential Oneness and Perfection of God and without getting into any pantheistic, panentheistic or antropotheistic apories. The Islamic concept of the Perfect man best preserves and develops the idea of pure and absolute monotheism (tawheed) by successfully overcoming the traps of monotheistic, dualistic and pluralistic understanding of the relationship between God and everything else other than Him. The paper presents the cosmological and ethical teaching about a Perfect man in an argumentative manner and points out the invaluable contribution of Shayh Mustafa Čolić and his specific elaboration and semiotic analyses of this very important doctrinal teaching within the rich tradition of the Islamic civilization and spirituality.
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