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ТВОРЧІ ЗВЕРШЕННЯ ДМИТРА ГНАТЮКА: кінець 60-х – початок 70-х років ХХ століття

ТВОРЧІ ЗВЕРШЕННЯ ДМИТРА ГНАТЮКА: кінець 60-х – початок 70-х років ХХ століття

Author(s): Viktor Oleksiyovych Bondarchuk / Language(s): Ukrainian Issue: 2/2017

The purpose of the study is to cover the important events of national artistic space, in the center of which there is a strong figure of the XX century – D.M.Hnatyuk. Concentrating attention on the performing achievements of the artist, we can feel the dynamics of revival of Ukrainian opera genre and the vector of its movement to the transformation in the context of European and world communication space. Methodology of the research suggests that the problem is necessarily fixed in the coordinates of historical, art and cultural discourse, which enables to reveal personality of Dmytro Hnatyuk in the projection into the art tendencies. Scientific novelty consists in coverage of the little known pages of the biography of the master taking into account his worldview intentions at the intersection of time cultural communications. Significant component of the work is research of archive materials and inclusion it into the topic analysis system. Conclusions. The figure of D.M.Hnatyuk clearly defined the national opera culture space in late 60’s – early 70’s and dynamically filled in a niche of national creative heritage. Addressing almost all forms of art communication, the name of outstanding master left a great gleam in the consciousness of Ukrainian nation, formed clear algorithm of creative growth of a professional performer and defined the vector of national music art development for many years to come.

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Conceptul şi practica predării cunoştinţelor muzicale în baza experimentului de constatare

Conceptul şi practica predării cunoştinţelor muzicale în baza experimentului de constatare

Author(s): Viorica Crişciuc / Language(s): Romanian Issue: 1/2014

The present article reflects the results of the experiment. The practice of teaching music was investigated within the discipline of music education. The aim of the experiment is to test the quality of teaching music in terms of non-application/partial application of strategies specific to artistic education/music education. For statistical evaluation of samples were applied efficiency indicators of teaching music as perception, cognition-com-prehension-synthesis, application-valorization, deep living of musical message, contextualized in the musical-didactic activities of the lesson

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Valorificarea mediului muzical extraşcolar în contextul formării/dezvoltării culturii muzicale a elevilor

Valorificarea mediului muzical extraşcolar în contextul formării/dezvoltării culturii muzicale a elevilor

Author(s): Marina Cosumov / Language(s): English Issue: 1/2014

Conţinutul educaţiei în societatea postmodernă constituie o resursă strategică a dezvoltării umane durabile, într-un spaţiu şi timp determinat din punct de vedere istoric, cultural, social-economic etc. Reforma educaţională, avînd la bază abordarea curriculară, implică transformări radicale inclusiv pe planul educaţiei artistice, aceasta constituind „o premisă indispensabilă a formării unei personalităţi culte, cu înalte aspiraţii morale şi spirituale” [Concepţia Educaţiei muzicale]. Valorificarea conceptuală a mediului muzical extraşcolar va favoriza preocuparea domeniului de educaţie muzicală, în sensul în care acesta va asigura o continuitate productivă prin urmărirea unei evoluţii şi succesiuni din perspectivă teleologică a procesului de afirmare independentă în corelare cu mediul muzical

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Repere psihopedagogice ale formării culturii etnoartistice la elevi

Repere psihopedagogice ale formării culturii etnoartistice la elevi

Author(s): Laura Gavriliţă / Language(s): Romanian Issue: 1/2014

The article presents psycho-pedagogical references of ethno-artistic culture formation at pupils. It makes a scientific analysis of the concept in terms of educational sciences and psychology. It proposes a graphical synthesis of the ethno-artistic culture concept

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Folkloro Ansamblių Etninės Kultūros Interpretacijų Kontekstas

Folkloro Ansamblių Etninės Kultūros Interpretacijų Kontekstas

Author(s): Eglė Aleknaitė / Language(s): Lithuanian Issue: 61/2009

The aim of the article is to analyse how the inclusion of folk culture to national identity influences interpretations of folklore in the movement of Lithuanian folklore ensembles. From Lithuanian academic texts and publications in press intended for specialists of folklore ensembles, the author discusses the revival of ethnic music as an expression of national identity; analyses how the revival of ethnic music is perceived in discourses of scholars who include folklore in Lithuanian national identity; reviews interpretations of folklore ensembles as representative of alternative notions of folk culture and their evaluation. Lithuanian national discourses and the alternative practices of the ethnic music revival perceive the aim of the revival and many important concepts (authenticity, tradition, etc.) differently. Folklore interpretations and their conflicts in the Lithuanian movement of folklore ensembles depend on changing views of national identity.

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Trijų Kryžių Kalno Muzika: Kaimynų Ar Vietos Tradicija?

Trijų Kryžių Kalno Muzika: Kaimynų Ar Vietos Tradicija?

Author(s): Alfonsas Motuzas / Language(s): Lithuanian Issue: 57/2008

The article researches the music of the Three Crosses Hill in Vilnius. Its prayers and hymns are not mentioned in any liturgical or prayer book published in Lithuania. There follows the natural question of whether the hymns and music performed by the pilgrims on the hill of Three Crosses are the relics of local or foreign culture? To find the answer to this question is the object of the research of the author. The research shows that the music of Three Crosses Hill in Vilnius is not of mythological or folkloristic origin. It is the reflection of intercultural past and present events of a Catholic historical and geopolitical nature.

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Karo Brutalumas Ir Dvasingumo Paieškos Mene

Karo Brutalumas Ir Dvasingumo Paieškos Mene

Author(s): Rita Aleknaitė-Bieliauskienė / Language(s): Lithuanian Issue: 55/2008

The article discusses some aspects of cultural life in Klaipëda, Šiauliai and Vilnius during the Second World War. In 1939, the Nazi Germany occupied Klaipëda, therefore its Music School was transferred to Šiauliai. Under the leadership of J. Karosas it significantly invigorated the cultural life of that town. However, in the summer of 1941 the Nazis also occupied the rest of Lithuania. Nevertheless, in September the intellectuals of Šiauliai established the Association of Arts and Science by means of which tried to preserve and foster the spiritual values and develop the ideas of resistance. The administration of Vilnius Philharmonic not only tried its best to continue the professional activities of the orchestra but also to save its Jewish members. The occupants liquidated Vilnius Philharmonic in March 1943.

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Două Marii ale neamului

Două Marii ale neamului

Author(s): Elena Ţurcan / Language(s): Romanian Issue: 1-2/2015

The author of article is share with experience of organizing the exhibition ,,Two Great Maries of the Nation”. The exhibition comprises more than 90 books, periodicals, CDs, DVDs, vinyl records, documents about the life and work of the famous opera singers Maria Biesu and Maria Cebotari. The notorious women contributed to the cultural and spiritual development of our country

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Wołanie Sahary. Studium z produkcji i marketingu polskiego filmu egzotycznego

Wołanie Sahary. Studium z produkcji i marketingu polskiego filmu egzotycznego

Author(s): Artur Petz / Language(s): Polish Issue: 04/2016

The article is an assay to answer the question how activities of B.W.B record company belonging to Eugeniusz Bodo and associates were situated within the field of early sound production in Poland. The film Głos Pustyni (1932) (The Sound of the Desert) created in Algeria shall be used as an example. In the first part of the text I shall draw a context of the popularity of colonial themes and I shall characterise the aspirations of the proponent, Ferdynand Ossedowski. Next I shall discuss the following aspects of the film production process. The preproduction activities could be characterised as chaotic and the journey to Algeria was not preceded by a clear understanding of the specificity of working in the desert. Intensive promotional activities were coordinated in the press before, during and after the lm was made. They seemed like a concise trans-medial marketing strategy. The film itself including its cultural production within which it was created are an intriguing testimony of various artistic and economic strategies of Polish filmmakers of the 1920s and 1930s.

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Seekers of happiness. Jews and jazz in the Soviet Union

Seekers of happiness. Jews and jazz in the Soviet Union

Author(s): Victoria Khiterer / Language(s): English Issue: 01/2017

My article explores the contribution of Jewish composers, singers and musicians to the popularisation of jazz in the Soviet Union. Many Soviet Jewish musicians chose this genre, because jazz relies upon improvisation as does klezmer music. My article focuses on the Soviet super- stars of this genre. Leonid Utesov was a legend of Soviet popular music: singer, jazz band conductor, film and stage actor. Many of Utesov’s musical hits had deep roots in Odessan Jewish culture. In 1929, he formed one of the first Soviet jazz bands, Tea- Jazz (abbreviation for Theatrical Jazz). The Jewish composer Isaac Dunaevsky wrote the music for many of Utesov’s hits and for the jazz-comedy Veselye Rebiata (Happy Guys, 1934). The Jewish melodies which Dunaevsky heard in his childhood were incorporated into many of his songs. Two other Soviet Jewish jazz stars, composers and conductors Alexander Tsfasman and Eddie Rosner, performed mostly Western jazz hits. In the 1920s – mid 1940s jazz dominated Soviet popular music. However, during the anti-cosmopolitan campaign in the Soviet Union in the late 1940s-1953, jazz was forbidden as Western, American music. Only during Khrushchev’s Thaw was the genre rehabilitated again.My article explores the contribution of Jewish composers, singers and musicians to the popularisation of jazz in the Soviet Union. Many Soviet Jewish musicians chose this genre, because jazz relies upon improvisation as does klezmer music. My article focuses on the Soviet super- stars of this genre. Leonid Utesov was a legend of Soviet popular music: singer, jazz band conductor, film and stage actor. Many of Utesov’s musical hits had deep roots in Odessan Jewish culture. In 1929, he formed one of the first Soviet jazz bands, Tea- Jazz (abbreviation for Theatrical Jazz). The Jewish composer Isaac Dunaevsky wrote the music for many of Utesov’s hits and for the jazz-comedy Veselye Rebiata (Happy Guys, 1934). The Jewish melodies which Dunaevsky heard in his childhood were incorporated into many of his songs. Two other Soviet Jewish jazz stars, composers and conductors Alexander Tsfasman and Eddie Rosner, performed mostly Western jazz hits. In the 1920s – mid 1940s jazz dominated Soviet popular music. However, during the anti-cosmopolitan campaign in the Soviet Union in the late 1940s-1953, jazz was forbidden as Western, American music. Only during Khrushchev’s Thaw was the genre rehabilitated again.

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MOTYWY BIBLIJNE W PIEŚNIACH BUŁATA OKUDŻAWY

MOTYWY BIBLIJNE W PIEŚNIACH BUŁATA OKUDŻAWY

Author(s): Olga Lewandowska / Language(s): Polish Issue: 159/2017

The The article is devoted to the analysis of biblical themes in songs by Bulat Okudzhava. The subject of interests is the question of themes of paradise, heaven, faith, hope, love but also deer and tree as a sacrifice. Extension and deepening of the concepts expressed by the bard is examined on the basis of Ecclesiastes, Gospel and letters of St. Paul.

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Kunst im Holocaust: Zu Josef Bors Novelle Terezínské rekviem und ihrer Rezeption

Kunst im Holocaust: Zu Josef Bors Novelle Terezínské rekviem und ihrer Rezeption

Author(s): Reinhard Ibler / Language(s): German Issue: 12/2017

Ibler Reinhard, Kunst im Holocaust: Zu Josef Bors Novelle Terezínské rekviem und ihrer Rezeption (Art in the Holocaust: On Josef Bor’s Novella Terezínské rekviem and its Reception). “Poznańskie Studia Slawistyczne” 12. Poznań 2017. Publishing House of the Poznań Society for the Advancement of the Arts and Sciences, pp. 167–179. ISSN 2084-3011. The name of the Czech writer Josef Bor (1906–1979) is nearly forgotten today, although he was very successful with two works in the sixties. Both works deal with the Holocaust. The novel Opuštěná panenka (1961) is inspired by the author’s own horrible experiences at Terezín, Auschwitz and other places of the Holocaust. In 1963, the novella Terezínské rekviem followed which is subject of this paper. Bor’s novella is about the Jewish musician Rafael Schächter and his staging of Verdi’s Requiem at Terezín. From the viewpoint of reception, this work is interesting on two counts: on the one hand, in the story the reception and interpretation of art play a crucial role, on the other hand, there are some special features in the reception of the novella itself, as the work has mostly been read in the light of the real events the story is referring to, whereas the text’s literary character has often been neglected.

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Ima li holokausta bez filmske glazbe? Tragom jednog hrvatskog i jednog srpskog filma o holokaustu

Ima li holokausta bez filmske glazbe? Tragom jednog hrvatskog i jednog srpskog filma o holokaustu

Author(s): Renata Jambrešić Kirin / Language(s): Croatian Issue: 12/2017

Jambrešić Kirin Renata, Ima li holokausta bez filmske glazbe? Tragom jednog hrvatskog i jednog srpskog filma o holokaustu (Is There the Holocaust without a Film Music? Analyzing a Croatian and a Serbian Film about the Holocaust). “Poznańskie Studia Slawistyczne” 12. Poznań 2017. Publishing House of the Poznań Society for the Advancement of the Arts and Sciences, pp. 181–195. ISSN 2084-3011. This article implies that the impact of cinematic fiction on the capability to imagine and comprehend the trauma of the Holocaust is formed at the intersection of aesthetic, moral, social and ideological frames in particular society. Cinema had a special role for the unification of the Holocaust memory since 1990. In the post-Yugoslav cinema two feature films (Lea and Darija, 2011 and When Day Breaks, 2012) represent the cinematic paradigm shift in dealing with the difficult heritage of the Holocaust in Croatia and Serbia following the break of communism. Although they suffer from apolitical approach to historical issues and mitigate the consequences of local collaboration with the Nazis, as well as take the child as „the figure of infantilization” of the Holocaust (Hirsch 2012), their influence on the “postmemory generation” and the pedagogy of trauma in the region is significant and socially relevant.

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Schulz w operze

Schulz w operze

Author(s): Piotr Maksymowicz / Language(s): Polish Issue: 9/2017

The article describes three operas inspired by the works of Bruno Schulz: 1976 Demiurgos by Juliusz Łuciuk, Mannequins by Zbigniew Rudziński, premiered in 1981, and Tree of Codes, written by the Australian composer Liza Lim, premiered in 2016 in Germany. The fate of two Polish operas inspired by Schulz varies considerably – there has been no stage premiere of Demiurgos yet, and Mannequins have won world fame. Demiurgos is a sonorous opera in which the composer, through the relationship of the father andhis son, presents his own musical philosophy – the coexistence of tradition and modernity. Rudziński is fascinated with Schulz’s language, which he believes can be translated into a musical language and which has its musical potential. Lim’s opera, composed after reading Jonathan Safran Foer’s Tree of Codes, presents a mythical place beyond time, a fluid reality in which boundaries are unstable, and characters undefined and hybrid.

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Consumer Behaviour in Music Industry: Generations X and Y

Consumer Behaviour in Music Industry: Generations X and Y

Author(s): Inga Kaszycka / Language(s): English Issue: 2/2017

The first half of 2016 was the most successful time in the 21st century on the Polish music market which value reached the level of almost PLN 110 million. The main aim of this paper is to describe differences in consumer behaviour of representatives of Polish Generations X and Y in music industry. Despite growing market, digitalization of everyday life as well as music industry and large number of researches on online music piracy – there is still lack of research and publications on Polish consumers in music industry. For the purpose of this article, the author decided to use dates that are the most adapted to Polish market – taking the year 1983 as the border for researched Generations.

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Klaipėdos garsovaizdis (II): (iš)klausytas miestas

Klaipėdos garsovaizdis (II): (iš)klausytas miestas

Author(s): Aldis Gedutis / Language(s): Lithuanian Issue: 39 (02)/2016

This article deals with urban soundscapes. A soundscape is a sonic environment and a multitude of sound sources that reach the human ear. By comparing different ways in which Klaipėda’s soundscape is constructed, we seek to analyze the aural background of Klaipėda. The research is based on the methodological distinction between hearing and listening. The first is a passive reception of sound, while the latter is interpreted as an activity consisting of both the search for sounds as well as their interpretation and analysis. The first article (Gedutis 2016) analyzed the Klaipėda soundscape as it can be heard. The current article concentrates on active attempts to listen to the city (or audition it), i.e., on the perception of the Klaipėda soundscape and the ways it is recorded, constructed and communicated by sound artists and theorists.

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Алтернативната музикална сцена в България? Между
забвението и революцията зад граница (Група Voyvoda)

Алтернативната музикална сцена в България? Между забвението и революцията зад граница (Група Voyvoda)

Author(s): Gergana Rayzhekova / Language(s): Bulgarian Issue: 1/2015

What is unprecedentedly changing the alternative music scene in Bulgaria nowadays is the management of clubs like Stroeja and Terminal 1. However, there are active alternative bands not fitting the clubs’ style and as a consequence in order to keep going as a band they have to travel abroad and basically become musical outsiders in their own country. The following article is a case study of one of the best Bulgarian alternative bands Voyvoda and an attempt to unravel a few major problems in the Bulgarian alternative music scene.

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Trema a style radzenia sobie ze stresem uczniów szkół muzycznych

Trema a style radzenia sobie ze stresem uczniów szkół muzycznych

Author(s): Małgorzata Kuśpit,Weronika Wojtanowska / Language(s): Polish Issue: 27/2016

Te aim of the study was to determine the relationship between stage fright and coping with stress in case of musically-gifted students. Students attending music schools, covered by the special education program for gifted youth, were examined.Te studies used the Scale of Well Being of a Musician before the Performance and Questionnaire of Coping in Stressful Situations CISS. Statistically significant positive correlation between the task-focused style and the first factor of well-being that is positive thinking was recognized on the basis of the results. In contrast, the avoiding-focused style, observable in form of engaging in substitute activities, adversely correlates with positive thinking. Realistic assessment of the situation increases together with the rise of the task-focused style.

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A  Short Presentation on Human Cognition

A Short Presentation on Human Cognition

Author(s): Onutz Sanda / Language(s): English Issue: 1/2017

This article proposes to explain the human cognition in a concise manner for those who are not pundits in the field. Our mind is a very complex mechanism, capable of processing acquired information rapidly and on multiple levels. A good understanding of the details of these processes has been the subject matter of many disciplines. Despite the fact that remarkable results have been obtained by inter-disciplinary studies, cognition is only partially understood. However, the cognitive mechanisms are essentially the same in any domain of knowledge be it mathematics, music, linguistics and so on.

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Міжнародний досвід побудови іміджу держави і українські перспективи

Author(s): Valentyna Dyachuk / Language(s): Ukrainian Issue: 2/2016

Purpose of Article. The purpose of the article is to study the international experience of the development of state positive image and the ways to increase consumer’s interest to its products taking into account Ukrainian tendencies. Methodology. The author uses general scientific and culturological methods such as analysis, comparison, historicity etc. It allows the author to cover the main features and the evolution of the experience of image creation in different countries. Scientific novelty. The scientific novelty of the research consists in defining the perspective tasks of the cultural-informational activities of Ukraine on the creation of its own image, among which there are extension of cooperation between Ukrainian institutes (organisations) and cultural-information centers of other countries, participation in various international projects, the realization of the common cultural-art programs, the promotion of Ukrainian media in the world networks, the broadcasting in foreign of languages etc. Conclusions. Ukraine has to pursue an active, even in some way aggressive informational policy on its image creation. It will contribute to its integration into the world cultural processes. The nearest great opportunity to fulfill this task is the Eurovision Song Contest or «Eurovision-2017», where we can show the best achievements of our country and use the positive potential of cross-cultural cooperation.

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