Labin ili izvedba undergrounda kao jedan od modusa otpora izolaciji/periferiji

Author(s): Suzana Marjanić / Language(s): Croatian Publication Year: 0

Using the example of the town of Labin in Istria, I demonstrate how isolation, the so-called periphery, can also serve as an expression of resistance in a cultural niche. The collective Labin Art Express (L.A.E., initiated by Dean Zahtila, late Krešimir Farkaš, Graziano Kršić) is the initiator of the fundamental L.A.E. project Underground City XXI ‒ independent underground Labin cultural city as an alternative to the existing above-ground, heteronomous Labin, i.e. the creation of a real city 150 m below the earth’s surface ‒ in underground halls and tunnels, carved in solid rock, connecting Labin, Raša, Plomin and Rabac, with streets, bars, galleries, swimming pools, playgrounds for children, shops, restaurants, the Museum of Mining and Industry of Istria. Thereby we can compare Labin in terms of urbanity and anthropology with the town of Katowice, which in 2018 was selected to host the most significant UN Climate Change Conference, following the 2015 Paris Agreement. Katowice were chosen as one of Europe’s most polluted sites due to the exploitation of coal i.e. the transition of the aforementioned town from a mining and industrial site to a modern industrial, economical, technological and cultural centre.

ДУХОВНО-ЭСТЕТИЧЕСКАЯ ЗНАЧИМОСТЬ ХОРОВОГО ИСКУССТВА И ЕГО ИЗУЧЕНИЕ В ДМШ

Author(s): Ana Glebov / Language(s): Russian Publication Year: 0

This article examines the spiritual and aesthetic significance of choral art in the process of studying music schools for children. Studying B.V. Asafiev, A.F. Losev, I.F. Gagim denotes the problem of spirituality seen through the process of internalizing music, knowing the intonation essence of choral art, as well as the spiritual, aesthetic and inner content of the vocal and choral culture of a student of music school for children.Keywords: spirituality, choral art, music school for children

Chanteuses françaises des années 2010 : un comique « genré » ?

Author(s): Catherine Gravet / Language(s): French Publication Year: 0

The history of French song is a heritage of unforgettable texts very often written by men, sometimes for women. Female singers, authors, composers and performers, however, are taking on an increasingly important role, to the point that female researchers are talking about "matrimony". This emergence of women in French song often involves comedy: black humour, false naiveté, offbeat irony, even sarcasm impose a different vision of the world from that of men or put a distance from an alienating universe dictated by the patriarchal tradition. Yet, song, the art of incarnation, is a poem like no other, it needs the performer's voice, or even her body, and current recording and broadcasting techniques completely change the public's perception. A few case studies should enable us to better understand the specificity of some texts written and performed by women in terms of irony. Several themes closely linked to the body seem recurrent to us, such as motherhood, adoption, childbirth or abortion, in a firmly provocative stance: why are Laurie Peret's song, "Un, deux, trois" (2017); Laura Laune’s "La Rupture" (2017); GiedRé’s "Pisser debout" (2011) or "Ode à la contraception" (2014) so shocking? They are both provocative and subversive, they defy the rules of propriety, and their assumed vulgarity bewilders.

Ironie et humour populaire – de la critique sociale à la guerre politique

Author(s): Mariana Anastasiei / Language(s): French Publication Year: 0

Comedy, laughter, is both a presence and a social necessity. Irony, humor, joke, satire, caricature are all forms of manifestation of laugh in art and society. Art of relationing by excellence, comedy supposes, in order to achieve its purpose, an emitter and a receiver equally informed and competent. The purpose of this work is to follow the evolution of this relationship of complicity when the transgression of art frontiers occurs.

CHANTING THE ”PSALMS”: PRAYER AND WORSHIP AS EXAMPLES OF TRANSPERSONAL, INTRAPERSONAL AND INTERPERSONAL COMMUNICATION

Author(s): Rossella Marisi / Language(s): English Publication Year: 0

The ”Psalms” is a collection of poems-prayers which is part of the Bible: many of them are included in the Christian Liturgy of the Hours and have therefore a central role in Christian worship. The present study is not focused so much on the religious content of the Psalms, on the peculiarities of their texts or on the different melodic formulae used in chanting them, but it is rather based on the consideration that Psalms can be regarded as examples of transpersonal, intrapersonal and interpersonal communication. They regard the personality as a whole, in its integrity

EXPRESSIONISM INFLUENCES AND EXPERIMENTS IN CONTEMPORARY DANCE

Author(s): Anca Iorga / Language(s): English Publication Year: 0

The world of dance has been influenced by the artistic revolutions of early 20th century. The performances of that period rejected the artificially elaborated technical constructions which limit the evolution of dancers, promoting the freedom of movement. In the same period, appear an avant-garde movement known as expressionism, which will revolutionise the art performance by approaching new forms of expression. Therefore, a new concept show up – Tanztheater. It is used for the first time around 1927, for the choreographic works of Kurt Joos, to identify an emerging dance style within the new forms of expressionist dance. Expressionism opens new perspectives in the world of theatre and dance through the improvement of scenic expression means, by employing new procedures and techniques to create the plot, the conflict and the characters. Dance theatre is rather the fruit of the need of the dancer, actor or performer to assert themselves as a complex artist, capable to embody messages and convey them by using a variety of codes, symbols and movement techniques, than of the desire of the choreographers to engage in a collaborative effort with other artistic fields. Dance theatre performances individualise by short, mostly imaginary moments of dialogue and action. Besides dancing on stage, performers sing, talk, scream and sometimes even laugh or cry hysterically. Repetition is also a means to structure the dance theatre choreographies. Repetition of dance phrases, whether identical or following changes in the sequence of movements in the phrase, adds more drama to the story to be acted out. German expressionism influences are introduced to our country by the work of two Romanian dancers of German descent, Iris Barbura and Katherine Hän. Their experience inspires choreographer Miriam Raducanu, who primarily acquires and subsequently develops this form of expressionist dance, passing these knowledges to her students, Raluca Ianegic and Gigi Caciuleanu

MUZICA DE DIVERTISMENT ÎN EDUCAȚIA MUZICALĂ DIN ÎNVĂȚĂMÂNTUL DE CULTURĂ GENERALĂ DIN ROMÂNIA

Author(s): Eugenia Maria Paşca / Language(s): Romanian Publication Year: 0

Entertainment music with vocal, vocal-instrumental or instrumental repertoire is a concern in general culture education in Romania. This phenomenon is gratifying because it shows the increased interest for a serious approach to music education outside vocational high schools, welcoming students who want to study the mentioned musical genres, social networks being full of their ads and videos and images from their events, - true shows, which, in the end, stimulate the study of students, a quality musical culture, eliminating the pseudo-creations from the preferences of young people and future adults

FACTORII IMPLICAȚI ÎN PERFORMANȚA ACTORULUI PE SCENĂ

Author(s): Gianina Eliza Burghelea / Language(s): Romanian Publication Year: 0

This debate is part of a doctoral research plan in the field of psychology applied to theater actors, in which I would like to analyze the factors that are involved in the performance of the actor on stage. To the same extent, I aim to identify the relationship between theatrical acting and social acting, the formation and determination of the preferred style of interpretation of the character and the application of coping strategies to actors. I also analyze cognitive changes, behavioral efforts, and the management of specific external and / or internal emotional situations. Training the actors through coping strategies can be an additional determining factor to remove anxiety, to get inner relaxation and at the same time to improve the concentration, which help them to achieve a combination of spontaneity, commitment, and awareness and finally to achieve a high-performance.

CORNIȘTI VIRTUOZI, PROFESORI ȘI COMPOZITORI ÎN ROMANTISMUL MUZICAL

Author(s): Petrea Gîscă / Language(s): Romanian Publication Year: 0

In musical Romanticism, the horn instrument developed a lot. The chromatic horn appeared due to the invention of the valve by the inventor Heinrich Stölzel. Horn performers were trained in the European Schools, becoming very well-known and appreciated at the main princely courts. Many of the horn performers were prolific composers for the horn and at the same time dedicated teachers for their art. Horn schools flourished during this period, laying the foundations of the European Horn Schools of the twentieth century. In our country, the buds of the Horn School appeared in the middle of the last century, when the first horn performers were formed

PRIVIRE DE ANSAMBLU ASUPRA BAROCULUI MUZICAL

Author(s): Iulian Horez / Language(s): Romanian Publication Year: 0

After a brief presentation of the social situation that appeared at the beginning of the Baroque, we framed the current in the historical period - being located between the end of the 16th century and the middle of the 18th century - after which we defined the term baroque and specified the etymology of the word. Also, in this first introductory part we talked about how the Baroque evolved first in the other arts - architecture, painting, sculpture, theater, dance and literature - and then with strict reference to the art of music. We followed a periodization of the Baroque, made according to some musicologists as follows: an early period that is characterized by the gradual transition from choral polyphony to accompanied monody and is distinguished by highlighting a single melodic line, which makes possible the appearance of opera and vocal genres- symphonic, such as the oratorio and cantata; a middle period in which the development of opera, ballet opera, court ballet, but also instrumental music takes place; and a late period of synthesis, which fixes the concept of tonality through the two basic modes: major and minor

ANALIZA COMPARATĂ A INTERPRETĂRII STUDIILOR DE CONCERT NR. 2 ȘI 12 DE HEITOR VILLA-LOBOS

Author(s): Daniel Dragomirescu / Language(s): Romanian Publication Year: 0

Often, Villa-Lobos' studies contain more than one technical idea or, on the contrary, there are sections within a study that insist on a single problem. However, nothing is lost in the musical quality: the sound is always rich, and the presence of a wide range of colors increases the possibilities of exposing a virtuous interpretation. This "pattern-thinking" as Jukka Savijoki calls it in his book "The Guitar Works of Heitor Villa-Lobos", often provides the solution to correcting some notations of fingerings or sounds, but this this does not happen every time, due to which the interpreter will be late with the learner.

FUM PENTRU CLARINET SOLO DE DOINA ROTARU - ASPECTE STILISTICE ŞI INTERPRETATIVE

Author(s): Daniel Paicu / Language(s): Romanian Publication Year: 0

Written for solo clarinet in 1996, the work of composer Doina Rotaru, the Smoke, proposes the illustration of the symbolic element declared in the title by a particular sonority dependent on a space that implies the presence of another instrument, the piano, borrowing from the vibration of its resonance assimilating and absorbing the harmonics. More evident than the piece architecture is the technical means of sound organization, variation principle prevailing in it and causing a certain formal circumstance by rhythmical entity around which the mechanisms are focused. A permanent oscillation between acute and the grave register, rhythmic oscillation between long and short sounds, the contrast between very small and very strong colors, the game between vibrato and non-vibrato, frullatto and non-frullatto, calmo - nervoso - calmo are elements that predominate the whole work, intensifying the emotional intensity many times as an authentic dirge.

Arteterapia w pracy oligofrenopedagoga

Author(s): Agnieszka Gorgól / Language(s): Polish Publication Year: 0

Oligophrenopedagogy who daily deal with working with people with intellectual disabilities in varying degrees, are looking for an even wider range of methods and techniques that will help them in the therapeutic work. Increasingly, in the circle of their interest in art therapy appears as the art of communication tools gives disabled people in an atmosphere of affirming individuality, originality. In art, there are no solutions only right, success is guaranteed.

Kreatywne nauczanie w warunkach powszechnego gimnazjum na przykładzie projektu Klas Aktywności Twórczej

Author(s): Aleksandra Drzazga,Katarzyna Michalska / Language(s): Polish Publication Year: 0

Classes of creative activity are the project of cultural education leading since 5 years by Aleksandrę Drzazgę and Katarzyna Michalską in a public school (gimnazjum, pupils between 13—16) — Gimnazjum nr 1 z Oddziałami Integracyjnymi im. Ks. J. Szafranka in Bytom. Within the framework of the Project, young people have the obligatory classes — 2 hours a week of Education for creativity‑literature, art and media (K. Michalska) and 2 hours a week of Education for creativity‑theatre with some elements of creative thinking training (A. Drzazga).

Synergia nauki i sztuki w projektach artystyczno‑edukacyjnych

Author(s): Łucja Piwowar-Bagińska / Language(s): Polish Publication Year: 0

Artstic and educational projects undertaken by the international network of art colleges and universities called CROSS‑BORDER NETWORK OF HISTORY AND ARTS. Presentation of the purpose and effects of the project “Forced Migration”, realised in April 2011 in the headquarters of the Krzyżowa Foundation for the European Agreement in Krzyżowa in Lower Silesia.

Lyrické drama Františka Hrubína

K interpretaci "Křištálové noci"

Author(s): David Kroča / Language(s): Czech Publication Year: 0

The study deals with an interpretation of a play by František Hrubín, Křišťálová noc. The year 2021 will mark sixty years since its premiere on the stage of the National Theatre in Prague. The present work discusses the public reception of the drama right after the release and its standing in the context of contemporary theatre with a special account of the response after the ambitious Prague staging in Švando vo divadlo in 2011. The significance of this almost forgotten play by Hrubín lies mainly in presenting non-idyllic characters along with the theme of the revolting youth and provocative daily ordinariness introduced to the Czech theatre by Hrubín at the beginning of the 1960s.

Soluţii de reabilitare a monumentelor istorice utilizând tehnici moderne inovative şi programe software specializate – studiu de caz cula Cioabă-Chinţescu

Author(s): Antonio Valentin Tache / Language(s): Romanian Publication Year: 0

The long-term protection of cultural heritage is an essential condition for sustainable development and preservation of territorial identity, and good documentation and registration of heritage objects allows to know, preserve and transmit them over time to future generations. The recording of cultural heritage currently uses different techniques and methods of documentation, especially in the field of architecture and urban planning. For the documentation of historical sites, different methods can be used to obtain 3D digital models that offer the possibility of documenting in accordance with the preservation of the original architecture and local specifics, as well as the creation of 3D archives. This article highlights the technical ways of obtaining digital models of heritage architectural ensembles and presents a case study of the rehabilitation of the Cioabă Chințescu kula, Șiacu village, Slivilești commune, Gorj county.

Ханако: една кабуки актриса из България и Трансилвания в началото на XX в.

Author(s): Andronika Martonova / Language(s): English,Bulgarian Publication Year: 0

For the first time, this study analyses and export to the academic community the rare documents and archival materials proving that the Japanese Kabuki theatre actress Hanako realised a tour in Kingdom of Bulgaria and Transylvania (Austro-Hungarian Empire) in 1911. Referring to the information from Sawada Suketaro‘s book “Little Hanako. The Strange Story of Rodin’s Only Japanese Model” the research paper tracks down and focuses on the contracts, advertisements and the critical reception who introduced unknown aspects of Japanese culture to the territory of mentioned countries from present Eastern Europe. Hanako’s presence is also set in a broad European and research context because she had an important influence on the development of Western stage practices.For the first time, this study analyses and export to the academic community the rare documents and archival materials proving that the Japanese Kabuki theatre actress Hanako realised a tour in Kingdom of Bulgaria and Transylvania (Austro-Hungarian Empire) in 1911. Referring to the information from Sawada Suketaro‘s book “Little Hanako. The Strange Story of Rodin’s Only Japanese Model” the research paper tracks down and focuses on the contracts, advertisements and the critical reception who introduced unknown aspects of Japanese culture to the territory of mentioned countries from present Eastern Europe. Hanako’s presence is also set in a broad European and research context because she had an important influence on the development of Western stage practices.

TOTUL E FOARTE NORMAL - scenariu de spectacol

Author(s): Leta Popescu,Viorel Cojanu,Gabi Albu,Alexandra Băcanu,Silvana Negruțiu / Language(s): Romanian Publication Year: 0

The project "EVERYTHING IS VERY NORMAL - DIALOGUE WITHOUT TABOOS." is organized by the Replika Cultural Association and co-financed by the National Cultural Fund Administration - AFCN.

ENTERTAINMENT AS A STANCE OF PUBLIC COMMUNICATION

Author(s): Mirela Ioniță,Veronica Păstae / Language(s): English Publication Year: 0

Entertainment is a particular area of public communication, due to the aesthetic component of the messages. Artistic expression is primarily about emotionality, not rationality, and the originality of creation gives artistic value. Entertainment nowadays tends to contaminate the other functions of communication, namely information and persuasion. In contemporary society, the production of entertainment is industrialized. Contemporary culture is dominated by entertainment industry, especially in the fields of publishing, music, film and games. In this article, we shall summarize the content and specifics of entertainment as premises of the creative industries’ social impact.