«Волшебный сон Востока»: гендерная и национальная проблематика в травелогах Елены Димитриевич

Author(s): A. G. Bodrov / Language(s): Russian Issue: 1/2017

The paper deals with the national and gender specificity of Jelena Dimitrijević’s travelogues. This specificity is significantly caused both by the phenomenon of women travelling, its literary representation (the female author achieves a special status leaving her home as the place prescribed by the patriarchal culture to women) and her own Balkan culture identity. Dimitrijević’s texts are analyzed here in connection with the concept of the Balkan orientalism and the theory of nomadic subject. The paper considers the explicitly transnational character of Dimitrijević’s writings.

СPПСКА ИСЕЉЕНИЧКА КУЛТУPА: С ПАЦИФИКА НА СКАДАPСКО БЛАТО

Author(s): Krinka Vidaković-Petrov / Language(s): Serbian Issue: 1/2013

Čedomir Pavić emigrated in 1904 from Montenegro to the USA where he worked as editor of several Serbian language newspapers in Pittsburgh, New York and San Francisco. On news of the war between allied Balkan states and Turkey he joined a group of 120 Serbian war volunteers that travelled from San Francisco to Bar, from where they were transferred as reserve soldiers to the front at Skadar. From October 1912 to the end of January 1913 Pavić was a war correspondent for the San Francisco Serbian Herald (Srpski glasnik) and later published the book From the Pacific to the Lake of Skadar (San Francisco, 1913). His plan to return to California and resume his studies at Berkeley was cut short by his death (1916) in World War One. From the Pacific to Lake Skadar is significant as the only book among Serbian war diaries and memoirs on the First Balkan War written by an emigrant author. In addition to its documentary value regarding the organization of Serbian war volunteers in the USA, Pavić’s narrative is exceptional due to the specific point of view of the narrator viewing his homeland in terms of his emigrant experience in America.

TIPOVI I KARAKTERISTIČNI MODELI EPSKIH FORMULA U PARRY-LORDOVOJ ZBIRCI PJESAMA

Author(s): Tarik Ćušić / Language(s): Bosnian Issue: 81-82/2018

Revolucionarnu teoriju da je “gramatika” epskog pjesništva zasnovana na epskoj formuli utemeljio je Milman Parry (1902– 1935), profesor Harvardskog univerziteta. On je izučavao tehniku stila komponiranja Homerovih slavnih epova pod osnovnom pretpostavkom da dugi epovi nisu nastajali spajanjem kraćih balada u jednu cjelinu nego da ih je mogao otpjevati jedan pjevač služeći se tradicionalnim sredstvima. Nalazeći da se u bošnjačkoj epskoj tradiciji baštini komponiranje dužih epskih pjesama, Milman Parry odlučio se tridesetih godina 20. stoljeća za terenska istraživanja na južnoslavenskom prostoru.

Upotreba grafičkih organizatora pri karakterizaciji likova u Ćopićevoj priči Čudesna sprava

Author(s): Lejla Ovčina / Language(s): Bosnian Issue: 6-7/2018

A theme of childhood interwoven with humorous details in the short story The amazing device is close to students in lower grades, and as such, it is suitable for teaching as well as a creation of a methodological approach to studying in the fourth grade. The paper defines research tasks on the basis of which a student is expected to reach a solution independently. Through the offered model, we can notice the relationship between the characters, as well as their actions and behaviour. A particular emphasis is placed on the characterization, through the use of graphic organizers as reading strategies and reading comprehension. The proposed approach is related to The character analysis in five steps and is focused on a student's independent work. Tasks and questions that help students to create graphic organizers independently have been specified.

Деглаголизација као умјетнички поступак у руској и нашој поезији

Author(s): Branko Tošović / Language(s): Croatian Issue: 3-4/1986

In dieser Arbeit stellt der Autor die bewusste Auslassung vom Verben in den poetischen Strukturen als ein künstlerisches Verfahren in der russischen und in des einheimischen Poesie dar. Die Charakteristiken dieses stilistischen Verfahrens hervorhebend, zieht der Autor die Folgerung, dass diese bewusste Störung der Struktur des Gedichtes meistens zu den -schwierigen- Formen führt.

Pristup kompleksnijoj stilističkoj analizi srpskohrvatskoga stihovanog izraza

Author(s): Jovan Vuković / Language(s): Serbian Issue: 3-4/1972

Ako želimo da potražimo i što je moguće adekvatnije da prikažemo izražajne efekte jedne lirske pesme, moramo imati izgrađene kriterije lingvističke analize; potrebno nam je poslužiti se osnovnim principima savremene strukturalne lingvistike, dalje od suhog deskriptivnog tipa a bliže do funkcionalne lingvistike u pravom smislu. Može, kao što se to često čini, predmet analize biti samo jedan „sloj” izražajnih efekata: značenjski efekti, bez formalnih ili sa malim zahvatom u formalne elemente, ili obrnuto formalni elementi sa manjim ili većim osloncem na semantičku stranu izraza; može posebno biti zahvaćen i izdvojen zvučni sloj, koji se opet može raščlanjivati na: a) ulogu čisto fonetskih (odnosno fonoloških) elemenata, b) ulogu akcenatskofonetsikih jedinica, c) dejstvovanje rečenične intonacije, — i, d) najzad, predočava nam se u posebnom aspektu rečenična struktura (u posebnom vidu kompleksnije može biti zahvaćena sintaksička i intonaciona struktura u međuodnosima njihovih izražajnih efekata).

Jezik Stipana Markovca Margitića

Author(s): Darija Gabrić-Bagarić / Language(s): Croatian,Serbian Issue: 3-4/1972

Review of: Slavko Vukomanović, "Jezik Stipana Markovca Margitića", Filološki fakultet Beogradskog univerziteta, Beograd, 1971., by: Darija Gabrić

Maskulinizacija ženskog identiteta u (patrijarhalnoj) kulturi i politici

Author(s): Edisa Gazetić / Language(s): Bosnian Issue: 5/2018

In this paper the main intention is to show how masculinization is still an important model in many cultures. Evan women are sometimes forced to mask their femininity if they want to participate in the male world. But, we cannot forget that feminism provides possibilities to refuse these patterns and today women and men can struggle against any force to change their identity and behavior

Южнославянското сравнително литературознание днес – посоки и контексти.

Author(s): Ina Hristova / Language(s): English,Bulgarian Issue: 1/2019

The article examines current trends in the development of South Slavic comparative literary studies. The discussion revolves around the reviewing of the notion of a South Slavic literary community and a unified South Slavic literary process. Interpretation focuses on the comparison of the Yugoslav and Post-Yugoslav literary contexts. Reference is made to the affiliation of South Slavic literatures to various cultural regions. The author comes to the conclusion that there is a need for a reviewing of South Slavic literatures as an open construction and a dynamic field of identities.

Intertekstualni susreti: splin i njegove manifestacije u Disovoj i Bodlerovoj poeziji

Author(s): Jovana Golubović / Language(s): Serbian Issue: 01/2018

This paper examines the intertextual encounters between poetry of a Serbian poet, Vladislav Petković Dis, and French poet, Charles Baudelaire from a thematic and a lexical perspective. What Dis did was to liberate the Serbian poetry of the 20th century from its shackles of tradition and formalism by instilling it with a novel poetic impulse: gruesome pessimism, melancholy, sorrow, transience, pain, disintegration and death. Around the middle of the 19th century, with his volume The Flowers of Evil, Baudelaire had already defined the modern understanding of poetry and beauty as something that springs out of the ugly and the hideous (aesthetics of ugliness). The motif of the spleen being ubiquitous in the poetry of Dis and Baudelaire, we dedicate particular attention to intertextual relations of the spleen’s different manifestations that are based on pessimism and the conversion of poetry into a reflection of a poet's soul. Therefore, the intention of this work is to show the similarities and, above all, the differences between the manifestations of the spleen in the poetry of these two poets.

Да ли је постојала југословенска књижевност?

Author(s): Author Not Specified / Language(s): Serbian Issue: 165/2018

PLUSKVAMPERFEKAT U SRPSKOM PREVODU ROMANA SORSTALANSÁG IMREA KERTESA

Author(s): Dušanka Zvekić Dušanović / Language(s): Serbian Issue: 1/2019

The novel Sorstalanság by the Hungarian Nobel Prize winner Imre Kertes was translated into the Serbian language by the translator and author Aleksandar Tišma. Looking at Tišma's translation procedures, it is not difficult to notice how he cleverly uses various narrative means that are available to him in the Serbian language. The focus of this paper is on the use of the pluperfect in the translation of this novel into the Serbian language. The pluperfect is a verb form that, in its basic sense, refers to an action or situation at a time earlier than a time in the past already referred to. The Hungarian language does not have a verb form that has such a specified meaning and therefore it was necessary to investigate which means served as a signal to Tišma to use the pluperfect. In the first place, as the number of examples shows, the signals of anteriority in the original are temporal adjuncts among which the most frequent is már (= već). The meaning of the anteriority of a past action in relation to another past action is often seen within complex and compound sentences, of which temporal, causal and coordinate ones are recorded with a large number of examples. In a significant number of examples, Tišma uses a passive structure with a passive participle as the equivalent of Hungarian constructions which also have a passive meaning or the meaning of a generalized agent.The relatively high frequency of the pluperfect in the translation is certainly conditioned by the narrative nature of the original text and the fact that between the moments of the described events and the moment of writing the novel there is a significant time distance. Using this, primarily narrative verb form, Tišma significantly contributes to the stylization of the narratives.

The Good Shepherd, the Sheep and the Wolf – St. Sava’s Usage of the Johannine Theology of the Good Shepherd (Jn 10) in His Life of St. Simeon

Author(s): Darko J. Krstić / Language(s): English Issue: 15/2017

St. Sava frequently uses the Johannine Good Shepherd motif (Jn 10) in order to present a biblical framework for the presentation of his father’s life in the Life of St. Simeon. The Old Testament background of the Johannine motif (Ez 34) implies a political application of the Shepherd motif to a political ruler and this is exactly what St. Sava accomplishes when he depicts his father as Shepherd in the crucial moment of his political abdication (1196). In this manner St. Sava characterizes the whole political career of his father, in the very moment of his Farewell Speech, with the help of the Johannine Good Shepherd motif. If the political context of the reception of the Johannine Good Shepherd motif is dominant in Nemanja’s hagiography, still St. Sava transcends the strictly political framework of the reception of the Good Shepherd motif. He presents an expressionistic autobiographical description of the relationship with his father and parallels his father’s journey to Mount Athos to the Johannine Good Shepherd, who is searching for his Lost Son.

Polni stereotip u etničkom: prilog srpskoj imagologiji

Author(s): Gordana Đerić / Language(s): Serbian Issue: 1/2007

The article deals with explanatorily relevance of the concept of stereotype in one of its original meanings - as a "mental image". This meaning of stereotype is starting point for further differentiations between linguistic and behavioral stereotypes (in sense of non-verbal and expected reactions); universal and particular stereotypes; selfrepresentative and introspective stereotypes; permanent and contemporary stereotypes; finally and most importantly for our purposes, difference between silent and audible stereotypes. The first part of this article discusses functions and makes differentiation of stereotypes. In the second part, the relations of silent and audible stereotypes are tested against introduction of "innovative vocabularies" in popular inheritance. In other words, the explanatory power of this differentiation is investigated through an analysis of unconventional motives in Serbian epic poems. The goal of the argument is to clarify a procedure of self-creation of masculinity as a relevant feature of "national character" through "tactic games" of silent and audible stereotypes. Examination of these "poetic strategies" has a two-fold function: to illustrate the process of construction of particular features of "ethno-type", on the one hand, and to check hypothesis and models which are considered as frameworks of stereotype analysis, on the other.

Мисао Николаја Тимченка о српској књижевности двадесетог вијека

Author(s): Nina Z. Govedar / Language(s): Serbian Issue: 19/2019

Review of: Bedov, Dragana (2018), Estetika i etika književne reči, Leskovac: Zadužbina Nikolaj Timčenko.

Лирска мапа путовања

Author(s): Dajana G. Gajić / Language(s): Serbian Issue: 19/2019

Review of: Jaćimović, Slađana (2018), Pevanje na putu: motivi putovanja u srpskoj poeziji 20. veka, Beograd: Službeni glasnik – Učiteljski fakultet Univerziteta u Beogradu.

Србистика данас 2019. године

Author(s): Danijela D. Jelić / Language(s): Serbian Issue: 19/2019

Conference report: Naučna konferencija Srbistika danas – Politika u srpskom jeziku, književnosti i kulturi (Filološki fakultet Univerziteta u Banjoj Luci, 2019).

Стари Дубровник осветљен новим историзмом

Author(s): Nevena Varnica / Language(s): Serbian Issue: 14/2016

Review of: Topličanin, Tamara (2016), Dubrovnik Marina Držića, Beograd: Zadužbina Vladete Jerotića – Ars Libri.

Критичко (само)преиспитивање

Author(s): Fedor Marjanović / Language(s): Serbian Issue: 13/2016

Review of: Perišić, Igor (2014), Kritika i metakritika, Beograd: Institut za književnost i umetnost.

Стилематичко обликовање мисли о жени у Ћопићевом роману „Осма офанзива“

Author(s): Milka V. Nikolić / Language(s): Serbian Issue: 12/2015

This paper deals with the linguistic and stylistic procedures used in Ćopić’s novel The Eighth offensive in shaping the notion of a woman in two male characters – Stojan Starčević and Pepa Bandić, with a view to describing and explaining, from a linguo-stylistic perspective, the hues of attitude of these two characters towards the woman. In this respect, a classic linguo-stylistic approach is complemented by one of the contemporary literary stylistics. The analysis shows that in the novel these stylistic features can be divided into two groups: semantic and syntactic ones. Therefore, they are most visible in the cases of (1) a stylistically marked syntactic structure and (2) a lexical unit realised with a meaning shift in the context given. Th e analysis also shows that there could be more than one procedure in a sentence, which implies that Ćopić’s characters take a subtle and balanced stance on women, proving that Ćopić paid special attention to language matters in his texts.