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Blaga: Piously, on Race

Blaga: Piously, on Race

Author(s): Marta Petreu / Language(s): English Issue: 4/2021

The present study analyzes the attitude showed by Lucian Blaga (1895–1961) in the 1930s and early 1940s in regard to the racial theory so fashionable in Europe at that time. Blaga rejected Huston Stewart Chamberlain’s position on races, based on a biological reasoning. By analogy with his own philosophy of culture, at that time still under development, he suggested that races should be approached as “biological styles” in which humankind manifests itself. He also contended that the issue of races should be separated from the biological sciences and discussed in the context of metaphysics, morals, aesthetics—that is, within the philosophy of values. He argued that racism was defined by obtuseness and intolerance, and should therefore be replaced by an ecumenical attitude in regard to all the styles in which humankind exists. This moral imperative “compels us to be ourselves, under our stars, and to allow others to be themselves, under their own stars.” Blaga’s ecumenical attitude towards the styles of humankind was confirmed in the autumn of 1940 when, during the national-legionary regime, he helped the lawyer Petre Pandrea rescue the “Mediaº group” of 300 communists and Jews who were facing a possible death sentence. This study also discusses Blaga’s membership in the short-lived Goga–Cuza government (forty-four days, between 29 December 1937 and 10 February 1938), to which he had been appointed by King Carol II. Realistically speaking, the philosopher was in no position to refuse the appointment, as he was personally indebted to the king for the remarkable welcome extended to him on his acceptance into the Romanian Academy, in June of 1937.

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Solenoide: Una proposta di lettura in chiave dantesca

Solenoide: Una proposta di lettura in chiave dantesca

Author(s): Monica Fekete / Language(s): Italian Issue: 4/2021

The presence of Dante in literature and in other cultural fields still holds a privileged position nowadays, when rereadings and reuses acquire surprising, innovative and stimulating forms. Within this context, we propose a Dantean reading of Mircea Cãrtãrescu’s super-novel, Solenoid, which is a representative and appropriate example to showcase a dense inter-textual dialogue between the two authors irrespective of the 700 years separating them.

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Eros and Thanatos in Ileana Mălăncioiu’s Poetry

Eros and Thanatos in Ileana Mălăncioiu’s Poetry

Author(s): Iulian Boldea / Language(s): English Issue: 19/2015

The Eros represents a privileged theme of the lyrical universe of Ileana Mălăncioiu. The poet wishes to designate, in her verses, that area of indefiniteness and delicateness in which the feeling of love is born, an area in which self-dedication conjugates with the desire of completion of being, introspection is completed by propensity towards others, withdrawal into oneself calls for the supple, sympathetic agreement with the lowed one. The feeling of love is rather a promise of communion, an utopian brace, a temptation of completeness by Eros, than self-fruition of the moment of love. Love and death are themes which contaminate each other, in a romantic tradition; Eros gains reflexes of Thanatos, while living encloses uncertain spaces, with a fluctuant geography of dream and affective solitude. Life and death, for that matter, appear to be not so irreconcilable realities, on the contrary, the spaces they occupy overlap. In a world of alienation, of dismantled meanings and progressive reification, even the feeling of death seems to be more tolerable, entering almost within the limits of natural.

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Carmen saeculare și Epica magna - Poezie și proză

Carmen saeculare și Epica magna - Poezie și proză

Author(s): Liviu Antonesei,Bedros Horasangian,Andreea Rasuceanu / Language(s): Romanian Issue: 1-2/2022

Poems by Liviu Antonesei - "Sfârșitul filmului. Priviri prin El Aleph", "Sfârșitul filmului", "Sfârșitul filmului. Epilog", "Sfârșitul filmului. Ducipal", "Sfârșitul filmului. Partea cealaltă". Literary test by Bedros Horasangian - "Viaţa si moartea lui Serghei Dovlatov". Literary text by Andreea Răsuceanu - "Linia Kármán (fragment)".

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Portret în oglindă - Ioana și Liviu Petrescu

Portret în oglindă - Ioana și Liviu Petrescu

Author(s): Iulian Boldea / Language(s): Romanian Issue: 1-2/2022

A large section dedicated to a couple of intellectuals and historians of literature, professors at Babeș-Bolyai University, great models for generations of students at the Faculty of Philology, Ioana and Liviu Petrescu. It is not at all simple or easy to say what Ioana and Liviu Petrescu represented for Romanian literature, for Alma Mater Napocensis, for the generations of students who had the chance and the privilege to know them, to listen to their courses, to listen to their advice. and reading suggestions. First of all, their presence was bright, bright, beneficial, stimulating. I am among those who had this unexpected luck to be able to hear their courses, Ioana's Eminescu course and Liviu Petrescu's Comparative Literature course. The teaching style was, of course, different, particular: "She was sitting in the chair, always chilled, dressed in clothes that would protect her somewhat (so my capricious memory remembers her, although she must have had hours and warm weeks), gesturing very Liviu Petrescu walked through the benches and accompanied his words with hand gestures and sudden stops, in which he stared intently out the window, as if something remarkable had happened there (it was the landscape of the beautiful inner courtyard of to the faculty, nothing ever happened there, Mr. Professor had of course seen something important inside him) ”(Sanda Cordoş). I was dealing with the same spectacle of literary ideas and detailed text analysis, I was in front of a vivid demonstration of intelligence, vocation and professionalism. Charismatic, incredibly fragile, bright and beautiful, Ioana, distant and of impeccable rigor, Liviu, the two embodied the idea of ​​passionate-lucid intellectuality, but also the ideal of a subtle, spontaneous, natural mentoring. Not only I, but many of my colleagues, felt the passion of knowledge through this stimulating momentum, we were guided to the horizon of the literary text by the nature of a comprehensive, implicit or explicit hermeneutics. Our two teachers taught us how to read a book critically, they taught us "the art of irony, they taught us moral lessons with the naturalness of deep breaths of fresh air" (Ioana Bot), teaching us to be what we are now each of us. For the courses in which I participated fervently were not only demonstrations, analyzes, and interpretations of literary works, but also pleadings for a highly assumed ethic of research, pleadings for beauty, truth, and good. The balance of life and the excellence of the work outline an exceptional intellectual destiny, because, as Ion Pop writes, “there was a beautiful equality of intellectual balance between them, a complement that harmoniously rounded their lives. If Liviu Petrescu had followed the universe of prose more closely, Ioana would have dedicated herself more to the poetic phenomenon. " Their books are thus signs of a full, nuanced, and necessary understanding of the world and of Literature. Ioana and Liviu Petrescu left us much too early, but even now, so many years after their disappearance, their voices resound with the same force and force of conviction in our emotional memory, with their unique timbre in which, beyond the tribulations of the human , the dimensions of a high formative intellectuality, shaping of consciences and characters are found. They were the Teachers we all needed at some point, and the luck of meeting them, of being able to see and hear them marked our destiny, life, career in the happiest way. The thematic file of the "Vatra" magazine entitled Portrait in a Mirror: Ioana and Liviu Petrescu has the purpose of bringing back to our memory two of the exemplary figures of the Romanian literary criticism. Thank you to everyone who got involved in this project of our magazine. I thank Ioana Bot for the suggestions, for the ideas and information provided that helped me a lot in setting up our project, I thank the County Library "Octavian Goga" in Cluj-Napoca, Popovici-Petrescu Fund, for the materials he put available and, of course, I thank all our collaborators for this thematic file with gratitude and emotion.

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Digitalizarea scrierilor cu alfabet chirilic (românesc) prin utilizarea platformei Transkribus: noi perspective

Author(s): Constanta Burlacu,Achim Rabus / Language(s): Romanian Issue: 14/2021

In this paper we discuss the application of the software platform Transkribus (transkribus.eu), an AI-assisted tool for Handwritten Text Recognition (HTR), to 16th century Romanian manuscript and printed sources using Cyrillic scripts. After an overview of the basic functionality of the HTR technology and Transkribus, we discuss the Romanian and bilingual Slavonic-Romanian sources we used, give an insight on training specific and generic as well as smart (i.e. transliterating from Cyrillic into Latin script) models, evaluate their performance and discuss implications of HTR for philological research in the Digital Age. We conclude with an outlook on future research perspectives.

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Digitising (Romanian) Cyrillic using Transkribus: new perspectives

Author(s): Constanta Burlacu,Achim Rabus / Language(s): English Issue: 14/2021

In this paper we discuss the application of the software platform Transkribus (transkribus.eu), an AI-assisted tool for Handwritten Text Recognition (HTR), to 16th century Romanian manuscript and printed sources using Cyrillic scripts. After an overview of the basic functionality of the HTR technology and Transkribus, we discuss the Romanian and bilingual Slavonic-Romanian sources we used, give an insight on training specific and generic as well as smart (i.e. transliterating from Cyrillic into Latin script) models, evaluate their performance and discuss implications of HTR for philological research in the Digital Age. We conclude with an outlook on future research perspectives.

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SAVOIR-FAIRE. SONORITÉS ET MÉTIER POÉTIQUE DANS LE TRAJET POSTURAL DE MIRCEA CĂRTĂRESCU

SAVOIR-FAIRE. SONORITÉS ET MÉTIER POÉTIQUE DANS LE TRAJET POSTURAL DE MIRCEA CĂRTĂRESCU

Author(s): Magda Răduță / Language(s): French Issue: 1/2021

During a forty years-long literary career, Mircea Cărtărescu composes his authorial identity through a few – and almost emblematic – textual self-figurations: singular self in a fluctuating and fragile relationship with the world; reflexive creator highlighting the hyper-investment in the infinite powers of literature; intratextual identity tormented by doubt, even if he already possesses, at least in the last decade, the signs of a growing national and international success. By choosing three moments from the poetic career of Mircea Cărtărescu (his first poetry book, Headlights, Shop Windows, Photos, 1980; the skilful replay of Balkan epos The Levant, 1990; and his most recent poetry book, Never cry for help, 2020), the article aims to identify some visible and resistant postural representations in Cărtărescu's poetic discourse, gathered around a specific postural image: the poet as craftsman and connoisseur, acknowledging his everlasting ‘love for poetry’ (through a post-romantic and simultaneously postmodern heritage) and constantly proving his mastery.

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ALEXANDRU MUȘINA BETWEEN BEAT POET AND “BALNEAL GENIUS”

ALEXANDRU MUȘINA BETWEEN BEAT POET AND “BALNEAL GENIUS”

Author(s): Ioana Onescu / Language(s): English Issue: 1/2021

Redefining auctoriality involves both literary and extra-literary criteria. Relying mostly on Jérôme Meizoz’s concept of posture introduced in Postures littéraires. Mises en scène modernes de l’auteur, the purpose of this article is to investigate or to (re)evaluate the ways in which the writer imposes himself on the literary scene through self-figuration, involving, at the same time, the reception process. I analysed, for instance, the different representations of Alexandru Mușina, a writer from 80s generation, from the collective corpus, defined in the group formed at Monday Literary Circle, to individual presence. I was interesed in the position of the Romanian writer during the totalitarian regime and which were the alternative ways of obtaining visibility, taking into account the influence of rock star or the influence of Beat Poets. Another point of interest was the engagement that the writer adopts after ’89, in his fiction and as a public figure.

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"He is Mr. Naum, a distinguished poet, I am certain you have heard of him…"

"He is Mr. Naum, a distinguished poet, I am certain you have heard of him…"

Author(s): Alina Buzatu / Language(s): English Issue: 1/2021

My present study problematizes the postural variables in the writings of Gellu Naum, in an attempt to demonstrate that all his poetic texts are based on recursive enunciation schemata, rules of coding

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LIVING WITH IBRĂILEANU. HOW TO LIVE TOGETHER, HOW TO STAY ALONE

LIVING WITH IBRĂILEANU. HOW TO LIVE TOGETHER, HOW TO STAY ALONE

Author(s): Maricica Munteanu / Language(s): English Issue: 1/2021

The article investigates different postures of G. Ibrăileanu, the leader of the Viața românească Cenacle, and the impact his manner of living has on the collective existence of the group. First of all, I am interested in how the writers’ lives get accommodated to the life of the mentor, how they manage to adapt their rhythm to his habits, gestures, obsessions, or spatial configurations. Secondly, I analyze the way Ibrăileanuʼs life is invested, in the collective imaginary, with a vocational component. Therefore, the host’s gestures become gestures with literature, while his lifestyle, and the space he inhabits end up producing passions among the cenacle writers.

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Un manuscris al lui Paul Bujor despre istoricul instituţiei academice şi evoluţia ei

Un manuscris al lui Paul Bujor despre istoricul instituţiei academice şi evoluţia ei

Author(s): Dan Jumară / Language(s): Romanian Issue: XLII/2013

Manuscript no 903, from the documentary fund Museum Values of the Museum of Romanian Literature in lassi, is part of the few manuscripts written by a well-known biologist and writer, Paul Bujor, manuscripts that we identified lately. The author of the text was a well-known personality in Iassi, in the interwar period. He was afamous biologist, a professor in the University, a political leader, member of the parliament, member of the Romanian Academy, writer and journalist. The manuscript we present represents the result of a keen research activity of the scientist.

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PREOCUPĂRI GEOGRAFICE LA MIHAI EMINESCU

PREOCUPĂRI GEOGRAFICE LA MIHAI EMINESCU

Author(s): Dumitru Tătaru / Language(s): Romanian Issue: XXII/1991

In viaţa sa, marele poet, Mihai Eminescu, de la a cărui dispariţie se împlinesc 100 de ani, a manifestat interes şi pentru geografie. Legături strînse cu geografia a avut la Berlin, iar peste un deceniu, ca profesor la Iaşi...

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MEREU AL ROMANILOR — VASİLE ALECSANDRI

MEREU AL ROMANILOR — VASİLE ALECSANDRI

Author(s): Ioan Dănilă / Language(s): Romanian Issue: XXII/1991

S-au scurs, aşadar, 100 de ani de la trecerea în eternitate a celui pc cari' naţiunea română îl cinsteşte drept regele poeziei — Vasile Alecsandri. Multe şi determinante — pentru configuraţia unui bard naţionai — sînt liniile personalităţii sale creatoare — artistică, diplomatică, culturală, adică polivalentă...

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Alexandru Macedonski și concepția sa despre versificație

Alexandru Macedonski și concepția sa despre versificație

Author(s): Florina Diana Cordoș / Language(s): Romanian Issue: 1/2021

This article presents Alexandru Macedonskiʼs contribution to Romanian literature concerning the promotion of new literary tendencies – at the beginning in those times – Symbolism and Parnassianism. In this study I brought into discussion the vocation of “Mecenas poet” that Macedonski had in the literary space of Bucharest after the foundation of the society Literatorul. I also presented in this paper the Macedonskiʼs conception on versification. His ideas were published in the pages of the magazine “Literatorul”, in the colection entitled Arta versurilor. I highlighted here his activity as a promoter and guider in the Romanian literary space, because this is a quality that makes him radically different from his contemporaries.

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Du discours à l’archétype dans l’œuvre de Mircea Eliade

Du discours à l’archétype dans l’œuvre de Mircea Eliade

Author(s): Nicolae Şera / Language(s): French Issue: 1/2022

The exegesis of Mircea Eliade’s work highlights the fact that the author integrated concepts that belong to several sciences into his hermeneutical analysis of religion. Thus, our study analyses both Eliade’s view of discourse and the tight connection with the idea of myth, which is a fundamental religious concept for his work. We are focusing on the concept of myth as fundamental, archaic story, which establishes the connection between human and transcendental by resorting to symbol as a key concept for semiotics. Eliade takes the theories of symbol further into Jungian psychoanalysis, while highlighting its connections with the imaginary and the human subconsciousness, thus getting to a fundamental anthropological concept, that of the archetype. The circle discourse–myth–symbol– archetype that we aim to analyze is thus closed, as it shows the continuity of “divine manifestation”.

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Проникване и разпространение на българската възрожденска книжнина в град Крайова през ХІХ в. (до 1878 г.)

Проникване и разпространение на българската възрожденска книжнина в град Крайова през ХІХ в. (до 1878 г.)

Author(s): Nikolay Zhechev / Language(s): Bulgarian Issue: 1/2020

The work traces the penetration and proliferation of the Bulgarian Revival literature (books, newspapers, magazines, calendars) among the Bulgarian community in the Romanian town of Craiova in the 19th century (until 1878). The study is based on sponsorship lists (pre-subscription) to books published at that time as well as other evidence from the era. Between the 1830s and the 1870s thanks to that kind of sponsorship, the local Bulgarians became familiar with publications whose authors, translators or compilers were famous Bulgarian writers and public figures such as An. Kipilovski, Raino Popovich, G. S. Rakovski, Sava Dobroplodni, P. R Slaveykov, Dobri Voynikov, Lyuben Karavelov and others. Some of the most zealous admirers and distributors of this literature in Craiova were Dr. Peter Beron, Hadzhi Danilovs brothers and others. The dissemination of the Bulgarian Revival press, the one published in Constantinople, as well as the one printed in the Bulgarian emigrant centers in Romania and Serbia, is also included in the article. The results show that, compared to other major centers of the Bulgarian diaspora in Romania (Bucharest, Galați, Braila), fewer publications appeared in Craiova, which reduced their impact on the national awakening of the Bulgarian community and diminished the role of the Bulgarian residents there in the Bulgarian national revival.

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Nebunia în literatura română didactică din secolele al XVI-lea – al XVII-lea: de la „Contemptus mundi” la „umanismul optimist”

Nebunia în literatura română didactică din secolele al XVI-lea – al XVII-lea: de la „Contemptus mundi” la „umanismul optimist”

Author(s): Gabriel-Andrei Stan / Language(s): Romanian Issue: 3/2016

La folie est une idée qui a une occurrence historique. Elle témoigne de différentes reconfigurations selon la vision du monde dominante dans une époque historique. Elle fait sentir sa présence dans la littérature parénétique dès les XVIe et XVIIe siècles. Sous l'autorité de la pensée religieuse, la folie a une pluralité de significations, largement négatives: elle est à la fois péché et punition divine. Sous l'influence de la vision optimiste de l'humanisme, l'idée de la folie élargit son champ de référence et va devenir un problème de la morale du savoir. La folie reste dans la culture roumaine jusqu'à la seconde moitié du XIXe siècle sous l'autorité de l'Eglise. La lenteur du processus de sécularisation dans la culture roumaine est l'une des principales causes du retard dans le transfert de gestion de la folie de l'Eglise vers l’Etat. La sécularisation tardive de la folie a retardé l'apparition du discours scientifique psychiatrique.

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Dan Zamfirescu, Marile minee de lectură de la Tărnovo ale Patriarhului Eftimie. Ediție facsimilată de pe manuscrisele de la Dragomirna și Putna

Dan Zamfirescu, Marile minee de lectură de la Tărnovo ale Patriarhului Eftimie. Ediție facsimilată de pe manuscrisele de la Dragomirna și Putna

Author(s): Duşiţa Ristin / Language(s): Romanian Issue: 3/2016

Review of: Dan Zamfirescu, Marile minee de lectură de la Tărnovo ale Patriarhului Eftimie. Ediție facsimilată de pe manuscrisele de la Dragomirna și Putna, vol. I, Ed. Roza Vânturilor, București, 2015, 858 p. (Dușița Ristin)

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Vasile Alecsandri, Opere. Poezii. Vol. I, II,

Vasile Alecsandri, Opere. Poezii. Vol. I, II,

Author(s): Liviu Chiscop / Language(s): Romanian Issue: 45/2021

Review of: Vasile Alecsandri, Opere. Poezii. Vol. I, II, București, Academia Română, Fundația Națională pentru Știință și Artă, 2019, 2388 p. (Colecția „Opere fundamentale”).

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