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СВЕТЪТ Е СЛОВО, СЛОВОТО Е СВЯТ
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СВЕТЪТ Е СЛОВО, СЛОВОТО Е СВЯТ

Author(s): / Language(s): English,Bulgarian,Russian,Polish,German,Serbian

In 2016 we have celebrated two significant events: a Silver jubilee to mark the 25th year of the establishment of the Faculty of Philological Studies and the 40th anniversary of the foundation of the South West University in Blagoevgrad. Both events are loaded not only with the symbols of the anniversaries but also with the hard work, perseverance, commitment and emotions of a few generations of scholars and researchers, who devoted their time and work to the elevation of the philological and university knowledge in South-west Bulgaria to the highest ranks in the country. The Collection of articles, offered to the readers’ attention, has been named after the National conference with international participation: “The World is the Word and the Word is the World” since our admiration for the words is in the base of our love to philological knowledge. It comprises most of the conference papers, presented in the event, organised as part of the celebrations of the two anniversaries – of the Faculty of Philological Studies and of the South-West University in Blagoevgrad. The event evoked significant interest, which is a clear sign for the fact that philology and our faculty have a great number of loyal friends not only in our country but also abroad. Our conference attracted more than a hundred philologists from over ten countries – Norway, The Czech Republic, Slovakia, Macedonia, Ukraine, Poland, Serbia, Greece, Croatia, Bosnia and Herzegovina, and, certainly, Bulgaria. Articles by prominent scholars from the major Bulgarian universities – SU ‘St. Kliment Ohridski’, St Cyril and St Methodius University of Veliko Turnovo, PU ‘ Paisii Hilendarski’, BU ‘ Prof. Dr Asen Zlanatarov’ as well as a number of research institutions such as the Bulgarian Language Institute ‘Prof. Lyubomir Andreychin’, the Literature Institute of the Bulgarian Academy of Sciences (BAS), the Institute of Ethnology and Folklore Studies and the Ethnography Museum of BAS, the Institute of Solid-state Physics ‘ Acad. Georgi Nadvakov’ of BAS, the Cyril-Methodius Research Centre of BAS, etc – stand out among the contributions to the Collection. Research papers were presented by scholars from a number of European centres of learning: the University of Oslo, Norway; the University of Eastern Sarajevo, Bosnia and Herzegovina; Macedonia University in Thessaloniki, Greece; Trnava University in Bratislava, Slovakia; Charles University in Prague, the Czech Republic, etc. The multiple contributions present a large diversity of research topics coming from nearly all spheres of philological knowledge – from linguistics and the social nature of language, through philosophy, semiotics and the pragmatics of language to the problems of Bulgarian and European literature and literary theory, of folklore, ethnology, ethnography and the preserving of cultural heritage. The order of the papers, published in the proceedings, follows the conference programme so the reader will be able to choose from the following seven topical areas: 1. Linguistics: synchronic and diachronic research; 2. Language and culture. Language and subculture; 3. Sociolinguistics, folkloristics and ethnology; 4. Modern Bulgarian and world literature; 5. Media, communications and manipulation; 6. Translation and interpretation: theory and practice; 7. Methodology and didactics. One of the main purposes of such publications is the “meeting” and exchange of a multitude of scholarly ideas, as well as ideas of how we as philologists and humanity scholars can continue our work in a world set on the fast track and full of challenges, where the pragmatism of thought would often put established models on trial. The proceedings are printed on 537 pages and each text is accompanied by an annotation in English with keywords, for easier orientation in the topic area, and author’s E-mail contacts. Foreign language texts are printed in the original so that their meaning and ideas would not be lost in translation. The editors and authors of the conference proceedings, entitled “The World is the Word and the Word is the World”, hope that the present publication is compatible with modern philological research, matches the pragmatic ideas for the development of philology as a science, as well as satisfies the insatiable thirst for knowledge and explanation of philological issues, phenomena and facts from the world around us.

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Żywioł ziemi w poezji Władysława Sebyły
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Żywioł ziemi w poezji Władysława Sebyły

Author(s): Teresa Wilkoń / Language(s): Polish Publication Year: 0

Władysław Sebyła is creator of a “dark”, orphic movement, man with highly original imagination. Catastrophic motifs come across his expressive yet organized poetry.Visions of the imminent destruction of the world are combined with pessimistic images of the fearful reality. There comes a poet, breaking aestheticism of both Cracow Avant‑gardeand Skamander into the realm of ugliness, ahead of turpism poets of the “generation of 1956”. He desacralizes nature in his descriptions of nature’s elements, taking away the beauty of nature belonging to the main themes of Polish poetry and prose since Mickiewicz’s time.Władysław Sebyła was patronized by “the good God of details” – as Rilke said – buta certain fascination with details, so evident in the descriptions of the element of Earth(poem Młyny. Sonata nieludzka), stemmed from gloomy associations, dream visionsand some obsessions, often presented in the flash of the sun and lunar light.

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Metafizyczna podszewka rzeczywistości. O symbolice wody w wierszach Władysława Sebyły
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Metafizyczna podszewka rzeczywistości. O symbolice wody w wierszach Władysława Sebyły

Author(s): Anna Szóstak / Language(s): Polish Publication Year: 0

The article constitutes an attempt at identifying the motif of water in WładysławSebyła’s oeuvre and unraveling its symbolic connotations. A closer analysis of Sebyła’spoetry reveals a poetic view of reality whose signature and constitutive feature is the Baumanian idea of fluidity, inconstancy and changeability, which reflects the uncertainty of fate and the human condition both in mundane and eschatological perspectives. Water, found in various shapes and forms, both in liquid and solid state, evokes the metaphysics of life in Sebyła’s poetry at the same time as it directs the reader towards the inconceivable and the unnamable, to the Mystery hidden under the surface of things. Interestingly enough, the motif and its use by the poet do not serve exclusively to express only the catastrophic stance, but also to affirm life and remind the reader of the concept of apokatastasis – the belief in rebirth and the freeing power and the sense of people’s sacrifices.

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„Muzyka nocy tej”. Komentarz do wybranych wątków muzycznych w poezji Władysława Sebyły i diarystyce Sabiny Sebyłowej
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„Muzyka nocy tej”. Komentarz do wybranych wątków muzycznych w poezji Władysława Sebyły i diarystyce Sabiny Sebyłowej

Author(s): Bartosz Małczyński / Language(s): Polish Publication Year: 0

The article is devoted to the relationship between the Sebyła family and music. The text touches upon issues such as the value of music in their everyday life and the presence of various aspects of music in the writings of Sabina and Władysław, dating back primarily to the 1920s and 1930s, but including also the times of the German-Soviet occupation. The source material for these musings on the topic can be found in the poetry of Władysław Sebyła, particularly his Song of the Rat Catcher, as well as his wife’s biographical writings, which serve at the same time as an excellent source of insight into the history of the epoch. These issues are situated within the context of axiology, which has been recently approached by, among others, Pascal Quignard and Zbigniew Herbert, in order to formulate questions regarding the “inhuman” face of music, which emerges in times of social catastrophe.

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Muzyczność poezji Władysława Sebyły
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Muzyczność poezji Władysława Sebyły

Author(s): Milena Osiurak / Language(s): Polish Publication Year: 0

The article concentrates upon both theoretical and practical research on the mutual influence between literature and music in Władysław Sebyła’s poetry. The way in which the musicality of the pieces influences and co-creates the catastrophic vision of the world constitutes one of the marks of originality in Sebyła’s poetry. Sebyła, who was not only a poet, but also a musician – he played the piano and the violin – was an incredibly gifted artist whose unique sensibility allowed him to create works which seemed to oscillate between literature and music. This phenomenon could be called, according to Andrzej Hejmej, the musicality of poetry. It manifests in three basic spheres, identified by The Musicality of a Literary Work. Musicality of Sebyła’s poetry should be understood, then, as a transference between the arts, manifesting in the thematizing of music, the use of music terminology and forms, the shaping of language in the poems to underline the similarities between a lyrical and a musical piece (orchestration, particular phonaesthetics, the choice of meter and rhythm).

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Zwierzęta Sebyły
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Zwierzęta Sebyły

Author(s): Anna Węgrzyniak / Language(s): Polish Publication Year: 0

The object of analysis here is the imaging which uses the motifs of animals, typical of Sebyła’s “dark imagination”. The author of this article associates the presence of the animals with the space of childhood (the water of a pond, the moon, a mill, muddy darkness). In this lyrical poetry the motifs of animals function as metaphors, allegories, and symbols, while also referring to specific observations. The reader of Sebyła’s poetry can see and hear a horse or a rat, because the musical memory of the poet stores the voices remembered from childhood. The sensitive imagination of the poet, a bard who thinks through images, is the tremendous value of this poetry.

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Od hipiki do hippomancji. Konie Sebyły
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Od hipiki do hippomancji. Konie Sebyły

Author(s): Beata Mytych-Forajter / Language(s): Polish Publication Year: 0

The following article results from the reading of Sebyła’s poems which touch upon the subject of horses or motifs and imageries which refer to that particular sphere. At the same time, the article attempts to transcend the parabolic interpretation in order to revisit and reinterpret the presence of horses in Sebyła’s poetry, including both information regarding the animals themselves as well as their general perception in the public sphere (war, social life, sport). The recurring image of blind horses seems to strangely complement the images of blind people, pointing to the poignancy and importance of metaphors drawn from the sphere of Equus caballus, which serves to express Sebyła’s existential fears.

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„Robactwo z czarnych łąk”. Na marginesie lektury Młynów. Sonaty nieludzkiej
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„Robactwo z czarnych łąk”. Na marginesie lektury Młynów. Sonaty nieludzkiej

Author(s): Magdalena Kokoszka / Language(s): Polish Publication Year: 0

The author of the following article is interested primarily by the dark facet of Sebyła’s natural vitalism, which she traces alongside her reading of Młyny. Sonata nieludzka (Windmills. The Inhuman Sonata). Over the bogs, marshes, swamps and wetlands, there exists a multiplicity of nighttime animal life which, regardless of the actual species, exhibits a worm-like fertility. This close-up on the rotting, decaying matter exposes the ugliness of ever-present entropy while at the same time uncovering the peculiar post mortem life – the unending “viscous” liminal state, the substance of the world in flux. It seems, then, that the viscous matter discussed in the article, which connects the spheres of water and moist, open soil, had to a large extent dominated the imagination of the poet.

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Młyny. Sonata nieludzka. Poemat paraboliczny
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Młyny. Sonata nieludzka. Poemat paraboliczny

Author(s): Anna Szawerna-Dyrszka / Language(s): Polish Publication Year: 0

The author of the article, in her reading of Młyny. Sonata nieludzka. (Windmills. The Inhuman Sonata), focuses primarily on the genological aspect. The poem, described bySebyła’s contemporaries as a poem without a peer, fully original and inimitable, appearsto function as the initial link in a new genre paradigm, i.e. the parable poem. The similarities between Sebyła’s poem with works such as Przyjście wroga (The Coming of the Enemy) by Jerzy Zagórski, Bramy arsenału (The Gates of the Arsenal) by Czesław Miłosz, Tropiciel (The Tracker) by Aleksander Rymkiewicz and Pełnia czerwca (The Height of June) by Wacław Iwaniuk points to the similarities between the imaginations of the poets. Windmills. The Inhuman Sonata should be regarded as one of the first and most important poems of the second vanguard (and a model example of this genre variant), as well as an indisputable source of inspiration for the poets of Vilnius and Lublin, belonging to the generation of 1910.

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„Nazywaniem chcesz mi szukanie zastąpić?”. O Koncercie egotycznym Władysława Sebyły
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„Nazywaniem chcesz mi szukanie zastąpić?”. O Koncercie egotycznym Władysława Sebyły

Author(s): Ewelina Mika / Language(s): Polish Publication Year: 0

The article constitutes a commentary on Władysław Sebyła’s Koncert egotyczny (An egotistical Concert. A Meditative Poem). The poet, who assumes a metapoetic stance,expresses the moods as well as the existential and ideological problems of the early 20th century, such as the need for a stable ideology and canon of values. In his attempt to answer the problems of the 20th century man, Sebyła identifies two major cognitive stances: “naming” and “seeking.” “Seeking” becomes for him a certain primary rule of existence and an important element of his creative work at the same time. It could be also understood in terms of a skeptical stance, embodied by the character of Hamlet (and St. Thomas Aquinas).

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„…czyś ptakiem, drzewem, czy kamieniem?”. Ojcze nasz Władysława Sebyły jako cykl modlitewnych paradoksów
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„…czyś ptakiem, drzewem, czy kamieniem?”. Ojcze nasz Władysława Sebyły jako cykl modlitewnych paradoksów

Author(s): Katarzyna Janus / Language(s): Polish Publication Year: 0

The article constitutes an attempt at an interpretation of Władysław Sebyła’s poem Ojcze nasz (Our Father). The explication of the text is preceded by references to earlier religious poems written by the poet, which serve to establish a proper context for the reading of the poem. The article postulates that Sebyła can be characterized by his antitheism. This concept, in turn, in the context of explaining the provenance of the creative act, was elaborated in more detail by Tadeusz Zieliński, whose lectures Sebyła attended regularly. The hypothesis concerning the “borrowing” of the idea of antitheism seems to be confirmed by the lexical dimension of the poem as well as frequent allusions to Nietzsche’s philosophy.The article attempts to foreground the discussed poems in the Bible, explain the existence of religious symbolism, identify the poet’s sources of inspiration and point to the dialogue between the poet and tradition. In the conclusion, the author formulates a thesis which postulates that Sebyła’s poetry presented in the article remains deeply religious at its core, even though its religious nature does not seem very obvious at the first glance.

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Hrvatska i kulturni transferi u posthabsburško doba. Uvod u problematiku

Hrvatska i kulturni transferi u posthabsburško doba. Uvod u problematiku

Author(s): Maciej Falski / Language(s): Croatian Publication Year: 0

The text problematizes the category of cultural transfers as a concept that is relevant for describing the dynamics of the social process. Especially for the multi-ethnic states, like the Habsburg Monarchy or the Kingdom of Yugoslavia, concepts related to the reality of a national state are not relevant. The category of cultural transfers helps, thus, to understand changes in the cultural field after the collapse of the Austria-Hungary. The paper focuses on the question of how the change of activities of various actors in the literary or linguistic field answers the problem of the shift of power from the old centres to the new ones. A new interpretative model is proposed, alongside with the introduction to the collective publication.

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Julije Benešić i njegovi kritičari. Prilog kritičkoj bibliografiji

Julije Benešić i njegovi kritičari. Prilog kritičkoj bibliografiji

Author(s): Tea Rogić Musa / Language(s): Croatian Publication Year: 0

Based on the extensive research of subject catalogs about people from the interwar period (in the Miroslav Krleža Lexicographic Institute and the National and University Library in Zagreb), this paper presents a selection from criticism of the works and public activities of Julije Benešić before the First World War and in the interwar period. A double contribution is expected from the work: primarily the reception of Benešić’s work in the native culture, which was fraught with controversies and contradictions in the interwar period, and a contribution to the analysis of Croatian interwar criticism, both literary and theatrical and directly ideological, as extremely heterogeneous and in later literary-historical treatment unevenly commented and evaluated corpus of texts. The methodological assumptions follow the principles established by Stanko Lasić in his approach to the analysis of the reception of Benešić’s companion, Miroslav Krleža − the analysis of critical reception differs from the analysis of a literary text in the narrower sense and has specific limitations, which, first of all, arise from the fact that a huge body of material must be examined and studied (by looking at the individual units, we decided that this analysis should be limited to selected contributions). First, the explication of the material implies an overview of the material and its conscientious description; secondly, Benešić’s biography is not the goal but the starting point of this work; thirdly, a valid approach, which implies a density of bibliographic units with a logical selection, requires a high level of information about the topic in order to approach the material critically; and finally, it is necessary to know the circumstances and protagonists of the interwar literary and public life in detail in order to contextualize the articles in the periodical. In a series of contributions that, from today’s point of view, give credible testimony about Benešić, all of them are nevertheless witnesses of time and convincing evidence that understanding temporality is an essential step in literary-historical work. Stepping into the theory of the history of literature, we start from the deduction that an explicative synthesis is preceded by a careful insight into the material, from which, however, it is necessary to keep a distance to finally offer a literary-historical conclusion. Since there already exists in recent times in Croatian and Polish culture a series of articles and debates that establish a solid diachrony of the reception of literature about Benešić (therefore not his works directly), a return to early criticism and echo in contemporary times when Benešić was in the middle of his most active years, we keep with a permanently relevant approach in the research of a personality that, with its public and literary biography, is a metonymy of the literary life not only of Croatia but also of the Central European interwar period.

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Suradnja Julija Benešića i Vojeslava Molèa u međuratnom i poslijeratnom razdoblju (1928.–1957.)

Suradnja Julija Benešića i Vojeslava Molèa u međuratnom i poslijeratnom razdoblju (1928.–1957.)

Author(s): Josip Jagodar / Language(s): Croatian Publication Year: 0

Julija Benešić is one of the most significant people from the Kingdom of Yugoslavia, who worked on connecting and promoting Croatian, Serbian, Slovenian and Montenegrin literature, art, culture, and science in Poland, especially in period 1930–1938. In many papers and books, his significance has been addressed in a rich translation, editorial, linguistic, literary, scientific, and other work, especially in the promotions of Polish culture in Croatia and Croatian culture in Poland, but there are no works or books which deals with its significance for Slovenes and cooperation with Slovenes who lived or worked in Poland. For this reason, in this paper, on the basis of available literature and archival material, especially correspondence from the legacy of Julius Benešić, which is kept in the Archives of the Department of History of Croatian Literature, the Institute of History of Croatian Literature, Theatre and Music, HAZU, seek to present private and business relations between Julije Benešić and Slovenian Vojeslav Molè and their cooperation in terms of Croatian and Slovenian literature and science, art and promotion in Poland.

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Pisma Julija Benešića Czesławu Jastrzębiec-Kozłowskom. Uvod

Pisma Julija Benešića Czesławu Jastrzębiec-Kozłowskom. Uvod

Author(s): Anita Gostomska / Language(s): Croatian Publication Year: 0

This article presents the collection of letters written in Polish by Julije Benešić to Czesław Jastrzębiec-Kozłowski in the period from 1930 to 1949. Although the correspondence stored in Poland remains incomplete, its value should be highly recognised because, as a subject of detailed research, it provides the opportunity to get to know Benešić better and reminds us of the person of his friend and prominent translator, who, as a long-time collaborator of the “Yugoslav Library“ started in Warsaw, was the addressee of these letters.

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"Šešir" Oktavijana Miletića u svjetlu frojdizma

"Šešir" Oktavijana Miletića u svjetlu frojdizma

Author(s): Patrycjusz Pająk / Language(s): Croatian Publication Year: 0

Oktavijan Miletić is the most famous Croatian film director of the interwar period. A breakthrough for his career, as well as for Croatian cinematography, was the short film "The Hat" from 1937. It is Miletić’s first professional feature film and the first Croatian sound film. It combines the features of a psychological drama and surreal film. The article proposes its psychoanalytic interpretation, based on Sigmund Freud’s views on the Oedipus complex, castration anxiety and fetishism. Such an interpretation allows us to consider "The Hat" as a film about the crisis of masculinity. Also, for this reason, it is a precursor for Croatian cinematography. The patriarchal tradition is an important topic in modern Croatian culture because of the significant role that patriarchal tradition plays in it.

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Između Vuka i strukturalizma. Stjepan Ivšić prema starim i novim lingvističkim pristupima

Između Vuka i strukturalizma. Stjepan Ivšić prema starim i novim lingvističkim pristupima

Author(s): Janusz Szablewski / Language(s): Croatian Publication Year: 0

Stjepan Ivšić (1884–1962) was a Croatian linguist with a wide range of interests. He is internationally recognized for the discovery of the eponymous "Ivšić’s law" concerning Slavic accentuation, whereas in Croatia he is remembered as the editor of the journal “Hrvatski jezik”, who resisted both the language unitarism enforced by the Kingdom of Yugoslavia and the attempts to introduce etymological spelling in the Banovina of Croatia. As a scholar whose work was hampered by historical events, Ivšić studied accentology, dialectology, historical and comparative grammar, as well as orthography. Thanks to the numerous scholarly interests, he was exposed to various methodologies and schools of thought in Yugoslav and European linguistics. His teacher was Tomo Maretić, a Neogrammarian and Vukovian. Ivšić’s accentological work was informed by the achievements of European linguists, such as Ferdinand de Saussure and Antoine Meillet. He was also acquainted with the structuralist Prague and Kazan Schools. Other than that, he would frequently appeal to Vuk’s authority in his papers on standard language and orthography. Despite all of these inspirations and influences, Ivšić cannot be viewed as a representative of any of the above-mentioned schools of thought. This paper presents Ivšić’s attitude towards Vukovian principles and existing methodologies in Croatian and Yugoslav linguistics at the time, as well as towards structuralism, based on his work from the interwar period, especially his understanding of dialectology, standard language, and orthography.

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Ogledi o jugoslavenstvu i Srednjoj Europi u očima umjetnika – homo politicusa. Memoari Ivana Meštrovića "Uspomene na političke ljude i događaje"

Ogledi o jugoslavenstvu i Srednjoj Europi u očima umjetnika – homo politicusa. Memoari Ivana Meštrovića "Uspomene na političke ljude i događaje"

Author(s): Ewa Szperlik / Language(s): Croatian Publication Year: 0

The paper analyses the memoirs of Ivan Meštrović, a prominent Croatian sculptor and politician (a member of the Yugoslav Committee). The memoirs were written in exile (Buenos Aires 1961) and are an account of the turbulent events in Europe in the first half of the 20th century. The work has been poorly researched and is dominated by autobiographical discourse, the position of the narrator (a participant in events) and a subjective view of the past. Meštrović presents the past events and the so-called great history (the First World War, the collapse of the Habsburg Monarchy and the fall of tsarist Russia, design of nation-states) from a personal, often intimate perspective, allowing readers to interpret the past in the key of geopoetics, auto/bio/geo/graphy (E. Rybicka), interactions between the literary text and the geographical space, emotive topography (fatherland, exile). Adhering to the rules of the autobiographical pact (Ph. Lejeune), the memoir (as a subgenre of autobiographical writing) becomes a source of historical knowledge and testimony about the era.

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"U agoniji": zagrebačka građanska elita između održavanja tradicije i prihvaćanja novih obrazaca

"U agoniji": zagrebačka građanska elita između održavanja tradicije i prihvaćanja novih obrazaca

Author(s): Boris Senker / Language(s): Croatian Publication Year: 0

Krleža’s prose-drama cycle, completed at the turn of the twenties and thirties of the last century, is a kind of “unfinished saga” in which the author, opening and only partially closing several narrative sequences, thematizes the changes in the personal and public life of members of the Croatian middle class, represented in the fictional world of the “agrammer patrician family” Glembay and people from their closest circle, caused by the collapse of the Central European Austro-Hungarian Monarchy and its traditional value system and the establishment of a South Slavic state, the Kingdom of SHS, with a different value system. In the central text of the cycle, the psychological drama In Agony, published and premiered in 1928 and expanded in 1958, which takes place in the first years of the interwar period, two male characters embody two possible existential choices: Baron and Colonel Lenbach, loyalty to the past and the defeated regime, persistence in tradition and, consequently, on maintaining the “form” that it prescribes, even at the cost of renouncing biological life, and the lawyer and politician Ivan Križovec who adapts to the present and the new regime, renounces the past and accepts changes and participates in the constitution of a new regime and a new system of values, even at the cost of renouncing one’s former identity and spiritual life. The central female character, Laura, Lenbach’s legal wife and general’s daughter, who is, at the same time, in a sentimental relationship with Križovec, proves the impossibility of “double loyalty” to the past and the present, the impossibility of continuing to live in a changed world while maintaining the system of values and identities shaped by tradition.

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Srednja Europa u odabranim putopisima Miroslava Krleže

Srednja Europa u odabranim putopisima Miroslava Krleže

Author(s): Antonina Kurtok / Language(s): Croatian Publication Year: 0

The article is an attempt to present the image of – organically close to Miroslav Krleža – Central Europe drawn in selected travelogues of the great Croatian writer. The starting point and at the same time the literary framework of the analysis are Krleža’s descriptions and impressions after visiting several cities – Vienna, Berlin, Dresden – recorded in the texts created in the interwar period: "Bečke impresije, U Drezdenu" ("Mister Vu San-Pej zanima se za srpsko-hrvatsko pitanje") and "Berlinske impresije". A characteristic of Krleža’s travel discourse is a combination of memoirs, topography, description of everyday life and circumstances, but also artistic impressions, whereby the emphasis is always on the subject’s experiences. Thanks to this, it is possible to consider his travelogues from several perspectives. Through a close reading of the selected travelogues in a geopoetic key and through the prism of a few frequent features of the writer’s creativity, we will aim to present Krleža’s description of the Central European area and the author’s vision and experience of that area. Travelogues will thus be viewed as a narrative form of existential experience, the experience of a place and its testimony, a multi-sensory, complex experience of a place and a place of memory. We will also check in which way and to what extent Krleža’s world of ideas (an immanent part of his writing) is outlined in the author’s travelogues.

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