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"Harcownik w świecie zawodowców". Roman Zimand jako badacz literatury i pisarz polityczny

"Harcownik w świecie zawodowców". Roman Zimand jako badacz literatury i pisarz polityczny

Author(s): Jan Olaszek / Language(s): Polish Issue: 16/2019

This article is about the journalist, literary researcher, and opposition activist Roman Zimand. The author tries to answer several questions about Zimand’s life and achievements. What were his specific achievements and his approach to academic work? What role did the political context of the Polish People’s Republic play? What was the relationship between Zimand and the academic community in which he operated? To what extent can he be considered a “total intellectual”? The article begins with a brief biographical outline. Then the author focuses on presenting Zimand’s output and the specifics of his approach to academic work. The next part concerns Zimand’s political writing and the combination of his political commitment with his scholarship. Then the author discusses the relations between Zimand, the academic community, and the authorities of the Polish People’s Republic. In the last part of the article, the author considers the possibility of viewing Zimand as a “total intellectual.”

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Rewanż pamięci. O książce Arkadiusza Morawca Literatura polska wobec ludobójstwa

Author(s): Andrzej Juchniewicz / Language(s): Polish Issue: 42/2019

The article is a review of Arkadiusz Morawiec’s book Literatura polska wobec ludobójstwa [Polish Literature and Genocide], the first Polish literary study to address the acts of genocide that occurred before the Holocaust and the ethnic cleansing after World War II. The reviewer recognises the researcher’s scholarship and the ethical sensitivity with which he revises his previous theses about the uniqueness of the Holocaust. The book has been composed in a cross-sectional manner, the articles on Holocaust and Genocide Studies are accompanied by analyses informed by poetics and sociology of literature. Thus, the reader becomes acquainted not only with the historical realities of the described conflicts but also with the mechanisms of collective memory, which is shaped by both institutional activities (museums) and the reception of survivors’ testimonies.

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Czy Gombrowicza czytano w Argentynie za jego życia?

Czy Gombrowicza czytano w Argentynie za jego życia?

Author(s): Pau Freixa Terradas / Language(s): Polish Issue: 1/2020

This article presents the Argentinian reception of the author of Trans-Atlantyk from his arrival in Buenos Aires until his death in France. The article is divided into three parts and each of them is dedicated to one of the three last decades of Witold Gombrowicz’s life. The author mentions the initial attempts of establishing relations with Argentinian writers (Jorge Luis Borges, for example, or the circle of the Sur magazine), first publication of texts as well as the collective translation of Ferdydurke in Café Rex during the 1960s, and recognizes that sometime in the 1950s Gombrowicz made peace with the fact of his literary obscurity in the land of his emigration, therefore changing his strategy of self-promotion. Only after he returned to Europe did the first signs of recognition reach him from Argentina, where the Diario argentino was just published (it was a selection of writings from Gombrowicz’s Diary for the Argentine reader).

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Poezja i obraz, piśmienność i wizualność od 1989 roku

Author(s): Anna Kałuża / Language(s): Polish Issue: 43/2020

The article traces the history of the relationship between linguistic (textual, verbal, discursive) elements and graphic, visual, and pictorial elements in Polish poetry after 1989. The subject of interest here are various phenomena, such as: artistic books (by Natalia Malek, Kira Pietrek, and Justyna Bargielska), reference to painting/film/photography, experiments with visual and verbal representation, using a language mark/ text by visual artists. The goal is not so much to catalog the relationships between text and image, but to describe the difference between artistic activities in the era of intermedia (twentieth-century avant-garde) and artistic activities in the era of transmedia.

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„Wielką jest semicka moc”. Poetyckie strofy w „Roli” Jana Jeleńskiego

„Wielką jest semicka moc”. Poetyckie strofy w „Roli” Jana Jeleńskiego

Author(s): Małgorzata Domagalska / Language(s): Polish Issue: 44/2019

Rola was the first antisemitic weekly in Poland published in Warsaw between 1883 and 1912. According to the nineteenth-century custom, not only journalism, but also novels published in weekly installments, as well as poems were included in the magazine. In poetry, lofty or religious topics were raised at the time of Christmas or Easter, or virulent antisemitic satire was published on various occasions. The antisemitic satire corresponded to the themes taken up in prose and journalism. The themes were dominated by the myth of Judeopolonia, issues of assimilation and social advancement of Jews, attacks on mixed marriages and mockery of Zionism, or the colonies established by Baron Hirsch in Argentina. It can be said that both prose and poetry were servile to journalism and strengthened the antisemitic content dominant in the weekly.

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Husarskie zabawy piórem. Obraz towarzystwa rycerskiego w wierszach z rękopisu Biblioteki Jagiellońskiej

Husarskie zabawy piórem. Obraz towarzystwa rycerskiego w wierszach z rękopisu Biblioteki Jagiellońskiej

Author(s): Mariola Jarczykowa / Language(s): Polish Issue: 5/2019

The article discusses the poems written by hussars preserved in a manuscript kept in the Jagiellonian Library (ref. no. Przyb. 217/61). In the rhymed register of a military unit, Aleksander Cedrowski facetiously characterised his comrades known to him personally, while the anonymous author described in a poem the Shrove Tuesday party held by Mikołaj Kisiel, who hosted in his house the hussars mentioned by name. In the poetic letters by Daniel Koźmicki and Andrzej Zborowski, on the other hand, there is a polemic about the condition of the knight and spouse. Th e occasional poems also show the problems with provisions of the hussars who stayed for winter in the Nowogródek Voivodeship (now Navahrudak, Belarus) in 1659.

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Dwie próby rozliczenia się środowiska literackiego ze stalinizmem

Dwie próby rozliczenia się środowiska literackiego ze stalinizmem

Author(s): Jan Olaszek / Language(s): Polish Issue: 17/2019

The article compares two books being an attempt of the Polish literary community to settle with Stalinism: Rachunek pamięci (An Examination of Remembrance) under the joint scientific editorship of Władysław Bieńkowski, Helena Boguszewska, Paweł Jasienica, and Jerzy Kornacki; and Jacek Trznadel’s Hańba domowa (Home Disgrace). The study presents the circumstances of the creation of these two books and their reception, together with an analysis of the statements and opinions of writers contained in the text in terms of assessing literature in Stalinist times and the atmosphere in the literary milieu at the time, their attitude to settling accounts with the past and to the factors that determined the support of a large part of the community for the communist system in the period.

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Polish Kafka? O pewnym stereotypie anglojęzycznej recepcji Schulza

Polish Kafka? O pewnym stereotypie anglojęzycznej recepcji Schulza

Author(s): Zofia Ziemann / Language(s): Polish Issue: 15/2020

The paper revisits a popular trope of the anglophone reception of the work and figure ofBruno Schulz, offering an overview of its history based on examples from literary criticismand paratextual framing since the first edition of Celina Wieniewska’s translation in 1963to the present. It is argued that although in the beginning the mentions of Kafka naturallyhad a marketing potential, helping to introduce a then unknown author to Englishspeakingreaders, the analogy was not used in a cynical or superficial way, nor was Schulzever presented as Kafka’s poor relative. Its early proponents (Isaac Bashevis Singer, CynthaOzick, and Philip Roth) genuinely believed in Schulz’s affinity with Kafka and the CentralEuropean Jewish tradition at large. At least since the early 1990s, Schulz has been listedon a par with Kafka, other high modernists, and other eminent authors from the Austro-Hungarian Empire, often becoming a point of reference for reviewers of translated fiction.If the phrase “Polish Kafka” still sometimes appears in this shorthand form, it is usuallypresented as a cliché and/or critically elaborated. In contrast to the contemporary understandingof “Polish Kafka” in Poland as almost an evocation of an inferiority complex,in the anglophone realm the comparison to Kafka has been an expression of bona fideadmiration for Schulz.

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Ciało mistyczne

Ciało mistyczne

Author(s): Karol Gromek / Language(s): Polish Issue: 31/2019

This article proposes to include in the literary studies the body of texts written by the Christian female mystics, whose accounts have so far been the domain of theological discourse. The perspective offered here focuses on the bodily categories contained in the works of women mystics from the 19th and 20th c. such as: Leonia Nastał, Faustyna Kowalska, Zofia Nosko, Roberta Babiak, Rozalia Celakówna, all of whom qualify under the category of experiential or affective mysticism. The present articles focuses on two notions, i.e. on the one hand, the typology of describing the bodily experience in the mystical text, and on the other, the biographical features. The latter opens up a path towards the anthropological and cultural dimension in the analysis of mystical writings with a particular focus on the issue of illness, self-mortification and exhumation.

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The Tragedy of a Whistleblower - Adamczewski’s Tragic Protest and the Case of Chelsea Manning

The Tragedy of a Whistleblower - Adamczewski’s Tragic Protest and the Case of Chelsea Manning

Author(s): Monika Kołtun / Language(s): English Issue: 1/2020

Bringing most carefully guarded secrets into light, political whistleblowers deconstruct the essential oppositions upon which superpower ideologies are founded: they draw popular attention to what has been relegated to the margins of the dominant discourses. Torpedoing the reputations of the most powerful organizations in the world, and well aware of the inevitability of retaliation, they put themselves in a most precarious position. Fighting against impossible odds in the name of the greater good, facing the gravity of the consequences, they become heroes in the classical sense of the word: arguably, their dilemmas are not unlike those faced by Antigone, Hamlet and other iconic figures in history, literature and mythology. Such is the central premise of this article. The methodological frame for the analysis of the material in this study has been adopted from Zygmunt Adamczewski’s The Tragic Protest, whose theory, bringing together classical and modern approaches to tragedy, allows for the extrapolation of the principles underlying the protest of such iconic figures as Prometheus, Orestes, Faust, Hamlet, Thomas Stockman or Willy Loman to discourses outside the grand narratives of culture. His theory of the tragic protest serves as a tool facilitating the identification of the features of a quintessential tragic protester, which Adamczewski attains by means of the study of the defining traits of mythological and literary tragic heroes. It is against such a backdrop that I adapt and apply Adamczewski’s model to the study of materials related to Chelsea Manning in search of parallels that locate her own form of protest in the universal space of tragedy.

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Czarno-zielone czasoprzestrzenie wyobrażone

Czarno-zielone czasoprzestrzenie wyobrażone

Author(s): Leszek Drong / Language(s): Polish Issue: 38/2019

Review of: Leszek Drong - Karolina Pospiszil, Swojskość i utrata. Obrazy Górnego Śląska w literaturze polskiej i czeskiej po 1989 roku, Wydawnictwo Uniwersytetu Śląskiego, Katowice 2016, s. 224. Oprawa twarda/miękka, publikacja polskojęzyczna.

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Wartości edukacyjne w literaturze dziecięcej Agnieszki Zimnowodzkiej. Rekonesans badawczy

Wartości edukacyjne w literaturze dziecięcej Agnieszki Zimnowodzkiej. Rekonesans badawczy

Author(s): Izabela Łuc / Language(s): Polish Issue: 28/2019

The article constitutes an attempt at an introductory description of educational values of eleven short stories for children written by Agnieszka Zimnowodzka. While discussing the educational function of the selected material, considering the compositional-structural and semantic-linguistic (including naming) layers of the stories, references to pragma-lingusitic analysis and theory of semantic fields (with appropriate methodological solutions) were made.

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Socialism, Synecdoche, and Tadeusz Konwicki’s Palace of Culture
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Socialism, Synecdoche, and Tadeusz Konwicki’s Palace of Culture

Author(s): Ewa V. Wampuszyc / Language(s): English Issue: 02/2013

Tadeusz Konwicki’s literary and cinematic treatment of the Palace of Culture and Science has had a significant influence on the perception and meaning of this Stalinist edifice. In his novels, Wniebowstąpienie [Ascension] (1967) and A Minor Apocalypse (1979), Konwicki uses the Palace as a means of critiquing communist ideology by adopting a Christian discourse that, in turn, invokes and questions the Polish Romantic messianic and martyrological tradition. In the 1989 film Lawa: Opowieść o “Dziadach” Adama Mickiewicza, Konwicki’s presentation of the Palace visually explodes into what seems to be the author’s “final” statement on the signification of the Palace. By examining the poetics of the Palace of Culture in Wniebowstąpienie, A Minor Apocalypse, and Lawa, this essay considers how over a period of twenty years Konwicki appropriated the meaning of the Palace by playing on the tension between the intended original signification of the building (as a Stalinist structure) and its function as a dynamic edifice that could be redefined in a localized (Polish), urban (Varsovian), and historical context.

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The Socialist Housing Projects as Non-Places in Post-2000 Polish Literary and Cinematic Narratives
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The Socialist Housing Projects as Non-Places in Post-2000 Polish Literary and Cinematic Narratives

Author(s): My Svensson / Language(s): English Issue: 03/2012

Beginning approximately a decade after the fall of the Berlin Wall, a cultural wave of various artistic representations of the socialist housing projects (blokowisko in Polish) arose in Poland. Three such works, Krzysztof Bizio’s short story collection Zresztą latem wszystkie kwiaty są takie piękne [Besides, in Summer All Flowers are Beautiful] (2003), Robert Gliński’s feature film Cześć, Tereska [Hi, Tereska] (2001), and Sylwester Latkowski’s documentary Blokersi (2001), well illustrate this new cultural trend. A common feature of these works is the complete absence of cultural or national landmarks; the life of the protagonists revolves around the housing projects and the non-places of supermodernity. The atmosphere in the stories ranges from gloom to darkness and their endings are usually unresolved or tragic. However, despite the despair and even fatalism surrounding especially the young female characters, all of the protagonists manage to find spaces of refuge, where they can unlock their imagination. Drawing on Marc Auge’s study of the non-places of supermodernity and Michel Foucault’s concept of heterotopia, while comparing the works to the contemporaneous Swedish film Lilya 4-Ever (2001), this article emphasizes the transnational character of the blokowisko and its universal meaning as a non-place.

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Dzieciństwo i jego pamięci

Dzieciństwo i jego pamięci

Author(s): Jan Zdunik / Language(s): Polish Issue: 2/2019

Mielhorski, R. (2017). Zawsze niezakończona przeszłość.Dzieciństwo i jego sąsiedztwa w poezji polskiej drugiej połowy XX wieku. Bydgoszcz: Oficyna Wydawnicza Epigram. The review article discusses Robert Mielhorski’s book Zawsze niezakończona przeszłość. Dzieciństwo i jego sąsiedztwa w poezji polskiej drugiej połowy XX wieku [Always an Unfinished Past: Childhood and Its Neighbourhoods in Polish Poetry of the Second Half of the 20th Century] (2017). The paper presents the most im¬portant theses of the book, shows the researcher’s most valuable findings – especially regarding the topics of memory and anamnesis, and also argues with some of the author’s statements (most importantly, those related to the use of psychoana¬lytical tools in the process of interpretation of a literary text).

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Pierwszy pitawal wegetariański, czyli o ilustracjach Emilii Dziubak do Horroru Madleny Szeligi

Pierwszy pitawal wegetariański, czyli o ilustracjach Emilii Dziubak do Horroru Madleny Szeligi

Author(s): Anita Wincencjusz-Patyna / Language(s): Polish Issue: 1/2020

In the article, the author focuses on the visual aspects of the book entitled Horror, written by Madlena Szeliga and illustrated by Emilia Dziubak, published by Gereon from Krakow in 2017. It is a collection of twenty literary miniatures which describe the tragical fate of seventeen different species of vegetables and fruit, and also champignons, a sunflower, and nettles, treated as food on a regular basis, whereas here they are depicted as living, and therefore feeling, specimens. The book makes interesting references to a centuries-old tradition of representing death, martyrdom, and suffering as well as vanitas threads popular especially in the period of Baroque rather than to a horror repertoire. For horror as a genre is quite well established in literature and film studies and not so much in fine arts research, the article discusses inspirations from Early Modern European painting, both religious, allegorical, and still life, as well as from Baroque epitaphs and ornamentation, very creatively used by the illustrator. The author of the article also underlines the tradition of animation and personification of plants which derives from the 19th-century European book illustration.

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Inicjacje bohaterów nieheteronormatywnych w Fanfiku i Slashu Natalii Osińskiej

Inicjacje bohaterów nieheteronormatywnych w Fanfiku i Slashu Natalii Osińskiej

Author(s): Katarzyna Reszczyńska-Urban / Language(s): Polish Issue: 1/2019

The article examines Natalia Osińska’s Fanfik [Fanfic] (2016) and Slash (2017) as examples of the implementation of a new model of the young adult coming-of-age novel in Poland. The text presents a short review of the state of research on the presence of non-heteronormative characters in Polish literature, especially in literature intended for the young audience. Osińska’s works are then analysed in terms of gender and sexuality, which is accompanied by an attempt to show the meaning of these categories to the plot of the novel. Due to the problems undertaken by the author of the text, tools related to LGBT studies and, in particular, transgender studies, are used.

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Pisanie o kobiecie a „pisanie kobiety” w twórczości Marii Krüger

Pisanie o kobiecie a „pisanie kobiety” w twórczości Marii Krüger

Author(s): Katarzyna Slany / Language(s): Polish Issue: 1/2019

Jędrych, K. (2017). Portret dziewczynki, dziewczyny i kobiety w powieściach Marii Krüger. Katowice: Wydawnictwo UŚ. In the article, the author analyses the book written by Karolina Jędrych entitled Portret dziewczynki, dziewczyny i kobiety w powieściach Marii Krüger [The Image of a Little Girl, an Adolescent, and a Woman in the Novels of Maria Krüger] (2017), which is a forerunner monograph devoted to the works of the title writer, focused on precisely defined issues that concerns girls and women, presented from the perspective of feminist criticism and gender studies. The author concludes that Jędrych’s monograph entails interesting and innovative recognition of Krüger’s literature and sets new directions for research on these works or the works of authors writing similarly to Krüger, whose prose directed to girls and women requires a reliable description from the perspective of feminisms. It seems that only a critical reading of literature addressed to girls, embedded in new methodologies, can give it a second life and explain to contemporary readers the phenomenon of the former popularity of this genre.

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An Uncaptive Mind
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An Uncaptive Mind

Author(s): Adam Michnik / Language(s): English Issue: 01/2005

This brief article is a discussion of the life and work of Czeslaw Milosz, a recently deceased, well-known Polish poet and dissident political figure. The author discusses his legacy and significance for the Polish generation of dissidents, as well as his personal encounter with the great poet.

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The Barbarian's Garden: Zbigniew Herbert and the Folly of History
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The Barbarian's Garden: Zbigniew Herbert and the Folly of History

Author(s): Bożena Shallcross / Language(s): English Issue: 01/2000

In what proved to be his last collection of essays, Still Life with a Bridle, the renowned Polish poet and essayist Zbigniew Herbert explores Holland, a country he visited often and regarded as a positive "European phenomenon." "The Bitter Smell of Tulips" an essay included in Still Life-is, however, less an analysis of his impressions of contemporary reality than a mind's journey into a distant past, for the author takes the reader to a country that "in the Europe of the seventeenth century, torn by religious wars . . . was an unusual, universally admired asylum of freedom, tolerance, and prosperity. " [...]

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