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Tiempo malgastado. Sobre el aplazamiento de la escritura en tres novelas hispanoamericanas

Tiempo malgastado. Sobre el aplazamiento de la escritura en tres novelas hispanoamericanas

Author(s): Amán Rosales Rodríguez / Language(s): Spanish Publication Year: 0

In the last decades, many studies have proliferated on the different ways in which a specific modality of consumer society, characterized by an unbridled acceleration of the rhythms of production and work, affects the lives of millions of people, especially in highly industrialized nations. These studies suggest that the individuals, under the pressure of an increasingly accelerated and frenetic pace of life, are compelled to perform certain roles and achieve certain goals that, if satisfactorily fulfilled, could guarantee success, or, at least, social acceptance. But what happens when the individual cannot or do not want to perform and fulfil such roles and expectations fast enough, when the individual prolongs or just abandons the entrusted task? In the richly diverse world of Latin American fiction, many writers have tackled this question. In base of three novels of different years: “El libro vacío” (1958), by the Mexican Josefina Vicens, “Wasabi” (1994), by the Argentine Alan Pauls, and “La novela luminosa” (2005), by the Uruguayan Mario Levrero, this paper comments the role played in contemporary fiction by the figure of the apathic, indolent or just slow-moving writer. The main characters of those novels seem to live in a slow-time dimension opposed to the fast one dominant in late modernity.

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“Sobrevivió […] la imagen judía de la ciudad”. Representaciones literarias de Łódź en dos autores latinoamericanos

“Sobrevivió […] la imagen judía de la ciudad”. Representaciones literarias de Łódź en dos autores latinoamericanos

Author(s): Ewa Kobyłecka-Piwońska / Language(s): Spanish Publication Year: 0

The paper aims to analyze the representations of Łódź in two short stories by Juan Manuel Torres, “El muchacho que mató a la luna” and “Al principio de la primavera”, and one long narration by Eduardo Halfon “Oh gueto mi amor”.

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Vivir en tiempos de odio. Concha Castroviejo y la ficcionalización del malestar femenino en “Víspera del odio” (1958)

Vivir en tiempos de odio. Concha Castroviejo y la ficcionalización del malestar femenino en “Víspera del odio” (1958)

Author(s): Luca Cerullo / Language(s): Spanish Publication Year: 0

The purpose of this paper is to analyse the novel "Vispera del odio" (1958), by Concha Castroviejo, with special focus on its impact as a literary testimony of the female condition during the Francoist years. The central plot in the novel revolves around an unhappy marriage, with the wife experiencing violence from her husband. The dramatic situation became a common element in many novels written by women of that time, hence the paradigmatic value of a general condition of feminine struggle that defines a consequent attitude and ability of surviving to adverse historical and social circumstances.

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L’ebrea errante. Uso popolare della "Megillat Ester" a Roma dopo Shoah e Liberazione

L’ebrea errante. Uso popolare della "Megillat Ester" a Roma dopo Shoah e Liberazione

Author(s): Davide Artico / Language(s): Italian Publication Year: 0

The paper main theme is Esther in Purim parodies. As a study case, the Jewish community in Rome is taken into consideration. In spite of the relatively small numbers of Holocaust victims among the Italian Jews, the traumatic memories of persecution were well present in the survivors’ awareness. In the early post-war years, they felt a pressing need to pass on their knowledge of the Holocaust to the younger. Apart from academic papers and literary works of import, a number of popular texts appeared. One example is a version of the Tale of Purim written around 1950. The narration carries on the Italian tradition of Aggadah-style literature, and its language makes it one of the latest documents featuring idioms of the now forgotten Jewish-Roman dialect. In the tale, the Holocaust is referred to by equalling Hitler to the persecutor of the Jews as of Megillath Esther. In that fashion, Esther as a literary character wanders from the ancient religious discourse to the extra-literary actuality.

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“Esta primavera fugitive” de Alberto Conejero (2021). “El príncipe constante” de Calderón de la Barca como el arte de vivir, sobrevivir y revivir.

“Esta primavera fugitive” de Alberto Conejero (2021). “El príncipe constante” de Calderón de la Barca como el arte de vivir, sobrevivir y revivir.

Author(s): Beata Baczyńska / Language(s): Spanish Publication Year: 0

The article studies a theatrical project presented in Teatro de la Comedia in Madrid by Alberto Conejero, with Susi Sánchez y José Troncoso, based on “El príncipe constante” by Calderón: “Esta primavera fugitive” (“Varaciones sobre” “El príncipe constante” de Calderón de la Barca). The performance was commissioned by Compañía Nacional de Teatro Clásico and staged on 17th of March 2021. The playwright converged several voices in his personal recast to manifest the strength and universality of “El príncipe constante”. The “mise-en-abyme” effect is stressed by the presence of Alberto in his play, as well as the mention of Jerzy Grotowski, Ryszard Cieślak and Juliusz Słowacki, the author of the Polish version of “The Constant Prince”. Different testimonies confirm the fundamental function of theater as ars vitae.

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Entre vivre et survivre, la rencontre “d’Hiroshima mon amour”

Entre vivre et survivre, la rencontre “d’Hiroshima mon amour”

Author(s): Valérie Cavallo / Language(s): French Publication Year: 0

Written by Marguerite Duras and directed by Alain Resnais, the movie “Hiroshima mon amour” (1959) is set in the immediate post-war period, precisely in the Japanese city destroyed by the first nuclear bombardment, while life is trying to begin again. Considering the immense wounds inflicted on the anonymous people of all nations during the Second World War, the scenario proposes to oppose this unprecedented catastrophe with a romantic encounter, in which the authors attempt to identify the irreducibility of affects and feelings, as a condition for renewing the living of a fractured humanity that is more sensitive than ever.

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L’histoire de la Pologne révisitée ou le jeu de l’implicite et de l’explicite dans la traduction française de “Jak zawsze” de Zygmunt Miłoszewk

L’histoire de la Pologne révisitée ou le jeu de l’implicite et de l’explicite dans la traduction française de “Jak zawsze” de Zygmunt Miłoszewk

Author(s): Joanna Warmuzińska-Rogóż / Language(s): French Publication Year: 0

The present article analyzes the translation of Zygmunt Miłoszewski’s novel “Jak zawsze” (“As usual”) into French (translation: Kamil Barbarski, title: “Te souviendras-tu de demain?”) and focuses particularly on the play between implicit and explicit elements related to the history and culture of Poland. The protagonists of the novel travel back in time fifty years to Poland, where it occurs that history unfolded completely differently than in reality. They have the opportunity to relive their lives in a different world, but it occurs that although their private lives will turn out differently, the history of Poland will end as usual. Miłoszewski uses stereotypes and allusions which, without explication in translation, will be incomprehensible or will lose their “raison d’être”. The author analyzes the translator’s strategies and the ability to understand the text by the recipient of the translation.

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К постановке вопроса о категории свободы в религиозно-философском ракурсе.  Определение рамок свободы в избранных произведениях Людмилы Улицкой

К постановке вопроса о категории свободы в религиозно-философском ракурсе. Определение рамок свободы в избранных произведениях Людмилы Улицкой

Author(s): Zoja Kuca,Aleksy Kucy / Language(s): Russian Publication Year: 0

The article is an attempt to analyse the category of freedom in the Russian religious and philosophical thought as well as interpreting this category in Lyudmila Ulitskaya’s selected works. The article offers some reflections on freedom in the view of Aleksey Khomyakov, Ivan Ilyin, Nikolai Berdyaev, Fyodor Dostoevsky, and other Russian intellectuals who considered is a substitutional element of human life and human functioning. The category of freedom presented in Lyudnila Ulitskaya’s works, “Daniel Stein”, “Interpreter”, and “The Kukotsky Enigma”, “About Body and Soul”, uncovers different facets of this phenomenon. The Russian writer approaches the multiplicity of interpretations of freedom through extraordinary figures, on the one hand, and through difficult subjects, on the other: human relations with God, survival of WW2, methods employed by the Soviet regime in their struggle with the Jews, the Holocaust. These are age-old themes in which the limits of freedom of an individual and the responsibility for the fate of others come to the fore.1

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Transpozycje motywu triady nierozłącznych cnót w polskim piśmiennictwie okresu pozytywizmu i Młodej Polski

Transpozycje motywu triady nierozłącznych cnót w polskim piśmiennictwie okresu pozytywizmu i Młodej Polski

Author(s): Bogdan Mazan / Language(s): Polish Publication Year: 0

Response of the Polish positivist and modernist writers to the biblical triad: faith, hope, and love has been the focal point of my research project. My aim was to trace a representative variety of references to these three motifs, both in their historical and timeless dimension. I was particularly concerned with outstanding, but all too often forgotten literary texts. A combination of traditional and contemporary research methods and critical approaches were used, such as hermeneutic fusion of cognitive horizons, intertextuality, and comparative cultural studies. My research brought to light numerous literary responses to faith, hope and love, of various artistic value, dealing mostly with basic human affairs but also with reactions reaching deeply into transcendence.

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Ekspresja niewerbalna w "Sobowtórze" Fiodora Dostojewskiego

Ekspresja niewerbalna w "Sobowtórze" Fiodora Dostojewskiego

Author(s): Dorota Samborska-Kukuć / Language(s): Polish Publication Year: 0

The article discusses how nonverbal communication in Dostoyevsky’s “The Double” is presented. It is a story about an official who fell into madness as a result of dehumanized interpersonal relations. Both, controlled and uncontrolled behaviours, are manifested by the body language. These reactions alternate, and they are a consequence of the protagonist’s emotional state made up of: his physical appearance, face expressions, visual imaging and vocal reactions, gestures, and forms of communicating with the outside world, paralleled or unparalleled by dialogues or monologues. The analysis of selected fragments of the work, which covers, above all, the non-verbal messages sent by Goladkin, and how they correlate with what he actually says, shows that the writer succeeded in creating an astonishingly accurate, even clinical, description of schizophrenia.

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Dosar Nádas Péter - Schiță biografică

Dosar Nádas Péter - Schiță biografică

Author(s): Lui Sipos Gyula / Language(s): Romanian Publication Year: 0

Acest text a fost scris de Nădas Péter în vara anului 1980, la solicitarea lui Sipos Gyula (Albert Pal), care trăiește la Paris ; textul a apărut pentru prima oară în Nâdas Péter - Bibliogrâfla : 1961-1994, Pécs, Editura Jelenkor, 1994. Traducerea lui este preluată din volumul Nâdas Péter, Sfârșitul unui roman de familie, Polirom, Iași, 2001.

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Кухнята на Аристофановата комедия „Птиците“: еротика и политика

Кухнята на Аристофановата комедия „Птиците“: еротика и политика

Author(s): Vanya Lozanova-Stancheva / Language(s): English,Bulgarian,Greek, Modern (1453-) Publication Year: 0

The article analyzes Aristophanes’ comedy The Birds performed in 414 BC at the City Dionysia and not long after the commencement of the Sicilian Expedition. The play is built largely on the specific culinary code defining the political and cultural „otherness” through „the birds’ life”. Information of this type can be organized into three main groups: – Motifs that characterize „the lifestyle/the diet of birds” scattered throughout the text of the comedy; – To this group gravitates the motive for the creation of the world as culinary confusion in so-called „Ornitogoniya” (vv. 693–702) in the first parabaza. – The alelofagiya’s motive, the motive of killing/eating conspecific, culminating in the episode with the penalty of rebelling against democracy birds (1579–1590; 1637; 1689), baked for the wedding of Pisthetaerus with Basileya.

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Jurnal

Jurnal

Author(s): Witold M. Gombrowicz / Language(s): Romanian Publication Year: 0

Poetul Max Hölzer stă cu mine la o măsuță, la „Zuntz”, pe geam privim albul strălucitor și neoanele somnoroase de pe Kurfurstendarmm, el se plânge, zice, la naiba, am avut atâția filozofi, oameni de artă, care n-au admis să privească nimic altceva decât problemele existențiale cele mai importante, de bază, pe când azi, mă întreb, unde a dispărut specia acestor grands seigneurs, literatura noastră tot rumegă războiul și pe Hitler, și politica tot revine la răfuielile dintre democrație și dictatură, la aceasta ni s-a redus genialitatea.

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Morbus Kitahara

Morbus Kitahara

Author(s): Christoph Ransmayr / Language(s): Romanian Publication Year: 0

Într-o mlăștinoasă lume închisă, carieră cu stranii vine de piatră locuită de foștii invadatori acum învinși, un tânăr își dorește să fie pasăre. Să se desprindă din glodul prezentului transformat, drept pedeapsă, de câștigătorii războiului într-o rezervație aflată în afara timpului, înapoiată, chinuitoare. Dar morbul misterios care molipsise ochii foștilor soldați n-avea cum să dispară dacă răzbunarea nu era dată uitării. O parabolă politică de mare forță, scrisă cu inegalabil rafinament de Christoph Ransmayr (n. 1954), unul dintre cei mai renumiți și mai traduși autori austrieci, care a primit în 1995 pentru Morbus Kitahara premiul european Aresteion.

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Stigmatele tăcerii - roman (fragment)

Stigmatele tăcerii - roman (fragment)

Author(s): Milisav Savić / Language(s): Romanian Publication Year: 0

Ridicând de la bancă cele douăzeci de lire pe care i le trimisese Milan Stojadinovic, fostul premier iugoslav, și el emigrant, dar în Argentina, ca onorariu pentru textele pe care i le publicase revista sa „Economist”, Crnjanski o luă spre restaurantul italian, trattoria Piedemonte, în Frith street. își permitea, o dată pe lună, luxul de a intra aici. De fiecare dată comanda cea mai obișnuită mâncare, pizza sau lazane, și un pahar de vin, di tavola.

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O języku "Postylli mniejszej" Jakuba Wujka: obraz kobiet w kazaniach na dni świętych — uwagi wstępne

O języku "Postylli mniejszej" Jakuba Wujka: obraz kobiet w kazaniach na dni świętych — uwagi wstępne

Author(s): Jolanta Migdał / Language(s): Polish Publication Year: 0

The article presents introductory remarks on the functioning of women in the sixteenth-century sermons of “Postylla Minor” (“Postylla mniejsza”) by Jakub Wujek. The method of naming female persons was characterized. Women are most often called “białogłowy” or “niewiasty” and are usually shown by their roles: mother, wife, daughter, virgin, widow, nun. A group of women mentioned in “Sermons for the days of saintly patrons” was discussed. Mary, the Mother of Christ, is mentioned most often in the sermons. Jakub Wujek also recalls other female biblical heroines: from the Old Testament – Anna, Ewa, Sara, Rachab, Rut, Tamar, Uriah's wife, from the New Testament – Anna, Elżbieta, Maria Magdalena / Magdalena, Marta and not found in the Bible Anna, the mother of Mary. Historical figures also appear in the sermons: Elżbieta – most likely Elżbieta of Thuringia, Empress Helena, Jadwiga widow – Jadwiga of Silesia, Paula – Paula Rzymianka, Pulcheria – Empress of Constantinople, Katarzyna – probably Katarzyna of Alexandria, Agrypina Młodsza – Nero’s mother. In Wujek's sermons, women are shown primarily as acting in God's plan of salvation.

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Одеският литературен кръг от 40-те години на ХІХ век и след това (Д. Чинтулов, В. Друмев, Св. Миларов)

Одеският литературен кръг от 40-те години на ХІХ век и след това (Д. Чинтулов, В. Друмев, Св. Миларов)

Author(s): Nikolay Aretov / Language(s): Bulgarian Publication Year: 0

A group of Bulgarian high-school students in Odessa (Nayden Gerov, Dobri Chintulov, et al.) made their first steps in literature and thus initiated the new Bulgarian poetry in the 1840s. Other men of letter studied here in the following decades; this town had a specific presence in Vasil Drumev’s novel Student and Benefactors; from here Svetoslav Milarov send long articles to the newspaper Pravo (Law) in Istanbul. Later, during the government of Stefan Stambolov, a new emigrant group was formed for a short period in this town on the shore of the Black Sea; Ivan Vazov participated in it, and here he started writing his famous novel Under the Yoke. This paper draws attention to the way how Bulgarians in Odesa saw this town, to what extent they were interested in Ukrainian culture, and how this interest developed over time.

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Добри Чинтулов – поезия и критически контексти

Добри Чинтулов – поезия и критически контексти

Author(s): Rumyana Damianova / Language(s): Bulgarian Publication Year: 0

The article examines aspects of the approach to clarifying the work of Dobri Chintulov: research and declaration of the authorship of Chintulov's works, the phenomenon of the popularity of his poems and the critical context of understanding and presenting the life and poetry of Dobri Chintulov.

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Поетическият ХIХ век на българите (Съзнанието за настояще)

Поетическият ХIХ век на българите (Съзнанието за настояще)

Author(s): Elena Getova / Language(s): Bulgarian Publication Year: 0

The paper charters in detail and provides numerous examples regarding the development of several thematic fields that are usually deemed peripheral to the poetry of the Bulgarian 19th century. One of them is connected to conceptions of time, era, and chronological period. Since Revival period poets often focalise their own currency, this analysis pays particular attention to the poetic transformations in revealing their awareness of the present moment and its thematic variations.

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Dante attraverso gli occhi dei suoi contemporanei: una collezione di testi poetici trecenteschi minori politici e civili toscani su Dante

Dante attraverso gli occhi dei suoi contemporanei: una collezione di testi poetici trecenteschi minori politici e civili toscani su Dante

Author(s): Marialaura Pancini / Language(s): Italian Publication Year: 0

This paper analyses a selection of political and civil 14th-century minor Tuscan lyrical texts, where authors use Dante’s biography and literature to compose political and civil verses. Through biographical and informatics research I selected a corpus of texts regarding the selected topic and genre. The purpose was to find similarities and differences between different texts, authors, and contexts. What emerges is a heterogeneous landscape that demonstrates some recurring themes in different texts.

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