Na placu. Widma przestrzeni

Author(s): Adam Lipszyc / Language(s): Polish Issue: 2/2016

Examining deconstructionist readings of Plato’s philosophy of space, Lipszyc reveals the close relationship between spatiality and spectrality. Space, properly understood, turns out to be a subversive dimension that provides room for phenomena even as it transforms them into apparitions. This statement becomes particularly significant in relation to urban space, which Lipszyc analyses with reference to geography theorists such as Edward Soja and Steve Pile, as well as with reference to the psychoanalytical perspective. This analysis is then complicated in the confrontation with a particular point on the map of Warsaw, namely Plac Grzybowski, a point where spectres are dense, as described in the prose of Miron Białoszewski.

Фотографията като илюстрация в българската художествена литература. Няколко примера от втората половина на ХХ век

Author(s): Katerina Gadjeva / Language(s): Bulgarian Issue: 3/2016

The paper focuses on the complicated interaction between text and image in fiction and poetry. Unlike literature that tries and clears readers’ minds of anything familiar, material or ‘possible’, photography is going just the other way around constantly bringing them back down to earth, binding them up with the existing. For this reason both authors and publishers oriented towards experiments and challenges would resort to it. Though there were few isolated cases in Bulgaria of photos used in book design early in the twentieth century, the earliest books intentionally designed with photographic illustrations were published as late as the 1960s, when fine art photography made its comeback in this country. In 1966, Narodna Mladezh publishing house released two dozens of books with photographic illustrations made exclusively for a series of crime and adventure novels. In 1973, Pavel Matev’s book of poetry Spoils of Silences came out with photos by Peter Bozhkov; in 1987, Labyrinth, a poetry book by Blaga Dimitrova and photos by Stanka Tsonkova-usha, was released. Though just a few, these publications show that photography and literature stand shoulder to shoulder and ‘technical pictures’ rather stimulate than put the brakes on the imagination.

Karen Petrone. The Great War in Russian Memory. Bloomington: Indiana University Press, 2011

Author(s): Jason R. Morton / Language(s): English Issue: 3/2015

Review of: Jason R. Morton - Karen Petrone. The Great War in Russian Memory. Bloomington: Indiana University Press, 2011. 408 pp. ISBN 978-0-253-35617-8.

ПОСТПОСТМОДЕРНИСТСКАЯ САМОРЕФЛЕКСИЯ В РОМАНЕ ПОЛА ОСТЕРА «СТЕКЛЯННЫЙ ГОРОД»

Author(s): Vera Borisovna Shamina / Language(s): Russian Issue: 2/2014

This paper addresses one of the most famous and disputable novels of the leading contemporary American author Paul Auster. Our aim is to reveal various forms of the author’s presence in the novel and to describe the aesthetic results of these multiple embodiments. We demonstrates how, using all major strategies of postmodernism, the author actually parodies it creating a metatext, which enables us to speak of a new stage of the development of postmodern fiction.

М.В. САБАШНИКОВА КАК ПОЭТ: ЦИКЛ «ЛЕСНАЯ СВИРЕЛЬ»

Author(s): Anastasiya Valerevna Sofina / Language(s): Russian Issue: 2/2015

The study object of this paper is M.V. Sabashnikova’s first published poetic cycle “The Forest Pipe”. The complex analysis of poems included in the cycle makes it possible to get an understanding of M.V. Sabashnikova’s poetic world during the period of 1906–1907. As a result of the study, individual peculiarities and typical features of the epoch reflected in M.V. Sabashnikova’s poetic manner are revealed.

Jüdische Legenden in der Historiographie des Karmeliterordens zwischen 1240 und 1696 - Zwei Beispiele zur Jonas- und Elijas-Tradition.

Author(s): Piotr Nyk / Language(s): Polish,German Issue: 1/2014

Jewish Legends and old rabbinical Traditions could be find in the Hystoriography of the Carmelite Order. In its Beginnings in Europe the Legends served to defend the biblical Identity of the Order. The Article deals with a Study about two Examples of Jewish Legends: 1. Jonah as the Son of the Widow, 2. Elijahs Water-Miracle (10 Springs Gushing from his Fingers).

Les onomatopées et les théories de la glotto-genèse, II p.

Author(s): Danguolė Melnikienė / Language(s): French Issue: 29/2016

Les onomatopées, cette forme curieuse de la combinaison des « mots » et du « chant », constituent depuis longtemps un objet de recherche pour les philosophes, linguistes et lexicographes. Nées à différentes époques historiques, elles ont continué à prendre de l’ampleur au cours des deux derniers siècles et sont susceptibles de mettre en relief les aspects les plus importants de ce phénomène qui oscille entre philosophie du langage et linguistique. Dans cet article, composé de deux parties, nous nous intéressons aux théories de la glotto-genèse, créées de l’antiquité à nos jours, qui sont souvent considérées comme parfaitement onomatopéiques. Mais le rôle de l’onomatopée y est-il vraiment aussi capital qu’on le prétend ? Que se cache exactement derrière la notion d’onomatopée ? Cette dernière coïncide-t-elle pleinement avec la notion de l’origine, créée à l’époque antique ? Afin de répondre aux questions formulées ci-dessus, nous avons étudié de nombreux textes appartenant à différentes époques : des auteurs antiques d’abord (Platon, Aristote), puis des philosophes et des écrivains du XVIIe (Gottfried Wilhelm Leibniz), du XVIIIe (Johann Gottfried Herder, Jean-Jacques Rousseau) et du XIXe (Charles Nodier) siècles, et enfin des auteurs du XXe siècle (Otto Jespersen, Gérard Genette, Henri Meschonnic). Nous avons essayé d’y dépister les traces des théories onomatopéiques de la glotto-genèse et de les présenter à la lumière des recherches linguistiques actuelles.

АНДРЕЙ ПЛАТОНОВ В ПОИСКАХ ЖАНРА

Author(s): Marina Vladimirovna Zavarkina / Language(s): English,Russian Issue: 1/2016

The article studies the problem of genre in the literary works of A. Platonov. The viewpoint on the author’s manner of thinking as “genre busting” that is very popular in Platonov Studies is argued here. The article analyzes the main genres of his creative work: verses, a publicistic and literary-critical article, a story, a short novel, a novel, a play, a script, a fairy tale. The diversity of genres used by the author represents a certain way of self-expression chosen by the author strategically. As it is shown in the article, because of the problems with censorship A. Platonov modified the same ideas trying to introduce them in different genres for the purpose of applying to his readers. In the artistic heritage of A. Platonov it is possible to detect a genre system that allows us to outline the periods of his creative work, according to his genre preferences at a particular point in time. Genre diversity in the presence of a certain range of recurrent ideas confirms the viewpoint of the writer’s works as one text.

The emergence ofthe Sufiliteratureasthe balance ofpower in Media (An Analytical Study on The impact of Sanaee’s poem onthe emergence ofthe emancipated Media in Iran)

Author(s): Abbas Mohammadian,Ali Sadeghimanesh / Language(s): English Issue: 3/2015

The present study is about the impact of Sufi literature onthe emergence ofthe emancipated Media in Iran. Literature was the most powerful media, when there was not television, radio and internet. As, media is an important tool for maintaining the legitimation of regimes, rulers were trying to make a powerful control on poetry and poets. Economic conditions, publishing and distribution situation and the other limitations were the reason of poets’ dependence on the rulers. The emergence ofSufiliteraturewas asthe balance ofpower inmedia. Sufi poets were so powerful, so they did not have to obey the rulers. Sanaee was the first raised Sufi poet that freed poetry from ruler’s control and balanced the power of Media.

Reconstruction of Contents by Raported To The Idea of Didactic Transposition

Author(s): Tiberiu Octavian Cujba / Language(s): English Issue: 3/2015

In order to contextualize the theme discussed in this article is presented briefly the historical development of educational sciences from the Didactica Magna to Postmodern Didactic, then localized reconstruction of contents in Didactics of specialty between discursive strategy and argumentative performance. Reconstruction of contents by reported to the idea of didactic transposition, the main theme of discussion of this article, is analyzed in relation with didactic speech, which has the role to put into practice in the classroom the idea of didactic transposition. Didactic speech, mediated by computer, is a current reality at the present time, as generalization in the educational process. Reconstruction of contents is placed on the axiomatic background of curriculum paradigms because changing paradigm has the effect of change the architecture of didactic speech to present in classroom the scientific contents reconstructed by didactic transposition. Finally, some conclusions are presented.

W stronę modernistycznego opus vitae. Drogi twórcze Tymoteusza Karpowicza i Ezry Pounda

Author(s): Karolina Górniak / Language(s): Polish Issue: 2/2015

The article aims to present the biographies of two representatives of literary modernism in Polishand Anglo-American poetry: Tymoteusz Karpowicz and Ezra Pound. Drafting the circumstances in which their lifeworks rose (ie. Słoje zadrzewne and The Pisan Cantos) the author points out the possible concurrences of Polish postwar avant-guarde poetry and high modernism in Anglo-American poetry. Looking at the autobiographical aspect in the chosen fragments of these two works we can notice few important junctions. Słoje zadrzewne and The Pisan Cantos carry a stigma of the last will – they are thought to be a recapitulation of the poets’ output. These volumes of poetry are the examples of unrealized dream about the creation of a modernist “Book”. The literary evolution of two poets is sketched in this text, what inspires to continue the considerations about indirect recurrences between the poetry of Karpowicz and Pound.

МОТИВ ВОЗВРАЩЕНИЯ БЛУДНОГО СЫНА В РОМАНАХ И. С. ТУРГЕНЕВА

Author(s): Valentina Gabdullina / Language(s): English,Russian Issue: 1/2013

The author questions the perception of Ivan Turgenev as a “non- Christian writer” and studies the problem of the prodigal son motif functioning in a series of his novels. In his novels, Turgenev pictured different phases of the archetypal story, originating from the Gospel parable of the prodigal son. In the novel Rudin he depicted the phase of spiritual wanderings of the hero who had lost touch with his native land — Russia. In his next novels (Home of the Gentry, Fathers and Sons and Smoke), after leading his hero in circles and sending him back to his paternal home, Turgenev reconstructs the model of human behavior, represented in the parable, thereby recognizing the immutability of the idea formalized in the Gospel. The motif of the return to Russian land gets its completion in Turgenev's last novel Virgin Soil, in which the author paradoxically connects the Westernist idea with the Gospel imperative. Solomin, the son of a deacon, sent by his wise father out to Europe “to get education”, studies in England, masters the European knowledge and returns back “to his native land” to establish his own business in inland Russia. Thus, a series of Turgenev's novels, in which he portrayed different phases of social life, are interlinked with the motif of the prodigal son, who is represented by novels' main characters.

Development Features of Professional and Pedagogical Culture in The Process of Volunteering Activities of Future Specialists in Socionomic Sphere

Author(s): Elena Gomonyuk,Rаіко Valery,Onyshko Oksana / Language(s): English Issue: 6/2016

The article presents a research on development features of professional and pedagogical culture in the process of volunteering activities of future specialists in socionomic sphere. Social problems escalation and absence of the system providing service to the most vulnerable sections of the population caused the appearance of the voluntary movement. The participation of young people in volunteer work gives them the opportunity to make personal contribution to the solution of social problems, to test their capabilities by taking part in projects and social programs. The level of professional pedagogical culture of future specialists of socionomical professions is determined with forming professional and personal qualities. After all, professional pedagogical culture, as a synthesis of the competences and professional qualities, is an important indicator of a highly qualified specialist

Albanian Cultural Representation In The City Of Venice Through Albanian Painters In Italy

Author(s): Ndreu Irena / Language(s): English Issue: 7/2017

Many men of education run away to European cities after the invasion of the entire Balkan Peninsula. The ideals of humanism and renaissance were affirmed, thanks to their intelligence, which brought the Greek-Roman classicism to the top of the fields of literature and art. This paper will present the works of brothers Gjon (Giovanni) and Pal (Paolo) Gazulli, the poet Michele Marulli, the writer Marin Barleti (Marino Barlezio), the philosopher Leonik Tomeu, the painter Vittore Carpaccio, excelled with their talent and works in the city of Venice. The Albanian community needed a fortune to compete with groups from other nations, with the Dalmatians among many. They needed to decorate the premises of their association with precious objects and paintings: there is proof of this in the paintings of Vittore Carpaccio, in the first years of the XVIth century. Carpaccio‟s works are important, they present, in the cycle “Stories of St. Ursula”, the uniform of Albanian soldiers serving the Republic of Venice.

О восстановлении памятника матери Ф. М. Достоевского на бывшем Лазаревском кладбище в Москве

Author(s): Pavel Evgenyevich Fokin / Language(s): English,Russian Issue: 1/2017

Maria Fyodorovna Dostoevskaya (nee Nechaeva), mother of the great writer, died on March 11th (February 27th), 1837. She was buried at the first public graveyard in Moscow — Lazarev cemetery, the largest one until 1917. In the 1930s this cemetery was ravaged, and the writer’s mother’s remains were subjected to a barbaric exhumation. The tombstone was kept for a long time in the cellar of the State Literary Museum. The given article covers the history of reconstruction of the tombstone of M. F. Dostoevskaya. This cultural and historical event occurred on March 11th, 2017 in the territory of the former Lazarev cemetery in Moscow, near the Holy Spirit Temple. The reconstruction of M. F. Dostoevskaya’s grave is not only the reconstruction of a place of memory of the Dostoevsky dynasty, but is also evocation of recollections of all the buried in the destroyed Lazarev cemetery.

Ekonomia ciała. Powieści Marty Syrwid

Author(s): Michał Sowiński / Language(s): Polish Issue: 1+2 (8)/2016

The paper “The Economics of Body: On Marta Syrwid’s Novels” aims, on the one hand, to sketch a portrait of the writer and place her within the space of the Polish literary field; on the other hand, it makes an attempt to interpret her first novel Zaplecze. The author of the text seek to break off with the dominant feminist existential perspective, in which Syrwid has been often inscribed by the critics. Instead, he proposes to view her writing as a continuation of the modern thinking (references are made to e.g. Kafka) about the subject in economic categories, that is as an impossible project of the complete breaking from and becoming independent of the outside reality.

За първи път на български език: "Еротика" на Иван Цанкар

Author(s): Mariya Russeva / Language(s): Bulgarian Issue: 02/2016

Frauenschicksale in Ingeborg Bachmanns späten Prosawerken

Author(s): Goran Lovrić,Slavica Dajak / Language(s): German Issue: 1/2017

The authors of this article analyse female characters in the prose of Ingeborg Bachmann. Her series of novels Todesarten – which includes Malina (1971) and Der Fall Franza (1979) – and a series of short stories Simultan (1972) are the subjects of the analysis. The authors prove that in the prose of the Austrian writer there appear women who are tyrannised by men and accept the role of a victim. Such an attitude leads Bachmann’s protagonists to both the loss of identity and self-destruction.

„Септември ще бъде...” онлайн, или дигиталните преображения на „хартиения” текст

Author(s): Ivan Velchev / Language(s): Bulgarian Issue: 01/2017

Iser’s conception of the implied reader allows us to understand more about reading opportunities, provided by technology since – by defining the reader as a disposition resulting from networks of text meanings – this notion allows their integration in the textures of the Net afterwards. As a conjunction of culture and technology, digitized text actually poses problem of bringing these together, of the cultural consequences of the encounter between digital and print culture. It is difficult to say whether this encounter refutes big postmodern myths, or proves them right, but this answer will undoubtedly affect the destiny of the text.

Завръщане в Атон

Author(s): Lyubomir Georgiev / Language(s): Bulgarian Issue: 01/2017