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La femme aux souliers de satin/Satan. Les femmes « incommodes » dans l’ancienne France
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La femme aux souliers de satin/Satan. Les femmes « incommodes » dans l’ancienne France

Author(s): Diana Curcă / Language(s): French Issue: 3/2014

A brief immersion in the history of mentalities and concepts, this essay follows gradually the different resorts of a specific typology of interaction between men and women-fear, skepticism, cowardice, ignorance oriented the male perception of women in / towards a degrading/downgrading direction. Who are these women who over the time, from Eve, Helen of Troy to Jeanne d’Arc, George Sand or Rosa Luxemburg, broke a pattern-the pattern of the vulnerable, quiet, unable to make decisions- woman? Literature, painting are rich in representations of those we called the deadly beautiful, the frustratingly brave, the erudite, the single or the widow, the remonstrator: women who speak, show themselves, reason and fearlessly defend the product of their reasoning in a phallocentric society.

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La figure de l’artiste dans la littérature française ultra contemporaine : de l’analyse thématique vers le portrait de l’homme

La figure de l’artiste dans la littérature française ultra contemporaine : de l’analyse thématique vers le portrait de l’homme

Author(s): Adriana Lastičová / Language(s): French Issue: 2/2022

This paper aims to contribute to the study of the figure of the artist through thematic analysis of several recent texts published in French. The author examines the main themes linked to the artist-protagonist, classifies them in hypernymic categories and shows that in the works of some contemporary French authors (Houellebecq, Grainville, Gailly, Le Guillou) the figure of the artist loses its romantic features, inherited from the artist novel of the nineteenth century and increasingly takes on anthropological dimensions to convey the values of the human quest. According to the author, hermeneutic interest in these works should consist in deciphering their full potential in terms of meaning beyond the surface of the artist novels.

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SYLVIE GERMAIN ET PAUL CELAN. PERSPECTIVES SUR LA JUDEITE DANS LE ROMAN GERMANIEN

SYLVIE GERMAIN ET PAUL CELAN. PERSPECTIVES SUR LA JUDEITE DANS LE ROMAN GERMANIEN

Author(s): Roxana Maximilean / Language(s): French Issue: 16/2019

Our work focuses on the relationship between Sylvie Germain's novel Magnus and a poem she chooses to insert inside the book, Paul Celan's Death Fugue. John Felstiner, one of the most important critics of the poet considers the poem as the Guernica of the post-war European literature. We will try to distinguish the construction of a common theme that of the pain enveloped in the silence imposed by an absurd regime, the Holocaust. Even if she does not have Jewish origins, a part of Sylvie Germain’s books reveal the sensitivity of the writer for the victims of this catastrophe. The affirmation is reinforced by her preference for Paul Celan, a poet of Jewish origin and his Death Fugue, the poem he dedicates to his mother who died in an extermination camp. Magnus is also one of those books that sketch this dark period of history, illustrating the fate of a boy who was rendered to silence and amnesia by the violent loss of his mother during a bombardment. Our paper aims to identify the motivation of the choice of the poem, how the poem is inserted inside the novel, and its role in understanding the entire book. Then, we will analyze the problem of the silence displayed by the divinity towards Evil in the world, a recurring theme in Sylvie Germain’s work, and the evil figures constructed in the concerned novel.

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THE CONFESSIONS OF JEAN-JACQUES ROUSSEAU – BETWEEN AUTOBIOGRAPHY AND SELF-PORTRAIT

THE CONFESSIONS OF JEAN-JACQUES ROUSSEAU – BETWEEN AUTOBIOGRAPHY AND SELF-PORTRAIT

Author(s): Ana-Elena Costandache / Language(s): French Issue: 17/2019

An emblematic figure of the 18th century, Jean-Jacques Rousseau has given to the French (and universal) literature books that reveal the man and the writer. Our attention is based on ,,Confessions”, a plural writing, which represents the author himself, as a philosopher confronted with realities of his time, a man of letters, who made a great passion for books, religious man, in constant search of his faith. As a consequence, we propose a fine analysis of the ,,Confessions”, in order to discover the heterogeneous writing, which mixes elements of autobiography with the self-portrait.

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Le cosmopolitisme et l’étrangéisation : Anna Nakwaska (1781-1851) et les géographies de la littérature polonaise d’expression francophone

Le cosmopolitisme et l’étrangéisation : Anna Nakwaska (1781-1851) et les géographies de la littérature polonaise d’expression francophone

Author(s): Michał Bajer / Language(s): French Issue: 1/2023

The studies on Polish francophone literature put an emphasis on a selected group of authors (Potocki, Mickiewicz, Krasiński) and on some literary genres (diary and travelogue). The aim of this paper is to study the work of a lesser-known feminine writer, Anna Nakwaska, member of cosmopolitan literary milieu and author of several short stories and novels, written in French. Applying selected concepts of spatial literary studies, the first part of the article proposes to perceive the publishing strategies of Nakwaska as a tool for introducing Polish feminine literature in a broader European context. In the second place, the study of some Nakwaska’s short stories show her interest for a literary presentation of several geographical problems, including demography (put in the context of antisemitism) and regional ecology. The use of Polish toponymy brings a foreignization of the francophone fiction.

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Постмодернистката деконструкция на провинциално-имперските координати: „Убийство във Византия“ от Юлия Кръстева

Постмодернистката деконструкция на провинциално-имперските координати: „Убийство във Византия“ от Юлия Кръстева

Author(s): Roman Dzyk / Language(s): Bulgarian Issue: 1/2023

Julia Kristeva’s Murder in ByzantiumThe article examines Julia Kristeva’s novel Murder in Byzantium, in which a typical structuralist provincial-imperial model of the world order is deconstructed from the standpoint of post-structuralism. It is assumed that the appeal to the history of Byzantium has certain autobiographical grounds. In this way, Kristeva demonstrates the relativity of the concepts of ‘centre’ and ‘periphery’ from a historical perspective: Byzantium, Bulgaria, France, the United States eventually dissolve into the “global village”, which is embodied in the novel in the image of Santa Barbara.

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Compte-rendu : Margarita Alfaro, Vassiliki Lalagianni et Ourania Polycandrioti (dir.). Voyage et idéologie. Les politiques de la mobilité (Orient, Afrique, Asie – XXe siècle). Editions du Bourg, Montrouge, 2022, ISBN : 978-2-490650-23-1

Compte-rendu : Margarita Alfaro, Vassiliki Lalagianni et Ourania Polycandrioti (dir.). Voyage et idéologie. Les politiques de la mobilité (Orient, Afrique, Asie – XXe siècle). Editions du Bourg, Montrouge, 2022, ISBN : 978-2-490650-23-1

Author(s): Elena Dineva / Language(s): French Issue: 1/2023

Margarita Alfaro, Vassiliki Lalagianni et Ourania Polycandrioti (dir.). Voyage et idéologie. Les politiques de la mobilité (Orient, Afrique, Asie – XXe siècle). Editions du Bourg, Montrouge, 2022, ISBN : 978-2-490650-23-1. Margarita Alfaro, Vassiliki Lalagianni et Ourania Polycandrioti (dir.). Mobility policies (Orient, Africa, Asia – XX century). Editions du Bourg, Montrouge, 2022, ISBN : 978-2-490650-23-1

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За книгата: Писането за себе си и неговите жанрове. Писма, дневници и други форми на автобиографичния разказ в европейската писмена практика (XVIII – XX век). Съставител Маргарита Серафимова. София, Издателски център „Боян Пенев“, 2021.

За книгата: Писането за себе си и неговите жанрове. Писма, дневници и други форми на автобиографичния разказ в европейската писмена практика (XVIII – XX век). Съставител Маргарита Серафимова. София, Издателски център „Боян Пенев“, 2021.

Author(s): Elitza Popova / Language(s): Bulgarian Issue: 1/2023

Book review: Self-writing and its genres. Letters, diaries and other forms of autobiographical narrative in European scriptural practice (18th-20th centuries). Edited by Margarita Serafimova. Sofia, Boyan Penev Publ 2021

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LES PIÈGES DE LA TRADUCTION LITTÉRAIRE – TEXTE RAFFINÉ FRANÇAIS VS. TEXTE « ABSURDE » ROUMAIN

LES PIÈGES DE LA TRADUCTION LITTÉRAIRE – TEXTE RAFFINÉ FRANÇAIS VS. TEXTE « ABSURDE » ROUMAIN

Author(s): Daniel Gălățanu / Language(s): French Issue: 25/2021

This article dedicated to the literary translation aims to draw attention to the lexical, semantic and stylistic problems involved in the transition from one language to another, even if they are Latin, in this case French and Romanian. A devoted supporter of the practice of translation, and less of theory, the article presents two separate cases with two almost insurmountable problems: the first, a translation of Baudelaire into Romanian and, here we are dealing with the transition from a more refined language, extremely cultivated over the centuries, that is French, to a freer language, less subject to standards and sometimes stylistically poorer, which is the Romanian language. The second case has French as target language, the "richer" sister, but its author is an ancestor of Tzara and Ionesco, equally Dadaist and absurd, therefore, a Romanian brother of Kafka. Here, the vague and amputated syntax, as well as the semantic contradictions and the fragmented expression and dynamited discursive logic of the Dadaist writer, make the translation into any target language almost impossible, since the aforementioned problems come from the native language.

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Les reportages du « Strapontin volant » en tant qu’exemple de la littérature mondiale en langue francaise. Le cas de Léon Kochnitzky

Les reportages du « Strapontin volant » en tant qu’exemple de la littérature mondiale en langue francaise. Le cas de Léon Kochnitzky

Author(s): Agnieszka Kukuryk / Language(s): French Issue: Sp. Iss./2022

This article focuses on the journalistic work of Léon Kochnitzky, who illustrates what has been called “Francophone literature” or more broadly, world literature in French. Our aim is to show that the reportages of this Belgian writer-traveler represent a unique dialogue between creativity and critical reflection, that his often poetic but also humorous chronicles are an excellent contribution to Francophonie. The landscapes he creates, through which cultures communicate with each other, will remind us that poetry lives from its openness to the world and history, and that the interaction between poet, world, and word is an excellent opportunity for mutual enrichment.

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La Pologne, son destin et sa vocation particulière aux yeux des écrivains français du XIXe siècle

La Pologne, son destin et sa vocation particulière aux yeux des écrivains français du XIXe siècle

Author(s): Wiesław Mateusz Malinowski / Language(s): French Issue: 34/2023

The author of the paper propounds a hollistic outlook on how French writers of the 19th century perceived the fate of Poland in the most dramatic moment of its history, when it was fighting a fierce, and almost hopeless battle for its independence, having disappeared from the map of Europe. In textes of many poets, publicists and men of letters in France one can find a unique set of motifs that not only reveal a highly consistent way of thinking with respect to the situation Poland was in at the time, but also build a parallel vision of its future, and even hold a belief that Poland was to play a special role among European countries. In this paper the author identifies and discusses six such motifs.

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MICHEL ESPAGNE, L’ambre et le fossile. Transferts germano-russes dans les sciences humaines, XIXe–XXe siècles

MICHEL ESPAGNE, L’ambre et le fossile. Transferts germano-russes dans les sciences humaines, XIXe–XXe siècles

Author(s): Stéphanie Cirac / Language(s): Czech Issue: 02/2015

Review of: MICHEL ESPAGNE, L’ambre et le fossile. Transferts germano-russes dans les sciences humaines, XIXe–XXe siècles, Paris 2014, Armand Colin, 296 s., ISBN 978-2-200-29519-6.

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THE SUICIDE OF THE LITERARY WORK

THE SUICIDE OF THE LITERARY WORK

Author(s): Amelia TUȚĂ / Language(s): Romanian Issue: 29/2022

For many writers, the road to suicide was a last resort, a road to no return, but considered a savior. According to Cioran, a written book can delay the suicidal gesture, for this reason, it is considered as a burning flame that lingers incessantly in the artist's consciousness, which he keeps alive. "It is often said that there is a fine line between genius and madness, or that geniuses are misunderstood. Most of the time we find at least a grain of truth in these statements. [...] they live in an eternal conflict not only with the public, which they hope to impress, but also with themselves -because the author is the fiercest (self) critic. ” Creation is life, and when it dies, the writer's life ends. The writing of works is the medicine that each author administers daily, under the strict guidance of the reading public, an audience that the doctor of his spirit considers. When a destabilization occurs in the writer's life, it automatically reflects on the creation, and often the support of the public and the knowledge of success are hit by the external fluctuations of the transformations that the artist goes through. Thus, the fluency and linear trajectory of literary writings are destabilizing, and the lack of this drug metamorphosed into creation leads to death, the death of the writer, the death of creation. As I explained above, Cioran's words, the burning flame, the book that lasts in the artist's consciousness, keeps him alive, by postponing death, but through creation it is consumed. Thus, we will analyze what is its path that leads to death. Throughout most of their lives, writers find nothing in the social environment that imposes an obstacle or a brake, and even if these things start to appear timid, they do not stop, but look for ways to revive and release, as is the case of Paul Celan and Gherasim Luca, who chose to go to France when they were unable to find a purpose in Romania.

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PROLETCULT LANDING IN THE DESTINY OF IOANA POSTELNICU AND HENRIETTA YVONNE STAHL

PROLETCULT LANDING IN THE DESTINY OF IOANA POSTELNICU AND HENRIETTA YVONNE STAHL

Author(s): Felicia Rodica Aliu (Brîncoveanu) / Language(s): Romanian Issue: 33/2023

Etymologically, the term proletcultism comes from the Russian, "proletarskaia kultura", meaning a culture of the proletariat, of workers in factories and construction sites or of peasants co-opted into agricultural households. The task of ennobling these environments fell to the writers. A significant number of intellectuals abdicated from this mission, which was impossible, the others continued their way, not easy either, offering works in the patterns required by this false literary doctrine in which narrative art is overshadowed by an idealized typology of characters, out from the ranks of the many, but capable of escalating any obstacle. Among the intellectuals who passed through the filters of socialism were the two writers, Ioana Postelnicu and Henriette Yvonne Stahl, a fact that influenced thematically, aesthetically, ideologically their works published between 1959-1970. The writings published in these decades managed to see the light of day, but they are impregnated with ideas promoted by the communist party, even if in the subtext the reader can sense the ironic spirit and the blaming nuances, the revolt against the harsh regime they faced not only in real life, but also artistically. Their creations from this period characterize socialist realism. The directions imposed by the era and the period lead to a frustrated narrative that lacks lyrical thrill. The novelty of the novels lies in the art of portraiture, which slides towards psychologism. In some places, historical, political or working-class tensions also arise. In the novels of both writers, the protagonists are teenagers in order to emphasize the idea of a newly formed generation in the spirit and in the law of the proletcultist doctrine.

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"Hadrář" Prahy dvacátého století?

"Hadrář" Prahy dvacátého století?

Author(s): Veronika Košnarová / Language(s): Czech Issue: 1/2023

The book entitled "Praha, hlavní město dvacátého století: Surrealistická historie" is a Czech translation of the original English edition "Prague, Capital of the Twentieth Century: A Surrealist History" (Princeton – Oxford, Princeton University Press 2013) by British-Canadian cultural historian Derek Sayer. It deals with a number of events, phenomena and figures from the artistic and cultural history of Prague and the Bohemian lands from the late nineteenth to the second half of the twentieth century, with a special focus on the interwar period. The reviewer is primarily concerned with the author’s method. Sayer, she argues, takes inspiration from the methods of the German philosopher and sociologist Walter Benjamin (1892–1940), and in the style of montage and collage (as a “ragman of memory”, as Benjamin himself put it) freely transitions between different time periods, fields of art and culture, and the perspectives from which he examines the phenomena under study. The surrealist movement from the book’s title is only one of the topics which reveal the author’s predilection for the myth-making genius loci of “magical Prague”, in the spirit of the Italian writer and Bohemianist, Angelo Maria Ripellino (1923–1978). But Sayer does not equal Ripellino in poetic quality. In terms of the scope and diversity of the facts and events discussed, Sayer’s book is a monumental achievement, but the reviewer points to methodological problems in the handling of literary texts, a limited knowledge of Czech scholarly literature and a sensationalizing tendency. What is innovative about the book is not the point of view or the facts presented, but their arrangement, which represents a postmodern way of writing about cultural history.

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"VINTAGE" IN LITERATURE REMAINS CURRENT AND BECOMES "MODERN" IN CINEMA, UNDER THE DOME OF GLOBALIZATION

"VINTAGE" IN LITERATURE REMAINS CURRENT AND BECOMES "MODERN" IN CINEMA, UNDER THE DOME OF GLOBALIZATION

Author(s): Mirela Corina Nițu (Samoilă) / Language(s): Romanian Issue: 34/2023

The work of Gustave Flaubert, ”Madame Bovary”, has acquired an international character, under the dome of globalization that has captured artistic fields, such as literature or cinema. Bovarism in the aforementioned novel has been the subject of no less than 18 films made for cinema, from Europe to America and for many other television films. He was also the subject of plays, one of which was performed on the stage of the National Theater in Bucharest in 1941. I considered necessary to make a foray into the performing arts, having as reference the literary work signed by Gustave Flaubert, studing interferences, differences reflection of reality, peculiarities. In the context of the third millennium, an inter-/ trans disciplinary approach can validate a concept specific to the third millennium - complex knowledge.

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Le bilboquet, un badinage dangereux ? Une étude sur Le Bilboquet de Marivaux

Le bilboquet, un badinage dangereux ? Une étude sur Le Bilboquet de Marivaux

Author(s): Pan Jingxuan / Language(s): French Issue: 13/2023

The “Le Bilboquet” of Marivaux illustrates the social frenzy incited by this game at that time. Driven by resentment against the bilboquet, which distracts his mistress, the narrator elaborates on how Madness has conquered the people of Europe through this frivolity. Through the depiction of the contagion of the game, we could observe how the pleasure it brings and the mimetic desire of men contribute to the success of the bilboquet. The social disorder resulting from this ludic frenzy leads us to question the nature of the game: is it merely an entertainment or does it actually represent a danger? Such a trifle could have grave consequences, in line with the logic of reevaluating the “nothingness” that we can find in most of Marivaux’s works.

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Les jeux d’enfants dans Les Rougon-Macquart

Les jeux d’enfants dans Les Rougon-Macquart

Author(s): Shoshana-Rose Marzel / Language(s): French Issue: 13/2023

This article examines children’s games in Les Rougon-Macquart while relying on a typology that includes toys, symbolic plays, and a children’s ball. In addition to their educational and recreational functions, childhood games play various narrative roles, such as constructing a referential universe, creating key moments in the plot, exploring the complexity of child and parental psychology, parent/child relationships and much more. Furthermore, the author, Émile Zola, employs toys and children’s games to inform his reflections on the joint influence of heredity and environment on the fates of characters, in alignment with the principles of the naturalist movement. This approach offers valuable insights into how Zola utilizes children’s games as narrative and symbolic elements within his grand literary tapestry.

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Jeux et hasard dans l’écriture de Patrick Modiano

Jeux et hasard dans l’écriture de Patrick Modiano

Author(s): France Grenaudier-Klijn / Language(s): French Issue: 13/2023

Many of Patrick Modiano’s novels involve the motif of the game – predicate and space – in the narration, at characterization, thematic and structural levels. The introduction of this minor element – it never reaches the level of a trope – nonetheless informs us both about the novelistic techniques employed by Modiano and about the metaphysical considerations underpinning his writing. As such, a close reading of various episodes articulated around the motif of the game allows us to better understand the methods adopted by the novelist in the development of his characters and in the architecture of his texts. Furthermore, the insertion of the motif of the game allows us to identify and analyse the value given to chance and indeterminacy in all its forms in the Modianian novel, from which a true metaphysics, if not an ethics, of indeterminacy, can in turn be deployed.

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Jeu de sens, jeu de forme, ou les (en)jeux intertextuels de l’écriture de Sophie Divry

Jeu de sens, jeu de forme, ou les (en)jeux intertextuels de l’écriture de Sophie Divry

Author(s): Anna Opiela-Mrozik / Language(s): French Issue: 13/2023

This paper analyzes various aspects of game in the novels of Sophie Divry, a contemporary novelist as well as a social activist. Her protean work develops the idea of literary ludicity which ensures pleasure for an author and engages a reader but, at the same time, transmits a message about society. In the essay Rouvrir le roman the writer proposes to reinvent the novel genre by means of the spirit of unseriousness which plays a role as a stimulant for literature. Founded on intertextuality, Divry’s writing renews in an original way well-known models such asthat of Madame Bovary (La condition pavillonnaire) or Robinson Crusoe (Trois fois la fin du monde). Narrative games lead the novelist to develop polyphonic writing.The study of the novel Quand le diable sortit de la salle de bain demonstrates the link between game and self-reflexivity and highlights the potential of ludicity at the linguistic, typographical and formal level.

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