Топас дому ў беларускай паэзii пачатку ХХ стагоддзя

Author(s): Wanda Barouka / Language(s): Belarusian Issue: 9/2017

Topos of home is one of the main elements of the artistic picture of the national reality in the Belarusian poetry of the early 20th century. Increased interest in topos of home results from the revival of Belarusian history and culture. On the subject-shaped level topos of home is represented by a peasant house, on the semantic level – metonymically correlated with homeland. Topos of home is represented by the opposition home–anti home, a fellow countryman–a stranger, the living–the dead. In Belarusian poetry home represents moral and material values.

Дом як Радзiма ў лiрыцы беларускiх паэтэс другой паловы ХХ стагоддзя

Author(s): Iryna Szmatkowa / Language(s): Belarusian Issue: 9/2017

The article deals with the identification of the topos of home as fatherland in the works of outstanding Belarusian women poets in the second half of the 20th century such as Eugenia Yanishchits, Nina Matyas and Raisa Borovikova, who are natives of a separate region of Belarus – Polesie. Semantic content of the topos has been discussed and comparative analysis of its identification in women model of the world based on their lyrics has been made.

Беларускiя пiсьменнiкi аб сваiм лагерным вопыце

Author(s): Anna Sakovič / Language(s): Belarusian Issue: 9/2017

Współczesna literatura białoruska w przekładach na język polski w latach 2006—2011 (na przykładzie Wydawnictwa Kolegium Europy Wschodniej im. Jana Nowaka-Jeziorańskiego)

Author(s): Irena Chowańska / Language(s): Polish Issue: 6/2014

One of the aims of many non-governmental organizations, foundations and societies in Poland is to promote modern literature of Central and Eastern Europe, including Belarusian literature. Eastern Europe Collegium founded in 2001 by Jan Nowak-Jeziorański is actively involved in education, culture and publishing. The foundation publishes the books, CDs and DVDs in various languages, including the Belarusian language. The article presents a series of Belarusian books translated into Polish published by Jan Nowak-Jeziorański Eastern Europe Collegium Publishing House in 2006–2011.

А если завтра нет (есть)? Восприятие героем будущего в белорусской драматургии конца ХХ – начала ХХI вв.

Author(s): Jelena Lepiszewa / Language(s): Russian Issue: 17/2017

In the focus of the article are the plays of Belarusian playwrights belonging to elder (A. Dudarev, E. Popova, A. Delendik, S. Bartokhova) and younger (N. Orekhovsky, D. Balyko, K. Steshik, D. Bogoslavski, P. Pryazhko) generations, who problematized the future of their heroes. The article identifies different models of percepting future by the post-Soviet man of the future: the idea of a “bright future”, admits the link between the past – present – future, the location of consciousness in the present, the eschatological vision of the future. We determined the authors’ aesthetic strategies of their realization at the level of a character and a chronotope, that allow typological parallels with Russian drama (E. Popova – “a new wave”, D. Balyko, K. Steshik, D. Bogoslavski – “a new drama”).

Творчасць Янкі Лучыны: да пытання станаўлення беларускай самасвядомасці

Author(s): Iaanna Vasylyuk / Language(s): Belarusian Issue: 4/2012

The article is devoted to the analysis of Yanka Luchina’s (Jan Niesłuchowski) oevure, one of the representatives of Belarusian literature in the 19th century. Special attention is focused on the contribution of “Akwarelki myśliwskie z Polesia” in the development of the author’s Belarusian national idea. This literary work is considered a saga of the Belarusians. The poet’s posthumous works with their themes and problems reflect mentality of the Belarusian people on the turn of the 20th century. The main idea of the poet’s writing is based on the assumption that Belarusian character is revealed in the style people live, their inner world and perception of reality.

Językowe emanacje emocji w Listach do Voli Vładzimira Naklajeva jako źródło wartościowania rzeczywistości

Author(s): Andrzej Sitarski / Language(s): Polish Issue: XXIII/2018

On the basis of the analysis of the letters of Vladimir Naklajev to his wife, Vola, the author con- cludes that the linguistic forms used in the letters serve the function of conceptualisation of the emo- tions of their author. In fact, they are an example of ego-documents that represent the self-perception and interpretation of a particular political event in Minsk in 2010, through which the Belarussian poet, Vladimir Naklajev, verbalises his personal accounts of himself, events and other people linked with these events in the Belarussian capital. It is worth pinpointing that the language of the letters has a specific emotional climate that changes in accordance with events, situations and people, to which their author refers. The properties of the linguistic code of the letters allow to understand them as texts that symbolise the personal senses of their author.

Hoditi-goniti: drugi aspekt jednoga praslavenskog obreda za plodnost

Author(s): Vitomir Belaj / Language(s): Croatian Issue: 2/1990

In der vorliegenden Studie wurde gezeigt daß die Weißrussische, Russische und Mordwinische Überlieferung von der Einladung an Gott (Bog, Dobro, Raj, Sparyš, Škaj-paz), das Haus zu besuchen, mit der lettischen Überlieferung vom mythischen Helden Jumis, der in der Erntezeit durch sein Treiben eine reiche Ernte sichern soll, eine Einheit bildet Ebenso wurde auf die auffallende Parallelität mit dem von R. Katičić rekonstruierten urslawischen Mythus vom Ins-Land-Kommen des (grünen) Georg hingewiesen und eine mögliche Interpretation des mythischen Inhalts des auf den Ackerbau bezogenen Zyklus der slavischen folkloristischen Überlieferungen dargeboten. Es erschließt sich eine dramatische Biographie eines mytischen Helden (Sohn des Donnergottes) die von seiner Geburt am Jahresanfang (als Božić, "kleiner Gott") als der von den Seelen der Verstorbenen (der maskierten Umzügler, koledari) in das immergrüne Reich jenseits des Meeres entführt wird, Uber seine Rückkehr im Frühling als Juraj/ Jarylo der, unerkannt, seine Zwillingsschwester Mara ehelicht, weiter über seine Untreue und die Rache die ihn erreicht (nun als Ivan, Ivo ), über sein Treiben am Feld und die Heimbringung in Form der letzten Garbe oder des Erntekranzes (Sparyš, Jumis) bis zu seinem letzten Erscheinen am Jahresende als der alte Großvater (dedo, did, diduh ) der im Feuer verbrannt wird, hinreicht.

Архетып дому як увасабленне вобразу Айчыны ў творчасцi Яна Чыквiна

Author(s): Halina Tyczko / Language(s): Belarusian Issue: 10/2018

Belarusian poetry is defined by the presence of many common worldwide literary archetypes: the House, the Stranger, the Boundaries, the Transformation, the Sacrifice, and others. It is believed that in poetic works of J. Czykwin one archetype often means an emphasis of the other. A combination of several archetypes is clearly manifested in the verse, the primary basis of which serves a daily human life and its surrounding reality. The image of the House in the works of J. Czykwin is conceptually multidimensional, emotionally and spiritually rich, full of ontological content. J. Czykwin’s poetry embodies a unique spiritual experience, national cultural code of the Belarusian people, which occurs through the use of archetypical images and motives inherent to the Belarusian culture.

Традыцыi заходнебеларускай паэзii i творчасць Надзеi Артымовiч

Author(s): Aksana Danilczyk / Language(s): Belarusian Issue: 10/2018

Literary creation of Belarusian writers in Bialystok region is an integral part of modern Belarusian literature. In fact, its existence contributes to the creation of multiple polarity and decentralization of the literary process necessary to complete the development of our literature. And its further development can be considered a continuation of earlier processes, which applies to Nadzeya Artymovich’s interesting poetry. The article examines the possible points of contact between Nadzeya Artymovich’s poetry and the poetry of Western Belarus, of Natalya Arsennyeva in particular. The analysis is based on both literary studies and the original texts, The author concludes that such features as individualism/isolation, existential motives, the theme of the poet and poetry, and reserved patriotism are connected with general typological coincidence or “typology of thinking”.

Międzynarodowa Konferencja Naukowa “Literatura białoruska w Polsce – wczoraj i dziś”, Białystok 24–25.05.2018 r.

Author(s): Anna Alsztyniuk / Language(s): Belarusian Issue: 10/2018

Проза Масея Сяднёва

Author(s): Jan Czykwin / Language(s): Ukrainian Issue: VI/2001

Z dziejów polskiej świadomości na Białorusi : przypadek Mariana Zdziechowskiego

Author(s): Zbigniew Opacki / Language(s): Polish Issue: VI/2001

Адам Плуг и Беларусь

Author(s): Mikałaj Chmialnicki / Language(s): Belarusian Issue: VI/2001

Język prasy zachodniobiałoruskiej (1918-1939)

Author(s): Jerzy Traczuk / Language(s): Polish Issue: VI/2001

Кантамінацыйная білінгвальнасць у беларускім літаратурным працэсе

Author(s): Uładzimir Marchel / Language(s): Belarusian Issue: II/1997

Człowiek w objęciach systemu. O Podróży do krainy zeków Julija Margolina

Author(s): Agnieszka Lenart / Language(s): Polish Issue: 44/2019

The article focuses on Julius Margolin’s life and memoirs. Margolin was born in Pinsk, survived the Sovietization of Poland, and then spent five years in Soviet gulags. He witnessed the cruel history and functioning of the Soviet regime. The analysis is made on the basis of Margolin’s work Journey to the Land of the Ze-Ka, in which he wanted to show to the world the truth about the Soviet totalitarian system. In that way he intended to fight for freedom of millions of people and for human rights.

Да пытання творчага феномену Беларускай літаратуры Польшчы

Author(s): Anna Sakowicz / Language(s): Belarusian Issue: XXV/2020

This article analyses the phenomenon of the Belarusian Literature Association “Belavezha” in Poland. The organisation was founded in 1958 on the wave of Belarusian revival processes in the Białystok region. The works of Belarusian writers, Polish citizens, in which the themes of Belarusian and Polish reality, culture and history are reflected, make analyses difficult for Polish and Belarusian literary scholars. The research perspective is an important factor in the classification of the works of “Białowieża people”, which is included in the Kresy (regional or borderland) literature. The article notes that the research perspective is an important factor in the classification of the work of “Białowieża people”.It is emphasized that discrepancies between the Polish and Belarusian understanding of the nature of the work of BLA “Belavezha” members are natural, although the works of the inhabitants of the Białystok region cannot be depleted by comparison with only one national literature and inscribed in the literature of the Borderlands or the region. Heterogeneous and borderland “Białowieża” literature originates from Belarusian roots and to a large extent belongs to the Belarusian context and heritage, and is generally a natural phase in the development of Belarusian literature.

НЕЗНАЁМЕЦ, ЧАРНАКНІЖНІК І МУЗЫКА У РАМАНТЫЧ- НАЙ ПРОЗЕ ЕУРАПЕЙСКАЙ ПЕРЫФЕРЫІ: МУЖЧЫНСКАЯ МАГІЯ У ГУСТАВА АДОЛЬФА БЭКЕРА І ЯНА БАРШЧЭУСКАГА

Author(s): Angela Espinosa Ruiz / Language(s): Belarusian Issue: 11/2019

In this article we investigate male magic in the Romantic prose of the European periphery. We focus our attention on the examples from the works of Spanish writer Gustavo Adolfo B´ecquer and his Belarusian colleague Jan Barszczewski. In the previous research, we determined three main archetypes of national origin that appear in the prose of Romantic writers: the stranger, the wizard and the musician. Using the data we aim at conducting a comparative analysis which will help to determine the way magical male characters are used by G. A. B´ecquer and J. Barszczewski.We are interested in two perspectives, i.e. narrative characteristics and semantic connotations of archetypes and their role in prose. Thus, our article explains the peculiarities of the archetypes in the writers’ prose and allows for future comparative and historical studies.

ЦЕННЫЕ ПРЕДМЕТЫ В ПАМЯТНИКАХ БЕЛОРУССКОЙ ЛИТЕРАТУРЫ XVI-XVII ВЕКОВ

Author(s): Wiola Kazanina / Language(s): Russian Issue: 11/2019

The article describes and analyzes an artistic context of valuable objects in famous texts of ancient Belarusian literature (16th century – the first half of the 17th century) from the perspective of art studies and antiquarian practice. According to the author valuable objects in famous books of ancient Belarusian literature comprise gold and silver coins, pearl and precious stones, inlaid cult objects and weapons, exotic plants and animals, antiquarian books, coats of arms, musical instruments, imported fabrics and luxurious interiors. In the artistic context all above-mentioned objects are symbols of beauty ideals and diversity of the Renaissance and early Baroque in Europe.