Cучасная беларуская драматургія ў Польшчы: пераклады і даследаванні

Author(s): Siergiej Kowalow / Language(s): Belarussian / Issue: 7/2016

The article analyzes the process of literary translation and the scientific study of Modern Belarusian playwriting in Poland of nowadays. The author notes the growing interest of Polish researchers and translators to the modern plays of the Belarusian writers. This fact is due to the success of Belarusian Drama Art abroad as well as with the development of Slavic studies in Poland, the advent of a new generation of researchers and translators. Polish researchers have noted that as a result of the Russification process in Belarus, the majority of young authors writes in Russian, however middle and older generations of the play writers prefer to use their native language. Most Polish translators and researchers (Andrei Moskvin, Agnieszka-Lubomira Petrovskaya, Carolina Niewiadomska et al.) are concentrated on Russian language drama in Belarus, but thanks to the efforts of Beata Siwek, Malgorzata Buhalik, Agnieszka Goral Polish readers have the opportunity to get acquainted with the works of Belarusian authors.

Emigrantologia Słowian

Frequency: 1 issues / Country: Poland

“Emigrantologia Słowian” is an interdisciplinary  scientific journal of the Committee of Slavonic Emigration Studies affiliated by the International Committee of Slavists. The main aim of “Emigrantologia Słowian” is to publish research papers, reviews and reports on various aspects of life of the Slavonic communities in emigration: culture, literature, language situation (with special reference to bilingualism).

Iнтэрпрэтацыя фiласофскай праблематыкi класiчнай i сучаснай беларускай драматургii ў тэатры

Author(s): Kryscina Smol'skaâ / Language(s): Belarussian / Issue: 8/2016

In the article the philosophical problems of the classical and modern Belarusian dramaturgy are analyzed. The author reveals continuity and distinctness of aesthetics of a new generation of authors. She also analyzes the features of a director’s drama reading in modern Belarusian theater: directors preserve the tradition of psychological realism, develop the forms of national metaphorical theater, make use of the elements of post-dramatic theater.

Language, Place And History In Belarusian Literature

Author(s): Arnold McMillin / Language(s): English / Issue: 1/2015

Belarusian literature is currently written under difficult circumstances, which, however, neither stimulates nor restricts its development. In fact it flourishes both in metro¬politan and provincial Belarus as well as abroad. The much repressed language, after a chequered history, survives mainly in literature and in the use by mainly young nationally conscious Belarusians for whom it may act as a socio-political statement. The history of Belarus as the main successor state of the Grand Duchy of Lithuania is inalienable, though disputed and minimized by some of the country’s leaders whose historical consciousness begins with World War II or even later. Most writers who left the country in voluntary or involuntary exile have gained new created energy, though the Belarusian Free Theatre would gladly return, were circumstances different. Whatever its difficulties, Belarusian culture re-mains strong.

Literatura białoruska w Polsce po roku 1989. O potrzebie tworzenia bazy literackiej

Author(s): Grazyna Charytoniuk-Michiej / Language(s): Polish / Issue: 49/2014

Speaking about Belarusian literature in Poland we focus on fiction, its translation into Polish and the study of literature. The existence of the Belarusian literature in Poland in the post-war period is indicated by the following bibliographies: a bibliography of translations for the period 1945–1994 (G. Charytoniuk, Literatura białoruska w Polsce. Bibliografia przekładów za lata 1945–1994, Białystok 1996) and a subject bibliography for the period 1945–1998 (G. Charytoniuk, Polskie białorutenika literackie. Bibliografia przedmiotowa 1945–1998, Białystok 1998). The new political, economical and social conditions in Poland after 1989 have had an influence on the situation of the Belarusian literature. In addition to the existing departments some new university departments and scientific branches have been organized. Their aim is to realize new scientific projects connected with the Belarusian literature in Poland and Belarus. A lot of nongovernment organizations (funds, partnerships, associations) have been organized not only in Bialystok region, but also in the other parts of the country. A new publishing market has been established which has focused on the modern literature of Central and Eastern Europe including Belarusian literature. The Internet also plays an important role in popularization of the Belarusian literature. That literature has been included in the database of the National library (Przewodnik Bibliograficzny, Bibliografia Zawartości Czasopism), regional libraries (Bibliografia województwa podlaskiego) and the digital library (Polska Bibliografia Literacka). The information is searched by institutional scientific depositories and digital libraries. The considerable part of the information has not been registered in the bibliographic database. In this situation it is necessary to develop an integral literature bibliographic database of the Belarusian literature in Poland.

Nowa ziemia - obraz społeczeństwa w poemacie Jakuba Kołasa

Author(s): Ryszard Radzik / Language(s): Polish / Issue: 7/2005

O estetycznych poszukiwaniach Natalii Arsiennievej

Author(s): Beata Siwek / Language(s): Polish / Issue: 7/2005

ROSSICA

Frequency: 2 issues / Country: Czech Republic

Twarze i maski. O prawdzie (w) poezji (na przykładzie twórczości Jana Czykwina)

Author(s): Beata Siwek / Language(s): Polish / Issue: 7/2016

In the article, the problem of truth in poetic works of Jan Czykwin has been taken into consideration. The adopted research perspective refers self-evidently to philosophical concept of Jozef Tischner presented in work titled The Philosophy of Drama. Philosophical inspirations taken from phenomenology, existentialism, hermeneutics and dialogues are crucial to understanding the phenomenon of man. Philosophical anthropology suggested in this book assumes that man is a dramatic being, whose tragedy takes place in space of good and evil. The character of Jan Czykwin’s poems is a man seeking to decode the mystery of life, to find spiritual firstfruits hidden in matter and being a cause of everything that is discernible by the senses. He is trying to reach to the mystery of transgression, to observe the time of the transition from life to death.

Ад жанчын пісьменных да пісьменніц. Жаночая творчасць у даўняй Беларусі

Author(s): Natalia Rusiecka / Language(s): Belarussian / Issue: 7/2005

Актуалiзацыя спадчыны Уладзiслава Сыракомлi на сучасным этапе

Author(s): Maryna Varabej / Language(s): Belarussian / Issue: 8/2016

W. Syrokomla’s heritage is diverse in genres and subjects. Therefore, it becomes a rich source of research. His biography, essays, some poetic texts are widely discussed in the works of Belarusian and foreign researchers. Updating of the issues concerning the research on W. Syrokomla’s heritage eliminates the gaps in the study of the 19th century Belarusian literature and Belarusian-Polish cultural borderland. A particular attention should be paid to W. Syrokomla’s historical poems and drawn-out stories.

Антыбальшавіцкія ды антыімпэрскія ідэі на старонках беларускага эміграцыйнага часопіса „Рух”

Author(s): Aleksander Barszczewski / Language(s): Belarussian / Issue: 7/2005

Аўтарская самарэфлексiя ў “Аповесцi для сябе” Барыса Мiкулiча

Author(s): Âugen Garadnicki / Language(s): Belarussian / Issue: 7/2015

Boris Mikulič’s work is the story of an unequal battle of the creative person against dominant ideological system for the right to be an artist. The book, written in the form of a diary, contains entries made in 1946–1948. At this time the writer was released from exile and made attempts “to return in literature”. Close reading of the diary provides a significant material for characterization of the literary life in post-wor period.

Бiблейскiя алюзii ў беларускай паэзii пачатку ХХI стагоддзя (на матэрыяле кнiгi вершаў Леанiда Галубовiча «З гэтага свету», 2012)

Author(s): Eva Lâvanova / Language(s): Belarussian / Issue: 7/2015

In the article Leanid Galubovich’s collection of poems “З гэтага свету” is analyzed. Their deep semantic content results from a dialog with the Bible. Various forms of perception of biblical material (poems directed to God, interpretation of biblical plots, motifs and images) are discussed.

Без вiны пакараныя: “Споведзь” Ларысы Генiюш

Author(s): Anna Sakovic / Language(s): Belarussian / Issue: 7/2015

The article contains an analysis of the autobiographical novel of Łarysa Hieniusz “The Confession”. The author shows ’the world of a labour camp’ in a highly emotional way, unfounded detention of most prisoners, punished without guilt whose only offence was an unbounded love of their homeland. A particular attention was paid to women’s discourse to convey feelings, emotions, and bitter experiences of a person who got into a well-functioning Soviet investigative organisation and labour camps.

Беларускiя пiсьменнiкi аб сваiм лагерным вопыце

Author(s): Anna Sakovic / Language(s): Belarussian / Issue: 9/2017

Вектары беларусазнаўчых даследаванняў

Author(s): Galina Tvaranovic / Language(s): Belarussian / Issue: 7/2015

An undertaken review of recent researches gives an insight into the vectors of development of Belarusian studies in Belarus and Poland. Special attention has been paid to the researches devoted to the formation of New Belarusian literature. It is claimed that one the major trends of literary studies and linguistics is interest to the national and spiritual aspect.

Вобраз ваўка і мастацкая рэалізацыія канцэпту раю ўрамане Алеся Наварыіча „Літоўскі воўк’’

Author(s): Dzmitry Kliabanau / Language(s): Belarussian / Issue: 1/2016

Aleś Navaryc’s historical novel “The Lithuanian Wolf” continued to pursue the traditions established by Uladzimir Karatkievic. The main subject of the story is the picture of the Belarusian society in the second half of the XIX century on the eve of the Kastuś Kalinouski’s uprising. “The Lithuanian wolf” is characterized by a specific hypertext and allusiveness. The title of the novel contains a clear allusion to the historical and cultural tradition of the use of the name “Lithuania” in relation to the Belarusian territory which was the core of the Grand Duchy of Lithuania, as well as a reference to the image of the wolf and werewolf, well-known since pagan times. The image of the wolf in the Navaryc’s novel is ambivalent, and the reason of this ambivalence is a parallel existence of two systems of the perception of the world in the Belarusian culture, resulting in the blend of a special folk sacralization of nature and culture as a divine creation. The image of paradise has an interesting and specific interpretation in the novel. The appearance of forest robbers-werewolves becomes the introduction to the paradisiacal motif. In the context of the conceptualization of paradise in this novel, on one hand, the influence of the apocryphal tradition and an allusion to the biblical texts should be noted. On the other hand, there is a clear correlation with the concept of the homeland as a lost paradise and the necessity of sacrifice for its future and independence.

Вобраз сям’i ў аповесцi Андрэя Федарэнкi “Цiша”

Author(s): Anna Alsztyniuk / Language(s): Belarussian / Issue: 9/2017

The author of the article analyzes Andrey Fedorenko’s “Silence”. The writer describes the life of three generations of the Dvoraks family, discusses the question of puberty and the influence of the surroundings on a child’s character. Presenting difficult family relations, different characters and lifelong priorities becomes an excuse to consider life of a contemporary man, his attitude to history and nature.

Вобраз Тадэвуша Касцюшкi як мастацкi канцэпт у беларускай грамадзянскай лiрыцы

Author(s): Anatol' Trafimcyk / Language(s): Belarussian / Issue: 8/2016

According to the analyzed examples the artistic image of Kostyushko has been widely used as a concept by Belarusian poets and translators since the 19th century. They broke with this tradition in Soviet times. The image of the hero functions as a symbol in the cultural and historic discourse of Belarusian poets. The patriotic feelings are of Lithuanian-Belarusian nature without the division into Lithuanian or Belarusian type. The presence of various historical periods on the territory of modern Belarus has been emphasized.