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Poems written by Belarusian poets A. Bachila, P. Prudnikov, S. Grakhovskiy are analyzed. The author of the article describes individual features and genre peculiarities in the works devoted to tragic events of the Stalin epoch, pays attention to the variety of thematic motifs.
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In the article motifs from the Belarusian folk creations used by Bahushevich in his prose, mainly tales, as well as particular poetic works have been presented. Special attention is paid to fairytale and fantasy elements. Additionally, the role and the significance of the folk sense of humour and the specific language are emphasized.
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The article analyzes the process of literary translation and the scientific study of Modern Belarusian playwriting in Poland of nowadays. The author notes the growing interest of Polish researchers and translators to the modern plays of the Belarusian writers. This fact is due to the success of Belarusian Drama Art abroad as well as with the development of Slavic studies in Poland, the advent of a new generation of researchers and translators. Polish researchers have noted that as a result of the Russification process in Belarus, the majority of young authors writes in Russian, however middle and older generations of the play writers prefer to use their native language. Most Polish translators and researchers (Andrei Moskvin, Agnieszka-Lubomira Petrovskaya, Carolina Niewiadomska et al.) are concentrated on Russian language drama in Belarus, but thanks to the efforts of Beata Siwek, Malgorzata Buhalik, Agnieszka Goral Polish readers have the opportunity to get acquainted with the works of Belarusian authors.
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“Emigrantologia Słowian” is an interdisciplinary scientific journal of the Committee of Slavonic Emigration Studies affiliated by the International Committee of Slavists. The main aim of “Emigrantologia Słowian” is to publish research papers, reviews and reports on various aspects of life of the Slavonic communities in emigration: culture, literature, language situation (with special reference to bilingualism).
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In this article, I analyze the problem of the interaction between literary and paralit-erary genres in the work of the Belarusian writer Andrus Horvat, winner of the Maxim Bahdanovich “Debut” Award in 2017. The intermedial potential, especially genealogical features of his work Radziwa ‘Prudok’ [‘Prudok’ Radio Station] will be discussed, as well as how it operates within the context of literature and various forms of visual art, which are subsumed under the main theme of this work, i.e. the search for the lost identity by the young generation of Belarusians.
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In der vorliegenden Studie wurde gezeigt daß die Weißrussische, Russische und Mordwinische Überlieferung von der Einladung an Gott (Bog, Dobro, Raj, Sparyš, Škaj-paz), das Haus zu besuchen, mit der lettischen Überlieferung vom mythischen Helden Jumis, der in der Erntezeit durch sein Treiben eine reiche Ernte sichern soll, eine Einheit bildet Ebenso wurde auf die auffallende Parallelität mit dem von R. Katičić rekonstruierten urslawischen Mythus vom Ins-Land-Kommen des (grünen) Georg hingewiesen und eine mögliche Interpretation des mythischen Inhalts des auf den Ackerbau bezogenen Zyklus der slavischen folkloristischen Überlieferungen dargeboten. Es erschließt sich eine dramatische Biographie eines mytischen Helden (Sohn des Donnergottes) die von seiner Geburt am Jahresanfang (als Božić, "kleiner Gott") als der von den Seelen der Verstorbenen (der maskierten Umzügler, koledari) in das immergrüne Reich jenseits des Meeres entführt wird, Uber seine Rückkehr im Frühling als Juraj/ Jarylo der, unerkannt, seine Zwillingsschwester Mara ehelicht, weiter über seine Untreue und die Rache die ihn erreicht (nun als Ivan, Ivo ), über sein Treiben am Feld und die Heimbringung in Form der letzten Garbe oder des Erntekranzes (Sparyš, Jumis) bis zu seinem letzten Erscheinen am Jahresende als der alte Großvater (dedo, did, diduh ) der im Feuer verbrannt wird, hinreicht.
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In the article the philosophical problems of the classical and modern Belarusian dramaturgy are analyzed. The author reveals continuity and distinctness of aesthetics of a new generation of authors. She also analyzes the features of a director’s drama reading in modern Belarusian theater: directors preserve the tradition of psychological realism, develop the forms of national metaphorical theater, make use of the elements of post-dramatic theater.
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On the basis of the analysis of the letters of Vladimir Naklajev to his wife, Vola, the author con- cludes that the linguistic forms used in the letters serve the function of conceptualisation of the emo- tions of their author. In fact, they are an example of ego-documents that represent the self-perception and interpretation of a particular political event in Minsk in 2010, through which the Belarussian poet, Vladimir Naklajev, verbalises his personal accounts of himself, events and other people linked with these events in the Belarussian capital. It is worth pinpointing that the language of the letters has a specific emotional climate that changes in accordance with events, situations and people, to which their author refers. The properties of the linguistic code of the letters allow to understand them as texts that symbolise the personal senses of their author.
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Belarusian literature is currently written under difficult circumstances, which, however, neither stimulates nor restricts its development. In fact it flourishes both in metro¬politan and provincial Belarus as well as abroad. The much repressed language, after a chequered history, survives mainly in literature and in the use by mainly young nationally conscious Belarusians for whom it may act as a socio-political statement. The history of Belarus as the main successor state of the Grand Duchy of Lithuania is inalienable, though disputed and minimized by some of the country’s leaders whose historical consciousness begins with World War II or even later. Most writers who left the country in voluntary or involuntary exile have gained new created energy, though the Belarusian Free Theatre would gladly return, were circumstances different. Whatever its difficulties, Belarusian culture re-mains strong.
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Speaking about Belarusian literature in Poland we focus on fiction, its translation into Polish and the study of literature. The existence of the Belarusian literature in Poland in the post-war period is indicated by the following bibliographies: a bibliography of translations for the period 1945–1994 (G. Charytoniuk, Literatura białoruska w Polsce. Bibliografia przekładów za lata 1945–1994, Białystok 1996) and a subject bibliography for the period 1945–1998 (G. Charytoniuk, Polskie białorutenika literackie. Bibliografia przedmiotowa 1945–1998, Białystok 1998). The new political, economical and social conditions in Poland after 1989 have had an influence on the situation of the Belarusian literature. In addition to the existing departments some new university departments and scientific branches have been organized. Their aim is to realize new scientific projects connected with the Belarusian literature in Poland and Belarus. A lot of nongovernment organizations (funds, partnerships, associations) have been organized not only in Bialystok region, but also in the other parts of the country. A new publishing market has been established which has focused on the modern literature of Central and Eastern Europe including Belarusian literature. The Internet also plays an important role in popularization of the Belarusian literature. That literature has been included in the database of the National library (Przewodnik Bibliograficzny, Bibliografia Zawartości Czasopism), regional libraries (Bibliografia województwa podlaskiego) and the digital library (Polska Bibliografia Literacka). The information is searched by institutional scientific depositories and digital libraries. The considerable part of the information has not been registered in the bibliographic database. In this situation it is necessary to develop an integral literature bibliographic database of the Belarusian literature in Poland.
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The recollections by Józef Hermanowicz are not only an important piece of literature camps co-creating discourse of Belarusian literature camps also provide a unique record the image of the clergy in the camps. J. Hermanowicz was arrested in December 1948. In Chinese Harbin with a group of priests – St. Secondary School Teachers. Nicholas. On freedom he came out in 1955. And soon began to write his recollections. From this analysis of memories of J. Hermanowicz draws a picture of both the author and clergy enslaved in camps. The author shows the difficulties with which this specific group of prisoners had to face, wanting to preserve their beliefs and be able to carry pastoral ministry. It underlines the compatibility of the clergy of various faiths and nationalities, willingness to mutual assistance and a well-structured cooperation in the field of religion without which pastoral activity was impossible or extremely difficult. Recalling while in narration situations in which showed courage, a sense of personal dignity, proceeding in line with the truths of faith is not only a positive effect on their image but also the image of the clergy in the camps, being one of the many enslaved priests. The records J. Hermanowicz undoubtedly transmit a unique picture of the clergy.
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Our task was to analyze the existing literature, which contained biographical materials and to show the Polish society the results of all studies in an easy-to-understand form. Most literature of the subject is in Belorussian language, often inaccessible to Polish researchers and readers. Our article will help the interested people to broaden their knowledge of Belorussian literature. Let’s look at the cities in which Franciszek Skoryna lived and visited. Thanks to this, we will also be able to see the outline of the Renaissance, which is extremely important for the development of literature.
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