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A book judged by its cover
The review of: Revolution. By: Victor Martinovich. Published in Belarus by Knihazbor, Minsk 2020.
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The review of: Revolution. By: Victor Martinovich. Published in Belarus by Knihazbor, Minsk 2020.
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Poems written by Belarusian poets A. Bachila, P. Prudnikov, S. Grakhovskiy are analyzed. The author of the article describes individual features and genre peculiarities in the works devoted to tragic events of the Stalin epoch, pays attention to the variety of thematic motifs.
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In the article motifs from the Belarusian folk creations used by Bahushevich in his prose, mainly tales, as well as particular poetic works have been presented. Special attention is paid to fairytale and fantasy elements. Additionally, the role and the significance of the folk sense of humour and the specific language are emphasized.
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Belarusian folk tale translated by Dajana Lazarević:ВИХОРОВИ ПОКЛОНИ.
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The review of: Апошняя кніга пана А. (Mr A.’s Last Book). By: Alhierd Bacharevič. Publisher: Januškievič Publishing House, Minsk, Belarus, 2020.
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Review of: Viera Žemberová - Láska zradu premôže. Bieloruské ľudové rozprávky. Zostavila Sviatlana Bohuš. Preložili Peter Milčák a Sviatlana Bohuš. Ilustrovala Alena Hil. Levoča: Modrý Peter, 2020. 160 s. ISBN 978-80-89545-82-7
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The present article is devoted to the work of the Belarusian playwright Franciszek Alachnowicz. In his work “Shadows” traces of poetic devices can be found. First of all, the author of the article pays attention to the psychology of the figure, the inner life of the heroes, a conflict between consciousness and soul, as the author creates an atmosphere of tension and horror. These features of his artistic style allow him to be counted among the representatives of the „new drama” – an interesting artistic phenomenon in European drama at the turn of 19th and 20th centuries.
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<p>Colloquia Comparativa Litterarum is published by Sofia University St. Kliment Ohridski and edited by the literary scholars of the Balkan Studies Masters and Doctoral Studies Program (Department of General, Indo-European, and Balkan Linguistics with the Faculty of Slavic Studies). This journal aims to encourage the study of Comparative Literature. The similarities and overlaps between less popular literatures and the well-researched canonical phenomena remain rather unexplored. Colloquia Comparativa Litterarum wants to give priority to such issues; to reconsider the clichéd notions of centres and peripheries, of one-way influences, temporary delays and topic deficiencies. It makes sense to seek the meaning of common affinities and trends, in other words – to look at what is positive, stimulating, and creative about the communication between literary and cultural phenomena. In fact, the Balkans are home to just a small share of the less researched literatures in the field of Comparative Literature. In Europe, we often know too little about our neighbours, unless they happen to be the French, German or British literatures.</p> <p>Colloquia Comparativa Litterarum expresses itself in three languages: Bulgarian, French and English. It provides new opportunities for communication between scholars of Comparative Literature with the aim of a complete, conceptual and terminological understanding of new ideas within our field of research.</p>
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W artykule omówiony został obraz schyłku XX wieku we współczesnej białoruskiej beletrystyce. Na Białorusi, podobnie jak i w innych państwach Europy Wschodniej i Środkowo-Wschodniej, był to okres intensywnych przemian społeczno-politycznych.Po niemal 30 latach od tych wydarzeń możliwa jest ocena leżących u ich podstaw założeń i oczekiwań, które niejednokrotnie nie wytrzymały konfrontacji z trudną rzeczywistością tranzycji. Koniec minionego stulecia wielokrotnie powraca w narracji jako z jednej strony czas nadziei, z drugiej zaś rozczarowań. Podkreślana jest więc ambiwalentna rola tego okresu.
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The article focuses on Julius Margolin’s life and memoirs. Margolin was born in Pinsk, survived the Sovietization of Poland, and then spent five years in Soviet gulags. He witnessed the cruel history and functioning of the Soviet regime. The analysis is made on the basis of Margolin’s work Journey to the Land of the Ze-Ka, in which he wanted to show to the world the truth about the Soviet totalitarian system. In that way he intended to fight for freedom of millions of people and for human rights.
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The article analyzes the process of literary translation and the scientific study of Modern Belarusian playwriting in Poland of nowadays. The author notes the growing interest of Polish researchers and translators to the modern plays of the Belarusian writers. This fact is due to the success of Belarusian Drama Art abroad as well as with the development of Slavic studies in Poland, the advent of a new generation of researchers and translators. Polish researchers have noted that as a result of the Russification process in Belarus, the majority of young authors writes in Russian, however middle and older generations of the play writers prefer to use their native language. Most Polish translators and researchers (Andrei Moskvin, Agnieszka-Lubomira Petrovskaya, Carolina Niewiadomska et al.) are concentrated on Russian language drama in Belarus, but thanks to the efforts of Beata Siwek, Malgorzata Buhalik, Agnieszka Goral Polish readers have the opportunity to get acquainted with the works of Belarusian authors.
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<p>“Emigrantologia Słowian” is an interdisciplinary scientific journal of the Committee of Slavonic Emigration Studies affiliated by the International Committee of Slavists. The main aim of “Emigrantologia Słowian” is to publish research papers, reviews and reports on various aspects of life of the Slavonic communities in emigration: culture, literature, language situation (with special reference to bilingualism).</p>
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In this article, I analyze the problem of the interaction between literary and paralit-erary genres in the work of the Belarusian writer Andrus Horvat, winner of the Maxim Bahdanovich “Debut” Award in 2017. The intermedial potential, especially genealogical features of his work Radziwa ‘Prudok’ [‘Prudok’ Radio Station] will be discussed, as well as how it operates within the context of literature and various forms of visual art, which are subsumed under the main theme of this work, i.e. the search for the lost identity by the young generation of Belarusians.
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In der vorliegenden Studie wurde gezeigt daß die Weißrussische, Russische und Mordwinische Überlieferung von der Einladung an Gott (Bog, Dobro, Raj, Sparyš, Škaj-paz), das Haus zu besuchen, mit der lettischen Überlieferung vom mythischen Helden Jumis, der in der Erntezeit durch sein Treiben eine reiche Ernte sichern soll, eine Einheit bildet Ebenso wurde auf die auffallende Parallelität mit dem von R. Katičić rekonstruierten urslawischen Mythus vom Ins-Land-Kommen des (grünen) Georg hingewiesen und eine mögliche Interpretation des mythischen Inhalts des auf den Ackerbau bezogenen Zyklus der slavischen folkloristischen Überlieferungen dargeboten. Es erschließt sich eine dramatische Biographie eines mytischen Helden (Sohn des Donnergottes) die von seiner Geburt am Jahresanfang (als Božić, "kleiner Gott") als der von den Seelen der Verstorbenen (der maskierten Umzügler, koledari) in das immergrüne Reich jenseits des Meeres entführt wird, Uber seine Rückkehr im Frühling als Juraj/ Jarylo der, unerkannt, seine Zwillingsschwester Mara ehelicht, weiter über seine Untreue und die Rache die ihn erreicht (nun als Ivan, Ivo ), über sein Treiben am Feld und die Heimbringung in Form der letzten Garbe oder des Erntekranzes (Sparyš, Jumis) bis zu seinem letzten Erscheinen am Jahresende als der alte Großvater (dedo, did, diduh ) der im Feuer verbrannt wird, hinreicht.
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The article considers the problematics of the work of the writer of Yugoslavia, Nobel laureate Ivo Andrić. His heritage is reviewed in the light of the problems of multiculturalism. Its role in characterizing of ethno-confessional problems in the world is noted. A survey of the studies of Belarusian philologists devoted to Andrić is conducted. The journalistic texts containing references to I. Andrić are analyzed. Parallels between the Bosnian borderland and the peculiarities of Belarusian history are considered. The role that the historiosophical content of the works of the Yugoslav writer can play in dealing with these issues is also taken into account.
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This article is devoted to the study of the ideological and aesthetic foundations of Adam Ploug’s poetry in organic correlation with the artistic experience of other representatives of the Belarusian-Polish literary borderland (A. Mitskevich, J.I. Krashevsky, etc.). It is worth noting that the formation of A. Ploug’s creative consciousness took place under the direct influence of a number of ideas of Western European Romanticism, including the sacralization of the homeland and its past (historical memory), the idealization of freedom, Christian humanism and non-conformism, the idea of the timelessness of art. At the same time, both the concept of the lyrical hero and the artistic space in A. Ploug’s works are all built on the basis of the traditions of the Belarusian folk culture, which makes it possible to assert that the poet belongs primarily to Belarusian Romanticism.
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The article discusses the ideological and philosophical content of the novel by Alexander Adamovich “The Punisher”. It also analyzes the process of exposing ideas of ”superhuman”of German philosopher Friedrich Nietzsche. A. Adamovich’s approach is innovative in the use of methods of “streams of consciousness” and “black psychology”. Putting Belarusian writer creativity in the context of European humanistic literary and social trends of anti-Nietzsche trend, the author draws parallels between “The Punisher” and the works of Dostoevsky and Tolstoy.
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In the article the philosophical problems of the classical and modern Belarusian dramaturgy are analyzed. The author reveals continuity and distinctness of aesthetics of a new generation of authors. She also analyzes the features of a director’s drama reading in modern Belarusian theater: directors preserve the tradition of psychological realism, develop the forms of national metaphorical theater, make use of the elements of post-dramatic theater.
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