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The article deals with the existing definitions of the concept of “teaching method” in the literature on didactics and the methodology of teaching foreign languages. Some of the definitions of this concept do not indicate its essential features, others view it too broadly, the third confuse the concept of “teaching method” with other didactic concepts. It is suggested to consider the teaching method as a kind of professional knowledge of the teacher. The teaching method is the image of the teacher’s and students’ activity in the teacher’s mind.
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This article describes the complex methodological background as well as diverse education forms developed by the multilingual Atelier Kilikan, Freiburg, between 2015 and 2018. It puts an accent on the intercultural and translingual potential, which needs to be widely discovered among bilingual children raised in the multicultural environment in Freiburg (located in the border area between Germany, France and Switzerland). It presents some examples of workshops and language courses for kids of Bulgarian descent, as well as some intercultural methods represented in the complex art installation “The multilingual monster” created by children of different origin, artists and pedagogical mentors. The methodology provides different ideas on how bilinguals can be encouraged to transfer cognitive and academic abilities from one language to another (translan-guaging) and thereby effectively increase their competences in the target language which they currently learn: In this regard, the methods presented here can be used in non-formal education courses of migrant, minority and family languagesThis article describes the complex methodological background as well as diverse education forms developed by the multilingual Atelier Kilikan, Freiburg, between 2015 and 2018. It puts an accent on the intercultural and translingual potential, which needs to be widely discovered among bilingual children raised in the multicultural environment in Freiburg (located in the border area between Germany, France and Switzerland). It presents some examples of workshops and language courses for kids of Bulgarian descent, as well as some intercultural methods represented in the complex art installation “The multilingual monster” created by children of different origin, artists and pedagogical mentors. The methodology provides different ideas on how bilinguals can be encouraged to transfer cognitive and academic abilities from one language to another (translan-guaging) and thereby effectively increase their competences in the target language which they currently learn: In this regard, the methods presented here can be used in non-formal education courses of migrant, minority and family languages.
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The object of the article is a late legend – The Story of the Irani Star – which might have originated among the Eastern Orthodox Slavs in the 15th c. The plot revolves around the Star of Bethlehem, the birth of Jesus, and the pilgrimage of the Magi (cf. Matthew 2: 1–12). The article discusses the narrative, its structure and the history of the text, with a focus on the edition and reconstruction of the text. The Story is published according to the copy found in Miscellany No 143 (504), 258v–265r, dated to the 16th c., which is part of the manuscript collection of the Joseph-Volokolamsk Monastery. Today, the manuscript is kept in the Russian State Library (Moscow, Russia). The edition is prepared in comparison with four copies of the legend dated to 15th and 16th c.
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The report is written in connection to the language of one letter written by the Bulgarian Revival writer Ivan N. Momchilov. The article exposes important grammatical peculiarities of the language of this text. The review shows that Ivan N. Momchilov contributes to the approval of a series of grammatical norms, inherent to the contemporary Bulgarian language.
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This paper discusses the functioning of translanguaging in the context of international schools in Poland. In the introductory part various definitions of the concept undertaken by linguists since its coining in 1994 have been presented. An exemplary lesson is explored in the final part of the paper where the huge potential of translanguaging for language education and content learning in multilingual contexts is revealed.
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The subject of this article is the broad and narrow understanding of the phraseology. In this connection are examined the criteria for the classification of the phrasing units and the rhetorical code, on the basis of which a large part of the units in the phraseology are differentiated. Attention is paid on the rhetorical code, on the basis of which a large part of the phrasing units are defined - metaphor, metonymymus, hyperbola and others. The author comes to the conclusion that the constraints imposed by the narrow concept, are not always right.
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This article comparatively examines French and English literature based on two novels published in 1947, Malcolm Lowry’s Under the Volcano and Jean-Louis Curtis’ The Forests of Night. Both novels employ the mythic device to construct narratives on the twilight of the British Empire and the German occupied French Vichy regime, respectively, depicting experiences of resistance and collaboration on the eve of and during the Second World War. Both invent a system of symbolic imagery modelled on the Surrealist template in Jean Cocteau’s The Infernal Machine, that turns the classical mythic device still prevalent in the early 20th century (i.e. in Joyce or Eliot) upside down. The revolution in Mythic Imagination follows the Structuralist Revolution initiated by Durkheim, Saussure and Bachelard, evacuating fixed ontological architecture to portray relational interdependency without essence. These novels pursue overlapping ethical investigations, on “non-interventionism” in Lowry and “fraternity” in Curtis. The novels raise questions about the relation between colonialism and fascism and the impact of non-Western mythic universes (i.e. Hinduism) upon the Mythic Imagination. They have implications for our understanding of gender relations, as well as the value of political activism and progress.
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One of the longstanding mysteries of English poetry is the identification of the “two-handed engine” from John Milton’s 1638 poem “Lycidas,” with which Saint Peter threatens to “strike once, and strike no more” the clergy who have been remiss in their duties. A new way of looking at the image is to read the entire passage with George Lakoff and Mark Turner’s theory of conceptual metaphors in mind. The strength of this approach is to show that identification of the two-handed engine should be considered within the context of the entire poem. As many commentators have argued, Lycidas’s posthumous fate as the “genius of the shore” does not rest solely in the actions of Saint Peter, but instead involves a reconciliation that amalgamates elements of both Christianity and the classical world as well as nature. The conceptual metaphor thus provides a single combinatory image.
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Death anxiety refers to the human experience of death awareness and the accompanying inescapable disquiet it provokes. It is a phenomenon in human existence which has attracted substantial studies from existential and psychological perspectives. Noting that every individual experiences this anxiety at some point in life, largely as a result of the awareness of the inevitability of death, the manner and extent to which it is experienced vary from individuals. Meanwhile, existential reflections have described ‘death acceptance’ as the healthy route to lessening this angst. It therefore presupposes that acceptance of death (i.e. knowing that one is a being-towards-death and therefore embracing and acknowledging it) is existentially therapeutic. On this note, in studying J. P. Clark’s Of Sleep and Old Age, artistic creativity is being constructed in the study as an existential therapy against death anxiety for the poetic persona. It is premised, on the one hand, on the poet’s eloquent vision of the boredom of existence and the horror of death which characterize the atmosphere of the text. On the other, the poet’s age has been considered as a factor-agent which has bestowed on him the capacity to be conscious of an imminent death, thereby accepting it via keen reflections in his art. The study adopts two theoretical models in existential studies: (1) Monika Ardelt’s ‘Wisdom’, ‘Religiosity’ and ‘Purpose in Life’ and (2) John Sommers-Flanagan and Rita Sommers-Flanagan’s model of ‘Existential Therapy’ to assess the sway and/or centrality of death anxiety to understanding the text.
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This study used qualitative analyses to explore novice ESL writers’ concepts of writers, readers and texts. Metadiscourse studies tabulate frequencies of discourse markers in order to characterise the different ways novices and experts, native-speakers and non-native speakers, construct themselves as writers, engage with their readers, and guide readers through their text. But the picture created by these descriptive statistics lacks many content areas voiced by student writers, including their reliance on visual content, and their emotions. Student writers’ experiences in a world saturated by visual media and marketing views are also factors shaping how they construct their identities as writers, the identities of their projected readers, and how they understand what they are doing when writing text. This study used content and transitivity analyses to assess how Arabic native-speaker novices understand themselves as writers, how they project their readers’ identities, and how they try to engage them. Results show that visuals are indistinct from text, and verbs of seeing are used for reader understanding, in novice writers’ sense of their texts, and how they understand engaging the reader. These novices have a demographically granular assessment of audiences, but aim to please readers with expected content rather than challenge them with academic content, and they downplay important elements of teacher talk, syllabus and second-language (L2) composition instruction, particularly data, research, structure and language.
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A survey of twelve translation students in 2017 revealed that they tend to find translating figurative and metaphorical language difficult. In addition, an experiment also conducted in 2017 showed similar results. During the first phase of this experiment, two trained researchers coded metaphorical items in a text from the New Scientist following the Metaphor Identification Procedure Vrije Universiteit Amsterdam (MIPVU). Based on Cohen’s kappa, the researchers reached an initial coding agreement of 0.692 (strong agreement) and a final agreement score of 0.958 (almost perfect agreement) after discussion. The second phase of the experiment involved the coding of the metaphorical items previously identified by the researchers in the same text by 47 students who received a two-hour introduction to conceptual metaphor theory and a simplified method to code metaphorical items. However, the results of the students’ coding showed that they had failed to identify metaphors in 49.96% of cases. Nevertheless, a chi-squared test (p < 2.2-16) revealed that the students’ coding was not due to chance alone and therefore not arbitrary.
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The article is based on modern technologies and their role in (foreign) language learning in the 21st century. The main objective is to identify ways in which information and communication technologies can facilitate the process of foreign language acquisition and make it faster and more successful. Particular attention has been paid to computer-assisted language learning, internet technologies and mobile-assisted language learning, as they are essential and influential in the creation of foreign language teaching systems, the preparation of (foreign) language teachers and (foreign) language training in general.
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We consider peculiarities of poetic meaning creation in the processes of intertextualization and contextualization while analysing a unique case of a polylogue between an academic scholar (A.N. Veselovsky) and poets belonging to different languages and cultures (Vyach. Ivanov, V. Teryan). Veselovsky’s article “From the poetics of a Rose” became a source for Ivanov’s poem “The Rose of Transfiguration”, then it became the basis for the sonnet of V. Teryan. We demonstrate that intertextuality is a complex and non-linear interaction between texts and meanings. The archetypal semantics of the rose and the motives of flame, blood, and also death and resurrection associated with it are contextualized in relation to the Christian holiday, personal myth-making, the tragic events of the Armenian Genocide in the Ottoman Empire. The mythopoetic semantics of the symbol synthesizes various cultures and poetic traditions, creating opportunities for multidimensional semantization and partial translatability of different “texts-echoes”. Expressing new content in different contexts, semantics is based on the same symbols; this leads to a cascade-like actualization of their potential, especially when considering texts connected by intertextual relations in their integrity - as a kind of super-text.
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The article studies a phenomenon from the end of XX century in Russian poetry, which is distinguished by its own philosophy and the impulse to revive the refined vocabulary in Russian literature; to bring back to life the cult of beauty, personal life and pleasure, as opposed to the collectivist messages of the Soviet era and the cold breath of the totalitarian winter. The outward manifestations of the works of courtesy poets – the quotient polyphony, the travesties and mystifications, the sarcastic game of their poems – are very reminiscent of postmodern deconstruction. In our view, however, considering its ambition, message, and impulse, this phenomenon is a late avant-garde, realizing its aspirations in a postmodern interior. One of the most characteristic features of the late avant-garde, as well as the avant-garde of the 10s of the XX century, is the rebellious attitude of the spirit, the search for new horizons of meaning. The already known and established is rejected. The skepticism of this art is related to distrust of the adopted measures and categories, hence the negation of the laws, the affirmation of creative improvisation, of the work born in the act of reading. The claim of significance of the word in relation to the fate of culture and art is also preserved.
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The paper presents an attempt to gamify the process of teaching Bulgarian syntax. It is based on a university course in Modern Bulgarian Syntax for the philological and educational programs in the Department of Philology at the University of Plovdiv. The theoretical model of the sentence follows the rules of the phrase structure. The main principle of language analysis, which is presented as a game, is focused on the sentence structure in Bulgarian. The skills for presenting structural graphic representations are being developed. The function of words as parts of the sentence are presented through syntactic projections which are being configured by the students and this develops their critical thinking. The authors provide students with a completely new educational tool by creating the pilot version of 'The MeSiZa's Questions' /grammar game for Meta Language Symbolic Representation/. Scientifically, the implications belong to the e-Science paradigm. The authors offer a further collaboration and partnership to the teachers in Bulgarian language to apply this innovative approach, i.e the use of grammar games, into school teaching practice.
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The article presents a study that aimed to examine how primary school teachers of English as a Foreign Language (EFL) framed the identity of an ideal EFL teacher. The specific research aim was to identify and classify frames associated with the identity of an EFL primary school teacher in the corpus of reflective essays of approximately 1000 words about an ideal EFL teacher in Norwegian primary school contexts written by 32 Norwegian in-service primary school EFL teachers. It was hypothesised that the participants’ framing would be reflective of the identity of an ideal EFL teacher in Norway. The corpus of the participants’ essays was analysed in accordance with the framing methodology developed by Entman (1993) and Dahl (2015). The results of the framing analysis indicated that the participants in the study framed the identity of an ideal EFL teacher via frames associated with future ideal selves, ought-to selves, the identity of their former EFL teachers, and the identity of an ideal EFL teacher as a fictional character. The study implications would be beneficial to pre-service and current in-service EFL teachers and teacher-trainers alike, who could treat the results as a collective “portrait” of an ideal EFL teacher.
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The article is devoted to the Russian phrasemes with a colorative component as a means of forming linguo-cultural competence and developing emotional intelligence during the process of teaching Russian as a foreign language. The phraseological units as a linguistic and cultural sign always evoke strong interest among linguists and also the neophrasemes further enrich the lexico-phraseological system and conceptualize reality through emotional images. The main focus of the research includes analysis of the expressional and emotional characteristics of the phrasemes mentioned above. The article is interdisciplinary: it reveals a structural-semantic typology, as well as a system of exercises that can be involved in the teaching process when developing the listening, reading, writing and speaking on level B1-B2 in accordance with the Common European Framework of Reference for Languages.
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