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Livia Drusilla – influența primei împărătese

Livia Drusilla – influența primei împărătese

Author(s): Andreea-Raluca Barbos,Decebal Nedu / Language(s): Romanian Issue: 52/2019

The power of Livia Drusilla during the reign of Augustus was limited to exerting some influence in the process of taking several important decisions, related both to state and family affairs. The sources never mention her as being directly involved in the relations between the Roman public institutions or as acting on behalf of her husband. Most probably, such a wise attitude was motivated by the fear that Livia’s public exposure might have obstructed the political regime imposed by Augustus, which relied on the traditions and the customs from older times. Moreover, in many cases, the underground plots might have been more efficient than wide action. These plots even represented the “unseen determining power” of many public actions. After 14 AD, the confusion due to the title of Augusta bestowed upon her allowed Iulia / Livia to publically display her influence. Her new status incurred a tensed atmosphere in the ruling family. These tensions lead to the breaking of its unity and to the isolation of the old empress.

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Celebrare Romam, celebrare imperatorem, celebrare patriam: istorie și memorie în Panegyrici Latini (sec. III-IV p. Chr.)

Celebrare Romam, celebrare imperatorem, celebrare patriam: istorie și memorie în Panegyrici Latini (sec. III-IV p. Chr.)

Author(s): Nelu Zugravu / Language(s): Romanian Issue: 52/2019

The fundamental objective of the Gallo-Roman panegyrici from the 3rd-4th centuries was the praise of the sovereign, respectively the hyperbolization of his facts,especially military, of his generosity, of his virtues. Laudatio principis was most often associated with laudatio Vrbis, between the emperors and Rome existing an indestructible connection. Finally, in celebration of the sovereign and Rome, the Gallo-Roman panegyrists joined enthusiastic amor patriae. Thus, princeps-Vrbs-patria are the dominant landmarks of praise. Related to the celebratory atmosphere mentioned and to the connection between memory and history, the panegyrici perform a triple function:they commemorate an inheritance, a tradition, a vetus memory (pre-imperial), dominant, an inexhaustible source of exempla and praxeis, and another recens (imperial), less represented; they relate a contemporary history; they create and disseminate a new exemplary past, a new memory. The connecting element of these three plans is represented by the sovereign, who, uniting in his virtutes and res gestae the emblematic past and the almost miraculous present, guarantees the eternity and continuity of Rome and its empire. Thus, as many former exegetes have already pointed out, panegyrists create and disseminate an official, altered, "quasi-fictional", ideologized history, in which memory and history have their particular mission – one conferring authority, the other –legitimacy.

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Din nou despre Sfântul Emilian, martir la Durostorum (18 iulie 362)

Din nou despre Sfântul Emilian, martir la Durostorum (18 iulie 362)

Author(s): Emilian Popescu / Language(s): Romanian Issue: 52/2019

The author narrates and at the same time critically analyses the (written) Christian sources referring to Saint Emilian’s martyrdom in Durostorum. The saint’s painted image is preserved on the wall of a tomb in Ostrov (unearthed in 1977). Otherdiscoveries in this area are linked to the place where St. Emilian’s martyrdom happened: the archbishopric basilica in Durostorum (9th cent.) and the town of Gavidina, mentioned in a newly discovered inscription.

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Notules sur quelques graffites grecs de Thasos, Thrace, Tyras et Phanagoria

Notules sur quelques graffites grecs de Thasos, Thrace, Tyras et Phanagoria

Author(s): Dan Dana,Mădălina Dana / Language(s): French Issue: 52/2019

Six graffites de Thasos, de l’intérieur de la Thrace, de Tyras et de Phanagoriasont republiés dans cette notice, avec de nouvelles lectures ou commentaires, concernantdes noms grecs (dont un nouveau, théophore : Dionystratos), des fournitures pour unsanctuaire d’époque hellénistique en Thrace ainsi que deux excursus sur le culted’Héphaïstos dans le Pont-Euxin et les documents comptables des Ioniens pontiques.

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Noi ștampile amforice din așezarea de la Albești, jud. Constanța (campaniile arheologice 2008-2017)

Noi ștampile amforice din așezarea de la Albești, jud. Constanța (campaniile arheologice 2008-2017)

Author(s): Livia Buzoianu / Language(s): Romanian Issue: 52/2019

L'article présente un lot de 110 timbres amphoriques résultant des campagnes archéologiques 2008-2017 d'Albești. Nous analysons ici des produits venant d’Héraclée du Pont, Thasos, Sinope et Rhodes ainsi qu’un exemplaire de Paros et d’Akanthos. Au niveau de chaque centre sont mentionnés de nouveaux noms attestés, de nouveaux types pour des noms déjà connus, la chronologie appliquée aux grilles déjà consacrées. Les exemplaires complètent le contenu de certains groupes ou périodes avec de nouveaux noms. Les observations de nature chronologique apportent des nuances mais ne modifient pas nos conclusions précédentes concernant la période de fonctionnement (entre le milieu du IVe siècle et la fin du IIIe siècle av. J.-C.) et les étapes de développement du site d’Albești. Le IIIe siècle av. J.-C. se remarque en tant que période de développement maximal du point de vue des relations économiques.

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Considerații cu privire la două ștampile de amfore de Myrsileia din colecția Muzeului de Arheologie „Callatis”

Considerații cu privire la două ștampile de amfore de Myrsileia din colecția Muzeului de Arheologie „Callatis”

Author(s): Thibaut Castelli,Mihai Ionescu / Language(s): Romanian Issue: 52/2019

À l’occasion de la publication détaillée de deux timbres de Myrsileia duproducteur Dadas conservés au Musée d'Archéologie „Callatis” de Mangalia, cet articlerassemble les données existant sur ce producteur.

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Δεκίβαλος : un nouveau timbre amphorique romain attesté en Dacie

Δεκίβαλος : un nouveau timbre amphorique romain attesté en Dacie

Author(s): Constantin C. Petolescu,Dorel Bondoc / Language(s): French Issue: 52/2019

Trois timbres amphoriques romains (mis au jour au cours des fouillesdans le vicus militaire de Slăveni, dans la villa suburbana de Romula et, un troisème,provenant d’une autre localité inconnue d’Oltenia) attestent un nouveau céramiste: ΔΕΚΙΒΑΛΟC. Bien que son nom suggère une origine géto-dace (esclave ou affranchi), ilétait sans doute actif dans la zone de la mer Égée, d’où d’autres amphores, avec destimbres grecs, sont arrivées en Dacie.

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Notes épigraphiques (IX)

Notes épigraphiques (IX)

Author(s): Alexandru Avram / Language(s): French Issue: 52/2019

This new series of epigraphical notes (continuous numbering) proposes new editions accompanied by commentaries for three inscriptions from Tomis, two of them in the collection of the Louvre Museum: 34. Decree ISM II 5 in honour of a citizen from Tyras. // 35. Decree ISM II 4. The honorand is the successor of the two commanders of thecivic guard mentioned in the famous decree ISM II 2.// 36. Catalogue ISM II 27, which mentions the members of an association. Thanks to the new restorations three new pontarchs can be identified among the members, as well as a person bearing the honorific title of κοινοσώστης, “saviour of the association (koinon)”. The author adds on this occasion a new edition of the inscription ISM II 19.

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Notes on Greek Inscriptions (I)

Notes on Greek Inscriptions (I)

Author(s): Dragoș Hălmagi / Language(s): English Issue: 52/2019

This article begins a new series of notes on Greek inscriptions. 1. ISM I 417 is a fragment of ISM I 67, the copy A of the horothesia dossier. 2. New restorations in ISM I 180, the inscription of Karpos, son of Artemidoros. 3. ISM I 215 and ISM I 230 are two joining fragments of an album. 4. ISM I 189 and ISM I 185 = 209 are two joining fragments of an album. 5. ISM I 243 and ISM I 194 are inscribed on the same stone, a reused statue base. 6. A new reading of ISM VI.2 736, as a dedication to Derzelas. 7. New readings in the funerary epigram SGO 08 / 02 / 02.1.

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A Travelling Stone from Callatis

A Travelling Stone from Callatis

Author(s): Valentin Bottez,Alexandra Lițu / Language(s): English Issue: 52/2019

The funerary inscription is written in Doric dialect, suggesting it came to Bucharest from Callatis (present-day Mangalia, Constanța County). The two remarkable elements are the names Khoiros and Simoleon; as far as we know, for the first there is only one other mention as a woman's name and the second is mentioned here for the first time in the Greek world.

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Lʹaffranchi impérial Philomusus, croyant et évergète à Sarmizegetusa

Lʹaffranchi impérial Philomusus, croyant et évergète à Sarmizegetusa

Author(s): Ioan Piso,Ovidiu Țentea,Florian Matei-Popescu / Language(s): French Issue: 52/2019

The discovery of a marble votive plate during the archaeological excavations in the area of the temple dedicated to the Palmyrene Gods at Ulpia Traiana Sarmizegetusa, set by Philomusus, imperial freedman and assistant of the bookkeeper in the archive of the headquarters of the financial procurator of the Dacia Apulensis province, as well as a fountain top margin, probably constructed on behalf of the same imperial freedman, together with his son, Regalis, allow now to resume the discussion on his activity at Sarmizegetusa during the Severan period.

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À la recherche dʹun Municipium Aurelium perdu

À la recherche dʹun Municipium Aurelium perdu

Author(s): Radu Ardevan / Language(s): French Issue: 52/2019

The Roman inscription AE 1956, 207, supposed from Apulum, was recently revised (IDR III/5, 447). Its provenance remains unknown, and in the lines 4-5were read as ... [III]Ivir(o) m(unicipii) / A(urelii?) STR… Trying to restore the lost name of the municipium, we propose the reading …[III]Ivir(o) M(unicipii) / A(urelii) Str(aviani) …. , as the only one fitting with the text and with the situation of the monument. Also it would be the only written proof about a rather late ascension to the legal status of a Roman municipium for Stravianis, a small settlement of south-eastern Lower Pannonia, where no archaeological researches were performed yet. The townlet must have enjoyed this status short time – since Caracalla till the climax of the crisis of the 3rd century A.D.This hypothesis remains to be tested by future researches. Concerning the monument itself, it should have been a “wandering stone”, which reached a Romanian private collection.

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Ab Axiupoli VI milia passuum. Cetatea romană de la Seimenii Mari

Ab Axiupoli VI milia passuum. Cetatea romană de la Seimenii Mari

Author(s): Ioan Carol Opriș / Language(s): Romanian Issue: 52/2019

Our paper presents all modern historical sources and maps available mentioning the Roman Fort at the southern limit of Seimenii Mari village (Constanța County), on a 60 ha plateau next to the Danube. The first professional visitor of the site was Pamfil Polonic, most likely during his intensive activity for over one decade at the National Museum of Antiquities (1892-1902), under the direction of Grigore Tocilescu. He drew up a site plan of the plateau and left relevant information regarding a recently discovered Romanfort destroyed by the river, the position of a second watchtower and of a civil settlement surrounded by a vallum and ditch defensive system. The ”large” Roman fort had a rectangular (square?) shape with sides of at least 80 m (i.e. the measured length of the eastern wall, not long before Polonic's visit); the watchtower was subsequent and had a 20 m long eastern side, with northern and southern walls partially preserved. One of the unresolved issues is the one regarding the dating of the civil settlement, the vallum and the ditch enclosure: Pamfil Polonic, Grigore Florescu and most of the Romanian historiography assigned it to the Roman epoch; K. Škorpil, on the other hand, briefly formulated the hypothesis of an Early Bulgar fortified settlement and he was followed by S. Torbatov. Sinceno archaeological investigation followed after the short campaign of Gr. Florescu at Seimeni(1924), it is impossible for the moment to formulate a relevant answer. Cartographic sources were also an essential part of our approach, namely Charta României Meridionale/ Map of Southern Romania (1864), also known as The Szatmari Map, Jakob Weiss' map (dated 1911)or the Romanian Military Maps, ”Planurile Directoare de Tragere”, drafted at a 1: 20000scale after World War I, with the short notice ”La cetate”/ „At the Citadel”. Mapping the numismatic evidence at Seimenii Mari, Seimenii Mici and the surrounding area might also help us understand the anthropic habitation, well attested after emperor Aurelian until the Hunic raids in the 5th century and once again during Justinian (538/539) and Tiberius II Constantine (580/581). Both older and more recent surveys carried out along the Siliștea Valley (with the Domneasca Mare and Domneasca Mică lakes) and the successive Purcăreți,Ramazan (or Ramadan) and Țibrinu Lakes, unveiled numerous Hallstatt (Babadag I), Latène, to Early and Late Roman, Romano-Byzantine and Middle Byzantine (Dridu) habitation sites in the area between the Danube and the tributary valleys. Last but not least, epigraphy is essential for the accurate mapping of the Roman fortified site at Seimenii Mari. It stood along the limes road (via militaris), precisely six miles (or 6000 paces) from Axiopolis, according to the two preserved milestones found in the civil settlement and dating back to the last year of Antoninus Pius (AD 160) and the reign of Septimius Severus (AD 200), under governors L. Iulius Statilius Severus and C. Ovinius Tertullus. A Tetrarchic "Bauinschrift" dated 293-305 from Seimenii Mari belongs to a Lower Danube series (Zernes/ Donje Butorke, Sexaginta Prista/ Ruse, Transmarisca/ Tutrakan, Durostorum/ Silistra and Halmyris/Murighiol), attesting the (re)construction of the local burgus/ praesidium.

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Reprezentări figurate ale Medusei la Callatis

Reprezentări figurate ale Medusei la Callatis

Author(s): Laurențiu Radu / Language(s): Romanian Issue: 52/2019

Medusa, with an oriental origin, has become a widespread decorative element in the ancient world. In the archaic period Medusa is represented as a grotesque figure with feminine characteristics. Later, in the classical era, this image becomes that of a beautiful young woman. The figurative representations of the Medusa known until now in Callatis are, in their majority, ceramic discs or medallions (52 pieces), bronze sconces (4 pieces), ceramic protomes (5 pieces) used for apotropaic purpose, to which we can add two ceramic antefixes and a marble pediment fragment, totalising 65 pieces. From the chronological point of view, the oldest representations of the Medusa were classified in the 4th-3rd c. BC, and the most recent discovery in the second third of the 4th c. AD. Most of the pieces date from the Hellenistic era (4th - 2nd c. BC) - 59 samples, and from the Roman era - 6. In the Hellenistic era most images are on ceramic discs or medallions, a fact that changes in the Roman era when ceramic protomes and sconces predominate, used as decoration for various objects, which reflects the change of their perception: from an object with well - defined apotropaic function to a simple element of decoration with aesthetic character.

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Cataramă de centură descoperită în fortificația de la Albești

Cataramă de centură descoperită în fortificația de la Albești

Author(s): Nicolaie Alexandru / Language(s): Romanian Issue: 52/2019

In 1996, in the fortification at Albești (Sector B, c. 27-37), there was discovered a rectangular structure, by ca. 9 x 5 m2, comprising two partitions with a rich archaeological inventory. Among these discoveries there was a bronze horse shaped buckle(inv. 2729 „Callatis” Museum), representing a running horse, viewed from its profile.The horse stands on its hind legs with the front legs raised and the horizontal tail, giving the impression that he is running at high speed. The buckle details have been added by engraving, after the molten metal was poured into the mould and processed. On the backside there is a T shaped gripping system, accomplished when the molten metal was poured into the mould. The closest analogies were discovered in the Scythian world. Due to its discovery in a clear archaeological context, the buckle discovered at Albești can be dated to the second half on the 3rd century BC.

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Un vas uitat și redescoperit

Un vas uitat și redescoperit

Author(s): Maria Alexandrescu Vianu / Language(s): Romanian Issue: 52/2019

The vessel discovered at Schitu, in the territory of Callatis, is of a rare shape, less encountered, which finds its analogies in Arretine and Campanian pottery shapes. The applied decoration depicts a Dionysian thiasos with analogies in the decoration of Italic metal vases and marble craters.

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Două noi capace de teriac descoperite pe teritoriul Dobrogei

Două noi capace de teriac descoperite pe teritoriul Dobrogei

Author(s): Gabriel Custurea / Language(s): Romanian Issue: 52/2019

The author presents two new lids from theriac capsules discovered accidentally in Southern Dobruja. Both lids are made of lead. One of them is original (the piece from Vâlcele), the other is a counterfeit (the piece from Plopeni), representing the manufacturer of the medicine, the Venetian chemist’s shop Testa d’oro. The author statest hat the presence of these lids proves the penetration also in the rural area of Dobruja of the trade of high quality medicines. Also, such pieces, together with Venetian coins discovered in the area, prove the relations of Venice with the Danubian-Pontic territory in the medieval and modern eras.

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Encore une fois sur la datation et l'organisation des moines dans le monastère rupestre de Murfatlar (dép. de Constanța)

Encore une fois sur la datation et l'organisation des moines dans le monastère rupestre de Murfatlar (dép. de Constanța)

Author(s): Georgi Atanasov / Language(s): French Issue: 53/2020

The rock monastery is located in the Romanian territory of Dobrogea, near the town of Murfatlar, 20 km west of Constanta. Based on pottery, paintings and graffiti, as well as numerous signs, its appearance was improved until the last quarter of the 9th century and was abandoned in the last quarter of the 10th century (especially after Prince Svetoslav's Russian campaign against the Bulgarian kingdom in 971). There are several monastic practices - a monastery in the eastern sector and a monastery in a dormitory in the western sector E. The earliest church is B1 and the late monastery in sector B. More than 50 rock churches and monasteries have been found in Dobrogea, but Murfatlar is unique in terms of plans and monastic practices.

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Production of Bone Rings in the Hamangia Settlement of Cheia(Romania)

Production of Bone Rings in the Hamangia Settlement of Cheia(Romania)

Author(s): Monica Mărgărit,Valentina Voinea / Language(s): English Issue: 53/2020

Studies on osseous objects specific to the Hamangia culture (5th millennium cal BC) have paid more attention to exotic raw materials, such as the Spondylus valve or the Antalis shell, to the detriment of local raw materials such as bone. However, the latter can also provide us with important technological and cultural information about prehistoric communities. In this study we propose to reconstruct the ovicaprines bones scheme of transformation into rings, based on the technological analysis, as it was identified in the settlement of Cheia (Constanța County, Romania).

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Analize XRF asupra unor pigmenți identificați pe piese din lut ars din cultura Gumelnița descoperite pe teritoriul județului Dâmbovița

Analize XRF asupra unor pigmenți identificați pe piese din lut ars din cultura Gumelnița descoperite pe teritoriul județului Dâmbovița

Author(s): Ana Ilie,Daniela Stan,Bogdan Constantinescu / Language(s): Romanian Issue: 53/2020

The Kodjadermen-Gumelnița-Karanovo VI (K-G-K VI) culture is widely known by the splendid graphite ceramics, though red and white pigments were also in use for special recipients and figurines. Several pigments analysis have already been published for artifacts of the contemporaneous Cucuteni-Tripolie culture, well-known through its painted ceramic, while no such attempts have been made so far for the Gumelnița culture. The article presents the results of X-ray fluorescence (XRF) analysis on pigment samples collected from pottery items and anthropomorphic figurines from the Gumelnița sites of Geangoești, Moara din Groapă, and Corbii Mari (Dâmbovița County). The XRF analysis confirmed the use of iron-rich clay for the red pigment, and the use of two different, possibly local, sources for the white pigment in Geangoești and Moara din Groapă artifacts. The chemical composition of the black pigment sample of the anthropomorphic figurine from Geangoești indicated the use of chromite.

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