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Recenzia

Recenzia

Author(s): Róbert Jáger,Sylwia Sojda,Zuzana Slobodová / Language(s): Slovak Issue: 01/2019

ŽEŇUCH, P. – BEĽAKOVA, J. V. – NAJDENOVA, D. – ZUBKO, P. – MARINČÁK, Š.: Užhorodský rukopisný Pseudozonar – Pravidlá mníšskeho a svetského života z prelomu 16. – 17. storočia. Bratislava, Moskva, Sofia, Košice: Veda, 2018. 448 s. ISBN 978-80- 224-1702-0. Reviewed by Róbert Jáger;OLCHOWA, G.: System adresatywny języka polskiego i słowackiego na początku XXI wieku. Hradec Králové: Gaudeamus, 2018. 240 s. ISBN 978-80-7435-709-1. Reviewed by Sylwia Sojda;VRÁŽELOVÁ, V.: Tvorenie termínov v odbore cestovného ruchu v slovenčine a v ruštine. Slovensko-ruský a ruskoslovenský terminologický slovník cestovného ruchu. Prešov: Vydavateľstvo Prešovskej univerzity, 2016. 232 s. Reviewed by Zuzana Slobodová.

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Dotyky nevýslovného v románovej tvorbe Sylvie Germain

Dotyky nevýslovného v románovej tvorbe Sylvie Germain

Author(s): Silvia Rybárová / Language(s): Slovak Issue: 3/2020

The work of contemporary French writer Sylvie Germain is often compared to a “silent symphony”. Whispered from the depths of being, Germain’s novels resonate with the richness, grandeur and poeticism of the language. Underneath the fetching words, a gentle murmur of the unknown rises. But how to capture the “chant of the end of silence”, that the authorrefers to in her essay “Les Échos du silence”? The confrontation with God’s extremely reticent presence becomes the focus of Germain’s fictional characters, as well as an impulse for her literary work. This interpretative analysis of selected excerpts from novels by Sylvie Germainis an attempt to identify typical expressive means of the “ineffable”. The study wants to be not only an illustration of the patient search for the expression of transcendent experience, but also a sincere look at one particular literary (and human) testimony.

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Stredoveké notované fragmenty zo Slovenského národného archívu

Stredoveké notované fragmenty zo Slovenského národného archívu

Author(s): Eva Veselovská / Language(s): Slovak Issue: 1/2014

The sources of medieval musical culture from the territory of Slovakia are the foundation stone in the musical history of our land. The most recent investigations of 62 medieval fragments from the Slovak National Archive in Bratislava have indicated a wealth of original and imported written culture from a time period from the late 12th to the early 16th century. Newly discovered fragments fill out the complex picture of the sources of medieval musical culture, which despite severe material losses (manuscripts lost, destroyed, or removed abroad) is rich and unique. In the latest research in the Slovak National Archive many fragments have been identified from manuscripts which are currently known and more or less complete.

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Evanjelické kantoráty a. v. na Spiši a ich význam pre rozvoj renesančnej a barokovej hudby

Evanjelické kantoráty a. v. na Spiši a ich význam pre rozvoj renesančnej a barokovej hudby

Author(s): Janka Petőczová / Language(s): Slovak Issue: 1/2014

The paper summarises the results of the most recent research on Lutheran Church cantorates in Spiš/Zips in the 16th and 17th centuries. Besides resolving questions of terminology, the author considers the genesis of the Lutheran cantorates (development of musical education, influence of Leonard Stöckel) and also analyses the activity of two urban cantorates (Levoča/Leutschau, Spišská Nová Ves/Neocomium, Iglo, Neudorff). Emphasis is placed on new findings connected with the existence of the religio-musical corporation Fraternitas Litteratorum in Spišská Nová Ves. Particular attention is devoted to transcriptions of the unique musical repertoire in the Spiš Lutheran cantorates and the Central European musico-cultural context.

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Nábožné katolické pesňički Jura Hollého – prvý notovaný kancionál slovenských katolíkov po Cantus Catholici

Nábožné katolické pesňički Jura Hollého – prvý notovaný kancionál slovenských katolíkov po Cantus Catholici

Author(s): Peter Ruščin / Language(s): Slovak Issue: 2/2014

The Slovak Catholic hymnbook Nábožné katolické pesňički (Trnava 1804). Compiler of the hymnbook Jur Hollý (1760 – 1818), his life and work. The tradition of Catholic church singing in 18th century Slovakia and the hymnological sources. Circumstances of the hymnbook’s emergence, its conception, editorship of tunes. New texts and tunes of hymns in the hymnbook. Review of tunes and text incipits.

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Pastorácia Rómov a jej vplyv na piesňový repertoár

Pastorácia Rómov a jej vplyv na piesňový repertoár

Author(s): Jana Belišová / Language(s): Slovak Issue: 2/2013

The spiritual and religious life of the Roma is, for the majority, little known. In the past the Roma ordinarily tended to affiliate to whatever church denomination was dominant in their surroundings. The situation in the religious field has been changing since 1990 and various church societies have begun to conduct missionary activity among the Roma. Missionary activity has an influence also on the song repertoire, where religious song has found a place. Many of these songs are composed by Roma themselves, with a part taken from the repertoire of church hymns or from the repertoire of so-called praises and adapting either the music or the lyrics of the work. They call these songs praises or gospels. They understand them as prayer, a celebration of God. The singing is accompanied by a strong emotional expresion, with gestures of the hands and movements of the body. The songs are sung at common church ceremonies, at home prayers within the family, and at festivals of religious song, but they also penetrate the repertoire of everyday life.

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Viachlasné slovenské duchovné piesne v rukopisnom evanjelickom kancionáli SK-Mms, B III/107 zo 17. storočia

Viachlasné slovenské duchovné piesne v rukopisnom evanjelickom kancionáli SK-Mms, B III/107 zo 17. storočia

Author(s): Peter Ruščin / Language(s): Slovak Issue: 1/2011

Th e four four-part hymn adaptations in a manuscript Slovak Lutheran hymnbook without title page (SK-Mms, B III/107) are among the few documented examples of choir adaptations of Slovak hymns in the 17th century. Th is source, of Central Slovakian provenance, which has not been known hitherto, documents liturgical singing by Slovaks in one of the church choirs of that region at the close of the 17th century.

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Gizela Gáfriková (ed.): Posledné veci človeka. Štúdie k dejinám slovenskej duchovnej kultúry 17. – 18. storočia

Gizela Gáfriková (ed.): Posledné veci človeka. Štúdie k dejinám slovenskej duchovnej kultúry 17. – 18. storočia

Author(s): Peter Ruščin / Language(s): Slovak Issue: 1/2011

Gáfriková, Gizela (ed.): Posledné veci človeka. Štúdie k dejinám slovenskej duchovnej kultúry 17. – 18. storočiaBratislava : Veda, vydavateľstvo Slovenskej akadémie vied, 2010, 255 s. ISBN 978-80-224-1124-0

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„Slovenský kňaz v nutnej opozícii voči cudzorodej hierarchii“. Konflikt kňaza Karola Antona Medveckého s biskupom Wolfgangom Radnaim v druhej dekáde 20. storočia

„Slovenský kňaz v nutnej opozícii voči cudzorodej hierarchii“. Konflikt kňaza Karola Antona Medveckého s biskupom Wolfgangom Radnaim v druhej dekáde 20. storočia

Author(s): Ján Golian / Language(s): Slovak Issue: 1/2023

The aim of the study is to analyse the development of disputes between the priest Karol Anton Medvecký and Bishop Wolfgang Radnai in the second decade of the 20th century. The conflict, which took place in the territory of the Banská Bystrica diocese, depicts rivalry relationships between politically active Slovak priests and the Hungarian episcopate – integrally connected with the official Hungarian political discourse. It began when the bishop relocated the priest into the complicated parish of Bacurov, where Medvecký had to face geographical, economic, mental and cultural isolation. After many years of ignoring his requests for relocation, the priest raised complaints against the bishop to the nunciature in Vienna and subsequently to the Council of the Congregation in Rome.

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Hudobné vzdelávanie v trnavských učiteľských inštitútoch

Hudobné vzdelávanie v trnavských učiteľských inštitútoch

Author(s): Erika Tavalyová / Language(s): Slovak Issue: 2/2023

Based on the analysis of primary sources, the study documents the genesis of teacher education in Trnava, from the establishment of the teacher training in 1857 until 1950, when the teacher training institutes were abolished. It focuses on research into music education and music practice in teacher training institutes. At the same time, it profiles music teachers in these teacher training institutions and their influence on the quality of music education.

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Ofícium za zosnulých v kartuziánskej tradícii moravských rukopisov

Ofícium za zosnulých v kartuziánskej tradícii moravských rukopisov

Author(s): Zuzana Badárová / Language(s): Slovak Issue: 1/2024

Medieval liturgical sources from various monastic communities are an important testimony to the monastic musical culture of the area. Musical prayer formed an essential part of the monk’s daily life. In addition to the Mass liturgy, which is also encountered in diocesan settings, the liturgy of the hours, which was celebrated essentially in the form of chant, determined the basic structure of the day for each member of the order. The aim of this study is to investigate the medieval liturgical chants of the Office for the Dead in Carthusian manuscripts from the territory of Moravia. Attention will be paid to selected chants of the Matins from these codices, primarily its responsories. These chants represent a specific, Carthusian liturgical tradition, which has been documented in its stable structure since the foundation of the Carthusian Order.

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Zlomok Graduálu 860 z Knižnice evanjelickej cirkvi a. v. v Kremnici

Zlomok Graduálu 860 z Knižnice evanjelickej cirkvi a. v. v Kremnici

Author(s): Eva Veselovská / Language(s): Slovak Issue: 2/2024

This study deals with a fragment of Gradual 860 from the early thirteenth century, recentlydiscovered in the Library of the Evangelical Church of the Augsburg Confession in Kremnica.It is one of the oldest medieval sources of music from Kremnica, brought to Slovakia in itssecondary function as the cover of Nicodemus Frischlin’s Nomeclatur tri linguis Graeco-Latino-Germanicus printed in Frankfurt in 1614. The fragment contains some chants of the liturgyof the Holy Mass in the wintertime, specifically for the feasts of Saints Nicholas, Odile, Lucy,Stephen, and John the Evangelist and a sequence for the Feast of the Nativity of the Lord, (Sq.Eia recolamus, Natus ante saecula). Especially the Almae Odiliae interventu Alleluia verse forthe Feast of Saint Odile is a rare repertoire element of this fragment.

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Samopodoben Dóme Jevfráthov / Οἴκος τού Ἐφραθά: sonda do vývoja hudobno-liturgickej tradície

Samopodoben Dóme Jevfráthov / Οἴκος τού Ἐφραθά: sonda do vývoja hudobno-liturgickej tradície

Author(s): Samuel Škoviera / Language(s): Slovak Issue: 2/2024

Much scholarly effort was devoted to the historical development of language in the nineteenthand the early twentieth centuries, and this was one of the fundamental research topics inlinguistics. For several reasons, a similar phenomenon in music was not given much scope.One reason was the barrier of neumatic notation, which has been posing many challengesto this day. This paper is a probe into the development of the Byzantine liturgical musicaltradition, which has been similar to that of language in many ways. As the object of ourresearch, we chose a unique sticheron-automelon, O House of Ephratha/Οἴκος τού Ἐφραθά,whose development can be traced back to the eleventh century and reaches up to its current,living tradition. The aim of this paper is to introduce Byzantine hymnography and liturgyto the reader and lead him through the development of hymns with examples of selectedmusical sources. The analysis includes reconstructions of its earlier phases recorded inadiastematic neumatic notations.

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ROLUL EDUCATIV AL HARULUI LUI DUMNEZEU: O REFLECȚIE TEOLOGICĂ

ROLUL EDUCATIV AL HARULUI LUI DUMNEZEU: O REFLECȚIE TEOLOGICĂ

Author(s): Daniel G. Oprean / Language(s): Romanian Issue: 2/2024

It is the aim of this paper to explore the way the theology of the grace of God is formulated in the New Testament, on the coordinates of soteriology and education. And the exploration is conducted in a conversational manner, a conversation between Paul, John, Luke and Peter, as representatives of the hermeneutical community constituted by the writers of the New Testament. In this framework, starting from the salvific role of the grace of God, the argument will continue with the educational role of the grace of God. The two roles of the grace of God, are interrelated and interconditioned, the intrinsic and indisoluble relationship between the two, being rooted in the indissolubility of Christ’s and Spirit’s Persons and works. Therefore, from the definition of the grace of God, to the coordinates of the grace of God salvific transformative work the paper will argue in the light of New Testament theology of the grace of God, the coordinates of educational transformative work of the grace of God.

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Arhitektura i Sufizam - spoj duhovnosti, simbolizma, estetike i praktičnosti

Arhitektura i Sufizam - spoj duhovnosti, simbolizma, estetike i praktičnosti

Author(s): Naida Ademović / Language(s): Belarusian Issue: 65-68/2024

Tekkes represent a deep fusion of architecture and Sufism, where each structure bears the imprint of spiritual practice. Architecture serves as a bridge between the physical and spiritual worlds, allowing us to experience a connection with the divine. Sufism emphasizes inner enlightenment and closeness to God through the space of the tekke, which is both aesthetically appealing and deeply spiritually inspiring. Tekkes, with their unique L-shaped room arrangements, provide ideal environments for the spiritual growth of Sufi practitioners. These buildings functionally separate different activities, enabling both privacy and community. Symbolically, the L-shape reflects the Sufi spiritual journey and the hierarchical structure of the community. Over the centuries, tekkes have evolved by incorporating cultural influences while maintaining their connection to the spiritual values of Sufism. In Bosnia and Herzegovina, these structures are an important part of the cultural identity, integrating Ottoman and local elements. The location of tekkes is often in natural settings, emphasizing the connection with nature. Tekkes continue to play an important role in social and spiritual life, serving as places of spiritual gathering, education, and cultural exchange. Their architecture not only reminds us of the past but also inspires us to appreciate cultural heritage and nurture spiritual roots. In conclusion, tekkes in Bosnia and Herzegovina bear witness to a rich cultural heritage, creating spaces that bridge the physical and spiritual through symbolic elements and ecologically sustainable design.

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O franciszkańskiej historii koszalińskich kościołów w latach 1945–1974

O franciszkańskiej historii koszalińskich kościołów w latach 1945–1974

Author(s): Krystyna Bastowska / Language(s): Polish Issue: 12/2024

At the beginning of 1945, there were 10 temples belonging to various denominations in Koszalin, including one Catholic church. Saint Joseph. All temples survived the war conflagration. The first Franciscan, Father Nikodem Szałankiewicz, arrived in ruined Koszalin on May 26, 1945, together with a group of 450 settlers from Gniezno, occupying the church dedicated to the Saint Joseph without any obstacles, and from June 17, 1945 also the parish church. Parish of St. Joseph initially included over 20 branch churches. In 1946, the parish of St. Joseph was handed over to Lutherhaus. All efforts to acquire the castle church and other churches in Koszalin and the Koszalin district were rejected by the state authorities. In addition to building religious life and pastoral service from scratch, the Franciscans had been renovating and taking care of historic churches and their furnishings for nearly 30 years, without being able to obtain financial assistance and struggling with many difficulties from the authorities. The wide-ranging and innovative work carried out at the parish church was a response to the needs of the time and an image of the emerging conservation doctrines. Passing on to future generations the historic legacy in the form of 10 former Catholic churches and 78 Protestant congregations from the city of Koszalin and the Koszalin district is an unquestionable merit and achievement, achieved in times that were unfavorable and unfavorable to religious monuments. After the Koszalin-Kolobrzeg (Kołobrzeg) Diocese was established on June 28, 1978, the Koszalin parish church became an episcopal cathedral. On July 2, 1974, the Franciscans handed over the cathedral to the diocesan priests and on July 3, 1974, they began serving in the church of the Exaltation of the Holy Cross, which they expanded in the years 1976–1983 and where they serve to this day.

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Twórczość muzyczna Arvo Pärta w świetle teologii muzyki Josepha Ratzingera/Benedykta XVI

Twórczość muzyczna Arvo Pärta w świetle teologii muzyki Josepha Ratzingera/Benedykta XVI

Author(s): Ksawery Kalicki / Language(s): Polish Issue: 12/2024

The article attempts to analyze the essential features of Arvo Pärt’s music (aesthetic asceticism, primacy of the word, universal dimension) in terms of compatibility with the criteria of sacredness of music postulated by Joseph Ratzinger/Benedict XVI (reference to the word, integration of the senses and spirit, cosmic character). The author shows that the Estonian music, at least at the level of ideological assumptions, meets these criteria.

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Mitologiczne oraz chrystologiczne spojrzenie na twórczość J.R.R. Tolkiena, część I – Mity Świata Germańskiego

Mitologiczne oraz chrystologiczne spojrzenie na twórczość J.R.R. Tolkiena, część I – Mity Świata Germańskiego

Author(s): Jakub Sitarz / Language(s): Polish Issue: 12/2024

The article is an excerpt from Rev. Jakub Sitarz’s master’s thesis devoted to the question of whether it is possible to find Christological motifs in Tolkien’s Legendarium without overinterpretation. The abstract section of the thesis using the method of historical and biographical re¬search shows the possibility of interpreting J.R.R. Tolkien’s works with both Christological and mythological keys. Further on, the author focuses on showing the references in the Legendarium to Germanic mythology, emphasizing that this is only a fragment of a broader mythological interpretation bringing together the mythology of more nations and cultures.

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Печатният ирмологий на XIX век – формиране, развитие и специфики в гръцката и в българската богослужебна практика
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Печатният ирмологий на XIX век – формиране, развитие и специфики в гръцката и в българската богослужебна практика

Author(s): Regina-Octavia Ivanova / Language(s): Bulgarian Issue: 1/2025

This article examines the evolution and key features of the printed notated heirmologion in the 19th century – one of the essential psaltic books in Eastern Orthodox liturgical practice. It compares three printed heirmologia from the patriarchal tradition of Constantinople, published by Chourmouzios Chartophylax (1825) and Ioannis Byzantios (1839, 1856), as well as a Church Slavonic heirmologion by Angel Ivanov Sevlievets (1875). The study outlines the characteristics of the first three editions, which serve as prototypes, before analyzing the modifications introduced in the fourth one. Additionally, it highlights specific melodic features of the new heirmoi that arose from the shift in language (from Greek to Church Slavonic).

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In memoriam - Preasfințitul Părinte Episcop VASILE FLUERAȘ (1948-2021), cronica ultimului drum pământesc

Author(s): Cornel Gheorghe Coprean,Darius Echim / Language(s): Romanian Issue: 3/2021

His Grace Father Vasile, honored Bishop and former Vicar-Bishop of the Archdiocese of Vadu, Feleacu and Cluj, between 1998 and 2019, departed to the Lord on Friday, the 8th of October 2021, about 11.30. The Hierarchical Holy Liturgy and the Funeral service were officiated on Monday, the 11th of October 2021 by a group of hierarchs who assisted His Eminence Father Archbishop and Metropolitan Andrei, and the burial was made under the Altar of the Metropolitan Cathedral of Cluj-Napoca.

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