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Yes, We Can

Yes, We Can

Yes, We Can

Author(s): Walter Mignolo / Language(s): English / Issue: 1/2015

Keywords: essay;

At the end of 2012 at Al Jazeera, Santiago Zabala published a text about Zizek and the role of the philosopher nowadays. This publication motivated a critical response from the Iranian philosopher Hamid Dabashi, followed by Walter Mignolo’s intervention. Both responses emphasized the pending task of decolonizing knowledge. Returning to the axes of that exchange, H. Dabashi wrote the recently published book Can non-Europeans think? The article presented below is the foreword of the book, written by Walter Mignolo: “Yes, we can”.

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Nomadic thinking and hidden ontologies

Nomadic thinking and hidden ontologies

La pensée nomade et les ontologies cachées

Author(s): Luis Fellipe Garcia / Language(s): French / Issue: 1/2015

Keywords: philosophy; cartesianism; Kantian philosophy

This paper explores the contrast between two meanings of thinking: (i) one that is implied by the Cartesian and Kantian philosophy, the two thinkers that have the deepest influence on the constellation of Western philosophical problems (ii) and another which is implied by the philosophical-anthropological project of the Brazilian anthropologist Eduardo Viveiros de Castro. The thesis here defended is that, in the Cartesian and Kantian philosophy, thinking means to control the otherness by a conceptual construction, while in Viveiros de Castros’ theoretical enterprise, thinking would be rather to explore how the otherness would light up what those conceptual constructions hide behind its walls.

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Exploring Potentials for Culinary Tourism through a Food Festival: The Case of Thessaloniki Food Festival

Exploring Potentials for Culinary Tourism through a Food Festival: The Case of Thessaloniki Food Festival

Author(s): George Chatzinakos / Language(s): English / Issue: 2/2016

Keywords: Culinary tourism; food festivals; sustainability; localism; local development;

This paper seeks to conceptualize the way Thessaloniki is promoting culinary tourism, whilst supporting and building upon local networks; engaging and co-creating an urban experience with its citizens and visitors. The aim of the paper is to suggest a potential framework that can be used as a strategic planning tool for the promotion of culinary tourism in Thessaloniki. To this end, a food festival is being investigated. This has been conceived by the organizers as the foundation of the idea of culinary tourism in the city. However, the findings indicate that there is a lack of active participation by the locals and not enough communication among various assets that are associated with the culinary identity of the city. In general, Thessaloniki seems to embody the ongoing struggle of an emerging destination, which is dealing with the complex process of branding and marketing without having the proper tools and the necessary collaboration required between its structural networks. Accordingly, the research provides a lens through which the culinary culture of Thessaloniki can be used as a strategic pillar for stimulating a sustainable way of “consuming” whilst also promoting the city’s identity; enhancing Thessaloniki’s appeal as a culinary destination.

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Lyon – UNESCO’s Creative City of Gastronomy?

Lyon – UNESCO’s Creative City of Gastronomy?

Author(s): Cecilia Avelino Barbosa / Language(s): English / Issue: 2/2016

Keywords: creative cities; city branding; UNESCO; Only Lyon; gastronomy; media arts;

The fast urbanization in many regions of the world has generated a high competition between cities. In the race for investments and for international presence, some cities have increasingly resorting to the territorial marketing techniques like city branding. One of the strategies of recent years has been to use of creativity and / or labeling of creative city for the promotion of its destination. This phenomenon raises a question whether the city branding programs have worked in accordance with the cultural industries of the territory or if such labels influence the thought of tourists and locals. This paper begins by placing a consideration of the UNESCO Creative Cities Network (UCCN) and the strategies of the Territorial Marketing Program of the city of Lyon in France, Only Lyon. It also raises the question the perception of the target public to each of the current actions through semi-structured interviews which were applied between May and August 2015. Finally, I will try to open a discussion the brand positioning adopted by the city of Lyon.

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Can we interact with a text? Interculturalisation of hermeneutics from Gadamer to Daya Krishna

Can we interact with a text? Interculturalisation of hermeneutics from Gadamer to Daya Krishna

Peut-on dialoguer avec un texte ? Interculturalisation de l’herméneutique de Gadamer à Daya Krishna

Author(s): Elise Coquereau / Language(s): French / Issue: 1/2015

Keywords: Gadamer’s hermeneutics;philosophy;

Can we dialogue with a text? Gadamer’s dialogical hermeneutic drew an analogy between dialoguing and hermeneutic understanding of texts. However, he did not intend to ask how one can dialogue with a text from another culture. Gadamer’s dialogical hermeneutic therefore raises a question regarding its applicability to texts originating from another tradition than the one of the reader or the speaker. While relating his concepts to Daya Krishna’s concept of dialogue, I study how interculturality requires reinterpreting hermeneutical models for a dialogue with texts from different traditions. Daya Krishna offers indeed an alternative way, which did not simply criticize the hegemony of European philosophies but engaged in intercultural dialogues with different philosophical traditions while preserving their conceptual structures. He uses the difficulties of understanding in these contexts to show the effectivity of dialogues in renewing philosophical categories issued from a particular tradition. This implies reworking the hermeneutic concept of understanding and the exegetical attitude, from a logic of commentary to the one of use of concepts. It also reminds us of the question-answer logic retrieved from Gadamer, however by emphasizing the attention on the act of dialoguing itself rather than on the limits of the interlocutors located inside a historico-cultural horizon. In this paper, I therefore suggest to read Gadamer’s contribution with Daya Krishna, thereby accentuating the creativity of misunderstandings and the one of questioning in their fallibility and unpredictability, which are conditions for intercultural dialogues.

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The Frankfurt School in France and the United States: comparative anatomy of a reception

The Frankfurt School in France and the United States: comparative anatomy of a reception

L’École de Francfort en France et aux États-Unis : anatomie comparée d’une réception

Author(s): Clément Rodier / Language(s): French / Issue: 1/2015

Keywords: Frankfurt School;

While the Frankfurt School was subject to a reception in the United-States, this philosophical movement did not face the same fate in France. The issue of this article is not to answer, in fine, the question ≪ reception or not ? ≫ concerning both countries ; it is to understand two opposite fates. Such an approach is a way to build a theoretical framework for the concept of ≪ reception ≫, and illustrate it in a comparative study.

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Frantz Fanon, reader of Karl Marx: Revolutionäre Praxis and sociogenesis

Frantz Fanon, reader of Karl Marx: Revolutionäre Praxis and sociogenesis

Frantz Fanon lecteur de Karl Marx : Revolutionäre Praxis et sociogenèse

Author(s): Lina Alvarez / Language(s): French / Issue: 1/2015

Keywords: marxism;philosophy;

The thought of Karl Marx (1818–1883) is one of the most important influences that we may find in the work of Frantz Fanon (1925–1961). However, the Afro-caribbean psychiatrist does not merely apply the thesis of Marx in a manner that we may qualify as dogmatic. Instead, he gives them a new usage, a usage that is determined by the situation that he is trying to understand and transform, that is, the colonial societies and the processes of decolonization of the second half of the 20th Century. In this paper we will address the relationships between the eleventh these of the Theses on Feuerbach (1845) (a work that is explicitly quoted by Fanon in Peau noire, masques blancs), and the critic of human sciences elaborated by Fanon. Even if Fanonian studies have not ceased to recall the relation between these two authors, they have nonetheless not questioned the connections between the philosophy of praxis (that is a revolutionäre Praxis) of the German intellectual, and the sociogenese of Fanon. It is therefore by rendering visible this connection that this paper aims to contribute to the discussion on Fanon’s Marxism.

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Food and wine tourism and urban local development

Food and wine tourism and urban local development

Author(s): Gabriele Di Francesco / Language(s): English / Issue: 2/2016

Keywords: City brand; food and wine; festival;

Food and wine tourism in Italy is characterized by the reference to natural foods and to the history of the cities. For most of the foods the bond with the territories and especially with the cities was and is crucial. Always food, typically produced in a family business, have the same name of the cities, as if the city was the real corporate brand of taste. This city brand is often copied in many countries of the world to product industrial supplies that have a wide commercial distribution. These products are impossible to reproduce. They are the result of the combination of local products, craft skills, bonds with legendary or real historical events. The reflection on the food and wine tourism and urban development, comes from these assumptions. With a socio-anthropological approach, some methods and qualitative techniques were used, as the historical comparative method, document analysis and participant observation. These methods were applied to investigate three different Italian towns that gave the name to three foods: Marino, with the wine festival, Fabriano with its production of salami and Ascoli Piceno with the production of the Ascoli olive. The Marino Grape Festival is based on legendary events, on the presence of ancient vineyards, on the representation in the style of 1500s square machines. In Fabriano is produced a famous salami dates back to medieval times, reproduced in paintings and frescoes and handed down to us with a disciplinary unchanged. Ascoli Piceno has given its name to a prized food preparation called Oliva Ascolana. Marino has thousands of visitors every year to drink and buy wine and to participate in the grape and wine festivals. Fabriano has a tourism that seeks the history, architecture, art and the taste of his salami. The Ascoli olive stuffed with meat and spices is great tourist vehicle to Ascoli Piceno.

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Born of disaster. Criticism of ethnophilosophy, social thought and africanity

Born of disaster. Criticism of ethnophilosophy, social thought and africanity

Née du désastre. Critique de l’ethnophilosophie, pensée sociale et africanité

Author(s): Norman Ajari / Language(s): French / Issue: 1/2015

Keywords: Africa; philosophy, Nelson Mandela

Debate between cultural fundamentalism of “ethnophilosophers” and its progressive critics has been central to contemporary African philosophy. This text deals with a hidden disagreement among the critical camp. Against Paulin Hountondji’s scientism, it takes side for Fabien Eboussi Boulaga’s ethical and existential interpretation of African traditions. Rejecting both search for glorious ancestors and limitation of theoretical discourse to epistemology, he pleads for a revalorization of African humanness and elaborates a negativity-grounded ethics that anticipates Nelson Mandela and Desmond Tutu’s interpretation of ubuntu.

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Transnational Döner Kebab taking over the UK

Transnational Döner Kebab taking over the UK

Author(s): Ibrahim Sirkeci / Language(s): English / Issue: 2/2016

Keywords: Döner; Kebab; Gyros; Transnational market entry; UK; fast food; place brand;

People move, finances move, so does the cultures, artefacts, goods and food. Remittances literature expanded significantly in the last two decades to cover more of what we refer to as social remittances. Social remittances refer to often intangible elements, cultural artefacts, habits, opinions, attitudes, beliefs, values transferred by migrants from destination countries to their home countries. Through studies on migrant remittances, we know that even in terms of financial transfers, remittances operate in corridors and in a two-way fashion. One third of remittances are sent to countries which are called “advanced economies”. United Kingdom, Germany, France are among the top remittance receiving countries as well as leading the table of sending countries. In this paper, I explore the ways in which social remittances change the foodscapes of destination countries with particular reference to Döner Kebab in the United Kingdom. Until two decades ago, Döner Kebab was a rare meal you would enjoy when holidaying in Turkey or if you happen to be in that cosy corner of North London. Nevertheless, in 2010s Britain, it became a popular fast food, particularly when it comes to what to eat after a night out. One may find an outlet selling Döner Kebab literally in every city, every town, every neighbourhood, every village in Britain. Multiple forces were in play in the making of Döner Kebab a British national food: 1) practicality of the food itself, 2) growing number of immigrants from Turkey arriving in Britain, 3) labour market disadvantages immigrants face, 4) asylum dispersal policies of the 1990s and 2000s, 5) declining incentives making small shops not viable economically, and 6) increasing number of British tourists visiting Turkey. In this article, a number of hypotheses are proposed for a conceptual model explaining the ways in which foreign food becomes part of the national food/cultural heritage in destination.

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Migrant associations as alternative jobs providers: Experience of Turkish and sub-Saharan communities in Belgium

Migrant associations as alternative jobs providers: Experience of Turkish and sub-Saharan communities in Belgium

Author(s): Altay Manço,Andrea Gerstnerova / Language(s): English / Issue: 1/2016

Keywords: Economic integration; immigration; community life; sub-Saharan Africans; Turks; Belgium;

It can be said that Belgian labour market has been challenged since the 1970s due to changing economic landscape. The two major drivers for change were the deindustrialization and globalization. For some, these two drivers have brought a perceptible deterioration of working conditions and pay. In general, foreign workers are among the first to be affected by such changes. Their temporary residence status, unrecognized qualifications, limited language skills and lack of access to the social networks of the native-born Belgians make them particularly disadvantaged in the labour market. In order to overcome these obstacles, migrant communities have developed various, more or less effective, measures. To illustrate this, this paper discusses the role of migrant associations in economic integration among the Turkish and the sub-Saharan communities residing in Belgium. Particular emphasis is made on the contribution of the community’s social capital in the process of transferring knowledge, financial and material means and professional networks. The social capital that sub-Saharan and Turkish communities dispose is of great help to immigrants. It can ease their adaptation into the new socioeconomic environment in material, financial and psychological terms. However, to some extent, the mobilization of the community’s social capital can also incite the development of parallel societies that are in contrast to the ideal conception of a cohesive society. The adherence to the legislative framework of the host society may also be questioned. The occurrence of informal activities within the migrant associations is not infrequent.

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Hybrid self-narrative untitled Romantic Egoist by Frédéric Beigbeder: is it an autobiography, postmodern diary, or, auto-fiction novel?

Frédéric Beigbeder’in Romantik Egoist adlı karma benli anlatısı: özyaşamöyküsü mü, yeniötesi günlük mü, özkurmaca roman mı?

Author(s): Ali Tilbe,Kamil Civelek / Language(s): Turkish / Issue: 1/2016

Keywords: Autobiography; Auto-fiction; Postmodernism; Frédéric Beigbeder; Romantic Egoist;

Frédéric Beigbeder makes his name popular in literature recently as a writer who structures his work of arts on his private life by using various self-fictionalizing methods. Romantic Egoist (2005) is such a novel written in diary form. The novel presents debate in terms of literary style, and serves the author as both himself and as other to the reader. In what way the author appears openly in his text, and thus becomes other, and how is he evaluated as other by hiding behind the teller? The purpose of this study is to examine Romantic Egoist as structured around the features of autobiography/auto-fiction, discourse/narrative, and as Beigbeder defines himself, “one’s diary and a chronicle of a generation.”

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Crime and socialisation dynamics in sub-cultures: Case of Gypsies in Karaman

Alt kültür gruplarında suç ve toplumsallaşma ilişkisi: Karaman Çingeneleri örneği

Author(s): İsmail Güllü,Kerim Yildirim / Language(s): Turkish / Issue: 1/2016

Keywords: Gypsy; crime; culture; religion; socialization;

In this study, the relationship between crime and the socialization process in Gypsy subculture is examined. This is is a qualitative study analysing the relationship between crime and the socialization process among Gypsies in different parts of Karaman between the years 2014-2015, especially the “Yeni” neighborhood known as Abdali district. In-depth interviews helped us to group Gypsy families into four different family types. It can be said that during unique socialization process of Gypsy subculture, Gypsy individuals’ attitudes to crime is shaped in the context of its unique dynamics through their families, relatives and friends. Unlike other social groups, the Gypsy subculture allows forming a habitus conducive to be involved in crime. Although they have common social characteristics with Gypsies living in different parts of Turkey, Gypsies in Karaman have a distinctive lifestyle and habitus due to their unique socialization process.

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On Anthony Giddens and the Theory of Structuration

Anthony Giddens ve Yapılaşma Teorisi üzerine bir tartışma

Author(s): Elif Gezgin / Language(s): Turkish / Issue: 1/2016

Keywords: Individual; society; structure; agency; dualism; structuration; system;

One of the biggest dilemmas of social sciences is dualities like ‘structure-agency’ or ‘individual–society’. Therefore, more and more researchers have been trying to constitute a holistic theory which synthesises all these dualities. One of the most significant one of these figures is Anthony Giddens. With The Theory of Structuration, Giddens tries to handle the contributions of the both sides of the dilemma to the theory with their sui generis complementary parts. Purpose of this study is to prepare a suitable ground for a better understanding of this alternative perspective towards the dualism problem.

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Entering the public sphere: the citizenship practices of US immigrants

Entering the public sphere: the citizenship practices of US immigrants

Author(s): Caroline B. Brettell / Language(s): English / Issue: 1/2016

Keywords: Public sphere; integration; citizenship; immigrants in the US;

This paper originally delivered as a keynote speech at the Turkish Migration Conference 2015 in Prague, Czech Republic on June 25, 2015. It focuses on civic engagementi political participation and citizenship practices of Asian Indians in Dallas Fort Worth Metropolitan area drawing on qualitative field research material. Community participation is a process. Embedded in this observation is an understanding that as the individual branches out, he or she is becoming involved with associations with great civic and/or political presence, moving from one community of practice to another, and from a peripheral position to one of greater participation to invoke the ideas of Lave and Wenger. But equally, these activities illustrate how new immigrants construct their own sense of belonging as they engage with and interpret what it means to be an American and what kind of an American they want to be.

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Pietà of Všeměřice and its iconographic theme

Pietà of Všeměřice and its iconographic theme

Pieta ze Všeměřic a její ikonografický námět

Author(s): Marie Čtvrtníková-Kopecká / Language(s): Czech / Issue: 1/2016

Keywords: Pietà; Andachtsbild; Pietà of Všeměřice; Master of Týn Calvary; beautiful style

The essay is dedicated to the Pieta of Všeměřice, important sculpture of high quality from the beginnings of the Late Gothic art in the Czech lands. On the basis of the formal analysis of the works of Master of Týn Calvary, of the summary of research in art history of his work and investigation of a few preserved archival primary sources to this theme the author draws a new conclusion that the Pieta of Všeměřice was created in the 1420. The essay argues for the thesis that the author of the Pieta was either Master of Týn Calvary himself in the late stage of his creation or some of his excellent collaborators.

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The Sunday Christ

The Sunday Christ

Sváteční Kristus

Author(s): Josef Záruba-Pfeffermann / Language(s): Czech / Issue: 1/2016

Keywords: medieval wall paintings; parish church; devotional image; christian iconography; Sunday Christ; popular piety; Passion Christ; the Sunday Letter; Arma Christi; medieval vision

The Sunday Christ, or the “Saint Sunday” as the medieval texts call this depiction, is surviving as a wall painting in about ninety European parish churches until today, with oldest examples from round 1350. The image was banned by both: the Reformation and the Catholic Church in the 16th century. The image was researched in several studies since the beginning of the 20th century. The aim of this article is to approach these images in relationship to the general features of the Eucharistic devotion showing its function as a Mahnbild, Andachtsbild and as an epitaph. The relationship to medieval texts of the Sunday letter, Visio Pauli and the mystical visions of Archbishop John of Jenstein seems to vary with time and place. With help of various motives and the social context, I try to argue these images had a certain revolutionary potential, relating workers directly to Christ himself. Finally, I focus on the end of this particular medieval devotional image in the sixteenth century, mentioning the art related to criticism of this image. I argue that two famous works of the Flemish painting are related to the topic of the Sunday Christ: the work of the “Proverbs” by Pieter Bruegel and the Haywain triptych by Hieronymus Bosch.

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On the problematics of Czech illustrated magazines in the second half of the 19th century

On the problematics of Czech illustrated magazines in the second half of the 19th century

K problematice českých ilustrovaných časopisů druhé poloviny 19. století

Author(s): Markéta Dlábková / Language(s): Czech / Issue: 1/2016

Keywords: Czech art; 19th century art; illustrated magazines; illustration; reproduction

Illustrated magazines are specific phenomenon in the 19th century culture. Especially between the 1860s and 1890s they published an enormous number of pictorial materials of diverse content and quality. The text deals with Czech artists whose work significantly influenced the visual aspect as well as the content of the magazines. Some of the names mentioned are František Bohumír Zvěřina, Adolf Liebscher or Luděk Marold. The final part of the text is devoted to the relation of image and text that created very complex interrelations within the magazine structure.

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Egon Schiele: The Self-portraits of 1910 and 1911 in the context of psychopathology

Egon Schiele: The Self-portraits of 1910 and 1911 in the context of psychopathology

Egon Schiele: Autoportréty z let 1910 a 1911 v kontextu psychopatologie

Author(s): Zdislava Ryantová / Language(s): Czech / Issue: 1/2016

Keywords: Egon Schiele; Self-portraits of 1910 and 1911; psychopathology; The Salpetriere Hospital

Older interpretations of Egon Schiele’s self-portraits are based primarily on psychoanalysis, seeking the source of inspiration of his artistic expression in the artist’s spirit and mind. Later views associate the artistic style employed by Schiele and other Vienna-based expressionists with the development of psychiatry and hysteria, a diagnosis discovered by Jean-Martin Charcot (1825–1893). The extensively published research on hysteria, and later also of other neuropathological disorders, affected the scientific as well as the social environment. Photographs which feature Charcot’s construct of hysteria as well as photographs of patients suffering from other neuropathological disorders spread from the Salpetriere Hospital in France to Vienna thanks to periodicals. The photographs that illustrate hysteria typically feature multiple pictures of female patients in extreme tonic spasms during a bout of hysteria. The extreme nature of the photographs and often also their erotic overtones ensured their wide-spread publicity.These photographs helped disseminate the image of “a pathological body” among the broader public, with the “language” of this body subsequently appearing in fine arts as well as in the theater. Artists often cooperated with clinics and mental institutions, be it to paint portraits of the patients or to decorate the institutions’ interiors. This allowed them to stay in touch with new research and its documentation. Egon Schiele maintained contact with these artists as well as with doctors, which afforded him access to the publications which documented the patients.Society gazed at photographs of exalted women (hysteria) and deformed male bodies (neuropathology) with voyeuristic interest. The language of the “pathological body” was supposedly comprehensible in general and the “pathological body” was perceived as a symptom of the times. Egon Schiele employed the extreme expression of the deformed bodies in his self-portraits as well as in the portraits of his benefactors and collectors. The quick succession of Schiele’s self-portraits can be seen as an obsession to extensively document bodies of people with neuropathological disorders to map out and characterize the disease. At the same time, Egon Schiele was evidently attempting to fully encompass himself.

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Institutional Critique in Western and Czechoslovakian Art in the 1960s and 1970s

Institutional Critique in Western and Czechoslovakian Art in the 1960s and 1970s

Institucionální kritika v západním a československém umění 60. a 70. let 20. století

Author(s): Anna Remešová / Language(s): Czech / Issue: 1/2016

Keywords: Institutional Critique; art world; Critical Art; Eastern Art; Czechoslovakian unofficial art in 1980s

The text examines the works of the representatives of the institutional critique, in particular the works of Hans Haacke, Marcel Broodthaers, Michael Asher and Daniel Buren. It starts with the discussion on the institutional definitions of art and continues with the analysis of the concrete events. The situation in West in 60s and 70s is compared to the institutional conditions of the Czechoslovakian art scene in 70s and 80s. In the end the text demonstrates the idea of considering the notion of institutional critique from a broader point of view that challenges the prevailing narrative of the Western art history.

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