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RADIO DRAMA AND MIHAI ZIRRA

RADIO DRAMA AND MIHAI ZIRRA

Author(s): Alexandra Sofonea / Language(s): English / Issue: 2/2009

Keywords: radio drama; history of radio theater; Mihai Zirra.

The invisible version of the theater holds many “tales” . Radio Theater is an 80 years old entity that lived through comforting and also hard times, being born as a surprising experiment, growing up fast with the help and interest of many great people, suffering its first decline in the war period, making it through thanks to great friends like Mihai Zirra, becoming the crown jewel of theater at one point, at maturity, than starting to be neglected, being considered capped and worn out along with its parent, the Radio, for it to finally become nowadays a preciouse antique jewel, the delicasy of culture perhaps. In a collection of notes and portraits, Mihai Zirra brings out the first monograph of Radio Theater in his work “Am ales teatrul radiofonic…”, recently edited in his memory.

Mihai Fărcăşanu's Exile

Exilul lui Mihai Fărcăşanu

Author(s): Author Not Specified / Language(s): Romanian / Issue: 07/2002

Keywords: Mihai Farcasanu;

Cornelia Pillat reveals in this article the escape from the post World War II of Mihai Farcasanu and aspects from the sad exile experience of the Romanian artist.

ALEXANDRU MIHAI

ALEXANDRU MIHAI

Author(s): Petra Rau / Language(s): German / Issue: 1/2014

Das Werk des rumänischen Bildhauers Alexandru Mihai hat bislang in seiner Heimat noch nicht die Beachtung gefunden, die es verdient. Dies liegt vor allem an der Zeit der Diktatur in Rumänien von 1945 bis 1989 und an der damaligen Unmöglichkeit, ein selbst bestimmtes, öffentliches Künstlerleben ohne Kontrolle der kommunistischen Partei zu führen. Alexandru Mihai emigrierte aus diesem Grund 1986 in die Bundes¬republik Deutschland, nachdem seine Frau und sein Sohn bereits zwei Jahre zuvor auf einer Auslandsreise dort geblieben waren. Damit begann sein bis dahin geschaffenes Werk in Ru¬mänien zu verblassen und in Vergessenheit zu geraten. Alexandru Mihai wurde am 3. November 1934 in Husi (heute Judetul Vaslui), in Moldova, Rumänien geboren. Er war das jüngste von sechs Kindern von Vasile Mihai, eines Majors der rumänischen Armee im Ruhestand und einer Lehrerin, Alexandrina Mihaescu. Die Familie war in Husi nicht heimisch, der Beruf des Vaters hatte sie dorthin geführt. Er war als Kommandant stationiert und blieb nach seiner Pensionierung in dem Städtchen unweit der Grenze nach Moldova. Alexandrus Kindheit in der be¬schaulichen Kleinstadt verlief zunächst glücklich, bis die Wirren des Zweiten Weltkriegs die Familie zur Umsiedelung und Trennung zwangen. Das Gymnasium, die Arbeitsstätte von Mihais Mutter, wurde nach Aiud verlegt, so dass Alexandrina Mihai mit allen sechs Kindern umziehen musste. Der Vater blieb allein in Husi zurück, da er bereits Pensionär war. Als die Lage es erlaubte, kehrten später Ehefrau und Kinder zu ihm nach Husi zurück.

FLORENTINA MIHAI-BONTA

FLORENTINA MIHAI-BONTA

Author(s): Petra Rau / Language(s): German / Issue: 1/2014

Florentina Mihai ist in Rumänien leider ebenso in Vergessenheit geraten wie ihr Ehemann, der Bildhauer Alexandru Mihai. Einst eine gefragte Produzentin von Keramiken, Va¬sen, Servicen, Hinterglasmalereien, Ikonen, Schmuck, Kostümen und Mode, verschwanden ihre künst¬lerischen Spuren im Heimatland durch die Emigration 1984 nach Deutschland. Florentina Mihai wurde am 17. Oktober 1934 als Florentina Bonta in der pulsierenden Hauptstadt Buka¬rest geboren. Ihre Eltern stammten aus Transsylvanien, das erst seit 1918 zu Rumänien gehörte. Der Vater Julian Bonta war Kommissär einer deutsche Kurzwarenhandlung, die Mutter Maria Morutan Direktrice in einem Bukarester Modeatelier. Florentina Mihai genoss eine großbürgerliche Er¬ziehung Die Keramikerin und Maler und konnte von 1940 bis 1944 in Bukarest die Grundschule „Pitarmos“ für Höhere Töchter be¬suchen, die von katholischen Nonnen geleitet wurde. Der Einfall der Hortisten in Transsylvanien ließ die Eltern befürchteten, Siebenbürgen werde zukünftig zu Ungarn gehören und für sie den Verlust der Heimat in Bukarest bedeuten. Daher übersiedelten sie mit der kleinen Tochter ins Ardeal. Dort kaufte die Mutter in ihrem Heimatdorf Feldioara einen ehemaligen Sommersitz des Grafen Miklós Bánffy von Losoncz (*1873 Cluj/Kolozsvár, seinerzeit Königreich Ungarn, †1950 in Budapest). Die Familie wollte sich dort dauerhaft niederlassen, wurde jedoch als Rumänen bald von Hortisten wieder vertrieben und flüchtete unter Lebensgefahr zurück nach Bukarest. Dort landeten sie zunächst in einem Flüchtlingsheim, bevor sie mit Unterstützung ihrer Bukarester Freunde wieder eine eigene Woh¬nung bezogen. Wieder in der Hauptstadt ansässig besuchte Florentina 1944 bis 1947 ein Gymnasium.

The Poetry of Magister Mihai Ursachi

Poezia magistrului Mihai Ursachi

Author(s): Ioan Holban / Language(s): Romanian / Issue: 09/2001

Keywords: Mihai Ursachi and neo-romanticism;

About the work of the neo-romantic poet Mihai Ursachi.

The Anagrams of Mihai Eminescu

Anagramele lui Mihai Eminescu

Author(s): Nadia Obrocea,Ileana Oancea / Language(s): Romanian / Issue: 48/2010

Keywords: Stylistics; Mihai Eminescu; anagrams;

Cet article vise à mettre en évidence les structures anagrammatiques dans la poésie de Mihai Eminescu, à partir de la vision théorisée par Ferdinand de Sausssure dans l’ouvrage publié à titre posthume, Les mots sous les mots. Les anagrammes de Ferdinand de Saussure.

Mihai Ralea - fragmentarium

Mihai Ralea - fragmentarium

Author(s): Tatiana Slama-Cazacu / Language(s): Romanian / Issue: 01/1998

Mihai Pop, the Publicist

Mihai Pop, publicist

Author(s): Iordan Datcu / Language(s): Romanian / Issue: 11/2011

Starting from „Mihai Pop” National Scientific Session organized on 26 November 2010 within the Faculty of Letters of the University in Bucharest, where Zoltán Rostás presented the book by Mihai Pop, I want to be reviewed too. The Papers Published During 1937-1940 (Bucharest, Editura Paideia, 2010, 416 p.), the author analyzes this last volume which contains papers of a great thematic variety, prevalent being those pertaining to matters related to the war to come. It also contains papers on important sociological and cultural aspects. Many of the papers analyze the Romanian political realities of that troubled period. Few times he refers to cultural, literary or scientific matters. By their importance, their varied topics, and the commentator’s gift of finely discerning the realities of the 1940s, the papers in this volume contribute to the better and more refined knowledge of the personality of Mihai Pop.

Mihai D. Vasile

Mihai D. Vasile

Author(s): Dragoș Popescu / Language(s): Romanian,Moldavian / Issue: 5/2017

In memoriam Mihai Predescu (1939-2017)

In memoriam Mihai Predescu (1939-2017)

Author(s): Anca Luștrea / Language(s): English / Issue: 2/2017

In this brief presentation we want to honor the work anf life of Associate professor Mihai Predescu, the founder of Special Education Studies at the West University of Timisoara, a mentor, a great teacher and a true model for all who knew him: colleagues, students, specialists, children or parents.Through his work as a psychologist, speech therapist and professor, he touched many lives, he influenced destinies and he mentored a lot of special education specialists.His central values was the respect for others and altruism in helping the ones in need. He searched the humanity beyond apparences, and had a warm thought and advice for everyone.In all his work he was an innovator, seeking the novelty and development of people and organizational structures. He developed the first master study program in the western region of Romania in school inclusion in 1996 and a year after he founded the Special Education Department of West University of Timisoara. Through these study programs many specialists were trained and now continue to promote his educational views and values.Personally, for me, Professor Mihai Predescu was a mentor and a role model in the academic profession, an example of morality and understanding of the human nature and the important things in life. He invested trust in me and offered me the posibility to find and discover my true abilities and my career path.Farewell, Professor!

Mihai Dăncuș to anniversary

Mihai Dăncuş septuagenar

Author(s): Ioan Opriş / Language(s): Romanian / Issue: 26/2012

Mihai Dăncuş (1942-2020)

Mihai Dăncuş (1942-2020)

Author(s): Ion Cuceu / Language(s): Romanian / Issue: 20/2020

Keywords: Mihai Dăncuş; Botiza; the founder of the Ethnographic Museum from Sighetu Marmatiei;

Mihai POPEAN - Improvisation as a modulatory agent for adaptive algorithm development in music visual programming using an A.I. hybrid

Improvizația ca agent modulator pentru dezvoltarea de algoritmi adaptivi în programare muzicală vizuală folosind un hibrid I.A.

Author(s): Popean Mihai / Language(s): English / Issue: 1/2019

Keywords: Artificial intelligence; Max; hybrid; algorithm; improvisation;

Creativity is the greatest asset to humanity as it is undoubtedly the engine of human evolution beyond the biological evolutionary advantage and possibly the answer to the artificial intelligence self-awareness paradigm. Adaptive algorithms represent a function of complexity emerging from the incapability of linear algorithms to account for nonlinear phenomena such as the final result of a creative pursuit defined as a work of art. The latter, which is the result of higher-order adaptive algorithms, is generally based upon manipulating pre-existing linear algorithms in a frame of reference characterized by trial and error. As such, learning is initially based upon a process best defined as improvisation, with the subsequent repetition and refinement characteristic of a pursuit leading to mastery. Visual programming depends upon manipulating predefined objects otherwise understood as blocks of code with fixed attributes. Using the graphical user interface, such objects are consequently connected on the basis of working models of hierarchical attributes. The result is a network of predictive algorithms which can serve multiple purposes, primarily linear or adaptive ones. Algorithms have no awareness of the purpose they are used for, nor can they make any choice regarding their current or future use. Using improvisation as a modulatory agent, this paper discusses a model in which the main visual-programming predictive algorithm is able to make choices and embark upon creative pursuits based on environmental interaction and feedback, thus becoming an adaptive algorithm capable of learning and self-improving through the process of improvisation.

Mihai Maxim

Mihai Maxim

Author(s): Gabriel Custurea / Language(s): Romanian / Issue: 50/2017

Keywords: historian; ancient history; oriental studies; osmanistics;

The article is a tribute to the historian Mihai Maxim, born on 9 November 1943 in Vorniceni, county Botosani. He attended high school at Iasi. In 1961 he became a student of the Faculty of History at the University "Alexandru Ioan Cuza" from Iași being attracted especially by the ancient history. The course of his his career was influenced by the possibility of specializing in 1963 in the field of oriental studies in the Soviet Union. Thus, he continued his studies initially at the Faculty of Oriental Studies of the University of Baku (Azerbaijan),then at Lomonosov University in Moscow, where he specialized in osmanistic. From 1968 he became an intern at the Faculty of History of University of Bucharest, where he embraced his teaching career until his retirement in2011, being since 1976 assistant professor, university lecturer 1978, associate professor 1990 and teacher since 1993.

INTERVIEW: MIHAI IOVĂNEL

INTERVIEW: MIHAI IOVĂNEL

Author(s): Mihai Iovănel / Language(s): English / Issue: 3/2022

Keywords: Mihai Iovănel;Interview;

Q: Literary history, be it national, local, or regional, is perhaps the most conservative form of literary study, with many claiming that the method is outmoded. What can literary histories do to overcome both the risk of obsolescence and their inherent conservatism?A: I do not believe conservatism is intrinsic to literary historiography. Eugen Lovinescu’s literary histories (1926-1929)—to invoke the most important Romanian contributions—are far from conservative. Directed against the fetishization of tradition, their theoretical starting points are still hard to assimilate by some Romanian cultural institutions to this day. The Romanian Academy is one such institution despite its eagerness to appoint Lovinescu as Member of Honor within its ranks after the 1989 regime change. Nonetheless, it is true that literary history oftentimes ends up playing a conservative role on account of its own history, which is longer and more indebted to the past than that of other forms of literary research. After all, as is well known, what is initially fresh and innovative becomes the object of consecration once it has been ratified and canonized by cultural structures and institutions.

Mihai Cimpoi ‒ the Ontology of Being

Mihai Cimpoi – ontologia ființei

Author(s): Nina Corcinschi / Language(s): Romanian / Issue: 2/2022

Keywords: Eminescology; thinker; postmodernity; criticism; Eminescian myth;

Mihai Cimpoi’s most recent Eminescological contributions are dedicated to the new perspectives from which the poet is read today and the ethical-aesthetic issues raised by Eminescu’s writings. How does the Eminescian myth relate to the obsessions of postmodernity? First, the postmodern man, preoccupied with the vast, enormous and grandiose, will find himself in an Eminescu of monumental projects, of broad aspirations, of encyclopedic temptations. But if postmodernity is fragmentary and eclectic, the Eminescian spirit is synthesizing, holistic. Fragmentism and “postmodern disorder” will seek ‒ in the “Eminescu grid” – its natural order, its logical and metaphysical basis. The entire Eminescu’s creation is a plea for the survival of values and moral notions.

Mihai Cimpoi: the Targoviste Project

Mihai Cimpoi: proiectul târgoviștean

Author(s): Theodor Codreanu / Language(s): Romanian / Issue: 2/2022

Keywords: Mihai Cimpoi; The Targoviste Project;

La împlinirea augustei vârste de 80 de ani, acad. Mihai Cimpoi (membru titular al Academiei de Științe din Republica Moldova, membru de onoare al Academiei Române) se prezintă în fața publicului cu peste 70 de volume, cu mii de articole, eseuri, cronici, recenzii privind literatura română și universală. A creat instituții culturale de anvergură națională și internațională: Centrul Academic Internațional „Mihai Eminescu”, Congresul Mondial al Eminescologilor, încât se poate spune că a mutat centrul iradiant al cercetărilor eminescologice de la București la Chișinău, cum remarca Tudor Nedelcea. A realizat ediții ale operei integrale eminesciene după modelul ediției academice a lui Perpessicius și a îmbogățit bibliografia studiilor eminescologice cu un număr impresionant de volume, începând cu anul 1979, când a apărut prima ediție a cărții Narcis și Hyperion și până la Mihai Eminescu. Dicționar enciclopedic (2013, ajuns la două ediții). Ca să nu mai vorbesc de volumele de dialoguri cu eminescologi din toată lumea, dar și de restituirea tuturor textelor maioresciene despre Poet (Titu Maiorescu. Epoca Eminescu, ediție coordonată și studiu introductiv de acad. Mihai Cimpoi, Iași, Editura Junimea, col. „Eminesciana”, 2020).

Mihai Dalea (1917-1980)

Mihai Dalea (1917-1980)

Author(s): Carmen Stratone / Language(s): Romanian / Issue: 1-2/2022

Keywords: Mihai Dalea; biography; nomenklatura; Romanian Communist Party; Moscow; Romanian ambassadors;

One of the important leaders ruling the destiny of the diplomatic ties of communist Romania in Moscow, Mihai Dalea was a member of nomenklatura during the Romanian socialist regime. Even if his professional trajectory wasn’t always as steady as it should be for a close member of the high-ranked leaders as Gheorghe Gheorghiu-Dej, Mihai Dalea is a long lasting leaders from Romanian Communist Party. The article discuss his professional trajectory based on his Cadre file from the archive of the RCP, mostly unknown until now and memoirs of other communist leaders.

In memoriam Gheorghe MIHAI

In memoriam Gheorghe MIHAI

Author(s): Mihai Bădescu / Language(s): Romanian / Issue: 04/2018

Keywords: Obituary; professor Dr. Gheorghe Mihai;

În ziua de 3 ianuarie 2019, a trecut în eternitate prof. univ. dr. Gheorghe Mihai. Gheorghe Mihai s-a născut la 1 septembrie 1939, în localitatea Sculeni, jud. Iaşi, fiu al lui Costache şi al Victoriei. Între anii 1947-1954 a urmat Şcoala generală nr. 5 „Costache Negri” din Iaşi, iar între anii 1954-1957, Liceul Naţional din Iaşi (fosta Academie Mihăileană). În anul 1962 a obţinut licenţa în filosofie (la Facultatea de Filosofie a Universităţii „Alexandru Ioan Cuza” din Iaşi), cu teza „Critica teoriilor actuale privind clasele sociale” (coord. prof. dr. Petre Botezatu). A doua licenţă, în drept, o obţine 12 ani mai târziu (1974), la Facultatea de Drept din Iaşi, cu tema: „Fundamentul moral al libertăţii juridice” (coord. prof. H. Braunstein). În anul 1974, prof. Gheorghe Mihai a obţinut titlul de doctor în filosofie, specializarea Logică, acordat de Universitatea „Alexandru Ioan Cuza” din Iaşi, pentru teza: „Teoria argumentării juridice” (coordonată de prof. dr. Athanase Joja şi, ulterior decesului acestuia, de prof. dr. Radu Botezatu).

MIHAI EMINESCU AND THE ORIENTAL SPACE

MIHAI EMINESCU AND THE ORIENTAL SPACE

Author(s): Mirela Mladin / Language(s): Romanian / Issue: 17/2019

Keywords: India; literature; philosophy; poet; romantic;

Mihai Eminescu is considered one of the most important romantic writers of European literature. G. Călinescu in his work titled Istoria critică a literaturii române de la origini până în prezent dedicated a whole chapter to Mihai Eminescu and considered him „the national poet”, which means that, from his point of view, he was the most important poet of Romanian literature. Beeing a man with a vast culture, he was preoccupied with ideas from all cultures. This is the reason why all his work was influenced by ancient philosophy (Plato, Aristotle and Socrates) as well as German romantic philosophy (Kant, Hegel, Schopenhauer), but especially Indian philosophy. The sources of inspiration of Indian origin found in Mihai Eminescu's work were represented by Ramayana, Mahabharata, Vedic Hymns, especially Rig Veda and Upanishades. An important aspect is that the Oriental Space didn‘t represent a source of inspiration only for Mihai Eminescu, it represented a source of inspiration for the entire world culture.