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Search results for: mažuran, ive in All Content

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Franciscan Bosnia in works of Ivo Andric
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Franciscan Bosnia in works of Ivo Andric

Franjevačka Bosna u djelima Ive Andrića

Author(s): Mato Nedić / Language(s): Croatian / Issue: 38/2013

Najbolji pisci uvijek pišu na jednostavan način o običnim, svakodnevnim stvarima. Cilj njihovoga pisanja nije zamršenošću stila uvesti čitatelja u svijet koji neće moći razumjeti; baš obrnuto, oni hoće pokazati da se u svakodnevnome krije nesvakidašnje, samo ga treba znati prepoznati. Ako čovjek propusti prepoznati ljepotu svakodnevice od koje mu se sastoji život, on neće moći pronaći mir, njegova će duša stalno čeznuti za nečim nedostižnim i u toj čežnji on će izgorjeti, doći će na kraj života, osvrnut će se na prijeđeni put i ugledat će prazninu. Znati u teškim životnim trenutcima pronaći smisao jednako je teško kao i od običnosti napraviti umjetnost. Za to čovjek treba imati dara, a dar dobivaju rijetki.

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TRAVELOGUE-FRAGMENTS OF IVO ANDRIĆ

TRAVELOGUE-FRAGMENTS OF IVO ANDRIĆ

PUTOPISNI FRAGMENTI IVE ANDRIĆA

Author(s): Zvjezdana Rados / Language(s): Croatian / Issue: 9/2012

Keywords: Ivo Andrić; travelogue; lyric-reflective prose; poetics of fragmentation; imagology

This work, from a position of poetics and imagology, analyzes travel prose of Ivo Andrić, mainly collected in the book Staze, lica, predeli / Runs, faces, landscapes (1963, enlarged edition 1981), and published in periodicals since 1914 to mid-sixties of the last century. The poetic and meditative component of Andrić’s travelogues and their pronounced fragmentation are especially under consideration. On the other hand, attention is directed toward the documentary-publishing and political- pragmatic dimension of that prose; toward self-images and heteroimages in it, too. Stylistic and poetic intimacy between Andrić’s travelogues and his youthful lyric-reflective prose and later Znakovi pored puta / Sings along the road is observed on the basis of such considerations, including his creativity in general, while analysis of self-images and hetero- images places his travel prose into the biographical context.

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PLACE OF IVO ANDRIC IN CROATIAN LITERATURE
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PLACE OF IVO ANDRIC IN CROATIAN LITERATURE

MJESTO IVE ANDRIĆA U HRVATSKOJ KNJIŽEVNOSTI

Author(s): Ivan Lovrenović / Language(s): Croatian / Issue: 23/2005

Keywords: IVO ANDRIĆ; CROATIAN LITERATURE

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Interwiev with Višnja Mažuran

Interwiev with Višnja Mažuran

RAZGOVOR S VIŠNJOM MAŽURAN

Author(s): Hrvoje Beban / Language(s): Croatian / Issue: 19/2008

Keywords: Višnja Mažuran

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Staging works Ivo Andrić and thatrical festivals

Staging works Ivo Andrić and thatrical festivals

Inscenacija djela Ive Andrića i kazališni festivali

Author(s): Srđan Vukadinović / Language(s): Bosnian / Issue: 62/2011

Keywords: Staging works; a theater festival; the only works of Nobel Prize winner South; slavic; the truth of fictional creation

One of the most important if not the most important event in the entire cultural history of Bosnia and Herzegovina is the award of the Nobel Prize for literature Ivo Andric (1961). The only South - slavic Nobel Prize winner including writers, takes place initially and is the only author from this region whose works are part of the world’s literary canon. In the entire South – slavic cultural complex environm,ent in addition to literary importance and deserve special attention shaping theatrical works of Ivo Andric. Novels and other prose works the stage Andric formulated and presented at many stages throughout Bosnia and Herzegovina as well as the South – slavic area. The stage set up in manby theaters are works of Ivo andric, and its theatrical dimension to achieve the mission by takjing part in many theater festivals in Bosnia and Herzegovina. It should be noted that in addition to performances that were presented at the Bosnian F estival system works only Nobel laureate from the South – slavic area, when literature and art in questioin, presented and renovated the theater stage, and excluding the festival. Theatre performances were done by three works of Ivo Andric, as follows «Legends of Anika», Signs of the road» and «Devil’s Yard». Participated in the aforementioned theatrical performance at the most important theater festivals in Bosnia and Herzegovina such as MESS, F estival Theatre / Theatre in Brcko, Theater / Theater games in Jajce, B H Drama F estival in Zenica, Theatre – festival in Banja Luka and Doboj, and Days of Matica croaten in Mostar and Theater days in Tuzla. The plays produced by theaters in Banja Luka, Zenica, and the National Theatre of Belgrade and Krusevac Theatre. Theatrical stagings, as a specific form of manifestation of a literary work is confirmed by all the grandeur and intime works of Ivo Andric.

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The System of Historical Point of View in Ivo Bresan's Novels

The System of Historical Point of View in Ivo Bresan's Novels

Sistem povijesnog svjetonazora u romanima Ive Brešana

Author(s): Ivan Salečić / Language(s): Croatian / Issue: 11+12/2006

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COPYRIGHT TO WORK OF IVO ANDRIC

COPYRIGHT TO WORK OF IVO ANDRIC

AUTORSKO PRAVO NA DJELO IVE ANDRIĆA

Author(s): Ilija Musa / Language(s): Croatian / Issue: 8/2012

Keywords: copyright; will; inheritance; Ivo Andric; Ivo Andric Foundation; Central Croatian Cultural and Publishing Society

The paper speaks about the way in which Ivo Andric Foundation gained the copyright to his work and problems of getting permission for publishing his works. The special emphasis is put on the case of publishing Andric’s works The Damned Yard, The Bridge on the Drina, Chronicles of Travnik and Short Stories in the edition Croatian literature of B&H in one hundred books of Central Croatian Cultural and Publishing Society Sarajevo, positive legal regulations regarding copy and related rights as well as inheritance right.

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ANTONOMASIA IN THE SHORT STORIES BY IVO ANDRIC

ANTONOMASIA IN THE SHORT STORIES BY IVO ANDRIC

ANTONOMAZIJA U PRIPOVIJETKAMA IVE ANDRIĆA

Author(s): Davor Nikolić / Language(s): Croatian / Issue: 8/2012

Keywords: anecdote; antonomasia; gnomic; Ivo Andrić; narration; trope

Gnomic style of Ivo Andrić’s novellas (short stories) and novels can be described as a dominant poetic feature of his narration. In novels this style creates the effect of circularity and historical repeatability while in the novellas gnomic expressions and anecdotes are used for enhancing character development. This paper analyzed the gnomic and the anecdotal in Andrić’s novellas using the trope antonomasia. True or metonymic antonomasia substitutes the proper name by appellative, epithet or periphrasis whereas Vossian or metaphoric antonomasia substitutes certain trait by a proper name. Analysis confirmed the correlation of expressive usage of antonomasias (especially the Vossian type) and the gnomic narrative style.

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Ivo Vidan's Anthropological/Cultural Comparativism

Antropološka/kulturna komparatistika Ive Vidana

Author(s): Ljiljana Ina Gjurgjan / Language(s): Croatian / Issue: 3-4/2009

Ivo Vidan played an important role in the definition of the Zagreb school of critical thought. A professor of English literature, Vidan received his Ph.D. from the University of Nottingham for a thesis on Conrad. This had an important impact on his further research interests which were in many respects cultural and postcolonial though Vidan never used either term. Instead, in his book-long studies he uses the terms context (Texts in Context), intertext (English Intertext of Croatian Literature) and aura (Explicating the Aura). The sequence of these terms points to an important shift in his theoretical approach. In the first book he is concerned with the ways in which a context participates in the production of a text. In his second book his interest shifts to the operations of intertextuality. In his last book, Vidan returns to the question of contexts, now described in terms of an aura, the metaphor suggesting the dynamics between the meaning of the text and the context in which it is realized. Writing about Croatian literature in comparison to its European, in particular Anglophone context, Vidan states that such a comparison should not be evaluative, or as he puts it: »It is not the actual amount of borrowing [...] that matters most, but the function which these borrowings acquire in their new context. Our concern is not only with what they contribute to the Croatian text but also how these appropriations from foreign sources make part of the world view [...]«, SRAZ, 1997: 391–392). This approach, which can be described as anthropological/cultural comparativism, is close to the postcolonial understanding of the dynamics between the »centre« and »periphery« (Said, Gibbons), whereby the periphery is not only influenced by the centre, but also contributes to it.

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Bibliography of Professor Frangeš's Works
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Bibliography of Professor Frangeš's Works

Bibliografija radova prof. Ive Frangeša

Author(s): Nedjeljka Paro,Pavle Galić / Language(s): Croatian / Issue: 3/1985

Bibliography of Professor Frangeš's Works

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Imperfect(ive) Time

Imperfect(ive) Time

Czas niedokonany

Author(s): Ewa M. Thompson / Language(s): / Issue: 03/2015

Bronisław Wildstein, Czas niedokonany/Imperfect(ive) Time. Poznań: Wydawnictwo Zysk (www.zysk.com.pl), 2011. 592 pages. ISBN 978-83-7506-797-2. Paper. In Polish.

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DR. IVE MAŽURAN (BRUŠANE, 23. XI. 1928 – ZAGREB, 16. XII. 2016)

DR. IVE MAŽURAN (BRUŠANE, 23. XI. 1928 – ZAGREB, 16. XII. 2016)

DR. IVE MAŽURAN (BRUŠANE, 23. XI. 1928 – ZAGREB, 16. XII. 2016)

Author(s): Darko Vitek / Language(s): Croatian / Issue: 17/2017

In memoriam: Dr. Ive Mažuran (Brušane, 23. XI. 1928 – Zagreb, 16. XII. 2016)

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Ljerka Šimunković, Marijana Alujević Jukić: Romanizmi u djelima Ive Tijardovića

Ljerka Šimunković, Marijana Alujević Jukić: Romanizmi u djelima Ive Tijardovića

Ljerka Šimunković, Marijana Alujević Jukić: Romanizmi u djelima Ive Tijardovića

Author(s): Antonia Luketin Alfirević / Language(s): Croatian / Issue: 4/2011

Review of: Ljerka Šimunković, Marijana Alujević Jukić: Romanizmi u djelima Ive Tijardovića, Književni krug / Filozofski fakultet u Splitu – Odsjek za talijanski jezik i književnost, Split , 2011.

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Accompaniment to a Book by Prof. Dr. Ivo Komšić

Accompaniment to a Book by Prof. Dr. Ivo Komšić

Uz knjigu prof. dr. Ive Komšića

Author(s): Senadin Lavić / Language(s): Bosnian / Issue: 3/2021

Keywords: Croatia; Franjo Tuđman; Bosnia and Herzegovina; civil war; Tuđman's Hague Profile; 1990s; joint criminal enterprise; book review;

Tekst je prikaz knjige Tuđmanov haški profil: Udruženi zločinački poduhvat na BiH prof. dr. Ive Komšića, Zagreb, Sarajevo: Sinopsis, 2021. / This text is a review of a book Tuđmanov haški profil. Udruženi zločinački poduhvat na BiH (Tuđman's Hague Profile - Joint Criminal Enterprise in BiH) by Prof. Dr. Ivo Komšić, Zagreb, Sarajevo: Sinopsis, 2021.

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Culturemes in the works of Ivo Andrić
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Culturemes in the works of Ivo Andrić

Kulturemi u djelima Ive Andrića

Author(s): Frančeska Liebmann / Language(s): Bosnian / Issue: 2/2022

Keywords: Ivo Andric; German and English translation;

Ovaj rad ima za cilj istražiti jesu li kulturemi jednako zastupljeni u njemačkom i engleskom prijevodu najpoznatijih nobelovčevih romana - TRAVNIČKA HRONIKA i NA DRINI ĆUPRIJA, s tim da su često povučene paralele i s ostalim Andrićevim djelima.

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Study by Ivo Banca

Study by Ivo Banca

Studija Ive Banca

Author(s): Josip Lisac / Language(s): Croatian / Issue: 1/1991

Keywords: Croatian language; Croatian literature;

Review of: Ivo Banac, Hrvatsko jezično pitanje, The Bridge, Zagreb , 6/1999.

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A Perfect(ive) InterCorp:

A Perfect(ive) InterCorp:

Co VID(íme) v InterCorpu?

Author(s): Eva Nováková / Language(s): Czech / Issue: 2/2021

Keywords: corpus analysis; translation quality assessment; verbal aspect; contrastive functional analysis

The paper discusses the use of parallel corpora (InterCorp, a subcorpus of Czech National Corpus) in translation. It focuses on advantages and drawbacks of exploiting corpus data for a specific translation task, i.e., presenting a language-specific grammatical category of the Czech aspect to L2 Czech learners via English as the auxiliary language.

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Bibliography of the works of Ivo Bojanovski

Bibliography of the works of Ivo Bojanovski

Bibliografija radova Ive Bojanovskog

Author(s): Amra Mekić / Language(s): Bosnian / Issue: 6/2022

Keywords: Bibliography; Ivo Bojanovski;

Bibliography of the works of Ivo Bojanovski (1961-1991)

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Church of St. Ivo in Podmilačje in Ottoman documents
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Church of St. Ivo in Podmilačje in Ottoman documents

Crkva sv. Ive u Podmilačju u osmanskim dokumentima

Author(s): Michael Ursinus / Language(s): Croatian / Issue: 57/2022

Keywords: Church of St. Ivo; Podmilačje; Ottoman documents;

Crkva svetoga Ive u Podmilačju jedna je od najstarijih crkvenih građevina u Bosni. Preživjela je stoljeća osmanske okupacije uglavnom nepromijenjena, osim zvonika koji je obnovljen nekoliko godina prije austrougarske okupacije Bosne i Hercegovine 1876. godine. Sadašnja crkva svetoga Ive u Podmilačju potpuna je rekonstrukcija, navodno podignuta na temeljima srednjovjekovne ‘stare crkve’ iz sredine 15. stoljeća, sa svojim značajnim zvonikom (visine oko 37 metara, uključujući križ), bogato profiliranim portalnim lukom i peterokutnom apsidom koji odražavaju srednjoeuropske i mediteranske dekorativne utjecaje.

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The Semiosis of Pictures in the Short Story Panorama by Ivo Andrić

Semioza slika u noveli Panorama Ive Andrića

Author(s): Sanja Franković / Language(s): Bosnian / Issue: 2/2019

Keywords: Panorama; advertisement; imagination,;dream pictures; the semiosis of pictures; mise-en-abyme;

The title of Andrić’s short story Panorama refers to an old-fashioned image sequence which represented countries and cities of the world. The already worn out form of entertainment was liked by a naive and poor boy. His complex experience of panorama causes the composition of the short story, in which several semiotic layers can be discerned. The pictures as kitschy, false representamen represent objects – landscapes, buildings, and people from different parts of the world, and the boy connects them with personal experience or images. The picture in his consciuosness (interpretant) raises the subconscious superstructure (new representamen) of still images, which become alive in the boy’s dream, but also lead into anxious outcomes caused by his poverty or fears present in children’s dreams. In the nostalgic imagination of an adult man the life course of former panorama characters is thought out by further semiosis. This last layer acts as an epilogue with several stories made up besides the remembered images. The AustroHungarian advertising trick, which even in provincial cities has no echo, realized its aim in the reception of the Sarajevo boy since he experinced the still images as potency – filling them with his own meanings. The reverse of the panorama in the moment of its departure is the boy’s realization that money, unfortunately, essentially determines the fate of people and their creations. However, an adult man does not give up on imagination as the best part of himself.

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