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The Genealogy of Marriage

The Genealogy of Marriage

Genealogie manželství

Author(s): Sharon Marcus / Language(s): Czech / Issue: 04/2009

Keywords: female marriages; social history of marriage; GLBT studies; Victorian studies; social anthropology – history of

The article investigates the practice of female marriages in 19th century Great Britain and United States and argues that female marriages provided model for more progressive forms of the legal marriage between men and women. Unlike homosexuality in the 20th century, the same-sex relationships between women in the 19th century often enjoyed social recognition and some women in female marriages occupied prominent social positions. Because they were considered to rest on contract, female marriages served as inspiration for the contractual view of marriage advocated by many supporters of the Victorian marriage reform. The contribution of women in female couples to the success of the marriage reform was further underlined by their belonging to influential social networks. The author also argues that while the structuralist anthropology of mid-20th century, represented through the work of Claude Levi-Strauss, had limited understanding of homosexuality as a socially legitimate phenomenon, the Victorian anthropology of the second half of the 19th century was relatively more open regarding the same-sex relationships. It is contended that authors as diverse as Henry Maine, Johann Bachofen, or Frederick Engels provided impulses in their work both for a positive evaluation of the same-sex relationships and for a more egalitarian understanding of marriage.

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reviews

recenziók

Author(s): Zsuzsa Boldizsár Zeyk,Emőke Gálfi,Tamás Kruppa / Language(s): Hungarian / Issue: 3-4/2011

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The Images of European Union in Polish Public Discourse. The Analyses of the Discoursive Complexes.

The Images of European Union in Polish Public Discourse. The Analyses of the Discoursive Complexes.

Obrazy Unii Europejskiej w polskim dyskursie prasowym. Analiza kompleksów dyskursywnych.

Author(s): Konrad Kubala / Language(s): Polish / Issue: 33/2008

Keywords: społeczne reprezentacje; zakotwiczanie; obiektyfikacja; elity symboliczne; dyskurs publiczny

Celem poniższego tekstu jest prezentacja deskryptywno-eksplanacyjnego modelu analizy dyskursu, który, przy pewnych uzupełnieniach, pozwala na odwzorowanie warunków dyskursywnych towarzyszących tworzeniu, podtrzymywaniu i ewentualnej zmianie interpretacyjnych ram odniesienia w zakresie publicznie dostępnej wiedzy dotyczącej instytucji, przedmiotów i procesów świata społecznego. Prezentowany model stanowi syntagmę elementów wiążących kolejno: 1) ciąg kategoryzacji (zakotwiczeń i obiektyfikacji), których dokonują strony dyskursu (np. elity symboliczne); 2) własny model analizy opracowanych zakotwiczeń i obiektyfikacji, na który składają się informacje dotyczące: a) zawartość treściowej poszczególnych komunikatów. Dla opisu i analizy tego poziomu wychodzę od analizy sposobów obiektyfikacji i zakotwiczeń wokół pięciu kategorii ekonomia/kultura/polityka/historia/społeczeńtwo; b) dominującego rodzaju uzasadnień aksjologicznych. W tym celu podczas analiz sposobów zakotwiczeń i obiektyfikacji, analiz tożsamości społecznych poszczególnych aktorów biorących udział w dyskursie oraz analiz symbolicznych zysków i strat poniesionych przez poszczególne strony debaty biorę pod uwagę normatywny charakter poszczególnych narracji. Wstępnie interesują mnie trzy orientacje: pragmatyczna, realistyczna i romantyczna. c) „ontologicznego” charakteru, który swoim komunikatom próbują nadać przedstawiciele poszczególnych grup społecznych posiadających odrębne reprezentacje. Dyskurs wyczerpuje się najczęściej w czterech podstawowych kierunkach, jakie aktorzy społeczni nadają swoim komunikatom. Są to wizje: normatywna (idealizacyjno-utopijna), deskryptywna, preskryptywna i pożądana (zadaniowo-roszczeniowa). W tekście przedstawiam również analizę kompleksów dyskursywnych odnoszących się do instytucji Unii Europejskiej, a zrekonstruowanych na podstawie tygodnika „Gazeta Polska” z wykorzystaniem zaprezentowanego modelu.

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Spectacle And Media Culture

Spectacle And Media Culture

Spektakl i medijska kultura

Author(s): Ratko Božović / Language(s): Serbian / Issue: 126/1/2010

Keywords: Media culture; spectacle; photography; beauty; miss of the world; advertisement; Big Brother; internet; facebook

With the aim to analyze the reality-media culture-spectacle relationship the author focuses on the visual theories of Guy Debord, Michel Foucault and Jean Baudriard. In media and spectacle, virtual reality is recognized as a crucial assumption of the contemporary communication, its advantages and disadvantages. In the attempt to enter the visual world, the author re-evaluated certain substantial culturological concepts of the media sphere, and briefly scrutinized notions relevant for the essential understanding of the visual in the visual culture.

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Reviews

Reviews

Recenzje

Author(s): Bogumił Grott,Błażej Sajduk,Ewa J. Bujwid-Kurek,Rafał Wordliczek,Janusz Józef Węc,Mateusz Burzyk,Renata Rusek-Kowalska,Michał Wawrzonek / Language(s): Polish / Issue: 14/2010

Krzysztof Krysieniel, System polityczny Republiki Chorwacji Wydawnictwo Wyższej Szkoły Bankowej, Poznań–Chorzów 2007, 218 s. Grzegorz Krzywiec, Szowinizm po polsku. Przypadek Romana Dmowskiego (1886 -1905) Wydawnictwo Neriton–Instytut Historii PAN, Warszawa 2009, 500 s. Tomasz Kapuśniak, Ukraina jako obszar wpływów międzynarodowych po zimnej wojnie Instytut Europy Środkowo -Wschodniej, Warszawa–Lublin 2008, 320 s. Justyna Zając, Role Unii Europejskiej w regionie Afryki Północnej i Bliskiego Wschodu Wydawnictwa Uniwersytetu Warszawskiego, Warszawa 2010, 353 s. Mirosław Sułek, Prognozowanie i symulacje międzynarodowe Wydawnictwo Naukowe Scholar, Warszawa 2010, 213 s. Małgorzata Abassy, Irańska inteligencja w XIX wieku i Rewolucja Konstytucyjna (1905 -1911) Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2010, 221 s. Bartłomiej Błesznowski, Batalia o człowieka. Genealogia władzy Michela Foucaulta jako próba wyzwolenia podmiotu Wydawnictwa Uniwersytetu Warszawskiego, Warszawa 2009, 176 s. Transformacja w Polsce i w Niemczech Wschodnich. Próba bilansu, red. Andrzej Sakson Instytut Zachodni, Poznań 2009, 331 s.

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Serbs as Threat: The Extreme Negative Portrayal of the Serb “Minority” in Albanian-language Newspapers in Kosovo

Serbs as Threat: The Extreme Negative Portrayal of the Serb “Minority” in Albanian-language Newspapers in Kosovo

Serbs as Threat: The Extreme Negative Portrayal of the Serb “Minority” in Albanian-language Newspapers in Kosovo

Author(s): Helena Zdravković-Zonta / Language(s): English / Issue: 42/2011

Keywords: Serbs; Serbia; Kosovo; Albanian media; critical discourse analysis; power re-lations; discrimination; master narrative; intractable conflict

Through perpetuating negative stereotypes and rigid dichotomous identities, the media play a significant part in sustaining conflict dynamics in Kosovo. Examining their discourse in terms of ideological production and representations is crucial in order to understand the power relations between the majority and the minority, the identity politics involved in sustaining them, and the intractability of the conflict. In an effort to provide a deeper understanding of the intractable conflict in Kosovo, and the role of the media in protracting it, this study uses critical discourse analysis to examine articles related to issues affecting the Serb community, published in Albanianlanguage print media. The master narrative that comes out of the analysis is that of “threat” - the threat that Kosovo Albanians continue to face from Serbs and Serbia; a threat that is portrayed as historical and constant. The discourse further strengthens the conflict dynamics of opposition, polarization and even hatred. This master narrative implies that Serbs are enemies, to be feared, contested, fought against; conflict is thus the normal state of affairs. The study also looks at the implications of media discourse for reconciliation efforts and the prospects of the Serb minority in Kosovo society, arguing that when the Other is presented as dangerous and threatening, fear of the Other and a desire to eliminate the threat, physically and symbolically, become perceived as a “natural” response, and thus constitute a significant conflictsustaining dynamic.

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1961-1976: a meta-theoretical analysis of the two editions of the book Psychanalyse, son image et son public
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1961-1976: a meta-theoretical analysis of the two editions of the book Psychanalyse, son image et son public

1961-1976: o analizã meta-teoreticã a celor douã editii ale cãrtii Psychanalyse, son image et son public

Author(s): Annamaria Silvana de Rosa / Language(s): Romanian / Issue: 28/2011

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Monstruously

Čudovišno

Author(s): Žarko Paić / Language(s): Croatian / Issue: 04+06/2010

Keywords: Boris Groys

Kraj čovjeka i zadaća umjetnosti

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APOSTLE PAUL AS A RADICAL JEW IN THE POST-MODERN INTERPRETATION OF DANIEL BOYARIN

Apaštalas Paulius kaip radikalus žydas Danieliaus Boyarino postmodernistinėje interpretacijoje

Author(s): Valdas Mackela / Language(s): Lithuanian / Issue: 33/2010

Keywords: Danielis Boyarinas; radikalus žydas; tapatybės politika; naujas požiūris į Paulių; dekonstrukcija; postmodernioji teologija; žydų ir krikščionių tarpreliginis dialogas; Daniel Boyarin; radical Jew; politics of identity; new perspective on Paul; deconstruc

One of the most known titles for Paul of Tarsus is the Apostle of Nations. To Galatians Paul writes that the Lord called him to “preach Him among the Gentiles [ethnēs]” (Gal 1:16). Nevertheless, during his mission, he always attempted to preach in synagogues, and only in the case of resistance he turned to the pagan citizens. The question about Paul’s relationship with his own Jewish background and even with Judaeo-Christian community is still one of the most problematic. During the course of two millennium of Christianity, he was treated as the inventor of Christianity, as a Pharisee convert and promoter of anti-Semitism. The work of the Jewish Talmud professor and post-modern culture critic Daniel Boyarin “A Radical Jew: Paul and the Politics of Identity” (1994) was a radical novelty in the understanding of Paul from the Jewish orthodox perspective. The author not only calls a Christian apostle “an important Jewish thinker” and his letters “the most remarkable texts in the canon of western literature”, but tries to present him as a type of internal critic of the Jewish culture. Paul himself is in a sense paradigma of “the Jew”. Describing who Paul was and what was his impact on the formation of Christian and Jewish identity, he uses specific saussurian distinction of signified and signifier typical of postmodern text criticism. He tries to reveal the structure that lies behind the teaching of the “radical Jew”. Paul himself is a convert not from Judaism to Christianity, but rather a Pharisee who was caught by the Hellenist idea of human universality on his way to Damascus, if that concrete event had ever happened. He believes that Paul was motivated not by an abnormal psychological state but by a set of problems and ideas generated by his cultural, religious situation. D. Boyarin argues that Paul was an ecclesiological monist and ontological dualist in contrast to sociologically pluralist and ontologically monist rabbinism. Paul’s key texts to illustrate this for him are the ones where Paul uses the expressions kata sarka and kata pneuma: „But as at that time he who was born according to the flesh persecuted him who was born according to the Spirit…“ (Gal 4:29). Paul’s Platonist strive for human universality is expressed in another famous verse from the same letter: “There is neither Jew nor Greek, there is neither slave nor free man, there is neither male nor female; for you are all one in Christ Jesus” (Gal 3:28). According to D. Boyarin, a method that Paul uses in his discourse is mainly a contrast and allegorization: spirit and flesh, meaning and letter, Church and Israel, human Jesus and divine Christ – all these dualistic concepts provide Paul’s transition from the concrete, carnal and historical to universal, spiritual and apocalyptic. In this radical dualism of Paul, Boyarin recognizes the repressive, hierarchical structure of the whole western culture. In addition, he affirms that Paul was misread for centuries and proposes other ways

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KNOWLEDGE, SUBALTERNANCE AND THE SEARCH FOR FREEDOM. THOUGHTS ON THE FUTURE OF AFRICA BASED ON AFRICAN THINKING

KNOWLEDGE, SUBALTERNANCE AND THE SEARCH FOR FREEDOM. THOUGHTS ON THE FUTURE OF AFRICA BASED ON AFRICAN THINKING

SAVOIRS, SUBALTERNANCE ET QUÊTE DE LA LIBERTÉ. RÉFLEXION SUR LE DEVENIR DE L’AFRIQUE À PARTIR DE LA PENSÉE AFRICAINE  

Author(s): Emmanuel M. Banywesize / Language(s): French / Issue: 2/2010

Keywords: African thought; Postcolonial studies; African philosophy; globalization; epistemology; social sciences; liberty.

This article applies itself to establish three theses. In knowledge produced by some Westerners on Africa it gives a tracery of procedures of subalternance of Africa (and Africans), its (their) invention according to epistemic codes, politico-economic interests and the anthropological specimens of a peculiar place defined as the awakened Look to all the correspondence Born in the context of the western modernity, African thought has contributed to the return of the African in the thinking humanity and in history, fertilized the emancipation movements of colonized countries and accompanied the political organization of the continent. By taking care of the geopolitics of knowledge and the theory of the universal destination of property, it shoes how Africa gets involved on the way of freedom.  

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Significance of social, psychological and legal factors to the family relations’ transformation determining devaluation of paternity status

Significance of social, psychological and legal factors to the family relations’ transformation determining devaluation of paternity status

Socialinių, psichologinių ir teisinių veiksnių reikšmė šeimos santykių transformacijai, sąlygojančiai tėvystės statuso sumenkinimą

Author(s): Marius Jonaitis,Kazimieras Meilius / Language(s): Lithuanian / Issue: 21/2007

Keywords: tradicinė šeima; alternatyvi šeima; statusas; vaidmuo; traditional family; alternative family; status; role,

Similarly to the proletariat’s srive to compare itself with the bourgeousy the feinism’s strive to compare itselfwith the patriarchat or the striveof altrnatyve marriages into traditional ones results into tryig to create not only adequate, but more meaningful models that those system or institutional models that servd as examplary ones. Quite a smilar thing happenned with a family model. If earlier the family has always been the sexuality controlling institution, later, when sexuality regulating instruments were overtaken from the family, models characteristic to normal marriage or family life started to be abandoned and passing over to independent sexuality regulating society. Therefore a contemporary individual tries to abandon values of a stable traditional family life and become independent of it. However such an individual becomes dependent on biological feelings and, as numerous observations show, he, each time with more exhibicionistic agressivness, seeks to base his sexual neds on law. Nowdays family has become a strange topic. Even those who have parents, also brothers, sisters or kids, not always, due to their limited awareness, are able to answer the importance of the family or what its role is in the life of the society or an individual and how it can change people’s mutual relations. Domination of individual views diminishes feelings of social collectivism. The right to selfrealisation becomes predominate, feeling of fair is directed to undertaken commitments, total lack of common responsibility, because there exist a tendency to take one’s own and others’ life quie suppeficually. However, in the situation like this, everything that we tend to call self-realization, it becomes fole roles dictated by consumption society. Traditional marriage even in relatively modern times was the basis of marital relations: the husband provided for the family and wife took care of it. Nowadays forward external obligations are tendentiously liquidated. Marriage more and more becomes a relation that is initiated and continued till the tight contact and emotional satisfaction with the spouse is rendered. The modern concept of amity has the similar basis. A person is held a friend if the terms kept with him bring some reward. So, amity as well looses its meaning. Though obligations of the family can be quite week but these obligations are introduced directly by family relations through the ties of blood. Meanwhile friendly affection keeps the relation until the mutual feelings of nearness exist. That is why when personal relations are tested and filled with tension and satisfaction, the relation is aspired only because it gives something for the partners. Devaluated family relations lack traditional duties and obligations and are replaced with other relations based on satisfaction, pleasure and interest. Fluctuation of temper does not provide the stability of relation for which the unity of rights and obligations is set by the status of person.

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Lawyers, Journalists and the Lucky Guy: Representations of the Court and the System of Jurisdiction in the Public Discourse

Адвокати, журналисти и щастливци. Репрезентации на съда и съдебната система в публичния дискурс

Author(s): Aleksander Kiossev / Language(s): Bulgarian / Issue: 3-4/2007

This paper addresses the public representation of institutions. The case study it analyses is connected with the literary images of the new judicial system of the Bulgarian Principality between 1878–1900. In the first theoretical part the paper elaborates the mechanism of impact: how do public images influence the institutional functioning? Several levels of possible impact are mentioned – impact of the social prestige of an institution, intervention in its communicative and cognitive institutional codes, influence upon the institutional legitimacy. The second part focuses on the image of the court and the judicial roles, procedures and texts of the low in the literary oeuvre of the Bulgarian writer Aleko Konstantinov. The analysis demonstrates the peculiar blindness of his literary rhetoric in front of the specific logic of the judicial system. The paper scrutinizes the comic and satirical techniques of the representations in questions, which reduce and simplify the image of the juridical institution. The simplification is result of the centrality of crucial fictional character in Aleko Konstantinov’s texts: the idealized narrator-intellectual. This narrator (who transcend all possible concrete roles and positions in the society) implies a surrounding fictional world in which the institutions and their roles are distant, vague, monstrous and repellent. The paper interprets these literary representations as incapability of the Bulgarian literature of the time to cope with various centres of „truth production“ in the emerging modern society.

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Comrades from the Front

Comrades from the Front

Kamarádi frontovníci

Author(s): Jiří Hutečka / Language(s): Czech / Issue: 02/2014

Keywords: First World War; Modern Masculinities; Collective Memory

The article aims at analyzing the process of remembering and memory discourses of the First World War as experienced by both Czech and Slovak veterans during the interwar years. Specifically, main attention is given to the vast majority of Czech ex-servicemen who spent the war in Austro-Hungarian uniform, which brought their memory of the war into a precarious position under the new state of Czechoslovakia. They had to cope with the fact that the years they spent in the trenches were not only completely overshadowed by the official discourse of the “heroic legionnaire” (i.e., member of the Czechoslovak Legion, a small minority of men who served in the war), but also with the fact that since early 1920s the general society sought to construct its (non-legionary) memory of the war around the more and more pronounced concept of the “good soldier Svejk”, i.e. a slacker subversive to the K.u.K. war effort, only waiting to go AWOL. As the hegemonic masculinity of the time tended to at least partially revolve around the image of heroic service (epitomized by the legionnaire myth), author follows several paths the K.u.K. ex-servicemen treaded in their effort to both fit into the general discourse of wartime “nation building” and keep in line with the hegemonic masculine image. As it is clear, after the Great Depression and especially during 1930s, their efforts in this area resulted into a group-specific collective memory of the First World War, emphasizing a well-fulfilled (even though unwilling) duty fitting of good men and citizens.

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How Much Totalitarianism Remained in ‘Normalization’?

How Much Totalitarianism Remained in ‘Normalization’?

Kolik totality zůstalo v „normalizaci“?

Author(s): Karel Hrubý / Language(s): Czech / Issue: 1-2/2016

Keywords: totalitarism; normalisation;communism;

This article is the third, and last, in a loosely conceived series by the same author, and printed in Soudobé dějiny, which consider the nature of Communist régimes, particularly in Czechoslovakia. (See Karel Hrubý, ‘Kontinuita nestejného: Sporné závěry z nesporně dobrých analýz Matěje Spurného’ [Continuity between Unlikes: The Doubtful Conclusions of Matěj Spurný’s Undoubtedly Good Analyses], Soudobé dějiny, vol. 20 (2013), no. 4, pp. 628–40, and ibid., ‘Rozpaky nad výkladem komunistické diktatury: Kritické poznámky k projektu “Socialismus jako myšlenkový svět”’ [Baffl ed by an Interpretation of the Communist Dictatorship: Critical Remarks on the ‘Socialism as Sinnwelt’ Project], Soudobé dějiny, vol. 21 (2014), no. 3, pp. 382–404. The author searches for an answer to the question of whether the political and social system launched in Czechoslovakia in late February 1948 maintained its totalitarian nature throughout its existence, or whether, in its later phases, it had already become another type of totalitarianism, or had even developed into a quite different kind of undemocratic or authoritarian régime. The author develops the topic, which is still a matter of dispute, against the background of changing theoretical refl ections on Communist régimes. He fi rst recapitulates the main criticism of ‘revisionist’ historiography regarding the lack of classic models of totalitarianism, and he comments on some of their competing interpretations, pointing out how later versions of the totalitarianism theory problematicized or weakened some of the ‘revisionist’ criticisms, and also how they reacted to the changes that began after Stalin’s death in 1953. By comparing the two main approaches – one that declares that there is such a thing as totalitarianism, the other that rejects such a notion (or at least suggest its revision) –, the author traces the connections between the individual phases that the Communist dictatorship and society passed through in Czechoslovakia from 1948 to 1989. He thus seeks to discover the extent to which the preserved structures and operations of the totalitarian way of ruling (dictatorship) changed or remained the same since the initial period (post-February 1948), and, at the same time, endeavours to discover how, over the decades, political ideas and value systems were preserved or, by contrast, changed in the consciousness of society. Conceptually, the author starts from the defi nition of post-totalitarianism which appears in the later works of the political scientist Juan José Linz, and thus, after the end of Stalinist totalitarianism, he distinguishes in Czechoslovakia the period of early post-totalitarianism, the late 1960s attempt to reform the system, the Husák years of hard-line post-totalitarianism, and the post-totalitarianism of the late 1980s decline. In his opinion, the ‘Normalization’ régime in Czechoslovakia, although weakened and increasingly dysfunctional, maintained many of the totalitarian structures (political, security, economic, social) and practices (of power, ideology, surveillance, and repression) until its collapse, unlike the régimes in Poland and Hungary, where totalitarianism was slowly eroded.

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The Post-mortem Wandering of a Fragmented Identity: Dora Pavel’s Pudră between Neo-Gothic and Postmodern
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The Post-mortem Wandering of a Fragmented Identity: Dora Pavel’s Pudră between Neo-Gothic and Postmodern

L’errance post-mortem d’une identité fragmentée. Pudrã de Dora Pavel entre Néo-Gothique et Postmoderne

Author(s): Giovanni Magliocco / Language(s): French / Issue: 35/2018

Keywords: Neo-gothic; Postmodernism; Dora Pavel; Revenant; Liminality; Death; Todestrieb; Unheimlich; Supernatural; Sex; Transgression; Poetics of Space;

This paper examines Gothic-Postmodernism in Dora Pavel’s fiction. In the first theoretical part, it will be presented the symbiotic convergence and the genetical affinity between Gothic and Postmodernism. In the second part, it will be shown that the works of the Romanian writer, through hybridizations and grafts, incorporates Gothic features sometimes explicitly, sometimes unconsciously and in a more encrypted way. A summary analysis of the first two novels – Dying Agata (Agata murind, 2003) and The Captive (Captivul, 2006) – will be proposed, through which some Gothic traces will be reviewed. A more extended case study will be dedicated to the novel Powder (Pudră, 2010).

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ISMAIL KADARE BETWEEN THE TRUTH OF ART AND THE DECEPTION OF REALITY
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ISMAIL KADARE BETWEEN THE TRUTH OF ART AND THE DECEPTION OF REALITY

ISMAIL KADARE TRA LA VERITÀ DELL’ARTE E L’INGANNO DELLA REALTÀ

Author(s): Matteo Mandalá / Language(s): Italian / Issue: 02/2016

Keywords: Ismail Kadare; Albanian novelist; Albanian literature; Comparative literature;

Per ammissione di Kadare, suffragata dalla moglie Helena, tra la fine degli anni Sessanta e i primi del decennio successivo, nell’opificio dello studioso erano in lavorazione più progetti, dei quali soltanto i due di cui ci siamo appena occupati riuscirono a vedere la luce, mentre la definitiva stesura degli altri e la loro pubblicazione – vuoi a causa delle coercizioni esterne, vuoi per una deliberata scelta dello scrittore –, furono procrastinate ben oltre la seconda metà degli anni ’70, quando in rapida successione apparvero riuniti in diverse raccolte nella forma di racconti brevi. Tra questi ultimi meritano una menzione speciale due romanzi che, pur ispirati da vicende “moscovite”, per motivi diversi hanno ricoperto un ruolo molto importante per il futuro dell’opera e, si aggiunga, della vita di Kadare. Il primo è Muzgu i perëndive të stepës, che nel 1970 (dunque prima della pubblicazione di Kronikë) era già quasi ultimato.

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Conceptualizing Simultaneity: A Transnational Social Field Perspective on Society

Conceptualizing Simultaneity: A Transnational Social Field Perspective on Society

Az egyidejűség konceptualizálása: a társadalom a transznacionális társadalmi mező perspektívájából

Author(s): Peggy Levitt,Nina Glick Schiller / Language(s): Hungarian / Issue: 2/2019

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AN ICONIC REVOLUTIONARY EXAMPLE IN THE MAPPING ATTEMPT OF LEFT NATIONALISM IN TURKEY: BEHİCE SADIK BORAN

AN ICONIC REVOLUTIONARY EXAMPLE IN THE MAPPING ATTEMPT OF LEFT NATIONALISM IN TURKEY: BEHİCE SADIK BORAN

TÜRKİYE’DE SOL MİLLİYETÇİLİĞİ HARİTALANDIRMA GİRİŞİMİNDE İKONİK BİR DEVRİMCİ ÖRNEĞİ: BEHİCE SADIK BORAN

Author(s): Turgay KAHVECİ / Language(s): Turkish / Issue: 25/2022

Keywords: Nationalism; socialist revoulation; Behice Sadık Boran;

Nationalism is a universalized ideology since the French Revolution. Nationalism, which is an artificial design according to some approaches, is the spirit of the human community that has been taken place in culture since ancient times and established a connection with history according to some approaches. It passes through the mediation of many factors such as geography, language, religion, ethnicity, and the world of common meaning. It is rather difficult to identify a single descriptive criterion. The fact that has no substantive determination allows nationalism to fill its content with many different factors. In this study, theoretical approaches on nationalism are transferred by moving forward according to the classifications in the literature. Then, the position of the nationalism design in Turkey’s left ideological line among socialist approaches was examined. Behice Boran’s academic and political career and theoretical studies against the “Yön” and “MDD” movement, her position in the composition of the left movement and her theoretical struggle in the axis of national leftism debates are discussed. In the study, content analysis was applied from methodologically, books, articles, newspapers, magazine archives and interviews were interpreted within an analytical framework. In the second part, Behice Boran’s own works, statements, columns and secondary sources are examined within the framework of the problematic.

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The Dispositif of the Person

The Dispositif of the Person

Dyspozytyw osoby

Author(s): Roberto Esposito / Language(s): Polish / Issue: 22/2022

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The Exquisite Corpse of History. Radu Jude and the Intermedial Collage

The Exquisite Corpse of History. Radu Jude and the Intermedial Collage

The Exquisite Corpse of History. Radu Jude and the Intermedial Collage

Author(s): Ágnes Pethő / Language(s): English / Issue: 21/2022

Keywords: Radu Jude; affective intermediality; postmemory; collage in film; photography and cinema;

The article argues for the relevance of intermediality in the interpretation of Radu Jude’s films made after 2016: The Dead Nation (Ţara moartă, 2017), I Do Not Care If We Go Down in History as Barbarians (Îmi este indiferent dacă în istorie vom intra ca barbari, 2018), The Marshal’s Two Executions (Cele două execuţii ale Mareşalului, 2018), To Punish, to Discipline (A pedepsi, a supraveghea, 2019), The Exit of the Trains (Ieşirea trenurilor din gară, 2020), Uppercase Print (Tipografic majuscul, 2020), Bad Luck Banging or Loony Porn (Babardeală cu bucluc sau porno balamuc, 2021). Instead of framing Jude’s aesthetic in terms of the Eisensteinian montage, as many reviewers have done, the article addresses the way in which these films insist on the tensions between media, on creating an ontological collage, not only a cinematic montage. The collage effect of the films materializes in sensuously and intellectually layered permutations that connect different media and shares some traits with the Surrealist play of the cadavre exquis. The mixture of heterogeneous materials becomes a strategy (informed by the ideas of Walter Benjamin) to reflect on history in the conditions of postmemory as well as a way to explore the relationship between media and reality through various positions of spectatorial engagement and the affective metalepsis between reflexivity and immersion.

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