Search results for: Danziger Trilogie in All Content

"For our wrestling is not against flesh and blood..." (Eph. 6,12) - A Practical Theology of Principalities and Powers

"Denn wir kämpfen nicht gegen Fleisch und Blut..." (Eph. 6,12) - Eine praktische Theologie der Mächte und Gewalten

Author(s): Peter Scherle / Language(s): German / Issue: 04/2005

Die biblische Rede von den Mächten und Gewalten gehört in den Zusammenhang der biblischen Vorstellung, dass es einen Bereich himmlischer Kräfte gibt, die dem menschlichen Zugriff entzogen sind. Der Himmel als Zwischenraum ist bevölkert von Engeln und Dämonen, von Mächten und Gewalten, deren Personalität sich im Dienst für oder im Widerstand gegen Gott bildet. Auch Kräfte der Natur, die unbeherrschbar sind, und Kräfte der Kultur, die zu "herrenlosen Gewalten" geworden sind, können als mit Willen und Personalität ausgestattet erscheinen. So können die gottfeindlichen, bösen Mächte und Gewalten als wirksam in gesellschaftlichen Herrschaftsformen gesehen werden, in den systemischen Mächten von Politik, Ökonomie oder Technik. Die Kirche ist gezwungen sich mit den Mächten und Gewalten geistlichgeistig auseinanderzusetzen. Die wichtigsten Mittel dieser Auseinandersetzung sind das Gebet als Kampfhandlung und die Vergebung als Praxis der Verwandlung und Heilung von Beziehungen und Erinnerungen. Weil es möglich ist, dass die Mächte und Gewalten in den Verhältnissen "hier" und "jetzt" siegen können ist es notwendig, den Umgang mit Niederlagen zu lernen und eine Spiritualität der Anfechtung zu entwickeln. Schließlich ist die Kirche selbst auf die Kraft der Verwandlung angewiesen ist. Dafür könnte die Wahrnehmung des jeweiligen Engels der Gemeinde wichtig sein.

Das Kroatienbild bei Manes Sperber

Das Kroatienbild bei Manes Sperber

Author(s): Alma Kalinski / Language(s): German / Issue: 6/2001

Im Aufsatz wird das Kroatien-Bild thematisiert, das sich aus der Autobiographie und den Romanen des Exilautors Manès Sperber ergibt. Als konstituive Bestandteile dieses Bildes gelten das politische und kulturelle Leben in Kroatien der Zwischenkriegszeit und insbesondere Sperbers Geschichtsverständnis. Durch eine gleichnishafte Darstellung der politischen Ereignisse wird der Leser mit der Frage nach Sinn, Wahrheit und Geschichte konfrontiert.

Internationalisation and globalization of arts in the 20th century

Internationalisation et globalisation des arts au XXe siècle

Author(s): Philippe Roussin / Language(s): French / Issue: 23/2006

THE NIGHTS OF THE STAGE

LES NUITS DE LA SCÈNE

Author(s): Georges Banu / Language(s): French / Issue: 2/2013

Keywords: theatre; scene; night; Wagner; Vilar; Strehler; Chéreau; Grüber; Grotowski; Vitez.

The Nights of the Stage. This paper studies the complex relations between theatre and night, beginning with the great Wagnerian revolution (the dark auditorium). After the fascination for the night in symbolist theatre, Brecht wanted a restoration of the light and of the day, adequate for his poetics of “distanciation”. Jean Vilar explored the creative possibilities of the warm nights in southern France during the Avignon Festival. A few more stage directors are analyzed here, for whom the night as time and space, or as metaphor is very important: Strehler, Chéreau, Grüber, Grotowski, Vitez.

Life as Fiction: the Autofictional Turn in Women’s Writing of the Maghreb

« La Vie comme fiction : le tournant autofictionnel dans la littérature féminine du Maghreb »

Author(s): Nancy Nabil Ali / Language(s): French / Issue: 2/2016

Keywords: autobiography ; autofiction ; collective autobiography ; autofiction ; storytellers ; postcolonial literature ; feminisation of history

The twentieth century witnessed the birth of a feminine strand of autofictional writing coming from the ancient colonies, of which Fantasia: An Algerian Cavalcade, by the francophone Algerian writer Assia Djebar, and the Arabic Memory in the flesh, by the Algerian writer Ahlam Mosteghanemi, are emblematic. Whether it be in the Arabic or French language, the women writers of the Maghreb risked writing an autobiography in a culture that stresses the anonymity of women. The coming to writing for these women is often accompanied by a desire – or necessity – to revisit the collective past from a female perspective. For these women, literary writing also meant writing their stories on the palimpsest of dominant history, in order to carve their place in it. To fight the forced amnesia of historical discourse constructed by man, they must create works that give voice to the stories silenced by the totalizing male narrative. Djebar and Mosteghanemi both insist that the emancipation of women is possible only if the subaltern woman becomes subject not object of her story/history.

The poetics of the city in the lyrics of Rainer Maria Rilke and Aleksandr Blok

Die Poetik der Stadt in der Lyrik von Rainer Maria Rilke und Aleksandr Blok

Author(s): Mária Gyöngyösi / Language(s): German / Issue: 1/2012

Keywords: “text of St. Petersburg"; myth; flaneur; objective lyrics; Italy; lyric cycle;

The aim of this paper is to open up the typological parallelisms (motives, colors, and the position of the lyrical “me”) between the city imageries of Rilke and Blok. The analysis covers Rilke’s lyrics and Blok’s three cycles (The City, Terrible World and Italian Verses). The comparative analysis focuses on the poetry of their hometowns (Prague and St. Petersburg), that of modern cities, and of Italian towns visited by the authors. The question of the modern city and the criticism of civilization represent several similarities in the two p o e ts’ works, but the secessionist garden, park, and castle motives occur only in Rilke’s poetry. The topics of Venice and St. Petersburg, which are related to each other in many ways, are formulated in the objective lyrics of Rilke’s volume New Poems.

"Desires" and "realities" in psychoanalysis. About the metapsychologic destiny of culture

DES «DÉSIRS» ET DES «RÉALITES» SELON LA PSYCHANALYSE À propos du destin métapsychologique du culturel

Author(s): Deliana Vasiliu / Language(s): French / Issue: 13/2006

Keywords: psychoanalysis; culture; uneasiness; desire; unconscious; psychological reality; values

Psychoanalysis and culture are brought face to face, in order to point up both the masks of theunconscious desire and the psychological reality of the modern human being seeking for values.The aim of this article is to hold a dialogue with the Freudian discourse about culture. An invitationto be aware of the importance of desire in building up the being, this metapsychologic lesson of theculture conveys a duty of knowledge, memory and watchfulness.

MIX UP OF IDENTITY AND RECOGNITION IN THE MEDIA

CHASSÉS-CROISÉS DE L’IDENTITÉ ET DE LA RECONNAISSACE DANS L’ESPACE MÉDIATIQUE

Author(s): Maria-Antoaneta LIVEZEANU / Language(s): French / Issue: 3/2001

Keywords: reconnaissance; identité; Erving Goffman: Paul Ricoeur; narration; reconnaissance et identité médiatiques.

Dans les mouvements et les flux des média contemporains, il est des concepts bien difficiles à saisir tant semble actif le cours de leur mutation perpétuelle. Lareconnaissance figure parmi ces concepts aux délimitations incertaines car elle est investie de valeurs sensiblement différentes. Après avoir exploré quelques dimensionsqu’inspire sa polysémie, l’auteur confronte la reconnaissance à un concept qui lui estcontigu : l’identité. Cette démarche lui permet d’établir, autour de la reconnaissance, undialogue entre des auteurs tels que Goffman et Ricœur et des disciplines telles quel’anthropologie, l’interactionnisme symbolique, la philosophie et la narratologie

LE TEMPS DANS LA MENTALITÉ DU VILLAGE ROUMAIN TRADITIONNEL

Timpul țăranului român în viziunea lui Ernest Bernea

Author(s): Mihaela Mureșan / Language(s): Romanian / Issue: 6/2012

Keywords: Temps; le paysan roumain; la réforme du calendrier; fête; sacré; profane; rituel; siècle; éternité; destin;

Même si le problème du temps n’a pas été ignoré, il n’a pas attiré beaucoupl’attention des chercheurs roumains. M. Eliade, C-tin Rădulescu Motru et V. Băncilăont eu des préoccupations dans ce domaine mais la contribution la plus importante, liéeà la mentalité du village roumain, à la mythologie et aux sciences populaires, a été celledes sociologues formés à l’école expérimentale de D. Gusti. E. Bernea, sociologue,ethnologue et philosophe, a été l’un des intellectuels de marque de la période d’entreles guerres, qui a travaillé dans les équipes dirigées par l’illustre sociologue. Son étudeLe temps chez le paysan roumain, publié en 1941 dans le volume Espace, temps etcausalité chez le peuple roumain, est une trilogie qui présente les trois catégoriesfondamentales de la mentalité paysanne traditionnelle, qui définissent justementl’ethnique roumain.L’étude du temps met en évidence l’importance qu’il avait dans lescommunautés traditionnelles car sur le temps on a construit une vraie conception sur lavie au niveau ethnologique. Le temps est une autre dimension de la façon dereprésenter le monde et la vie et un facteur déterminant de la culture spirituelle etmatérielle de la collectivité paysanne.Ce travail fait une présentation succincte de la notion de temps dans levillage roumain traditionnel, que signifiait le temps pour le paysan roumain, laterminologie qui définissait le concept, les phases du temps, le rôle du temps pour ladestinée de l’homme, le conditionnement de nos actes par le facteur temps, ce qu’areprésenté la Réforme du calendrier pour les communautés rurales traditionnelles, lesfonctions du calendrier, la nature et les caractères du temps.Le temps pour le paysan roumain est plus qu’une notion abstraite,mesurable par les sciences exactes ; il est une donnée objective avec un caractèremultiple (sacre et profane, concret, qualitatif, actif, hétérogène et discontinu mais,surtout, irréversible), bref, un élément définitoire de sa pensée ancestrale.

Rethinking the question of the image-flow in contemporary cinema. Configurations and poetic effects

Repenser la question de l’image-flux dans le cinéma contemporain. Configurations et effets poétiques

Author(s): Sébastien Fevry,Sophie Dufays / Language(s): French / Issue: 21 (1)/2018

Keywords: Image; flow; contemporary cinema; film; globalization; tragic; melancholia;

This paper reconsiders the complex and somewhat ambivalent relationships between the cinematographic image and the globalized world as it is characterized by flows (of images, among other flows). For this purpose, the paper examines different aesthetic forms that contemporary cinema gives to the image-flow – taking into account the editing as well as the framing resources –, based on a multiple corpus of both blockbusters and author films. The analysis aims at bringing out the poetic and affective effects of these representations of the flow. In particular, the paper suggests that contemporary cinema offers a new tragic vision of the flow, which it links to the melancholic or depressive affect.

ALL THE VOICES OF THE “I” OR THE POSTERIORI POETICS

TOUTES LES VOIX DU « JE » OU LES POETIQUES A POSTERIORI

Author(s): Radana Lukajić / Language(s): French / Issue: 2/2019

Keywords: M. Bakhtine; F.M. Dostoïevski; polyphonie; identité; altérité; fiction; autofiction; M. Yourcenar; A. Tabucchi

Après avoir évoqué la polyphonie romanesque, selon la définition du terme proposée par M. Bakhtine, notre objectif sera de démontrer que la plurivocité au cœur du roman n’est pas seulement une structure par excellence du roman dialogique où nous avons à faire avec les « consciences équipollentes », sans la hiérarchisation idéologique aucune : il s’agirait également d’une donnée ontologique d’un je multiple et - multipliable - dont la complexité se manifeste par le biais des personnages créés, recréés, ou au cours de « l’aventure » de la fictionnalisation de soi. Restant dans le cadre de la problématique proposée, nous évoquerons deux écrivains fort spécifiques quant à leur manière d’assumer une telle altérité: Marguerite Yourcenar et Antonio Tabucchi. En effet, chez les deux écrivains, la création des personnages s’adonne comme un phénomène quasi paranormal, voire comme une certaine possession de la propre conscience par celle de l’Autre, qui se produit d’abord par le truchement du contact, le plus souvent auditif. Enfin, une telle conception du personnage et de la création littéraire en général nous amènera à nous interroger, en échos aux questions posées par les auteurs eux-mêmes, sur le degré du phénoménologiquement réel dans la fiction. Les poétiques a posteriori, selon la formule proposée par Tabucchi, seraient celles aptes à restituer, via la fiction, les vécus déjà réalisés dans le temps de l’Histoire et racontés par les auteurs qui ont réussi à les capter par des techniques inédites.

THE SPATIAL DIMENSION IN GUSTAVE FLAUBERT’S TROIS CONTES (UN COEUR SIMPLE)

LA DIMENSION SPATIALE DANS TROIS CONTES (UN COEUR SIMPLE) DE GUSTAVE FLAUBERT

Author(s): Camelia Manolescu / Language(s): French / Issue: 1/2019

Keywords: « Trois contes »; space; orientation/non orientation; initial limit/[centre]/final limit; open space/closed space;

Gustave Flaubert’s novel, Trois contes (Three Tales), a collection published in a serial in Le Moniteur Universel (1877) and then in volumes, composed of the tales Un Coeur simple, La Légende de Saint Julien l’hospitalier and Hérodias (A simple Heart, The Legend of Saint Julien the Hospitaller and Herodias), deploys the themes of the death and charity using a simple narrative composition. Our study focuses on the first tale, A simple heart, and on its character Félicité and deals with a meticulous analysis of the spatial dimension in narration as a binary ratio between orientation/non orientation, initial limit/[center ]/final limit, open space/closed space. We intend to explain how the action of the tale advances in space through events and representations of nature and the environment; we thus want to individualize the spatial datum and the binary oppositions that start the action and the characters.

Manès Sperbers Weg aus dem „Städtel“ in das Kampfgetümmel der „Weltrevolution“

Manès Sperbers Weg aus dem „Städtel“ in das Kampfgetümmel der „Weltrevolution“

Author(s): Zbigniew Światłowski / Language(s): German / Issue: 1/2011

Keywords: Autobiography;Manès Sperber;Marxism;East Europe;Jewish intellectuals;world revolution

The subject of the analysis is a three-volume-autobiography by Manès Sperber (1905-1984) All das Vergangene… (All that is gone…). The transformation of a pious boy of an eastern Galician village into a revolutionary Marxist and communist has an exemplary importance. Many intellectuals from various countries were in thrall to the power of the Marxian ideology. The foregoing statement refers especially to the Jewish intellectuals from the Eastern Europe, which is a commonly known issue. What is less known, are the psychological and social motives of their worldview driven decisions. And it is only them that allow to understand why the idea of a „world revolution“ puts down its deepest roots in this social sphere. In the context of the problems depicted here, Sperber’s memories have immense cognitive value.

Multikulturalität und Interkulturalität als Themen des deutschsprachigen Literaturunterrichts in Polen

Multikulturalität und Interkulturalität als Themen des deutschsprachigen Literaturunterrichts in Polen

Author(s): Ewa Turkowska / Language(s): German / Issue: 1/2011

The article emphasizes the importance of the intercultural and multicultural aspects for the process of literary education. It starts with giving reasons why this subject should be included in German language literature lessons, then distinguishes 4 thematic groups important for Polish students and describes criteria of choosing texts for the lessons. The main part of the article presents the contents and discusses didactic qualities of the proposed books.

The Ages of Letitia Branea. A Radiography of Gabriela Adamesteanu’s Novels

Vârstele Letiției Branea. O radiografie a romanelor Gabrielei Adameșteanu

Author(s): Elena Crașovan / Language(s): Romanian / Issue: 1/2020

Keywords: body;feminine erotics;communism;post-communism;transition;

The paper traces the evolution of a character in three of Gabriela Adamesteanu’s communist/post-communist transition novels. This ambitious narrative project began with Every Day’s Identical Journey (1975), continued with Provisionality (2010) and ended in 2018 with Fontana di Trevi (2018), forming, in the critics’ view, “the Letiţia Branea trilogy”. Our analysis focuses on the relation between personal and recent official history, marked by the politization of intimacy, especially in the representations of feminine bodies (puberty, erotics, pregnancy, abortion, ageing). These are central aspects of Gabriela Adamesteanu’s fiction, relevant for the ethos of the historical moments represented in her novels. The body is at the center of familial, social and economic institutions, being, simultaneously, an instrument and a source of knowledge; a radiograph of the body becomes also a relevant image of the world. This relation explains the frequent photographic or mirror images, representing important mises-en-abyme, marking the difference of perception from the natural to a politicized body. The relations between characters are mediated by the observation of the other’s body (the mother’s, the room-mates’, the lover’s, the husband’s body); the mainly negative bodily self-representations create an intricate game of closure-disclosure, marking the relation with one’s self as well as the heroine’s intimacy. Through this reading, the novels discussed become a testimony about the way in wich both major historical events and the grey of everyday life affect the body representations in Gabriela Adamesteanu’s novels; thus, an analysis of these images is a way of grasping a meaning of particular historical ages.

The game of (un)recognition. Theater of the Yugoslav cultural space in France through the centuries

Igra ne(pre)poznavanja. Teatar jugoslovenskog kulturnog prostora u Francuskoj kroz vekove

Author(s): Miloš Lazin / Language(s): Serbian / Issue: 5-8/2020

Keywords: Yugoslav theter; Yugoslav cultural space; Yugoslav theater in France;

Doseljavajući se u Francusku dve godine pred raspad Jugoslavije, bio sam ubeđen da se ovde o “našoj” dramskoj književnosti ne zna ništa, a de se o pozorištu koje ju je okućavalo nije ni čulo. Mladen Materić je, istina, u tom trenutku započinjao francusku turneju, ali Tatoo teatar je u Jugoslaviji bila alternativna i marginalna pojava, institucionalno nekanonizovana studentska trupa koja je delovala pri visokoj glumačkoj školi, uz to će na samom početku rata u Bosni dobiti francusko sidrište, Théâtre Garonne u Tuluzu (Toulouse).

LA ROSE EN TOUS SES ÉTATS, FESTIFS ET INTEMPESTIFS: IMAGE POETIQUE, SYMBOLE POLITIQUE

LA ROSE EN TOUS SES ÉTATS, FESTIFS ET INTEMPESTIFS: IMAGE POETIQUE, SYMBOLE POLITIQUE

Author(s): Claude-Gilbert Dubois / Language(s): French / Issue: XI/2010

Keywords: rose; imaginary; cultural transferts; mythology;

The rose, used as a reason for lyric songs ("Mignonne, allons voir si larose"), had, as an emblem, the same fate as the cherry in the French song "Letemps des cerises". This symbol, used mainly by the lyric poets to express theepicurean pleasures of life, and spring holidays, along with their short duration,was recovered as a political emblem. The rose that adorns the lyrical verses andserves as a backdrop to ancient celebrations of "Rosalie", as to the moremodern, if somewhat antiquated, of the "rosieres", is also used as a mark ofrecognition of a party or of faction: the case for the two hostile families that aredelivered to the "Wars of the Roses” in 15th Century England, for the expressionof political struggles in Ireland in 20th Century in the drama Red Roses for Me bySean O'Casey, and the choice made by the French Socialist Party. This papertraces, through its range of uses, the multiple meanings of an image,transformed, as the case, in icon, symbol, allegory, symbol, mythème.

The vision of the sociologist Ernest Bernea on Maramureș

Viziunea sociologului Ernest Bernea asupra Maramureșului

Author(s): Ovidiana Bulumac / Language(s): Romanian / Issue: 2/2018

Keywords: Maramureș;village;identity;social history;Romanian phenomenon;Centenary of Romania;

The article focuses upon a book written by an important member of the Bucharest Sociological School, Ernest Bernea, and dedicated to a symbol of resistence and national devotedness: Maramureș. The study, found at the confluence between personal confession and social science, argues the Romanian character of this border region through geographic, historical, ethnographic, anthropological and artistic indicators. As a pretext, the article contains a brief reference to the status of the Historical Maramureș and the Romanian communiy that lives on the other side of the Tisa River, who constantly requests a moral repair made by the Romanian state in the context of the Great Union Centenary: the recognition that Maramureş was part of the modern Romanian state in the 1918–1921 time frame, which inevitably shoud trigger a set of legal, cultural, political and economic actions deriving from this historical truth.

Panait Istrati. After „The Confession“. Alone between the extremes

Panait Istrati – După „Spovedanie”. Singur între extreme

Author(s): Andrei Crăciun / Language(s): Romanian / Issue: 205-206/2020

Keywords: Panait Istrati;comumnism;Soviet Union;The Bolshevik Revolution;The Confession of a Loser;

Study Case – how Panait Istrati „becomes“ from a „good Bolshevik“ a renegade and „a Fascist“. This article is a synthesis of how Panait Istrati is demonized by Soviet propaganda after the publication of the book-testimony about the USSR „Confession of a Loser“ (1929), a synthesis on how to „build“ an outcast.

Reviews

Recenzii

Author(s): Maria Dumitrescu,Stan Velea,Constantin Geambaşu,Bistra Ganceva,Corneliu Barborică / Language(s): Bulgarian,Romanian,Russian / Issue: 1/2006

Keywords: Reviews; Slavic Studies; Philology; Linguistics; Culture; History;

Reviews: Victor Vascenco, Lipovenii. Studii lingvistice, Bucureşti, Editura Academiei Române, 2003, 232p. (Maria Dumitrescu) Sarmatismul baroc doar „hybris” al Renaşterii? Constantin Geambaşu, Cultură şi civilizaţie polonă. Secolele al X-lea – al XVII-lea, Bucureşti, Editura Paideia, 2005, 445 p. (Stan Velea) M.B. Лескинен, Мифы и образы сарматизма. Истоки национальной идеологии Речи Посполитой (Mituri şi imagini ale sarmatismului. Izvoarele ideologiei naţionale ale Republicii), Moscova, 2002, 178 p. (Constantin Geambaşu) „Studia sienkiewiczowskie”- radiografia unei reviste (Stan Velea) Ново постижение на българската литературна историография (Бистра Ганчева ) Destinul unui prieten al literaturii române. Omagiu lui Michal Gáfrik cu prilejul împlinirii vârstei de 75 de ani (Corneliu Barborică) В.Д. Бондалетов, Н.Г. Самсонов, Л.Х. Самсонова, Старославнский язык: Таблицы, Тексты, Учебны словары, под редакцией проф. В.Д. Бондалетова, М.: Флинта: Наука, 2005, 296 с. (Maria Dumitrescu)