Механизмы рецепции творчества Ф. М. Достоевского в фильмах «Черной волны»
Mechanisms Of Reception Of F. M. Dostoevsky's Work In The Films Of “Black Wave”

Author(s): Nataliya Nyagolova
Subject(s): Fine Arts / Performing Arts, Film / Cinema / Cinematography
Published by: Пловдивски университет »Паисий Хилендарски«
Keywords: film adaptation; Black Wave; Yugoslavia; reception; Real Socialism
Summary/Abstract: The objective of this work is to trace the receptive mechanisms in assimilating Dostoevsky’s work in the Yugoslav film movement the Black Wave during the1960s. The processes in this period’s specific political and socio-cultural context have been taken into consideration – the legislative and ideological actions taken by the authorities in order to ensure control and economic growth, which lead to ambiguous results; the first forms of resistance, shown mainly by the Yugoslav intellectuals; the influence of the international situation on the processes in the country. The analysis is focused on two works of the Yugoslav Black Wave – films The Enemy (1965) by Živojin Pavlović and It Rains in My Village (1968) by Aleksandar Petrović, both of which interpret Dostoevsky’s texts in the poetics of the film movement.

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