Дом между Горноуралск и Париж (Бележки
върху семантиката на художественото пространство във филма „Журналист” (1967)
A Home between Gornouralsk and Paris (Notes on the Semantics of the Artistic Space in the Film Journalist (1967)
Author(s): Nataliya NyagolovaSubject(s): Language and Literature Studies, Theoretical Linguistics, Semantics
Published by: Шуменски университет »Епископ Константин Преславски«
Keywords: topos; cinematic narrative; Khrushchev’s Thaw; mythopoetic; socialist realism
Summary/Abstract: The article offers observations on the semantics of the artistic space in Sergey Gerasimov’s film Journalist (1967). It traces the models of the socialist realism canon, the poetics of Khrushchev’s Thaw, the mythopoetic tradition, and the author’s original approach in constructing the spatial scheme of the film. We outline the cinematic narrative’s connection to the sociocultural processes of the 1960s in the Soviet and pan- European context.
Journal: Любословие
- Issue Year: 2017
- Issue No: 17
- Page Range: 55-70
- Page Count: 16
- Language: Bulgarian