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The Grand Narrative’s Transformations In Digital Spaces

Author(s): Boyan Tzenev
Subject(s): Fine Arts / Performing Arts, Film / Cinema / Cinematography
Published by: Национална академия за театрално и филмово изкуство „Кр. Сарафов“
Keywords: modernism; postmodernism; transmedia; rhizome; neomythologems
Summary/Abstract: The role of the Grand Narrative in the 21st century is to tear itself apart into its component parts, the nomad narratives, through which it manifests itself to new generations of viewers, using the rhizomatic transmedia as its main tool to seduce, unravel, and peel off the digital repackage it presents itself with. As media turned digital, the momentary ideal picture of self-presentation by the Grand Narrative began to unfold. Transmedia is the postmodern device the Grand Narrative uses to its advantage to do it, while mimicking its own self-imposed crisis

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