МОРЕТО В КИНЕМАТОГРАФИЧНИЯ ЕЗИК НА РАННОТО ГРЪЦКО КИНО
THE SEA IN THE CINEMATIC LANGUAGE OF EARLY GREEK CINEMA
Subject(s): History, Anthropology, Social Sciences, Fine Arts / Performing Arts, Cultural history, Sociology, History of ideas, Social history, Recent History (1900 till today), Cultural Anthropology / Ethnology, Culture and social structure , Sociology of the arts, business, education, Interwar Period (1920 - 1939), Film / Cinema / Cinematography, Identity of Collectives, History of ArtPublished by: Институт за балканистика с Център по тракология - Българска академия на науките
Keywords: Sea; early Greek cinema; film language; Greek national identity; national memory.
Summary/Abstract: The proposed article aims to analyze the genesis and functions of the image of the sea in the emerging film language of early Greek cinema in the context of building the modern Greek national identity and reproducing national memory. The focus is on the first period from the birth of film art in Greece from the early 20th century to the mid-1930s, when many Greek filmmakers left the country due to the imposition of the Metaxas regime with a coup in 1936. The outbreak of the Second World War and the German occupation (1941–1944) stifled the successful aspirations of early Greek cinema, and turbulent political events would not allow it to enter its mature period until the 1950s.
Journal: БАЛКАНИ
- Issue Year: 9/2020
- Issue No: 1
- Page Range: 34-51
- Page Count: 18
- Language: Bulgarian
- Content File-PDF