Тhe Music of A.Skrjabin in Odessa and in Repertory Preferences of Pianists to Odessa Cover Image

Музика О. Скрябіна в Одесі і в репертуарних вподобаннях одеських піаністів
Тhe Music of A.Skrjabin in Odessa and in Repertory Preferences of Pianists to Odessa

Author(s): Lilia Mykhaylivna Shevchenko
Subject(s): Theatre, Dance, Performing Arts, Music, Semiology, Recent History (1900 till today), 19th Century, History of Art
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: symbolism; symbolism in music; innovations in thinkings; salon art; piano play; "light" pianoforte; salon piano art;

Summary/Abstract: The purpose of the article is a realization of the base tu salon piano play of A.Skrjabin, incarnated in piano Concerto in orientation with his first-night in Odessa on innovatory piano horizons of musician to South Palmire, according to correction cultural-genetic her comparison North Palmire - Petersburg influences of the Moscow modernist style from 1880-de years. Scientific novelty of the work is determined by the independence of the statement and argumentations him about solving value to symbolism positions of the Concerto and his performances A.Skrjabin in 1898 in Odessa for revealing of modernistic bases in the art of the city end XIX – beginning XX cent. earlier of the stylee preferences of Petersburg, on models which formed cultural аура Odessa from the basis. Conclusions. The result of the made review is a realization end-to-end innovations to thinkings of A.Skrjabin, which proceeds from created by him at the early period before the Third sonata. And hereunder becomes firmly established openness music circle Odessa to modernistic "jump" at the end XIX cent., when took place the of the Concerto of A.Skrjabin in South Palimire, which objective was a statement "root system of the world vanguard" (rephrasing utterance G.Eimert). The heritage of A.Skrjabin forms the consequent entailment of innovations to the symbolism thinking as in cоmpоser work, so and in performance art, in full tilt on the expressiveness of salon art and with projection in the piano play of the possibilities "light" pianoforte of Field-Chopin. Odessa piano school had an essential stimulus in success of the first-night of the piano concerto in 1898 comparatively of forming Skrjabin pietism on salon basis his piano art and composition: ecstatic lyrics to compositions and plays present monologue all embracing joy in Overcoming of dramatic effect - tragedy to being, which entailment dares the handhold on Skrjabin bell-peal.

  • Issue Year: 2019
  • Issue No: 3
  • Page Range: 372-377
  • Page Count: 6
  • Language: Ukrainian