Style actual principle in performance of the I. S. Bach works to piano art of the Odessa Cover Image

Стильово актуальне виконання творів Й. С. Баха у фортепіанному мистецтві Одеси
Style actual principle in performance of the I. S. Bach works to piano art of the Odessa

Author(s): Lilia Mykhaylivna Shevchenko
Subject(s): Music, Recent History (1900 till today), 19th Century
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: actual performance intonation; performance art; piano art of the Odessa; Bach-style XIX and XX century; style in music;

Summary/Abstract: The Purpose of the article given studies is a realization of the independent way Odеssa pianists in presentation art of I. S. Bach, resting in performance tastes both age of the romanticism, and actualized by XX century rhythmic ecstatic expressiveness in music's German baroque. The methodological basis of the research is observance of the principles of the intonational musical study approach of B. Asafiev's school [2] in Ukraine [1; 4; 11], the content of which is determined by the linguistic aspect of the interpretation of musical meaning, in particular, analytic-structural and stylistic-comparative methods with expressed hermeneutic-interpretive gravities in the spirit of musical hermeneutics by B. Yavorsky [see 3] and A. Schweizer [12], as well as its purely performing angle, as presented in the work of A. Verkina [4]. Scientific novelty of the work is based on innovatory interpretation of I. S. Bach style XX century as turned to contrasting polyphony of French clavier art in concepts D. Androsova, from which author given studies culls the original idea to argumentations of the performance of the I.S.Bach works , coming from "borderland" academic Beethoven style and modernistic line og G. Gould, which rested in Mozart style to A. Schönberg. The given approach to interpretation forms prolongation Ukrainian idea, as it was developed by M. Grushevskij and as it complies with the creative preferences of postmodern and post-postmodern persisting. Conclusions. It is noted special orientation musician of Ukraine and Odessa on innovatory aspects piano-creative decisions of the artistic problems to post-postmodern contemporaneity, in which performance of I. S. Bach flexible agrees the precepts a romantic in organ character of Bach style - and neobaroque "rhythmic mechanical engineers", declared by G. Gould in XX ct. and not lost urgency in modern gravity to clavier character of the classical piano heritage past ages.

  • Issue Year: 2019
  • Issue No: 1
  • Page Range: 163-169
  • Page Count: 7
  • Language: Ukrainian