Интердисциплинарният музикален театър в творчеството на Силвано Бусоти (1931): между Маларме, Дебюси и Синьорели: Questo fauno (1998-1999)
The Interdisciplinary Music Theatre in Sylvano Bussotti’s Creative Works: Between Mallarme, Debussy, and Signorelli: Questo fauno (1998-1999)
Author(s): Ivanka StoianovaSubject(s): Theatre, Dance, Performing Arts, Fine Arts / Performing Arts, Music, History of Art
Published by: Издателство НМА „Проф. Панчо Владигеров”
Keywords: interdisciplinary music theatre; instrumental theatre; aleatory music; music graphics; music for reading; chance; open form; variable form; Bussottioperaballet; dodecaphony; serialism; passion;
Summary/Abstract: The Italian composer Sylvano Bussotti (born in 1931) is a versatile artist. As a composer, pianist, painter, writer, poet, actor, producer, stage-director and designer of theatre, opera and movie scenery and costumes he consciously obliterates the established boundaries between the arts. The pieces written in his own genre (Bussottioperaballet) define him as a predecessor of contemporary multimedia works. Questo fauno, Ritrovamento de ‘L’Educazione di Pan’ del Luca Signorelli (1998) is an excellent example of continuity in the evolution of culture. Ignoring the distance between time and space for the sake of the complete aesthetic experience, it is representative of ‘open form’ in the field of interdisciplinary music theatre, designed and made together with and for others.
Journal: Академичен форум »Интегрална музикална теория«
- Issue Year: 2017
- Issue No: 1
- Page Range: 105-131
- Page Count: 27
- Language: Bulgarian