Способи словесної дії: розвиток ідей К. С. Станіславського в практиці П. М. Єршова
Methods of verbal effects: development of C. Stanislavsky ideas in P. Ershov practice

Summary/Abstract: The purpose of the article is to consider the problems of actor’s verbal action at a stage, based on the analysis of the author’s own stage experience and the effectiveness of techniques Ershov, which are Stanislavsky ideas. Methodology. The research uses art history, functional, comparative and analytical methods The author studies the influence on the consciousness of the verbal action of the actor in the process of working at the role, using the stage Ershov action technology and revealing features of dialogue of characters. Scientific novelty. The scientific novelty of the research is to analyze the allocation and effective methodology for the actor’s realization on the stage of verbal art, using his/her own experience, embodied in a variety of plays and roles. Conclusions. The study shows that attention, emotions, imagination, memory, thinking and an actor’s will occupy the entire the mental activity of a partner in practice. The actions, aimed at the attention, feelings, imagination, memory, thinking and the will of a partner are ways to perform the verbal action that can be considered as different means to achieve common goals and show how individual actions depend on the logic of action. The use of a particular method of verbal effects is associated with the lexical and grammatical structure of verbal appeals to the partner.

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