Performatism, or the end of postmodernism (American Beauty) (translated by Krzysztof Hoffmann and Weronika Szwebs) Cover Image

Performatyzm albo koniec postmodernizmu (American Beauty) (przełożyli Krzysztof Hoffmann i Weronika Szwebs)
Performatism, or the end of postmodernism (American Beauty) (translated by Krzysztof Hoffmann and Weronika Szwebs)

Author(s): Raoul Eshelman
Subject(s): Aesthetics, Theory of Literature
Published by: Uniwersytet Adama Mickiewicza
Keywords: performatism; postmodernism; aesthetics;

Summary/Abstract: The presented text is a translation of the first chapter of Eshelman’s book Performatism, or the End of Postmodernism (2008). Its main thesis is based on the assumption that along with the exhaustion of postmodernism a new aesthetic paradigm emerges, namely – performatism. Deriving his project from a new notion of sign (grounded on the anthropological theory of ostensivity by Eric Gans) and the description of a crucial aesthetic device called ‘double framing’, Eshelman tracks down symptoms of the epochal change in literary and visual works as well as in movies and architecture. The text also lays foundation for new monist concepts of subjectivity, time and history.

  • Issue Year: 2012
  • Issue No: 17
  • Page Range: 245-283
  • Page Count: 39
  • Language: Polish