PAUL GOMA. ADAMEVA: LE COGITO ET LES METAMORPHOSES DE L'ŒUVRE
PAUL GOMA. ADAMEVA: LE COGITO ET LES METAMORPHOSES DE L'ŒUVRE

Summary/Abstract: Being a part of a large study, the analysis aims to explore both sides of Paul Goma's text, memorialistic and mythical, through the optical consciousness. Being analyzed with the tools of humanism and completed by those of phenomenology, the study reveals an author who transcends his temporal being and manages to live as an eternal being. It's about the known manner of Proust, a celestial hemisphere and an infernal hemisphere, but a dual hemisphere, at some point, reverses, so that the one that was up gets down, and the hell, and even the denial of the time may in turn become beneficial, exalting themselves in pure bliss fulgurations. In any case, we are talking about a vision of hell, reversed in time, into a heavenly one. Making a constant effort to recall, the narrator crosses from revolt and exasperation to resignation and even forgiveness: he stimulates energies and arguments that restore the balance of some injustices, he calms down enough roughness, in an exercise of redemption and rigorous examination of conscience. On the other hand, it is also a moment of refuge into an extratemporal time. But not into a no matter which one, he seeks refuge into a moment that triggers all memory levers, which combines (and passes through) all ages. In other words, it is a way through which the unbearable life circumstances can become bearable in the literature. And they can ensure, at the same time, a reasonable supportability for the reader

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