Стилизация на медната духова група при оркестриране от клавир на сонати от Виенската класика
Stylization of the brass section in the orchestration of piano sonatas from the Viennese Classical period

Summary/Abstract: This research aims to identify the adequacy of stylistic standpoint orchestration of piano sonatas by the age of Viennese Classicism. The focus is on the development of the parties of the brass band as their technical imperfection of these instruments envisaged in the era necessitates certain compromises by the composers. All these elements are carefully analyzed, it is noted that they conflict with the modern understanding of the deployment of the instruments. That's why a stylish orchestration should contain all these compromises as themselves composers of the era would make it realized.

• Details
• Contents