KONZERTSTÜCK PENTRU VIOARĂ ȘI PIAN DE B. DUBOSARSCHI CA MODEL AL GENULUI DE CONCERT SINTETIC ÎN CREAŢIA COMPOZITORILOR MOLDOVENI CONTEMPORANI
KONZERTSTÜCK FOR VIOLIN AND PIANO BY B. DUBOSARCHI AS AN EXAMPLE OF SYNTHETIC CONCERTO GENRE IN THE CONTEMPORARY MOLDOVAN COMPOSERS’ CREATION

Summary/Abstract: Experiments in individual, authorial approaches to treating genre-specific means of expression at the beginning of the 20th and 21st centuries have been called “mixed” genres, which are particularly evident in the “diffusion of genres” — a phenomenon that involves combining several aspects of genre in a single composition. The concerto genre, which is based on competitiveness and spectacular performances, is a “favorite” component of genre diffusion in the work of composers from different eras. Konzertstück (concerto piece) can be classified as a small-scale “diffuse concerto genre” — a combination of the concerto genre with the instrumental chamber piece. B. Dubosarschi’s Konzertstück reflects not only the romantic approach to the concerto genre, but also implies, on the one hand, a monologue character and, on the other hand, the presence of a concerto element of virtuosity, rooted in Moldovan folk art.

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