Fals tratat despre avangardă. Note despre anti-teatrul european
False Treatise About Avant-garde. Notes on the Anti-European Theater

Summary/Abstract: The aesthetic manifestations of European dramaturgy often provides opportunity for questioning and reflection, with the stake to find the „ideal formula” for stage implementing the cotemporary world. The emergence of absurd drama can be understood only in the general context of the era in which philosophers, dramatists, artists were left in the game of collisions of dramatic forms and aesthetic positions. Defining the avant-garde has proven to be a challenge for many critics and theorists who have come to accept that it does not announce a style, but is itself a style, or more accurately said, an antistyle. Neither did Eugene Ionescu stay away from the temptation of the definition, which he expounded in some of some of his speeches. The playwright gives a panoramic view of the avant-garde, but remains concerned primarily with the metamorphoses of dramatic writing has passes through

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