TEATRUL CA MECANISM DE COMUNICARE, DE LA SEMN LA REPREZENTAREA UNOR NOI LUMI DISCURSIVE
THEATRE AS A MECHANISM OF COMMUNICATION: FROM SIGN TO THE REPRESENTATION OF NEW DISCURSIVE WORLDS

Summary/Abstract: This article examines theatrical communication as a complex process through which discourse is transformed into stage representation. Drawing on linguistics and theatre studies, it explores the interactions among the playwright, the director, the actor, the character, and the audience. It focuses on the cathartic function of theatre, its expressive potential, and the actualization of the dramatic text in both classical and postdramatic performance. The theoretical framework draws on the works of Roman Jakobson, Umberto Eco, Catherine Kerbrat-Orecchioni, Erika Fischer-Lichte, Hans-Thies Lehmann etc. The findings show that theatrical performance is a complex semiotic system capable of generating new discursive worlds and fostering affective, cognitive, and identity-related transformations.

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