Wybrzeże Morza Czarnego jako przestrzeń (wyobrażonej?) wolności we współczesnym kinie bułgarskim
The Black Sea Shore as a Space of (Imaginary?) Freedom in Contemporary Bulgarian Cinema
Author(s): Magdalena PytlakSubject(s): Visual Arts, Film / Cinema / Cinematography, Sociology of Art, History of Art
Published by: Uniwersytet im. Adama Mickiewicza w Poznaniu
Keywords: Bulgarian cinema; Black Sea; imaginary spaces; freedom; transition;
Summary/Abstract: The article analyzes the metaphor of the Black Sea in three contemporary Bulgarian movies – Hunting down small predators (dir. Tsvetodar Markov, 2010), Sneakers (dir. Ivan Vladimirov, Valeri Jordanov, 2011) and The Sinking of Sozopol (dir. Kostadin Bonev, 2014). The author of the thesis aims to answer the question about the origin of the symbolic meaning of the space and its connection with experiencing of freedom. The analysis focuses on two aspects of freedom – symbolic and generational.
Journal: Poznańskie Studia Slawistyczne
- Issue Year: 2024
- Issue No: 26
- Page Range: 83-98
- Page Count: 16
- Language: Polish
