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Ożenek odzyskany

Ożenek odzyskany

Author(s): Katarzyna Osińska / Language(s): Polish Issue: 114/2013

Gogol’s Marriage (the Studio Theatre in Warsaw, prem: 4 II 2013) was directed by Ivan Vyrypaev under the influence of inspirations from the theatre of Yevgeny Vakhtangov. In the author’s view, both directors are searching for ways of “crossing the boundary between the actor-as-a-character and actor-as-human-being” as well as exploring the relations between the actor and spectator, understood in a similarly dualistic manner. Gogol’s language is therefore at the service of Vyrypaev’s attempts to both investigate the reception of this writer’s work and to return to early theatrical conventions (regarded as obsolete) and initiate a dialogue between artists and spectators through experiencing the past.

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W odpowiedzi

W odpowiedzi

Author(s): Dariusz Kosiński / Language(s): Polish Issue: 63/2004

Projekt Tracing Road Across –Intervention

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"H." W.S. i J.K.

"H." W.S. i J.K.

Author(s): Joanna Targoń / Language(s): Polish Issue: 63/2004

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Paradoks zwany aktorem

Paradoks zwany aktorem

Author(s): Dorota Jarząbek / Language(s): Polish Issue: 63/2004

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Ocalić Makbeta

Ocalić Makbeta

Author(s): Mateusz Borowski / Language(s): Polish Issue: 63/2004

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Bardzo krótko współczesny

Bardzo krótko współczesny

Author(s): Piotr Gruszczyński / Language(s): Polish Issue: 63/2004

Interview with Krzysztof Warlikowski.

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Wawel na mnie nie działa

Wawel na mnie nie działa

Author(s): Piotr Gruszczyński / Language(s): Polish Issue: 63/2004

Interview with Jan Klata

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Alive, Alive-Oh

Alive, Alive-Oh

Author(s): Erzsébet Bori / Language(s): English Issue: 190/2008

György Szomjas: Vagabond • Csaba Bereczki: Életek éneke (The Song of Lives) • András Péterffy: Brassói pályaudvar (Bras¸ov Railway Station)

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Blood, Myth, Metaphysics

Blood, Myth, Metaphysics

Author(s): Tamás Koltai / Language(s): English Issue: 190/2008

Richard Strauss: Elektra • Shakespeare: Macbeth • Péter Esterházy: Rubens és a nemeuklideszi asszonyok (Rubens and Non-Euclidean Women)

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Astra Film Fest de la Sibiu

Astra Film Fest de la Sibiu

Author(s): Dumitru Budrală / Language(s): Romanian Issue: 510/2002

Dimitru Budrală writes a large interesting article about Astra Film Festival, a very important meeting for the cinema workers in Romania and abroad (China, Finland, Germany, Israel, Sweden, Great Britain, Hungary, USA, Holland.

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A boldog gyufaszál (Dénes Gábor Szenes Anikó-filmjéről)

A boldog gyufaszál (Dénes Gábor Szenes Anikó-filmjéről)

Author(s): Katalin Budai / Language(s): Hungarian Issue: 2/2000

Nem Hollywood. nem színes széles vásznú. "ahogy az amcók elképzelik az európai szörnyűségeket" mozi ez -- Dénes Gábor filmje szűkszavú, kemény puritán dokumentumfilm. A Golan-filmmüzem produkturna után valódi híradás, valódi emlékezés - szerény, de tartásos emlékmű.

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Transylvania 1956

Transylvania 1956

Author(s): Anna Sebõk Páskándi / Language(s): English Issue: 06/2011

The only region of East Central Europe where the Hungarian Revolution of October–November 1956 found powerful echoes was Transylvania, whose large Hungarian minority could follow events unfolding in Hungary in their own language, as Budapest-based Hungarian radio threw off the dead weight of censorship. Even before the revolution was crushed, the Romanian authorities turned the full force of their repressive apparatus, the secret police and the courts on those who dared speak out in support of the revolution, or who began to organize groups of their own to press for change in Romania. The Communist authorities did not just try to stamp out every spark of rebellion, they took the opportunity to attack the Hungarian intelligentsia of Transylvania, and break any residual resistance to Communism among the common people. In July 1959 the Hungarian-language Bolyai University in Cluj/Kolozsvár was merged with the Romanianlanguage Babeş University, and the Hungarian community lost a key institution for the survival of their language and culture. A speech by the new Hungarian Socialist Workers Party leader, János Kádár, installed by the Soviets, in Târgu Mureş/Marosvásárhely in February 1958 confirmed that the Romanian leadership now had a free hand to do what they liked with the Hungarian minority – Budapest would not speak up on their behalf in Moscow. In 1958, Soviet troops were withdrawn from Romania, as an acknowledgment of the reliability of the Romanian Communist government. The repression grew more intense. In 1960, the boundaries of the Mureş/Maros Autonomous Region were redrawn, to reduce the proportion of Hungarians in it. 19 major trials were held, of Hungarians accused of subversive activities. In one trial alone, prison sentences were issued totalling 1,200 years. 45 people were sentenced to death and over twenty executed. Dozens died in prison-camps, especially in the notorious Periprava camp in the Danube delta, as a direct result of the torture and mistreatment they received. The total number of those sentenced for political reasons in Romania between 1956 and 1961 is estimated at 10 to 15.000. The testimonies published below are extracts from the film Transylvania 1956 directed by Anna Sebõk Páskándi, photographed by Balázs Sára, produced by Gábor Sarudi, and coproduced by Quality Pictures Kft. and Duna TV in 2004. The specialist advisors were Miklós Horváth, János M. Rainer, Károly Vekov and Sándor Sára.

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Jurnal de spectator

Author(s): Daniela Magiaru / Language(s): Romanian Issue: 04/2013

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Anti-teizam među zvezdama

Anti-teizam među zvezdama

Author(s): Srđan Jovanović Maldoran / Language(s): Serbian Issue: 163-164/2012

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Medea znaczy kobieta

Medea znaczy kobieta

Author(s): Barbara Bibik / Language(s): Polish Issue: 4/2005

A review of Euripides’ Medea directed by Marcin Wierzchowski in the Wilam Horzyca Theatre in Toruń.

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"Miért jók a magyar filmek?"
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"Miért jók a magyar filmek?"

Author(s): Miklós Kiss / Language(s): Hungarian Issue: 01/2005

A comprehensive review on Gyöngyi Balogh's, Vera Gyürei's and Pál Honffy's A magyar játékfilm története a kezdetektől 1990-ig (The History of Hungarian Feature Films from the Beginnings to 1990).

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Lisandusi post-mõistestikule: postdramaatiline tekst

Author(s): Luule Epner / Language(s): Estonian Issue: 01/2007

In order to describe some recent developments in the theatre, H.-T. Lehmann has coined the concept of 'post-dramatic theatre' ("Postdramatisches Theater", 1999). In post-dramatic theatre the written text no longer functions as the central element of a performance; moreover, this type of theatre performance is not subject to the structure and conventions of a traditional (Aristotelian) drama, such as narrative, dialogue, coherent characters, etc. The article examines what relationship this notion has with the postmodern theatre, how the concept of post-dramaticity is constructed and how it is applied to the analysis of texts for the stage. A drama text is characterized by inner theatricality, i.e. it reflects the basic structural traits of a performance (most importantly – the position of the spectator, built into the text), as well as certain theatre conventions specific to the particular era. In the article the nature of post-dramatic theatricality and the main strategies of post-dramatic texts are studied. The relevant phenomena in Estonian writings for the theatre are examined on the example of the theatre texts by stage directors Mati Unt, Tiit Ojasoo and Ene-Liis Semper, Tiit Palu, etc.

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From a Tower, Darkly

From a Tower, Darkly

Author(s): Erzsébet Bori / Language(s): English Issue: 189/2008

Béla Tarr: A londoni férfi (The Man from London)

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Telling Stories Would Be a Good Start. Shane Danielsen in Conversation with Dávid Dercsényi

Telling Stories Would Be a Good Start. Shane Danielsen in Conversation with Dávid Dercsényi

Author(s): Dávid Dercsényi,Shane Danielsen / Language(s): English Issue: 189/2008

The above interview, arranged by the Hungarian Film Union, took place in Budapest on 5 February 2008.

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The War of All Against All

The War of All Against All

Author(s): Tamás Koltai / Language(s): English Issue: 189/2008

László Márton: A nagyratörő (The Pretender to Greatness) György Spiró: Árpád-ház (House of Árpád) György Spiró: Ahogy tesszük (As We Do It)

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