ПІДГОТОВКА СТУДЕНТІВ ВИЩИХ НАВЧАЛЬНИХ ЗАКЛАДІВ МИСТЕЦТВ ЯК АКТУАЛЬНИЙ НАПРЯМОК ЕСТЕТИЧНОГО ВИХОВАННЯ В ІНФОРМАЦІЙНОМУ СУСПІЛЬСТВІ

Author(s): Olena Mykolayivna Kosinova / Language(s): Ukrainian Issue: 36/2019

The purpose of this work is to study the concept of aesthetic education of students of the WHO as a purposeful and systematic process of formation of aesthetic concepts, tastes and ideals, attitude to the profession, to nature and art, to society and life, to communication and relationships, development of creative component of professional activity under the laws of beauty and emotional and sensual sensitivity to the beautiful and nasty. The research methodology involves a comprehensive approach with the use of analytical, systematic, and comparative methods, which makes it clear that the aesthetic education of creative youth requires a meaningful content, creating optimal conditions for the aesthetic education of students of creative specialties. The scientific novelty of the work is to actualize the aesthetic education of student youth in the context of the development of the information society and to form new bases for the preparation of students of creative specialties in higher education. This process involves the acquisition of aesthetic knowledge by students and the formation of relevant beliefs, needs, interests, habits, skills and abilities according to the requirements of the modern information society. Conclusions. Creating aesthetic conditions implies that the joint pedagogical activity of subjects and objects of education is perfect in terms of the requirements of aesthetics. Thus, the provision of educational, material, organizational, moral and psychological, aesthetic and hygienic conditions naturally determines the effectiveness of the process of aesthetic education of students of the WHO. Thus, in the conditions of WHO the formation of the personality of the future specialist with harmoniously combined professional, moral and aesthetic, psychological qualities is ensured by purposeful educational work. Aesthetic education is considered as one of the important directions in the process of realization of the tasks of the national higher school. An important role in ensuring the effectiveness of the preparation and aesthetic education of students is played by the creative use of relevant world experience in the field of vocational training of creative youth.

Kino zorientowane ku przedmiotom

Author(s): Andrzej Marzec / Language(s): Polish Issue: 110/2020

The author investigates the recent phenomenon of object-oriented cinema. Interpreting the films of Quentin Dupieux and Peter Strickland, he focuses primarily on the key category of speculative realism that is allure, and distinguishes it from sensual seduction, which is most often confused with. Then, referring to the Jane Bennett theory of vitalist materialism and her concept of thing-power, he asks about the agency of objects and why it is so difficult for us to imagine it. He presents the passive-active nature of agency of Bennett on the example of the latest film by James Benning, Maggie’s Farm (2019). The author proves that aesthetics and rhetoric in object-oriented cinema are not superficial ornaments, but on the contrary allow individual filmmakers to look at objects in a different way.

Фантастичното като утопия: интелектуална идентичност без място

Author(s): Bogdana Paskaleva / Language(s): Bulgarian Issue: 1/2020

За автопортретното в портретите на Цветан Тодоров

Author(s): Stoyan Atanassov / Language(s): Bulgarian Issue: 1/2020

Цветан Тодоров и Станислав Лем: Едно продуктивно недоразумение

Author(s): Miglena Nikolchina / Language(s): Bulgarian Issue: 1/2020

Цветан Тодоров, роман

Author(s): Stefano Lazzarin / Language(s): Bulgarian Issue: 1/2020

Триумф на писателя?

Author(s): Larisa Botnari / Language(s): Bulgarian Issue: 1/2020

Jak kupiec Symonowicz trafił do polskiej komedii

Author(s): Dorota Jarząbek-Wasyl / Language(s): Polish Issue: 6/2019

On 4th March 1766, Franciszek Bohomolec’s Małżeństwo z kalendarza (“Marriage by the Calendar”) was performed in Warsaw on the newly opened national stage. The play features an episodic character of a Warsaw merchant who immediately after the premiere was recognised as a satire on Symon Der Symonowicz, the owner of breweries and manufacturer of wine goods. The account of the lampoon attack on Symonowicz, though accepted as a fact, can also be called into question. The author of the article examines both the origin of this circulating account (the reports of the Saxon agent Johann Heine) as well as the text of the drama and the theatrical context (the aesthetic principles of the National Theatre) to outline a more complex and ambiguous background of the anecdote about the first Armenian in Polish comedy

Ëndrra në letrat shqipe 1990 – 2000

Author(s): Alma Brazhda,Blerta Puka / Language(s): Albanian Issue: 38.2/2019

The theme selection is on the track of attempts to research through analysis and interpretations, how the theme of dream evolves through years 1990-2000 in Albanian editions (Albanian literature and translated literature) based on the bibliographic evidence of editions in the National Library of Albania. This paper aims to justify the place that the dream as a topic has in the editions of this period of time. The varieties of dream in these editions are different (dream as a wish, dream as a challenge, dream as determinant of fate, dream as pain and suffer etc.) Furthermore, this paper has aimed to reveal the theme of dream through literary genres based on literary-textual guidelines and not ethnographic or psychological ones. There are brought on focus researches of new occurrences related to a point of view completely literary and aesthetic of the dream as a model of interpretation. In this working we will analyse the dream as a form of artistic organization in the structure of the literary system. Through this paper we aim to come in conclusions and recommendations of high importance through analysis and interpretations to make the readers realise the varieties of dream and its different forms in the Albanian literature of these years. This form of dream occurrence in the Albanian literature of that decade will be realised through the combination of quantitative method with that qualitative. What is fundamental in our working is, the intensity of information “vertically” remains much more important than the quantity, “horizontal” extension. The entire study based on these principles would give us an adequate interpretation of dream that is quite complicated.

KNJIŽEVNE REVOLUCIJE: NASLIJEĐE AVANGARDE U HRVATSKOJ KNJIŽEVNOSTI

Author(s): Marina Protrka Štimec,Danijela Lugarić Vukas,Zvonimir Glavaš,Predrag Brebanović,Branislav Oblučar,Tatjana Jukić,Maša Kolanović,Danijela Lugarić,Andrea Milanko,Bruno Sokolić / Language(s): Croatian,Serbian Issue: 1-2/2020

Tribune of the Croatian Foundation for Science (19. September. 2019) - Faculty of Philosophy, Zagreb

Antyczne źródła estetyki muzycznej

Author(s): Jacek Bramorski / Language(s): Polish Issue: 46/2020

Począwszy od Pitagorasa, poprzez Platona i Arystotelesa, starożytna teoria estetyki muzycznej akcentowała szczególne znaczenie piękna muzyki w perspektywie etycznej, zarówno w wymiarze osobistym, jak i społecznym. Muzyka spełniała istotną funkcję w wychowaniu młodzieży według szlachetnego ideału kalokagatii. W ten sposób stanowiła ona niezbędny element antycznej paidei, formując moralny charakter człowieka oraz uzdalniając go do kontemplacji piękna. Antyczna wizja estetyki muzycznej stała się bliska chrześcijańskiemu ujęciu tego zagadnienia. Charakterystyczna dla filozofii starożytnej koncepcja etosu muzycznego wywarła wpływ nie tylko na kształtowanie się teorii muzyki w następnych wiekach, ale na rozwój całej kultury europejskiej. Myśl filozofów antycznych nie straciła swej aktualności. Wskazuje także nam, że nie można ograniczać dzieła wychowania jedynie do aspektu praktyczno-technicznego, gdyż pomijając wyższe zdolności duszy, nie osiągnie się właściwego celu edukacji, jakim jest moralna dobroć i prawość człowieka.

BĀBELES LAIKI: RELIĢISKĀ VALODA UN ARHITEKTŪRAS FENOMENOLOĢIJA

Author(s): Māra Rubene / Language(s): Latvian Issue: 1/2020

The author of this essay has used the Babel Tower to get closer to the evocative nature of language. Reflection on the symbolic, metaphoric and idiomatic nature of the Babel Tower is developed by following the turn to aesthetics in religious studies, as well as researching the theme posed by Paul Ricoeur on the relationships between philosophy and religious language. Ricoeur’s ideas on the creative nature of language are disclosed by pointing to the differences between the religious and poetic language, as well as his analogous positing of architecture and narrativity. The phenomenological aspect is emphasised by reminding of Ricoeur’s and Ingarden’s aesthetic affinities. For both of them, not only the critique of Edmund Husserl’s transcendental idealism is important, but also the analysis of Kantian philosophy. Moreover, both are careful readers of Aristotle, notably Poetics. As the Babel Tower so the Notre-Dame de Paris are rich sources of sedimented meanings both on the level of aesthetics and religion or religious language. Paul Ricoeur by elaborating the study of Bible, as well as Aristotle has revived a philosophical discussion and has become influential in areas somewhat distant of his direct interests, namely, aesthetics and theology.

Montaigne entre amphibolies du relativisme et pari humaniste

Author(s): Nikola Panichi / Language(s): French Issue: 49/2020

Le fantastique en tant qu’utopie. Une identité intellectuelle sans lieu

Author(s): Bogdana Paskaleva / Language(s): French Issue: 49/2020

Tzvetan Todorov and Stanislaw Lem: A Productive Misunderstanding

Author(s): Miglena Nikolchina / Language(s): English Issue: 49/2020

Frontière de la peau

Author(s): Bourahima Ouattara / Language(s): French Issue: 49/2020

Art and the End of the World in Kierkegaard

Author(s): Leonardo F. Lisi / Language(s): English Issue: 1/2021

Any interpretation of Kierkegaard’s relation to art must account for the contradiction that he both dedicated extraordinary attention to aesthetics and condemned it as the lowest of the stages of existence. This article attempts such a task in three steps. First, it examines Kierkegaard’s notion of beauty as the sensuous embodiment of ideas, a conception he shares with his Danish and German contemporaries. Second, it shows how Kierkegaard follows Hegel in taking this definition to also impose precise internal and historical limits on art. Finally, the paper suggests that Kierkegaard conceives of the religious as a way to overcome these limitations and provide an alternative way to justify the absolute value of immediate experience.

Long Life’s Journey into Truth. Søren Kierkegaard, Eugene O’Neill and the Woman

Author(s): Alexandra Noemina Câmpean / Language(s): English Issue: 1/2021

This article investigates the literary weight of Søren Kierkegaard in modern theatre, and particularly his influence on Eugene O’Neill, the canonical American tragedian. My main hypothesis is that O’Neill, in the construction of his dramatic characters and in the technique of writing, owes a lot not only to August Strindberg – as he declared himself –, but also to Kierkegaard, through his own (re)readings and through the crucial influence that Kierkegaard has had on Strindberg, Ibsen and Nietzsche. In this regard, the strange and obscure relation between woman and truth, anxiety and mourning is examined via three types of femininity: Nina Leeds (from Strange Interlude, 1928) who, in search of her femininity, fears losing what she could never have had; Lavinia Mannon (from Mourning Becomes Electra, 1929) who, as the ancient Antigone, commits herself to a form of death-in-life, beyond the generic guilt without sin. Lastly, Mary Tyrone (from Long Day’s Journey into Night, 1940), a substitute of the playwright’s mother, the most anguished woman of O’Neill’s feminine characters, is a living dead who prematurely began the mourning for her not-ended-life, since commemoration is associated with the utmost painful.

›Kanonische Menschen‹? Zum Verhältnis von literarischer Form und Lebensform

Author(s): Christine Magerski,Aida Alagić / Language(s): German Issue: 29/2020

Novalis formulated the imperative that the life of a canonical human being must be symbolic. A novel made by us should be life. Friedrich Schlegel added that every educated person contains a novel inside him, but does not need to write it. Those who do, however, publish themselves. But can life be shaped into a novel? Georg Lukács’ volume of essays entitled "Soul and Form" revolves around this question. The first part of this article is also devoted to this question. The second part attempts to provide an answer to this question by pointing to the ›artist’s novel‹ as the decisive link between art and life. The concluding, third part of the article illustrates the significance of the artist’s novel with the example of Michel Houellebecq’s "Map and Territory".

Abstieg in die Form. Deutsche Gegenwartsliteratur und das beschädigte Leben

Author(s): Jan Behrs / Language(s): German Issue: 29/2020

In Lukács’ early work, the concept of form is very concretely linked to modern man’s aesthetic experience of loss around 1900 and any attempt to update it hinges on the question whether Lukács’ method can be applied to the present at all. This article undertakes such an application of his method by relating two core concepts from "Soul and Form" – bourgeoisie and sentimentality – to three ›neighbourhood novels‹: R. Schamoni’s "Große Freiheit", H. Strunk’s "Der goldene Handschuh" and H. Fichte’s "Die Palette" all deal with extremely marginalized groups in society, and the question arises whether Lukács’ categories are helpful in describing the form chosen in each case.