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The analysis of the prayer contained in the Hebrew-Russian prayer book allows to describe the linguistic image of God and his people — Israel/Jews. Appealing to the patriarchs, to the covenant between God and Israel, to the Torah, Jerusalem and temple worship, that is, the centuries-long Jewish religious tradition, are cultural codes, and at the same time key components of Jewish identity. They are a point of reference in considering so called the Jewish question, taking into account primarily the Jewish perspective, not the Christian one.
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The text briefly presents the third edition of the Forum “Research Methods in Bulgarian Language and Education”, organised by the Institute for Bulgarian Language “Prof. Lyubomir Andreychin” in 2018. The Forum is a part of the activities conducted under the project of the Institute for Bulgarian Language “The Written Word Remains. Write Correctly!”.
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The article presents the current development of the Bulgarian language and reveils some negative phenomena in its use. There is a comprehensive program to curb these phenomena, which includes the activity of linguists, teachers, the public and media. The role of institutions such as the Institute for Bulgarian Language and the Ministry of Education and Science in the process of enhancing the linguistic culture and language competence of all Bulgarians is emphasized.
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The confrontation of common sense and the complex deductive schemes of scientific knowledge often plays a retaining role, and creates in linguistics some methodological obstacles for understanding the essence of linguistic substance and its form. On the other hand, such confrontation stimulates all a priori created abstract models of the overall architectonics of the linguistic levels and provides conditions for the emergence of new ideas and methods in linguistics, thus paradoxically becoming a guarantor of the progressive movement towards constant refinement of the research methods
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The article includes aspects of the configurational syntactic analysis, which gives promising perspective for the school practice compared to the traditional approach. The idea for applying elements from the formal grammar while learning specific thematic units from the material for the 7th grade has been argued with new analytical practices. It turns out that students manage to understand the grammatical formalisms. Furthermore, the decoding of the formal notes and the work on the structurographical sentence outline, automatically discloses the function of the sentence elements without questions. The Structurography provides reliable techniques to make a fingerprint of the personal linguistic profile. If the teacher has this idea when helping students with the evolution of their language skills, the teacher would be able to measure in any moment the range and depth of the simple clause and complex sentence. This is actually a work for developing the individual language potential, which – for those who study syntax in 21st century, acquires visible priority compared to the absolutely hackneyed school practice.
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The study presents the answers to three questions from a nationally representative sociological survey on the language attitudes of Bulgarians conducted in 2017. Respondents’ answers contain information on school and teachers role regarding literacy. Analysis of the data indicates that teachers are important factor in formation of language attitudes pride and awareness of the norm
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Tackling lexical difficulties (i.e. confusable words) in learning and teaching Norwegian as a foreign language at university level and the typologization of those difficulties requires an integrated approach which takes into account the intra-system lexical relations and asymmetries, as well as the negative language transfer from genetically closely related languages. One of the major sources of lexical difficulties is paronymy, as manifested in students’ interlanguage. The paper outlines three major groups of paronymic lexical items, including word-formation variants, and illustrates the proposed integrated approach to confusable words by relevant case-in-point examples.
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This article focuses on poetry as a phenomenon of futuristic art. “Zaum” is not an invention of futurists. It exists as an adequate means of transmitting ecstatic states to the shamans, its spirites, its esoteric and religious function has been known since antiquity. For Kruchonich, as well as for a number of other poets and playwrights, such as I. Zdenevich, the opportunity is to avoid the wrong verbal meanings, the speech patterns, and speech parsing. It is a path to the emotionally-sensual sphere and sub consciousness of man. Since, in the art of futurists, it is important not to copy reality, but to validate one’s own being and creative activity. An instrument of such activity is deformation, overturning, breaking the form. Hence,mistakes are deliberately legalized and even canonized because the error creates a distracting effect and makes us see in the act of deformation the return to the poetic. Poetic poetry, of course, does not end its development in a natural way. It is forbidden, as is the incomprehensible art. In 1931, the OGPU brought an action against the Obiratels and A. Tuffanov for the sake of accusation, accusing them of subversive plans against Soviet power. Moody poetry resurrected in the 1950s, when poets such as Vladimir Kazakov, Henry Sapgir, Igor Choline, Sergey Siege, Rie Nikonowa gradually entered the literature. The return to the pre-cultural state to which the futuristic mind calls the simultaneous renewal of the world and art, the rediscovery of the lost unity between man and space.
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One of the literary discourse features is the embodiment of thoughts in the form of images. The image structures artistic literary space. Artistic figurativeness simulates a particular reality, which has co-referent nature and it has visualization of worldview as the basis of intention. Processes of creating and understanding literary text are identical. Stages of the processes include figurative categorization, unpacking and reading of images. Imagery means, included in a text, form a figurative paradigm which is headed by the base image. The coherence of figurative means is the structuring principle of the literary text. On the one hand, the base image variation is limited by the cognitive matrix corresponding to one or another mental code; on the other hand, it is unlimited and unpredictable and depends on the text author’s creative potential. The base image organizes the cognitive activity of the author and the reader. It becomes the basis for artistic communication, ensuring its effectiveness. The base image determines the adequacy of the text understanding. Due to the base image, addressee covers the entire paradigm of figurative means and, to some extent, correctly interprets it. Violation of this pattern leads to destruction of the text imagery integrity, to interference in artistic communication. The base image embodies one of the fundamental principles of hermeneutics: the requirement of a holistic interpretation, subordination of all text elements to a single text-forming foundation.
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In the article is considered the stratagem of rhetorical approach to language teaching as a psychological and pedagogical condition of forming of rhetorical competence of pupils in the process of language education. There have been presented the conception of rhetorical approach (strategic idea, principle, categorical apparatus). The implementation of rhetorical approach in school language education is realized by means of using rhetorization on the levels of educational process, subject and task.
More...В статията се прави допълнение към предложената от проф. Ст. Брезински система на българските сказуеми. Ревизира се становището за липсата на прости номинални, прономинални, нумерални и адвербиални сказуеми, като се прилага логико-семантичният подход
With this article we propose an addition to Prof. Brezinki’s system ofBulgarian predicates. The statement about the absence of simple nominal, numeraland adverbial predicates is revised. Five new types are introduced – four-component(containing a modal, phase, auxiliary verb and main ingredient – noun / adjective,pronoun, numeral name, adverb or interjection), as well as another type verbalpredicate – four-component, obtained by adding another modal verb to the complexcomposite predicate.
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This text describes different online forms introduced in the last 10 years in the teaching of practical Slovak language and a number of theoretical Slovakistic disciplines based on a synchronous approach, such as phonetics,morphology, lexicology, syntax, stylistics of contemporary Slovak language, and diachronic orientated disciplines such as the historical grammar of the Slovaklanguage and the history of Slovak literature. This work presents three basic typesof online forms, such as elements of e-learning: the reference form dominating inonline dictionaries, the form of memorization typical of the lexical simulator andthe control form used in online tests. Having said that, the role of two scientificprojects for the realization of these forms is emphasized – the project Bulgarian Virtual Slovakistics (2008-2010) and the project Virtual Slovakistics (2018).
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The article presents some modern approaches in the teaching of Bulgarian language, some applied methods and forms, which turn the pupil into an active creative person, the realization of intercurricular relations and dependencies. the new role of the teacher and the pupil in the modern educational paradigm. Different methods and forms of interactive training, activating the participation of pupils in Bulgarian language teaching, developing creative abilities, increasing motivation, achieving higher success and competencies are discussed.
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Because of the ever wider introduction of translation courses at universities in recent decades, contemporary translation studies have begun to develop methodological guidelines for specialized training in poetry translation, an area that until recently remained on the fringes of research.This article presents a sample schedule for organizing classes in poetry translation that is consistent with both the specificity and difficulties of this genre of translation, and with the objective limitations of university courses in terms of time and resources. The proposals are practical and their purpose is to help teachers optimize the teaching and learning process in fulfilling their complex task of training future translators of poetry.
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